This book examines Palestinian politics in Jerusalem since 1967, and in particular since the outbreak of the second Intifada in September 2000, focusing on the cityâe(tm)s decline as an Arab city and the identity crisis among the Jerusalemite Palestinians. Principally concerned with Palestinian politics and how they have evolved over time from the grass roots upwards, it covers issues such as the separation wall, military activity and terror, planning regulations, the joint Jewish-Arab struggle against the occupation, and efforts to remove Palestinians from the city. Drawing upon conversations with hundreds of Palestinians âe" Islamists, nationalists, collaborationists, and a-political people âe" as well as upon military courts files and Palestinian writings, Hillel Cohen tells the story of the failure of the Palestinian struggle in Jerusalem in both its political and military dimensions. He points at the lack of leadership and at the identity crisis among Palestinian Jerusalemites which were created by Israeli policies (the separation wall, the closure of Palestinian institutions) and Palestinian faults (the exclusion of Jerusalem from the Palestinian Authority in Oslo Agreements, or the suicide attacks in the second Intifada). Providing a broad overview of the contemporary situation and political relations both inside the Palestinian community and with the Israeli authorities, the book gives a unique insight into Palestinians' views, political behaviour, and daily life in Israel's capital. As such, it is an important addition to the literature on Palestinian politics, Jewish and Israeli studies, and Middle Eastern politics.

Publishes original critical reviews of the significant literature and current development in genetics.

Psychoanalyst, teacher, and scholar, Heinz Kohut was one of this century's most important intellectuals. A rebel, according to many mainstream psychoanalysts, Kohut challenged Freudian orthodoxy and the medical control of psychoanalysis in America. His success in treating narcissistic disorders and his highly influential book How Does Analysis Cure? established Kohut's Self Psychology as the strongest rival to traditional psychoanalysis today. The Curve of Life reveals Kohut's private and public life through a unique collection of lively and thoughtful correspondence with colleagues, public figures, family, and close friends. Over 300 never-before-published letters, drawn from Kohut's private files and from colleagues, cover Kohut's life from his native Austria in the 1930s until his death in 1981. Because many of his letters were so substantive, this rich collection clarifies Kohut's landmark published works. In letters to such diverse personalities as Anna Freud and Bruno Walter, Kohut meditated on some of the most intriguing psychoanalytic questions of the day—the nature of psychological cure, the relationship between doctor and patient, and the role of the Oedipus complex in psychoanalysis. The correspondence also reveals Kohut's lively interest in literature, music, history, and culture, as well as his deep and often contentious involvement in the politics of the psychoanalytic movement. Kohut discussed his theories in letters to August Aichhorn, Heinz Hartmann, the Surgeon General, and even Jacqueline Kennedy, and the responses, some published here for the first time, prompted him to explore his ideas from a variety of perspectives. A letter from Anna Freud provoked Kohut to respond this way: "What you had to say gave me great pleasure, and your approval was a welcome support amidst the inescapable insecurities under pressure to which we are all exposed. Strangely enough, it was not the discussion of scientific contributions and other statements that I had sent to you but the very last, parting sentence of your letter which gave me the most food for thought. You sent me your best wishes for the presidency of the American Psychoanalytic Association, and expressed the hope that '...this office permits opportunity for some revolutionary moves.'" The Curve of Life illuminates the evolution of Kohut's theory of the psychology of the self, and provides a rare glimpse into the institutional and intellectual history of psychoanalysis in the last half of this century. These letters will fascinate not only scholars in psychoanalysis, but also those in the humanities, social sciences, and even theology, as well as general readers curious about the private thoughts of a towering figure in intellectual life.

"This rediscovered gem of Czech literature, a crime novel by renowned Holocaust memoirist Heda Margolius Kovaly, depicts a chilling moment in history, redolent with the stifling atmosphere of political and personal oppression of the early days of Socialist Czechoslovakia. In 1985, Czech Holocaust memoirist, literary translator, and political exile Heda Margolius Kovaly turned her pen to fiction. Inspired by the stories of Raymond Chandler, Kovaly knit her own terrifying experiences in early 1950s Socialist Prague -- her husband's imprisonment and wrongful execution, her own persecution at his disgrace -- into a gorgeous psychological thriller-cum-detective novel. Set in and around a cinema where a murder was recently committed, Innocence follows the unfolding of the investigation while telling the stories of the women who work there as ushers, each of whom is forced to support herself in difficult circumstances. As the novel brings this group alive, it tells their various life stories that have brought them to this job, the secrets they share with one another, and the secrets they keep. When the detective trying to solve the first murder is found slain by the cinema, all of their secrets come into the light. A smart, evocative, and deeply stirring literary crime novel with international appeal"--

When Gregory Baum took a two year leave of absence from his university classroom to become a student of sociology, he made discoveries that form the heart of this important, provocative new work. He became convinced that the great sociological literature of the 19th and 20th centuries records human insight and human wisdom as much as philosophical writings and that it should have a special place in the education of philosophers and theologians. He found truths there, absent from his own primary disciplines, that actually modify the very meaning of philosophy and theology. In Religion and Alienation Gregory Baum hopes to introduce the student of theology to the sociological tradition he has discovered with the hope that more theologians will enter into a conversation with social thinkers. In this work, Baum himself, makes use of sociological concepts and insights to understand more clearly what Christian practice should be in the present and how we can more adequately formulate the presence of the Holy Spirit in society. And perhaps most important is a conviction running through the whole of Baum's theology that contemporary religion plays a critical role in society and summons people to social change. -Publisher

"Presenting diverse perspectives from eminent scholars and contemporary researchers, The Handbook of Impression Formation contextualizes current and future areas of research in the social psychology of impression formation within a rich historic framework. Affirming that impression formation is at the core of human experience, chapters explore how and why people form snap judgments about others and when those impressions update. They examine the processes through which people infer the reasons for the events they encounter, allowing people to plan for appropriate behavioral responses to social contexts. The research reviewed is informed by the foundational theory of unconscious automatic processes involved in making judgements of other people, pioneered by Professor Jim Uleman who contributes a chapter that suggests important new directions, and concludes the volume by reflecting on the state of the field more broadly. The book explores how certain attributes stimulate categorization, examining current issues around implicit bias, stereotypes, and social media. Chapters cover a range of approaches, featuring personal narratives, presentation of new data and discoveries, comprehensive literature reviews, and contemplations on where the field must go and what questions require focus for progress to be made, calling for even the most advanced scholars to contribute more to the collective investigation of impression formation. This fascinating work provides a solid foundation from which all researchers can build a new and unique program of research, and arms the reader with the intellectual tools they need to chart new theoretical territory and discover aspects of the human experience we have yet to even wonder about. It is essential reading for students and academics in social psychology, and the social sciences more broadly"--

For investing movies with an image of style and glamour George Cukor (1899--1983) is considered one of the founding fathers of the Golden Age of Hollywood. The roll call of the great films he made and the stars he directed validates his rank as one of cinema's greatest moviemakers. "The only really important thing I have to say about George Cukor," Katharine Hepburn proclaimed, "is that all the other directors I have worked with starred themselves. But George 'starred' the actor. He didn't want people to say, 'this great director.' He wanted them to say 'this great actor.' " Along with introducing Hepburn and Greta Garbo to American audiences, he worked with many of the most acclaimed movie actresses of his day, including Vivien Leigh, Olivia de Havilland, Jean Harlow, Elizabeth Taylor, Joan Crawford, Ingrid Bergman, Ava Gardner, Claudette Colbert, Angela Lansbury, Judy Holliday, Audrey Hepburn, and Marilyn Monroe. These interviews are a pleasure to read because Cukor is so immersed in his subject and so forthright in his observations. He comes to life immediately with disarming candor and infectious enthusiasm for cinema and the people who make it. In addition to discussing his romantic comedies, Cukor talks about his famous screen adaptations of classic novels and plays, including Little Women (1933) and David Copperfield (1935). His experience of being fired by producer David O. Selznick partway through the shooting of Gone With the Wind (1939) surfaces in nearly every interview. Instead of having his career derailed by this dismissal, however, he continued his rise as one of America's premier directors. In his cornucopia of films are Holiday (1938), The Philadelphia Story (1940), Adam's Rib (1949), Born Yesterday (1950), A Star Is Born (1954), Let's Make Love (1960), and My Fair Lady (1964). Cukor was a man of myriad dimensions. In his last years he opened up about his private life and his previously undisclosed homosexuality. He was ardent in his friendships and single-minded in his devotion to making quality movies for a popular audience. Robert Emmet Long, a literature and film scholar and writer living in Fulton, New York, is the author or editor of more than forty books, including John Huston: Interviews (University Press of Mississippi).

A volume of poetry by 50 writers from antiquity to present. It includes: translations of biblical and rabbinic literature; poems from the medieval period; Sarah Horowitz's intimate lyric poems woven into communal prayers from the early modern period; and contemporary poetry.

"this book fills a gap in psychological literature. It gives both the professional and the psychologically minded layman a welcome set of bearings in territory which-at any rate to begin with-most people find rather hard of access....I would like to recommend this book most cordially to the reading C G. Jung May 1949

Who could have guessed that the lowly fruit fly might hold the key for decoding heredity? Or that the mouse might one day disclose astonishing evolutionary secrets? In a book infused with wisdom, wonder, and a healthy dose of wry skepticism, Nobel Prize-winning geneticist François Jacob walks us through the surprising ways of science, particularly the science of biology, in this century. Of Flies, Mice, and Men is at once a work of history, a social study of the role of scientists in the modern world, and a cautionary tale of the bumbling and brilliance, imagination and luck, that attend scientific discovery. A book about molecules, reproduction, and evolutionary tinkering, it is also about the way biologists work, and how they contemplate beauty and truth, good and evil. Animated with anecdotes from Greek mythology, literature, episodes from the history of science, and personal experience, Of Flies, Mice, and Men tells the story of how the marvelous discoveries of molecular and developmental biology are transforming our understanding of who we are and where we came from. In particular, Jacob scrutinizes the place of the scientist in society. Alternately cast as the soothsayer Tiresias, the conscienceless inventor Daedalus, or Prometheus, conveyer of dangerous knowledge, the scientist in our day must instead adopt the role of truthteller, Jacob suggests. And the crucial truth that molecular biology teaches is the one he elaborates with great clarity and grace in this book: that all animals are made of the same building blocks, by a combinatorial system that always rearranges the same elements according to new forms.

Many writers and artists have undertaken the difficult task of recreating the image of Lenin for their contemporaries and future generations. The Blue Notebook by the well-known Soviet author Emmanuil Kazakevich (1913-1962) has become one of the most popular books about Lenin. A notebook in a blue cover actually did exist. In it Lenin jotted down notes for his famous book State and Revolution which he worked on in the difficult days preceding the Great October Socialist Revolution. At the time Lenin was in hiding at Razliv Station, from where he directed the preparations for the armed uprising. "He was a passionate traveler, a hunter, a crack shot, a top-notch driver, the life of the party, witty and full of fun... Moreover, he was a truly courageous soldier." This portrait of Kazakevich was drawn by his contemporary and colleague, the writer Alexander Tvardovsky. During the Second World War Kazakevich, commander of a platoon, was asked to join the staff of the brigade newspaper. After working on the paper for a short while he asked to be transferred back to the front lines. "The front lines are important to me not only as a patriot, but as a writer," he said. Emmanuil Kazakevich was born in the Ukraine in 1913, the son of a teacher. His first book, a volume of poetry, was published in 1932. He translated the works of Pushkin, Lermontov, and Mayakovsky into Yiddish. Kazakevich's first prose work, The Star, is a harsh, yet sensitive war story which gained him world fame. This was followed by Spring on the Oder, Heart of a Friend, Two in the Steppe, The House on the Square, By the Light of Day and The Blue Notebook, the author's last work. Kazakevich was twice awarded the State Prize for Literature.

In the last three decades, hundreds of books and essays have been published on women, gender, and Jewish Studies. This burgeoning scholarship has not been adequately theorized, contextualized, or historicized. This book argues that Jewish feminist studies is currently constrained by multiple frames of reference that require re-examination, a self-critical awareness, and a serious reflective inquiry into the models, paradigms, and assumptions that inform, shape, and define this area of academic interest. This book is the first critical analysis of Jewish feminist scholarship, tracing it from its tentative beginnings in the late 1970s to contemporary academic articulations of its disciplinary projects. It focuses on the assumptions, evasions, omissions, inconsistencies, and gaps in this scholarship, and notably the absence of debate, contestation, and interrogation of authoritative articulations of its presumed goals, investments, and priorities. The book teases out implicit thinking about mapping, direction, and orientation from introductions to leading anthologies and engages critically with the few explicitly theoretical works on Jewish feminist studies, contesting ideas that have become hegemonic in some areas, and interrogating the limitations these theories impose on future trajectories in Jewish feminist studies. Each chapter outlines the theoretical assumptions that inform salient publications in the field, providing a close reading of scholarly texts that justify certain practices. The book is divided into four chapters, each of which focuses on a different frame of reference. It outlines the way in which the various frames that have so far been imposed on Jewish feminism, the ethnocentric, liberal, personal, masculinist, and essentialist, have arrested its theoretical elaboration and articulation. The book includes both interdisciplinary anthologies on gender and Jewish identity and disciplinary publications in history, literature, philosophy, cultural studies, and Holocaust studies.

The two essays in this classic work by sociologist Erving Goffman deal with the calculative, gamelike aspects of human interaction. Goffman examines the strategy of words and deeds; he uses the term "strategic interaction" to describe gamelike events in which an individual's situation is fully dependent on the move of one's opponent and in which both players know this and have the wit to use this awareness for advantage. Goffman aims to show that strategic interaction can be isolated analytically from the general study of communication and face-to-face interaction. The first essay addresses expression games, in which a participant spars to discover the value of information given openly or unwittingly by another. The author uses vivid examples from espionage literature and high-level political intrigue to show how people mislead one another in the information game. Both observer and observed create evidence that is false and uncover evidence that is real. In "Strategic Interaction," the book's second essay, action is the central concern, and expression games are secondary. Goffman makes clear that often, when it seems that an opponent sets off a course of action through verbal communication, he really has a finger on your trigger, your chips on the table, or your check in his bank. Communication may reinforce conduct, but in the end, action speaks louder. Those who gamble with their wits, and those who study those who do, will find this analysis important and stimulating.

""Man The Measure: A New Approach To History"" by Erich Kahler is a philosophical and historical exploration of the human experience throughout history. The book argues that traditional approaches to history have focused too heavily on the actions of great individuals and the rise and fall of empires, neglecting the essential role that culture and society play in shaping human history. Kahler offers a new approach to understanding history, one that places the individual at the center of the story and emphasizes the importance of cultural and social factors in shaping human experience. Drawing on a wide range of sources, including literature, art, and philosophy, Kahler presents a compelling argument for a more holistic approach to history that takes into account the full range of human experience. This book is a must-read for anyone interested in the history of human culture and society, and offers a fresh perspective on the way we understand the past.""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In this book, one of the most distinguished scholars of German culture collects his essays on a figure who has long been one of his chief preoccupations. Erich Heller's lifelong study of modern European literature necessarily returns again and again to Friedrich Nietzsche. Nietzsche prided himself on having broken with all traditional ways of thinking and feeling, and once even claimed that he would someday be recognized for having ushered in a new millennium. While acknowledging Nietzsche's radicalism, Heller also insists on the continuity of the story in which he does indeed occupy a central place. By considering Nietzsche in relation to Goethe, Rilke, Wittgenstein, Yeats, and others, Heller shows the philosopher's ambivalence toward the tradition he inherited as well as his profound effect on the thought and sensibility of those who followed him. It is hardly an exaggeration to say, as Heller does in his first essay, that Nietzsche is to many modern writers and thinkers—including Mann, Musil, Kafka, Freud, Heidegger, Jaspers, Gide, and Sartre—what St. Thomas Aquinas was to Dante: the categorical interpreter of a world, which they contemplate imaginatively and theoretically without ever much upsetting its Nietzschean structure. Thus it is Nietzsche's thought, so pervasively present in the themes of modernity, that gives coherence and unity to Heller's essays. What emerges from them is that, despite his iconoclastic declarations and unorthodox philosophical practices, Nietzsche deals with the human spirit's persistent concerns. His questions remain urgent, and even the answers, in all their contradictoriness, possess the commanding force of his inquiry. An example is the incompatibility of the famous extremes, the teaching of the Übermensch and the Eternal Recurrence of All Things. These cancel each other out and yet grow from the same intellectual and spiritual roots, as is shown lucidly and cogently by one of Heller's most forceful essays, "Nietzsche's Terrors: Time and the Inarticulate." In fathoming the depth of this contradiction, Heller at the same time reveals the importance of Nietzsche for those who seek to understand the wellsprings of the epoch's disquiet, turmoil, and creativity.

The formation of images by ultrasound is a fascinating study, with well-established, yet rapidly growing, applic ations in medicine and with increasing relevance to a surprisingly disparate set of problems in the non-destructive examination of materials and components. The present volume is a record of the research presented at the Twelfth International Symposium on Acoustic Imaging, held in London during July 1982. Whilst, therefore, it offers primarily a snap-shot in time of a rapidly developing field, it is so organized that it will also serve as a high-speed entry into the literature for someone embarking, for the first time, on· researches in this branch of applied science. As in previous volumes, some of the work reported is concerned with topics which, whilst of critical importance to the performance of any imaging system, - e.g. transducers, signal processing may not address themselves to image formation per se. A new departure is the inclusion of photo-acoustic imaging a subject of rapidly growing importance for many of the same application areas relevant to acoustical imaging.

Edouard Roditi's critical study of Oscar Wilde, originally published in 1947 in New Directions' Makers of Modern Literature Series, was a pioneering attempt to evaluate a literary reputation long distorted by the journalistic appetite for scandal. Relegating biography to a back seat, Roditi addressed the important of Wilde's ingenious, imaginative, and dialectical thought in his own time and showed how his poetry, novels, plays, and critical writings were a key influence in the shift of English and American literature away from established and aging Romanticism toward Modernism. For this first paperbound edition of his perceptive and erudite study of Wilde, Roditi has added three additional chapters touching on new material about Wilde as well as the new public attitudes about homosexuality that have evolved since the book was first published. An American long resident in Paris, Edouard Roditi is an internationally known linguist, scholar, art critic, and author and translator of a considerable number of works of fiction and poetry, criticism and biography. A collection of his witty and exotic short stories, The Delights of Turkey, is available under the New Directions imprint.

Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

Buttered Side Down by Edna Ferber After the glamour had worn off, and the glass slippers were worn out, did the Prince never find Cinderella's manner redolent of the kitchen hearth; and was it never necessary that he remind her to be more careful of her finger-nails and grammar? After Puss in Boots had won wealth and a wife for his young master did not that gentleman often fume with chagrin because the neighbors, perhaps, refused to call on the lady of the former poor miller's son? It is a great risk to take with one's book-children. These stories make no such promises. They stop just short of the phrase of the old story writers, and end truthfully, thus: And so they lived. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Fully updated for the twenty-first century, The New First Dictionary of Cultural Literacy gathers together all of the essential facts that youngsters should have at their fingertips for school success. The child education expert E. D. Hirsch, Jr., cuts through the wealth of information available today to highlight those terms that a child should be familiar with by the end of sixth grade. With nearly 3,000 concise definitions, including 250 new entries (Harry Potter, centaurs, northern lights, and World Series, to name a few), this popular sourcebook makes finding information easy. Here is everything your child needs to know to be culturally literate in 21 different subject areas, from mythology to literature to U.S. history to science and technology, and much more.