"I first went to Japan in 1977 and found the whole country ablaze with blossom. I went again in 1979, 1981 and 1984, always at cherry-blossom time. As far as I knew, Japan was always abloom." So says the legendary American photographer Lee Friedlander, whose newest publication presents, for the first time, the complete set of 73 images that the artist made during his four trips to Japan. The groundbreaking black-and-white images--first seen as 25 photogravures in a 1986 portfolio, and long out of print--appear as examples of radical picture-making even 20 years later. Few serious photographers would have dared to photograph cherry blossoms with anything other than color film. The result is a new kind of beauty, with many of the compositions bordering on visual chaos. The images collected here serve as a precursor for much of Friedlander's late landscape work, which was exhibited to great acclaim in his 2005 Museum of Modern Art retrospective. Printed by the laborious dry-trap process, the amazingly sensuous reproductions closely approximate the original prints. This book was produced entirely in collaboration with the artist.

The second adventure in THE DEAD MAN series.Matthew Cahill is an ordinary man leading a simple life until a shocking accident changes everything. Now he can see a nightmarish netherworld that nobody else does. Now for him each day is a journey into a dark world he knows nothing about, a quest for the answers to who he is and what he has become...and a fight to save us, and his soul, from the clutches of pure evil.RING OF KNIVESMatt believes a madman may hold the secret to defeating Mr. Dark, the horrific jester with the rotting touch. But to reach him, Matt must infiltrate a lunatic asylum, where he is soon caught up in a spiral of bloodshed and madness. Hisonly chance of escaping with his life and sanity intact is to face the unspeakable terror that awaits him deep in the asylum's fog-shroudedwoods...within the Ring of Knives.

BOOK #5 in thrilling DEAD MAN saga, the action/horror series that readers and book critics alike are hailing as "an epic tale" that compares to the best of Stephen King and Dean Koontz...Matt Cahill finds himself trapped atop a blood-red mesa in the desolate American Southwest when an archeological dig goes terribly, dangerously wrong, awakening an ancient evil with an insatiable hunger. Now Matt, armed only with his trusty ax, must somehow escape...rescue a handful of terrified innocents... and prevent a slaughter of epic proportions.

BOOK #4 in thrilling DEAD MAN saga, the action/horror series that readers and book critics alike are hailing as "an epic tale" that compares to the best of Stephen King and Dean Koontz...Matt Cahill thought he was alone with his torment, that he was the only one who could see the evil in people's souls as rotting flesh. But in a small town in Tennessee, terrorized by a vicious serial killer, Matt meets a woman who may see what he does...and together they must confront a horrific and immortal terror that thrives on death.

20 Writers Play Ball in 17 New Essays and 3 Classics. Stefan Fatsis sends his ?stunningly perfect, consummately perfect, why-would-anyone-use-anything-else? perfect” glove to be restored by the Glove Designer at Rawlings; Susan Perabo considers retiring from her imaginary career in the majors and assesses the likelihood of women finding actual careers on the baseball field; Sean Wilentz imagines a Cooperstown Fans’ Hall of Fame, with its cowbells, frying pans, bedsheet banners, and more. And in one of the three previously published, now-classic pieces in the collection, George Plimpton reflects on the slow demotion of aging or slumping players from pitcher to first base, to the outfield. United by the authors’ fervent love of the game, these essays remind us of the unique role baseball plays in our national history and collective imagination.

“Intelligent but accessible, and often poignant . . . [by] the biggest talents on the essay and blog beat.” —Publishers Weekly (on Vol. 2) Anyone still asking, “What is creative nonfiction?” will find the answer in this collection of artfully crafted, true stories. Selected by Lee Gutkind, the “godfather behind creative nonfiction,” and the staff of Creative Nonfiction, these stories—ranging from immersion journalism to intensely personal essays—illustrate the genre’s power and potential. Edwidge Danticat recalls her Uncle Moïse’s love of a certain four-letter word and finds in his abandonment of the word near the end of his life the true meaning of exile. In “Literary Murder,” Julianna Baggott traces her roots as a novelist to her family’s “strange, desperate (sometimes conniving and glorious) past” and writes about her decision, in The Madam, to kill off a character based on her grandfather. And Sean Rowe explains why, if you must get arrested, Selma, Alabama, is the place to do it. This exciting and expansive array of works and voices is sure to impress and delight.

Although organ transplantation is the preeminent medical miracle of the last quarter of a century, Many Sleepless Nights is the first book to go beyond the headlines and describe the patients who have embraced this last chance to hold on to life, the intricate medical procedures that can save them, the surgeons and nurses who work in this emotionally charged world, and the ethics which complicate this miracle high-tech therapy. Lee Gutkind was granted unconditional access to the world's largest transplant center - the University of Pittsburgh's Presbyterian-University and Children's hospitals, where there is an organ transplant every eight hours, 365 days per year. For four years he immersed himself in the frantic night-and-day world of transplantation, living side by side with transplant candidates and recipients, jetting though the night with organ procurement teams, monitoring patients with surgeons and nurses, observing in the operating room, participating in the ethical and psychosocial evaluations of prospective patients which help to determine who will receive scarce organs. During his four years at Presbyterian and Children's Hospitals, Gutkind established close relationships with many patients, and his portrayal of them, living and sometimes dying under unbelievable stress, is a moving and dramatic statement about the capacity of human beings to endure. Many Sleepless Nights also outlines the history of organ transplantation and tells the story of the large and complex medical teams behind the operation. It captures the tension of the search for viable organs; the pressure decisions about which patients, among many, will receive them; and the surgery itself.Its vivid portrayal of the transplant pioneer Thomas Starzl - a man obsessed with saving lives - shows how a major innovator in American medicine functions during days and nights of extreme pressure.

"Blending precise research and astute observation with flavorful, fascinating narratives."--Publishers Weekly, starred review (for Vol. 1) From Lee Gutkind, the "Godfather behind creative narrative nonfiction" (Vanity Fair), and the staff of the landmark literary journal Creative Nonfiction comes this fresh collection of fact-based personal narratives, mined from literary blogs, 'zines, and other fringe publications. In "My Glove: A Biography," Stefan Fatsis, author of Word Freak and a Wall Street Journal reporter, traces the history of his baseball glove--"the one thing I would be devastated to lose, my last, best connection to the baseball that defined my life as a kid"--as he relinquishes it to the glove designer at Rawlings for an overhaul. Heidi Julavits, editor of The Believer, imagines a future in which book-related fatalities--"Death of the intellect is one thing, but actual death is quite another"--revolutionize the writer's market. This new volume of The Best Creative Nonfiction continues to engage and delight with exceptional work from writers old and new.

To provide this unique—if controversial—look at major league baseball as umpires see it, Lee Gutkind spent the 1974 season traveling with the umpiring crew of Doug Harvey (crew chief), Nick Colosi, Harry Wendelstedt, and Art Williams, the first black umpire in the National League. The result is an honest, realistic, insightful study of the private and professional world of major league umpires: their prejudices and petty biases, their unbending pride in their performance, their inside perspectives on the game, and their bitter criticism of the abuse often directed at their profession and at their conduct. As relevant today as it was in 1974, this illustrated chronicle shows how little has changed in the lives and duties of umpires in the last quarter century. Guided by his passionate love for the game as he wrote The Best Seat in Baseball, But You Have to Stand!, Gutkind attempted to present the umpires in a positive but realistic light: "I portrayed them as real people, honorable, hard-working and dedicated, but with warts and flaws like the rest of us. But they didn't want to be compared with real people; they wanted to be umpires—on a plateau above most everyone else." Since the publication of this book in 1975, neither Harvey nor Wendelstedt have communicated with Gutkind, with Wendelstedt even denying that Gutkind traveled with the crew.

Creative nonfiction is the literary equivalent of jazz: it's a rich mix of flavors, ideas, voices, and techniques--some newly invented, and others as old as writing itself. This collection of 20 gripping, beautifully-written nonfiction narratives is as diverse as the genre Creative Nonfiction magazine has helped popularize. Contributions by Phillip Lopate, Brenda Miller, Carolyn Forche, Toi Derricotte, Lauren Slater and others draw inspiration from everything from healthcare to history, and from monarch butterflies to motherhood. Their stories shed light on how we live.

Teachers delve into the most difficult, rewarding, and transformative moments of their careers, as they discover that succeeding at teaching is a test not just of training or of subject matter, but of resolve, dedication, faith, and character. Whether in a New England prep school or a public school in South Central LA, a preschool in Malawi or a high school in China, the fundamental challenges of becoming a teacher are the same: finding authority, forging an authentic connection with students, and making a space where learning can occur. In these twenty personal narratives, teachers provide us with a fascinating insight into a profession that touches us all.

The Saga Of The Jomsvikings is a book written by Lee Milton Hollander, which tells the story of the legendary Jomsvikings, a group of Viking warriors who lived in the 10th century. The book is a translation of the original Icelandic saga, which is one of the most famous and important sagas of the Viking Age.The Jomsvikings were a group of elite warriors who lived in a fortress on the island of Jomsborg, located in modern-day Poland. They were known for their bravery, skill in battle, and strict code of honor, which included loyalty to their leader and fellow warriors.The book follows the story of the Jomsvikings, from their origins as a group of mercenaries to their rise as one of the most feared and respected warrior groups in the Viking world. It also explores the relationships between the Jomsvikings and their allies and enemies, including the Danish king Harald Bluetooth and the Norwegian king Olaf Tryggvason.Throughout the book, the reader is taken on a journey through the Viking Age, with vivid descriptions of battles, raids, and political intrigue. The Saga Of The Jomsvikings is a fascinating and exciting read for anyone interested in Viking history and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Yvette and Evan are petless in a town where everyone seems to have the perfect pet, but in their search they discover they don’t need one better than the rest, just the one that suits them best.

With the Nazi era being one of the most discussed periods in history, there are still many people who are unaware of collaboration between Zionism and the fascist regimes of Hitler and Mussolini. Now in paperback and featuring an updated article on the Iron Wall' by Vladimir Jabotinsky, 51 Documents brings to light the immense disservice the Zionists did to many other Jews during this period.'

FROM THE BACK The Iron Wall is a comprehensive and documented history of Revisionism which is now the dominant ideological tendency in present-day Zionism. Starting with the pre-Revisionist period of Vladimir Jabotinsky's life, this book traces the origins and course of what used to be regarded as the lunatic fringe of Zionism, but which has, since 1977, dominated the Likud Administrations of Menachem Begin, and Yitzhak Shamir. Lenni Brenner gives his readers an account of Revisionism that is indispensable to any understanding of the Israel¡ Government's policies on the West Bank and in the Middle East as a whole. Jabotinsky, the movement's founder, laid down ideological guidelines not merely for his own tendency within Zionism, but, indeed, increasingly for Zionism as a whole. He was explicit in his racism, his colonialism, and the pro-capitalist nature of his movement. Arguing that no compromise with the Palestinians was possible, his stance led the Revisionists into close connections with Mussolini as well as terrorism against the Arabs. Begin saw himself explicitly as his mentor's successor, with results since 1977 that are there for al¡ to see. And the subsequent Likud Prime Minister, Shamir, was himself the last of the Revisionist leaders. He created the Stern Gang that proposed a war-time alliance with Adolf Hitler and the establishment of a totalitarian Jewish state. As Lenni Brenner shows in this deeply disturbing book, Shamir's Revisionist legacy makes it likely that he will further curtail the rights of Israel's Jews as well as subject the Palestinians to yet more repression and militarist aggression, as Zionism spirals ever further to the Right.