Berlin--"East" and "West," day and of course night--throughout the 80s before the Wall came down. In the eyes of an American philosophy student. And Jewish, which makes for moments at once awkward, poignant, resonant, unspoken, crass, funny, and always lurking. Most of all, Susan Neiman can write, as borne out again by her books to follow this debut. Here, we live the Reagan years with her--when a city was divided, America the occupier, and the cigarettes not named "Salem" because it sounds too Jewish. Peter Becker folded an easel in the corner to make a table. He brought cold cuts and bread and asked me what I thought of his paintings. Later I would learn that people here always ask you what you think of their paintings, and that it's wrong just to say you find them interesting, but perfectly alright to say you find them awful. . . . You come from a Jewish family, don't you?" asked Becker. "Yes," I said. "It doesn't matter," said the other painter. Doesn't matter? To whom?

"Without the Cold War, what's the point of being an American?" As if in answer to this poignant question from John Updike's Rabbit at Rest , Stephen Whitfield examines the impact of the Cold War—and its dramatic ending—on American culture in an updated version of his highly acclaimed study. In a new epilogue to this second edition, he extends his analysis from the McCarthyism of the 1950s, including its effects on the American and European intelligensia, to the civil rights movement of the 1960s and beyond. Whitfield treats his subject matter with the eye of a historian, reminding the reader that the Cold War is now a thing of the past. His treatment underscores the importance of the Cold War to our national identity and forces the reader to ask, Where do we go from here? The question is especially crucial for the Cold War historian, Whitfield argues. His new epilogue is partly a guide for new historians to tackle the complexities of Cold War studies.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

"Explores how American Jews leveraged the Black Power movement to strengthen American Jewish religious, ethnic, and cultural life"--Provided by the publisher.

In 1931 Cameroon, young Kedi is upset to learn that children in her American teacher's village of New York are going hungry because of the Great Depression, and she asks her mother, neighbors, and even the headman for money to help. Includes historical notes.

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

Orwell's politics is a study of George Orwell's political ideas and beliefs from his time as a policeman in Burma through to the publication of Nineteen Eighty-Four. It places Orwell's politics in historical context, examining his response to Imperialism, to mass unemployment in the 1930s, to revolution in Spain and to the Second World War and its aftermath. The book considers Orwell's belief that socialist revolution was the only road to victory in wartime Britain. It discusses his time at the BBC and at the leftwing Labour newspaper Tribune. Particular attention is paid to Orwell's American connection, to his writings for Partisan Review and for Politics. Orwell's belief that Russia had nothing in common with socialism is discussed and new sources for Nineteen Eighty-Four are identified. The book also discusses recent feminist critiques of Orwell's politics. Newsinger demonstrates that, while Orwell's political beliefs inevitably changed over the years, he remained a committed socialist up to the time of his death. Orwell's anti-Stalinism was a consequence of his socialism rather than a repudiation of it.

Originally published in 1995, and in the same classic investigative style of Whitewash and Case Open , Harold Weisberg turns his sharp investigative eye towards the events surrounding the autopsy of John F. Kennedy. Inside Never Again! you’ll find: • The specific truths regarding the autopsy of John F. Kennedy—truths that have for thirty years been buried, distorted, or ignored not only by the government but also by the national press • The blatant errors and calculated deceit of the Journal of the American Medical Association in their 1992 reports on the Kennedy autopsy • The path of conspiracy leading from the Navy Hospital in Bethesda through the corridors of the FBI to the Justice Department, into the office of the attorney general and eventually that of the president Weisberg argues this case with exclusive regard for the facts. Facts lead to the book’s startling new illuminations. Facts provide a compelling narrative filled with intrigue and laced with outrage. Facts reveal the failure of America’s institutions to deal effectively with perhaps its most profound national tragedy. In the face of overwhelming facts, Harold Weisberg justly warns us that this must never again happen!

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

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Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.

Tin Lizzie: The Story Of The Fabulous Model T Ford is a book written by Philip Van Doren Stern. The book is a comprehensive history of the Model T Ford, one of the most iconic cars in American history. The book covers the development of the Model T, its impact on American society, and the people who drove and worked on the car. The book is divided into several sections, each of which covers a different aspect of the Model T. The first section covers the early history of the automobile and the development of the Model T. The second section covers the impact of the Model T on American society, including its role in the growth of the middle class and the expansion of the American economy. The third section of the book covers the people who drove and worked on the Model T, including the assembly line workers who built the car and the farmers and businessmen who used it for transportation. The fourth section covers the Model T's impact on American culture, including its appearance in popular music and literature. Overall, Tin Lizzie: The Story Of The Fabulous Model T Ford is a fascinating and informative book that provides a comprehensive history of one of the most important cars in American history. The book is well-researched and well-written, making it an enjoyable read for anyone interested in the history of the automobile or American culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Uncovers the powerful effects of 20th-century Jewish women's social and political activism on contemporary American life Winner of the 2013 National Jewish Book Award, Women's Studies Ballots, Babies, and Banners of Peace explores the social and political activism of American Jewish women from 1890 to the beginnings of World War II. Written in an engaging style, the book demonstrates that no history of the birth control, suffrage, or peace movements in the United States is complete without analyzing the impact of Jewish women's presence. The volume is based on years of extensive primary source research in more than a dozen archives and among hundreds of primary sources, many of which have previously never been seen. Voluminous personal papers and institutional records paint a vivid picture of a world in which both middle-class and working-class American Jewish women were consistently and publicly engaged in all the major issues of their day and worked closely with their non-Jewish counterparts on behalf of activist causes. This extraordinarily well-researched volume makes a unique contribution to the study of modern women's history, modern Jewish history, and the history of American social movements.

Spanning nearly one hundred years of American political history, and abounding with outsize characters—from Lindbergh to Goldwater to Gingrich to Abramoff— White Protestant Nation offers a penetrating look at the origins, evolution, and triumph (at times) of modern conservatism. Lichtman is both a professor of political history at American University and a veteran journalist, and after ten years of prodigious research, he has produced what may be the definitive history of the modern conservative movement in America. He brings to life a gallery of dynamic right-wing personalities, from luminaries such as Strom Thurmond, Phyllis Schlafly, and Bill Kristol to indispensable inside operators like financiers Frank Gannett and J. Howard Pew. He explodes the conventional wisdom that modern conservative politics began with Goldwater and instead traces the roots of today's movement to the 1920s. And he lays bare the tactics that conservatives have used for generations to put their slant on policy and culture; to choke the growth of the liberal state; and to build the most powerful media, fundraising, and intellectual network in the history of representative government. White Protestant Nation is entertaining, provocative, enlightening, and essential reading for anyone who cares about modern American politics and its history.

The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century—an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely—and ultimately fatally—tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.

The Unfinished Election of 2000 gathers an outstanding group of constitutional and political scholars to address key facets of the most recent election and to show how the events of 2000 fit into a larger historical narrative of American politics and law. Perhaps no other election in U.S. history has left so many disturbing questions about how our political system works--from the very basic mechanics of vote casting to the conclusion, which many believe to have been the result of a politicized U.S. Supreme Court. The Unfinished Election of 2000 is the first book to attempt a true historical judgement and to give readers a better understanding of the election that confused and infuriated the country.