The Kuzari, full title Book of Refutation and Proof on Behalf of the Despised Religion, also known as the Book of the Khazar (Hebrew: ספר הכוזרי: Sefer ha-Kuzari), is one of the most famous works of the medieval Spanish Jewish philosopher and poet Judah Halevi, completed in the Hebrew year 4900 (1139-40CE). Originally written in Arabic, prompted by Halevi's contact with a Spanish Karaite, it was then translated by numerous scholars, including Judah ben Saul ibn Tibbon, into Hebrew and other languages, and is regarded as one of the most important apologetic works of Jewish philosophy.[2] Divided into five parts (ma'amarim – articles), it takes the form of a dialogue between a rabbi and the king of the Khazars, who has invited the former to instruct him in the tenets of Judaism in comparison with those of the other two Abrahamic religions: Christianity and Islam.

The world has reopened and so has the Poetry Pharmacy: the powerful final instalment in the hugely beloved series After the tumult of the last years, William Sieghart is back to prescribe the perfect poem for a variety of life's ailments, offering hope and comfort to readers in need. Here, he draws on the emails he received from the public during multiple lockdowns, as well as tried-and-true classics from his in-person pharmacies, to create an essential anthology of poetry for our times. Through his expert curation and insightful commentary, he reminds us of the power of words to help us heal, to reconnect us with the world and to recover what has been lost. From weathering sorrow and sudden loss, to dealing with environmental despair and burnout, this new selection speaks directly to a society in urgent need of comfort and compassion. Whether you're searching for guidance, hope, or simply a moment of beauty, The Poetry Pharmacy Forever is here to provide solace, joy and inspiration, one verse at a time.

Traces the story of the mixed-race swordsman and father of novelist Alexandre Dumas, discussing his rise to the French aristocracy, his military triumphs ,and the adventures that inspired such classics as "The Three Musketeers" and "The Count of Monte Cristo."

A compelling look at the problem of evil in modern thought, from the Inquisition to global terrorism Evil threatens human reason, for it challenges our hope that the world makes sense. For eighteenth-century Europeans, the Lisbon earthquake was manifest evil. Today we view evil as a matter of human cruelty, and Auschwitz as its extreme incarnation. Examining our understanding of evil from the Inquisition to contemporary terrorism, Susan Neiman explores who we have become in the three centuries that separate us from the early Enlightenment. In the process, she rewrites the history of modern thought and points philosophy back to the questions that originally animated it. Whether expressed in theological or secular terms, evil poses a problem about the world's intelligibility. It confronts philosophy with fundamental questions: Can there be meaning in a world where innocents suffer? Can belief in divine power or human progress survive a cataloging of evil? Is evil profound or banal? Neiman argues that these questions impelled modern philosophy. Traditional philosophers from Leibniz to Hegel sought to defend the Creator of a world containing evil. Inevitably, their efforts—combined with those of more literary figures like Pope, Voltaire, and the Marquis de Sade—eroded belief in God's benevolence, power, and relevance, until Nietzsche claimed He had been murdered. They also yielded the distinction between natural and moral evil that we now take for granted. Neiman turns to consider philosophy's response to the Holocaust as a final moral evil, concluding that two basic stances run through modern thought. One, from Rousseau to Arendt, insists that morality demands we make evil intelligible. The other, from Voltaire to Adorno, insists that morality demands that we don't. Beautifully written and thoroughly engaging, this book tells the history of modern philosophy as an attempt to come to terms with evil. It reintroduces philosophy to anyone interested in questions of life and death, good and evil, suffering and sense. Featuring a substantial new afterword by Neiman that raises provocative questions about Hannah Arendt's take on Adolf Eichmann and the rationale behind the Hiroshima bombing, this Princeton Classics edition introduces a new generation of readers to this eloquent and thought-provoking meditation on good and evil, life and death, and suffering and sense.

"In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about 'poetry, ' whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems. A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike"--

A writer renowned for his insight into the mysteries of the body now gives us a lambent and profoundly moving book about the mysteries of family. At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death. In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep .

Based on his own experience of the Great War, Henri Barbusse's novel is a powerful account of one of the greatest horrors mankind has inflicted on itself. For the group of ordinary men in the French Sixth Battalion, thrown together from all over France and longing for home, war is simply a matter of survival, lightened only by the arrival of their rations or a glimpse of a pretty girl or a brief reprieve in the hospital. Reminiscent of classics like Hemingway's "A Farewell to Arms" and Remarque's "All Quiet on the Western Front," "Under Fire" (originally published in French as "La Feu") vividly evokes life in the trenches -- the mud, stench, and monotony of waiting while constantly fearing for one's life in an infernal and seemingly eternal battlefield.

A farcical sendup of Donald Trump's rise to power and volatile partnership with Vladimir Putin...As a young boy, Donald Rump was less than precocious--a miserable student, prone to implacable tantrums, whose emotional intelligence ceased maturing at the age of 9. But the region of the brain responsible for egomaniacal self-assessment was prodigiously large. After some success and plenty more failure in real estate, he turns his attentions to reality TV and hosts a show called "Paycheck," each episode of which concludes with Rump singing "Don't Cry for Me Argentina." Meanwhile, Vladimir Poutine was raised by KGB agents during the early years of Khrushchev's reign. Poutine, a latent homosexual who immerses himself in the self-consciously manly world of "physical culture," reads magazines about bodybuilding. Crushed by the demise of the Soviet Union, he copes in the most peculiar way: "he would slip into a silver lamé gown, pop on a curly wig and perform Marlene Dietrich classics at a local drag bar." Rump decides he'd like to try his hand at politics and recruits shock jock Alex Clamz from the popular but frothing radio show, "Disinfowarz." He runs for president opposite Mallory Claxton, a sensible woman with a sterling career in public service. Despite a bizarre campaign and a trail of seedy scandals, Rump wins with clandestine help from Poutine. And then, the fun really begins.

With an introduction by Neil Gaiman: Once a hero, now a pariah, Richard Muller is humanity's last hope Richard Muller was an honorable diplomat who braved unimaginable dangers to make contact with the first-known race of intelligent aliens. But those aliens left a mark on him: a psychic wound that emanates a telepathic miasma his fellow humans can neither cure nor endure. Muller is exiled to the remote planet of Lemnos, where he is left, deeply embittered, at the heart of a deadly maze . . . until a new alien race appears, seemingly intent on exterminating humanity. Only Muller can communicate with them, due to the very condition that has made him an outcast. But will Muller stick his neck out for the people who so callously rejected him? " The Man in the Maze] is courageous, exploring new territory, with one foot in the New Wave camp, but] it is still mindful of its roots. From the past of SF we get the strains of Space Opera, replete with incomprehensible aliens and mysterious artefacts." -From the introduction by Neil Gaiman "One of science fiction's modern masters . . . his words and his work have shaped the whole direction of the field." -Chicago Sun-Times "Robert Silverberg's versatile, skeptical intelligence controls a lavish and splendid imagination." -Ursula K. Le Guin "Done Silverberg's way, science fiction is a fine art." -Associated Press Robert Silverberg is one of science fiction's most beloved writers, and the author of such contemporary classics as Dying Inside, Downward to the Earth, and Lord Valentine's Castle. He is a past president of the Science Fiction and Fantasy Writers of America and the winner of five Nebula Awards and five Hugo Awards. In 2004 the Science Fiction and Fantasy Writers of America presented him with the Grand Master Award. Silverberg is one of twenty-nine writers to have received that distinction.

The third volume of one of the greatest novels of the twentieth century Mark Treharne's acclaimed new translation of The Guermantes Way will introduce a new generation of American readers to the literary richness of Marcel Proust. The third volume in Penguin Classics' superb new edition of In Search of Lost Time—the first completely new translation of Proust's masterpiece since the 1920s—brings us a more comic and lucid prose than English readers have previously been able to enjoy. After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world.

"Marcel Mauss (1872-1950) was the leading social anthropologist in Paris between the world wars, and his Manuel d'ethnographie, dating from that period, is the longest of all his texts. Despite having had four editions in France, the Manuel has hitherto been unavailable in English. This contrasts with his essays, many of which have long enjoyed the status of classics within anthropology. We are therefore pleased to present, in the English language for the first time, this extraordinary work that is based on the more than thirty lectures Mauss delivered each year under the title 'Instructions in descriptive ethnography, intended for travellers, administrators and missionaries.' Mauss's treatment of fundamental questions, such as how to conceptualize and classify the range of social phenomena known to us from history and ethnography, has lost none of its freshness."--

With the simple power and astonishing candor that made his 1988 autobiography, The Ragman's Son, a number one international bestseller, Kirk Douglas now shares his quest for spirituality and Jewish identity -- and his heroic fight to overcome crippling injuries and a devastating stroke. On February 13, 1991, at the age of seventy-four, Kirk Douglas, star of such major motion-picture classics as Champion, Spartacus, and Paths of Glory, was in a helicopter crash, in which two people died and he himself sustained severe back injuries. As he lay in the hospital recovering, he kept wondering: Why had two younger men died while he, who had already lived his life fully, survived? The question drove this son of a Russian-Jewish ragman to a search for his roots and on a long journey of self-discovery -- a quest not only for the meaning of life and his own relationship with God, but for his own identity as a Jew. Through the study of the Bible, Kirk Douglas found a new spirituality and purpose. His newfound faith deeply enriched his relationship with his own children and taught him -- a man who had always been famously demanding and impatient -- to listen to others and, above all, to hear his own inner voice. Told with warmth, wit, much humor, and deep passion, Climbing the Mountain is inspirational in the very best sense of the word.

Presenting a masterpiece from one of America's great satirists. Jules Feiffer has had one of the most varied and illustrious careers of any 20th century cartoonist. For over 40 years he contributed strips to The Village Voice, and has long been a regular contributor to the London Observer and Playboy. An animated cartoon based on his story Munro received an Academy Award in 1961. In the '60s, he branched into theater, writing several plays now regarded as classics: Little Murders; Knock, Knock; The White House Murder Case; Elliot Loves; and The Grown-Ups, to name a few. Originally conceived for the stage, his Carnal Knowledge became one of the landmark films of the '70s. He has written two prose novels, Harry the Rat with Women and Ackroyd, as well as a cartoon novel, Tantrum. In the 1990s, Feiffer embarked on yet another career, this time as a children's book author. He has over a half-dozen to his credit, including modern classics like The Man and the Ceiling. Passionella and Other Stories collects Feiffer's finest extended graphic narratives of the late '50s and early '60s. It opens in full-color with "Excalibur and Rose," the fable of a village comedian who embarks on a crusade in search of his serious side, which he finds in spades when he encounters his true love, the pathologically depressed Rose. The volume's centerpiece, "Passionella," a retelling of Cinderella set in modern Hollywood, concerns a chimney sweep whose fairy godmother transforms her into the "mysterious exotic bewitching temptress" and movie star Passionella. Other stories include "The Lonely Machine," an account of one man's attempt to find the perfect relationship through robot love, and "Harold Swerg," the predicament of the world's greatest athlete who'd rather stay at his mundane job than compete against others, despite his country's desperate pleas to enter the Olympics. Three more classic graphic tales and several entertaining one-act plays round out this handsomely designed hardcover edition.

This book of twenty stories is Isaac Bashevis Singer's fifth collection and contains such classics as "The Cafeteria" and "On the Way to the Poorhouse."

This is the first appearance in paper back of one of the major classics of contemporary Sociology. Studies in Ethnomethodology has inspired a wide range of important theoretical and empirical work in the social sciences and linguistics. It is one of the most original and controversial works in modern social science and it remains at the centre of debate about the current trends and tasks of sociology and social theory. Ethnomethodology - the study of the ways in which ordinary people construct a stable social world through everyday utterances and actions - is now a major component of all sociology and linguistics courses. Garfinkel's formidable reputation as one of the worlds leading sociologists rest largely on the work contained in this book. Studies in Ethnomethodology was originally published by Prentice Hall in 1967 and has remained in print ever since. It is widely used as a text book in this country and in the United States. This new paperback is a special student edition of Garfinkel's modern classic.

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan's Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as "A Boy and His Dog," "Xenogenesis," and "Mefisto in Onyx." Includes black-and-white photos.

In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line and The Fog of War. Kuhn, meanwhile, was--and, posthumously, remains--a star in his field, the author of The Structure of Scientific Revolutions, a landmark book that has sold well over a million copies and introduced the concept of "paradigm shifts" to the larger culture. And Morris thought the idea was bunk. The Ashtray tells why--and in doing so, it makes a powerful case for Morris's way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. "For me," Morris writes, "truth is about the relationship between language and the world: a correspondence idea of truth." He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris is after bigger game: he wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions and interactions. It's the fundamental desire that animates his filmmaking, whether he's probing Robert McNamara about Vietnam or the oddball owner of a pet cemetery. Truth may be slippery, but that doesn't mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues powerfully, it is our duty to do everything we can to establish and support it

This invaluable book presents most of the important papers of Emil Wolf, published over half-a-century. It covers chiefly diffraction theory (especially the analysis of the focal region), the theory of direct and inverse scattering, phase-space methods in quantum mechanics, the foundation of radiometry, phase conjugation and coherence theory. Several papers which have become classics of the optical literature are included, such as those on Wolf's rigorous formulation of the theory of partial coherence and partial polarization, the introduction of diffraction tomography, and his discovery of correlation-induced shifts of spectral lines (often called the Wolf effect). There are also papers dealing with the historical development of optics and some review articles.

Winner of the 2020 Prix du Meilleur Livre Etranger, France's best foreign book of the year. 'Astounding' Sebastian Barry 'A masterpiece' Ayad Akhtar 'This little book is ruminative, humane, and gorgeously precise' Jonathan Lethem In this genre-defying book, best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own-works that pondered the nature of narrative itself. Erich Auerbach, the Jewish philologist who fled Hitler's Germany and wrote his classic study of Western literature, Mimesis, in Istanbul. Francois Fenelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey,The Adventures of Telemachus - a veiled critique of the Sun King and the best-selling book in Europe for one hundred years - resulted in his banishment. And the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn's struggles to write two of his own books-a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father-that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.