How did we get into this mess? Every morning, many Americans ask this as, with a cringe, they pick up their phones and look to see what terrible thing President Trump has just said or done. Regardless of what he’s complaining about or whom he’s attacking, a second question comes hard on the heels of the first: How on earth do we get out of this? Alan Wolfe has an answer. In The Politics of Petulance he argues that the core of our problem isn’t Trump himself—it’s that we are mired in an age of political immaturity. That immaturity is not grounded in any one ideology, nor is it a function of age or education. It’s in an abdication of valuing the character of would-be leaders; it’s in a failure to acknowledge, even welcome the complexity of government and society; and it’s in a loss of the ability to be skeptical without being suspicious. In 2016, many Americans were offered tantalizingly simple answers to complicated problems, and, like children being offered a lunch of Pop Rocks and Coke, they reflexively—and mindlessly—accepted. The good news, such as it is, is that we’ve been here before. Wolfe reminds us that we know how to grow up and face down Trump and other demagogues. Wolfe reinvigorates the tradition of public engagement exemplified by midcentury intellectuals such as Richard Hofstadter, Reinhold Niebuhr, and Lionel Trilling—and he draws lessons from their battles with McCarthyism and conspiratorial paranoia. Wolfe mounts a powerful case that we can learn from them to forge a new path for political intervention today. Wolfe has been thinking and writing about American life and politics for decades. He sees this moment as one of real risk. But he’s not throwing up his hands; he’s bracing us. We’ve faced demagogues before. We can find the intellectual maturity to fight back. Yes we can.

From one of America’s most renowned dissidents and the author of Steal This Book — a new edition of the counterculture manifesto that helped stir up a revolution in the 1960sWhile the supremely popular Steal This Book is a guide to living outside the establishment, Revolution for the Hell of It is a chronicle of Abbie Hoffman’s radical escapades that doubles as a guidebook for today’s social and political activist.Hoffman pioneered the use of humor, theater, and surprise to change the world for the better. In Revolution for the Hell of It he gives firsthand accounts of his legendary adventures, from the activism that led to the founding of the Youth International Party (“Yippies!) to the 1968 Democratic National Convention protests (“a perfect mess”) that resulted in his conviction as part of the Chicago Seven.Also chronicled is the the mass antiwar demonstration he helped lead in which over 50,000 people attempted to levitate the Pentagon using psychic energy and the time he threw fistfuls of dollar bills onto the floor of the New York Stock Exchange and watched the traders scramble. With antiwar sentiment once again on the rise and an incendiary political climate not seen since the book’s original printing, Abbie Hoffman’s voice is more essential than ever.

The mayor of London and former Spectator editor challenges popular misconceptions to assess Churchill's enduring influence on the world, discussing the many contradictions of his life and his considerable political and military achievements.

One of the most influential experts on military history and strategy has now written his magnum opus, an original and provocative account of the past hundred years of global conflict. The Changing Face of War is the book that reveals the path that led to the impasse in Iraq, why powerful standing armies are now helpless against ill-equipped insurgents, and how the security of sovereign nations may be maintained in the future. While paying close attention to the unpredictable human element, Martin van Creveld takes us on a journey from the last century’s clashes of massive armies to today’s short, high-tech, lopsided skirmishes and frustrating quagmires. Here is the world as it was in 1900, controlled by a handful of “great powers,” mostly European, with the memories of eighteenth-century wars still fresh. Armies were still led by officers riding on horses, messages conveyed by hand, drum, and bugle. As the telegraph, telephone, and radio revolutionized communications, big-gun battleships like the British Dreadnought, the tank, and the airplane altered warfare. Van Creveld paints a powerful portrait of World War I, in which armies would be counted in the millions, casualties–such as those in the cataclysmic battle of the Marne–would become staggering, and deadly new weapons, such as poison gas, would be introduced. Ultimately, Germany’s plans to outmaneuver her enemies to victory came to naught as the battle lines ossified and the winners proved to be those who could produce the most weapons and provide the most soldiers. The Changing Face of War then propels us to the even greater global carnage of World War II. Innovations in armored warfare and airpower, along with technological breakthroughs from radar to the atom bomb, transformed war from simple slaughter to a complex event requiring new expertise–all in the service of savagery, from Pearl Harbor to Dachau to Hiroshima. The further development of nuclear weapons during the Cold War shifts nations from fighting wars to deterring them: The number of active troops shrinks and the influence of the military declines as civilian think tanks set policy and volunteer forces “decouple” the idea of defense from the world of everyday people. War today, van Crevald tells us, is a mix of the ancient and the advanced, as state-of-the-art armies fail to defeat small groups of crudely outfitted guerrilla and terrorists, a pattern that began with Britain’s exit from India and culminating in American misadventures in Vietnam and Iraq, examples of what the author calls a “long, almost unbroken record of failure.” How to learn from the recent past to reshape the military for this new challenge–how to still save, in a sense, the free world–is the ultimate lesson of this big, bold, and cautionary work. The Changing Face of War is sure to become the standard source on this essential subject.

In While England Slept Winston Churchill revealed in 1938 how the inadequacy of Britain's military forces to cope with worldwide responsibilities in a peaceful but tense era crippled its ability to deter or even adequately prepare for World War II. In While America Sleeps , historians Donald and Frederick W. Kagan retrace Britain's international and defense policies during the years after World War I leading up to World War II, showing how self-delusion and an unwillingness to face the inescapable responsibilities on which their security and the peace of the world depended cost the British dearly. The Kagans then turn their attention to America and argue that our nation finds itself in a position similar to that of Britain in the 1920s. For all its emergency interventions the U.S. has not yet accepted its unique responsibility to take the lead in preserving the peace. Years of military cutbacks—the "peace dividend" following the buildup and triumph over Communism of the Reagan years—have weakened our armed forces and left us with too few armed forces to cover too many possible threats. This has caused us to bank everything on high tech "smart" weapons—some of which have not yet been invented and others that we are not acquiring or deploying—as opposed to the long-term commitment of money, fighting men and women, and planning that the deterrence of a major war would require. This failure to shape a policy and to commit the resources needed to maintain peace has cost valuable time in shaping a peaceful world and has placed America's long-term security in danger. The policies of the Bush and Clinton administrations have left us in a position where we cannot avoid war and keep the peace in areas vital to our security. Neither have the post-Cold War policies sent clear signals to would-be aggressors that the U.S. can and will resist them. Tensions in the Middle East, instability in eastern Europe and the former Soviet Union, the nuclear confrontation between India and Pakistan, the development of nuclear weapons and missile by North Korea, and the menacing threats and actions of China, with its immense population, resentful sense of grievance and years of military buildup, all hint that the current peaceful era will not last forever. Can we make it last as long as possible? Are we prepared to face its collapse? While America Sleeps is a sobering work of history that poses a thoughtful challenge to policy-makers.

Stella Adler was one of the most influential acting teachers of all time, a legendary force of nature whose generations of students include Marlon Brando, Karl Malden, Anthony Quinn, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, and Mark Ruffalo. This long-awaited companion to her book on the master European playwrights brings to life America’s most revered playwrights, whom she knew, loved, and worked with. Brilliantly edited by Barry Paris, Adler’s lectures on the giants of twentieth-century theater feature her indispensable insights into such classic plays as “Long Day’s Journey into Night,” “The Skin of Our Teeth,” “A Streetcar Named Desire,” “Come Back, Little Sheba,” “The Glass Menagerie,” and “Death of a Salesman,” while shedding new light on such lesser known gems as Tennessee Williams’s “The Lady of Larkspur Lotion” and Arthur Miller’s “After the Fall.” Illuminating, revelatory, inspiring—this is Stella Adler at her electrifying best.

Composer Michael Nyman?'s classic 1974 account of the postwar experimental tradition in music.

Michael Nyman's book is a first-hand account of experimental music from 1950 to 1970. First published in 1974, it has remained the classic text on a significant form of music making and composing that developed alongside, and partly in opposition to, the postwar modernist tradition of composers such as Boulez, Berio, or Stockhausen. The experimentalist par excellence was John Cage whose legendary 4' 33'' consists of four minutes and thirty three seconds of silence to be performed on any instrument. Such pieces have a conceptual rather than purely musical starting point and radically challenge conventional notions of the musical work. Nyman's book traces the revolutionary attitudes that were developed toward concepts of time, space, sound, and composer/performer responsibility. It was within the experimental tradition that the seeds of musical minimalism were sown and the book contains reference to the early works of Reich, Riley, Young, and Glass. This second edition contains a new Foreword, an updated discography, and a historical overview by the author.

"Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new Jewish war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism"--Page 4 of cover.

“ The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street . Schiff writes with a sense of humor and an enthusiasm for Ellington's music that comes out on every page.”—George Manahan, Music Director, American Composers Orchestra “David Schiff points us forward, observing that ‘Ellington’s music asks us to see with our ears and hear with our eyes.’ Writing as a composer and scholar, he has a gift for making complex ideas strikingly clear. His insights move across a huge terrain of twentieth-century culture, as he builds bridges in his musical and cultural analysis where many have not seen a connection. Yet each musical work, each artist, is given his or her equal due. In this sense, he has met the spiritual and cultural challenge of Ellington’s life work.”—Marty Ehrlich, Composer/Instrumentalist, Associate Professor of Improvisation and Contemporary Music, Hampshire College

"One of the most promising young poet-critics in America" ( Los Angeles Times ) examines a revolutionary generation of poets. Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as "confessional." But partly as a result of their openness, they have become better known for their tumultuous lives—afflicted by mental illness, alcoholism, and suicide—than for their work. This book reclaims their achievement by offering critical "biographies of the poetry"—tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. An ideal introduction for readers coming to these major American poets for the first time, it will also help veteran readers to appreciate their work in a new light.

Winner of the Pulitzer Prize in 1995 Written in a voice that moves between elegy and prayer, The Simple Truth contains thirty-three poems whose aim is to weave a complex tapestry of myth, history (both public and private), family, memory, and invention in a search for truths so basic and universal they often escape us all.

A sweeping novel of love, passion, and freedom, Mitla Pass stands as an epic look at modern Middle Eastern history and is quite possibly Uris's most autobiographical work. Gideon Zadok arrives in Israel with every intention to research a new book, mend a broken marriage, and improve his dysfunctional family. But as political tensions escalate and his family is evacuated, Zadok asks to follow Israeli paratroopers to secure Mitla Pass and finds himself in the midst of one of the largest global crises of the twentieth century.

A history of the artistic movements in the East Village of New York in the early and mid 1960s, focusing on such individuals as Andy Warhol, Allen Ginsberg, and The Fugs.

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

Each house, like each place, has its own topography, its own lore. A complex history comes down to us, through household jokes and anecdotes, odd family habits and irrational superstitutions, that forever shapes what we see and the way in which we see it. In his book, David Malouf, one of Australia's most prestigious writers, takes an unsentimental journey into his past. Beginning with his childhood home, he moves on to show other landmarks in his life, and the way places and things create our private worlds. Written with humour and uncompromising intelligence, 12 Edmondstone Street is an unforgettable portrait of one man's life.

Children have been recruited for fighting throughout history - as soldiers in regular and guerilla armies, in armed revolts, and for political terrorism. However, these children cannot always be viewed as victims of remorseless and criminal leaders. In some situations, joining the fighting is the best or the only alternative for the young. Ch. 2 (pp. 19-56), "Fighting for Their Lives: Jewish Child Soldiers of World War II", discusses children's participation in the Jewish resistance during the Holocaust. Using mainly material from resistance and partisan groups in Lithuania, Poland, and Belarus, shows that joining the fighters was sometimes the Jewish children's only hope for survival. The children were motivated by necessity and a sense of honor and duty. Zionist and leftist movements, in particular Hashomer Hatzair, which headed the resistance in many ghettos, cultivated independence and militancy of the young and were especially inclined to draw children into their ranks.

Called "one of our best science popularizers" by Publishers Weekly , Amir D. Aczel tackles the cause of one of last century's most destructive events--the scientific discovery of nuclear power. Drawing on his rich storytelling skills, Aczel presents the fascinating and suspenseful story of the scientists who first uncovered the potential of uranium. Uranium Wars takes the reader on a whirlwind tour of 1920s Europe where the scientific elite of the day were embroiled in a fierce rivalry to achieve nuclear fission. Leading us to an understanding of both the processes that take place inside a uranium nucleus and its destructive power are the brilliant men and women at the heart of the race--mammoth figures such as Marie Curie, Enrico Fermi, and Lise Meitner. Enmeshed in the story of scientific intrigue is the complex and ongoing story of uranium itself, which Aczel presents as a dynamic, dual natured force, capable of providing both abundant usable energy and generating unfathomable destructive power. From the nuclear programs in the Middle East to plans for nuclear reactors at home, the element uranium is never far from today's headlines.

Called "the most important critic of his time" by Hannah Arendt, Walter Benjamin has emerged as one of the most compelling thinkers of our time as well, his work assuming a crucial place in current debates over the interactions of art, culture, and meaning. A "natural and extraordinary talent for letter writing was one of the most captivating facets of his nature", writes Gershom Scholem in his Foreword; and indeed, Benjamin's correspondence reveals the evolution of some of his most powerful ideas. Published here in English for the first time, these letters offer an intimate picture of Benjamin himself and the times in which he lived. Written in a day when letters were an important vehicle for the presentation and development of intellectual matters, Benjamin's correspondence is rich in insight into the circumstances behind his often difficult work. These letters provide a lively view of Benjamin's life and thought from his days as a student to his melancholy experiences as an exile in Paris. As he defends his changing ideas to admiring and skeptical friends – poets, philosophers, and radicals – we witness the restless self-analysis of a creative mind far in advance of his own time. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Hugo von Hofmannsthal, Max Horkheimer, Max Brod, Bertolt Brecht, and Kafka's friend Felix Weltsch, Benjamin elaborates his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, the "Jewish Question" and anti-Semitism, Marxism and Zionism. And he expounds his personal attitudes toward such subjects as the role of quotations in criticism, history, and tradition; the meaning of being a "collector"; and French culture and the national character. In sum, this magnificent collection is an exceptionally rich source of information and an essential key to understanding one of the preeminent figures of modern culture. --

Serbian Danilo Kis, like Orwell before him, is preoccupied with the dehumanizing of man in a mechanized, totalitarian world. His fiction - including The Encyclopedia of the Dead and A Tomb for Boris Davidovich - established him as one of the original writers of postwar Europe. His antecedents include Borges and Bruno Schultz, the cosmopolitian and the small-town Polish Jew; his history exposed and extended his forms and styles.