"Without venture capital, many of the companies whose technical innovations sparked the digital revolution would not exist. Venture investments funded these firms to develop their bright ideas into commercial products that created new business models and established whole new markets. In Profiting from Innovation, Henry Kressel, a partner at multi-billion-dollar global investing company Warburg Pincus, takes you behind the scenes of the private equity process. He draws on his extensive experience to show how venture capital works, why venture capitalists fund certain companies and not others, and what factors influence the success or failure of their high-risk, high-reward investments. He also discusses venture capital's future, now that the commercialization of technology requires larger investments and global market access. Written in clear, non-technical language, the book features informative case studies of venture capital funding in a wide range of industries, including telecommunications, software and services, semiconductors, and the internet"--

In this fascinating collection of essays, noted cultural critic Geoffrey Hartman raises the essential question of where we can find the real or authentic in today's world, and how this affects the way we can understand our human predicament. Hartman explores such issues as the fantasy of total and perfect information available on the Internet, the biographical excesses of tell-all daytime talk shows, and how we can understand what is "true" in biographical and testimonial writing. And, what, he asks, is the ethical point of all this personal testimony? What has it really taught us? Underlying the entire book is a question of how the Holocaust has shaped the possibilities for truth and for the writing of an authentic life story in today's world, and how we can approach the world in a meaningful way. Hartman produces a meditation on how an appreciation of the aesthetic qualities of art and writing may help us to answer these questions of meaning.

Based on the screenplay to the terrifying 1998 horror film StrangeLand The Internet was supposed to connect people. For Captain Howdy, it's the perfect hunting ground. Behind the screen waits a sadist who lures teenagers into his world of ritual piercing, body suspension, and unrelenting torment. To him, pain is truth. Flesh is canvas. And his victims are masterpieces. When Detective Mike Gage's daughter disappears, the hunt leads the police into a nightmare of needles, hooks, and cages. A carnival of body modification ruled by a madman who believes he's a prophet. But Howdy isn't just another predator; he's a believer, and his gospel is written in pain. StrangeLand drags you screaming through the shadows of suburbia into a world where torture is transcendence, horror wears a human face, and salvation may come too late. Welcome to Captain Howdy's playground. Once you enter, you don't come back the same.

Has globalization diluted the power of national governments to regulate their own economies? Are international governmental and nongovernmental organizations weakening the hold of nation-states on global regulatory agendas? Many observers think so. But in All Politics Is Global, Daniel Drezner argues that this view is wrong. Despite globalization, states especially the great powers still dominate international regulatory regimes, and the regulatory goals of states are driven by their domestic interests. As Drezner shows, state size still matters. The great powers the United States and the European Union remain the key players in writing global regulations, and their power is due to the size of their internal economic markets. If they agree, there will be effective global governance. If they don't agree, governance will be fragmented or ineffective. And, paradoxically, the most powerful sources of great-power preferences are the least globalized elements of their economies. Testing this revisionist model of global regulatory governance on an unusually wide variety of cases, including the Internet, finance, genetically modified organisms, and intellectual property rights, Drezner shows why there is such disparity in the strength of international regulations.

As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). He is also the author of three novels: Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide (2013) Time On My Hands: My Misadventures In Time Travel (2017), and Father of the Bride of Frankenstein (2019).

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

"The Posthuman Dada Guide is an impractical handbook for practical living in our posthuman world - all by way of examining the imagined 1916 chess game between Tristan Tzara, the daddy of Dada, and V. I. Lenin, the daddy of communism. This epic game at Zurich's Cafe de la Terrasse - a battle between radical visions of art and ideological revolution - lasted for a century and may still be going on, although communism appears dead and Dada stronger than ever. As the poet faces the future mass murderer over the chessboard, neither realizes that they are playing for the world. Taking the match as metaphor for two poles of twentieth- and twenty-first-century thought, politics, and life, Andrei Codrescu has created his own brilliantly Dadaesque guide to Dada - and to what it can teach us about surviving our ultraconnected present and future. Here dadaists Duchamp, Ball, and von Freytag-Loringhoven and communists Trotsky, Radek, and Zinoviev appear live in company with later incarnations, including William Burroughs, Allen Ginsberg, Gilles Deleuze, and Newt Gingrich. The Posthuman Dada Guide is arranged alphabetically for quick reference and (some) nostalgia for order, with entries such as "eros (women)," "internet(s)," and "war." Throughout, it is written in the belief "that posthumans lining the road to the future (which looks as if it exists, after all, even though Dada is against it) need the solace offered by the primal raw energy of Dada and its inhuman sources."

"This delightful book of writer-to-writer correspondence joins a full shelf of volumes in the genre, yet it is perhaps the first set of such letters ever transacted via the Internet. Also unusual, at least for correspondents in the twenty-first century, is that Frederic Raphael and Joseph Epstein have never met, nor even spoken to each other. But what is most rare about this book is the authors' abundant talent for entertaining their readers, as much when the topic is grave as when it is droll. Raphael and Epstein agree to embark on a year-long correspondence, but other rules are few. As the weeks progress, their friendship grows, and each inspires the other. Almost any topic, large or small, is considered: they write of schooling, parents, wives, children, literary tastes, enmities, delights, and beliefs. They discuss their professional lives as writers, their skills or want of them, respective experiences with editors, producers, and actors, and, in priceless passages scattered throughout the letters, they assess such celebrated figures as Gore Vidal, Christopher Hitchens, Sontag/Leibowitz, Malcolm Gladwell, Harold Bloom, George Steiner, Harold Pinter, Isaiah Berlin, George Weidenfeld, and Robert Gottlieb, among many others. Epstein and Raphael capture a year in their letters, but more, they invite us into an intimate world where literature, cinema, and art are keys to self-discovery and friendship"--

In this provocative and wholly absorbing work, Lisa Jardine offers a radical interpretation of the Renaissance, arguing that the creation of culture during that time was inextricably tied to the creation of wealth -- that the expansion of commerce spurred the expansion of thought. As Jardine boldly states, The seeds of our own exuberant multiculturalism and bravura consumerism were planted in the European Renaissance. While Europe's royalty and merchants competed with each other to acquire works of art, vicious commercial battles were being fought over who should control the centers for trade around the globe. Jardine encompasses Renaissance culture from its western borders in Christendom to its eastern reaches in the Islamic Ottoman Empire, bringing this opulent epoch to life in all its material splendor and competitive acquisitiveness. A savvy, street-smart history of the Renaissance.--Dan Cryer, Newsday Jardine's lively book is specific and down-to-earth. A particularly fascinating section recalls how books suddenly ceased to be principally collector's items or aids to scholars and became the sixteenth century's Internet, dispensing fact and fancy to high and low.--The New Yorker

In recent years, billions of dollars (and euros, yen, and other currencies) have been spent by wireless services providers to acquire the radio frequency spectrum needed to offer so-called "Third Generation" (3G) mobile services. These services include high-speed data, mobile Internet access and entertainment such as games, music and video programs. Indeed, as voice communications are substituted by data communications, software -rather than terminals or networks- has become the driver of the wireless industry. Meanwhile, services are becoming increasingly specialized. Why has the road to multimedia cellular been so difficult? These benefits of the mobile Internet have come with the costs of a massive transition that has coincided with the bust of stock markets and the technology segments worldwide, controversial and costly license auctions in several lead markets, dated or mistaken regulatory policies, the clash between the early hype and the pioneering realities of the mobile Internet. But these are generalities that barely scratch the surface. The devil is in the details. And it is these details that Competition for the Mobile Internet addresses.

Trenchant, occasionally splenetic, and always brutally funny, Romanian-born Codrescu confronts the convulsions of our post-ideological world at a time when "the advent of cyberspace and the caffeinating of America has occurred simultaneously." With these newest essays from 1994 and 1995 - some that are straight off the NPR airwaves and some that have served as magazine pieces or speeches - Codrescu takes us on a roller-coaster tour through our own dramatically changing country. Making stops along the way to observe the shifting American landscape, our incisive guide confronts, among other curiosities: the ever-increasing illusion of democracy; the Internet and sex in the cyber age; the rise and rerise of the religious Right; the grotesquerie born out of the cooling shards of post-Communism; the transformation of the American palate; the ascendance of vampirism; and the new millennial contagion. Andrei Codrescu has been keeping his audience abreast of the absurdities of American culture for over ten years, and his trademark irony, buoyant paranoia, and mystical cynicism are once again in ample evidence in this collection. Along for the ride are all of his familiar characters, including puppets, fascists, airplanes, and Greyhound buses, but now his menagerie has expanded to include one electronically adjusted dog, Miss America, and an alligator god.

In April 1994, two immigration attorneys in Scottsdale, Arizona did something no one had ever done before. They advertised their legal services to approximately 6,000 of the 9,000 discussion groups called "Newsgroups" on the Global Internet, reaching tens of millions of people. Their innovative, money-making venture netted over 25,000 customer inquiries for one night's work. The two Internet pioneers, by spending only $20.00 - the price of this book - brought in $100,000 worth of business. But they also received a flood of "flames"--E-mailed insults - from thousands of Internet users who did not want this part of the Internet used for business purposes. With one advertisement, Laurence Canter and Martha Siegel became the focal point of the violent controversy that continues to rage over commercialization of the once strictly academic Internet.

In this insightful social commentary, David Weinberger goes beyond misdirected hype to reveal what is truly revolutionary about the Web. Just as Marshall McLuhan forever altered our view of broadcast media, Weinberger shows that the Web is transforming not only social institutions but also bedrock concepts of our world such as space, time, self, knowledge-even reality itself. Through stories of life on the Web, a unique take on Web sites, and a pervasive sense of humor, Weinberger is the first to put the Web into the social and intellectual context we need to begin assessing its true impact on our lives. The irony, according to Weinberger, is that this seemingly weird new technology is more in tune with our authentic selves than is the modern world. Funny, provocative, and ultimately hopeful, Small Pieces Loosely Joined makes us look at the Web as never before.

An all-access pass to the populist insurrection brewing across the country. Job outsourcing. Slashed paychecks. A war without end, fatally mismanaged. Americans on both the Right and Left are tired of being disenfranchised by corrupt politicians and are organizing to change the status quo. In his invigorating new book, David Sirota investigates this uprising, taking us into the trenches where real change is happening–in the headquarters of the most powerful third party in America, at an ExxonMobil shareholder meeting, and on the quasi-military staging area of a vigilante force on the Mexican border. The Uprising is essential reading for anyone who wants to look beyond presidential politics at the new populism that is reshaping the American political landscape.

The protests unleashed by Iran's disputed presidential election in June 2010 brought the Islamic Republic's vigorous cyber culture to the world's attention. Iran has an estimated 700,000 bloggers, and new i media such as Facebook, Twitter and YouTube were thought to have played a key role in spreading news of the protests. The internet is often celebrated as an agent of social change in countries like Iran, but most literature on the subject has struggled to grasp what this new phenomenon actually means. In this work, the authors give a flavour of contemporary Internet culture in Iran and analyse how this new form of communication is affecting the social and political life of the country. Although they warn against stereotyping bloggers as dissidents, they argue that the internet is changing things in ways which neither the government nor the democracy movement could have anticipated. Blogistan offers both a new reading of Iranian politics and a new conceptual framework for understanding the politics of the internet, with implications for the wider Middle East, China and beyond. -- Book cover.

From across the far reaches of the internet, the community at Fark.com presents . . . Raiders of the Lost Plot: The 2024 Fark Fiction Anthology! Our editors have worked feverishly to bring you the best short fiction of 2024 from the minds and imaginations at Fark, the online community where snark is king and wit reigns supreme. Gods and devils, angels and piglets, mysteries and the mysterious. Space smugglers and fantastic beasts, murders, mayhem, and one very, very important dog all come together with much, much more. And even better, for the ninth year in a row, all proceeds from the sale of this anthology will benefit an excellent children's charity chosen by the posters at Fark.com. So strap in, put a fedora on your squirrel, and get ready, because adventures await and there's all sorts of plots to find! Table of Contents: SOTA by Jason Allard Boring Alice by Mark Suszko Starthief Night by Ann Hosler Transcripture by Anthony Fabbri The Friendly Night Skies by Mark Zec Sunshine Superplant by Charles Montgomery Forbidden Isle by Gevera Bert Piedmont Sen of the Forest by Jaque Davison The Seeker by Dan McKay Strays by Stephen D. Ball The Celestial Bureaucracy by Vincent Spiezio Arzool the Destroyer and the Piglet of Doom by Brian Bander Psycho by Fred Blonder Catastrophe by Maddi Davidson Toking the Eleventh Dimension by Margret A. Treiber Employee 103 by Sim Tree Saffron by R. A. Willis Whom the Gods Would Destroy by D. Paul Angel Empty Country by Otto Marxhausen The Party of the Second Part by Eolas Pellor Accounts of a Haunting by Simina Lungu It Came from the Swamp by Lisa Lahey The Welcoming Flames by Christopher Pate Bell, Book, and Candle by James Defton Welcome to My World by Willin D. Fenster Who Murdered Colonel Sherrington-Smyth? by Joseph Benedetto The Beach House by Ed Ahern Mail Order Bride by Margaret Karmazin False Flag by Philip Ekstrom The House in North Woods by Tennessee Kaplan Against Flesh and Blood by Clayton Emery

The Blogging Revolution is a colourful and revelatory account of bloggers around the globe who live and write under repressive regimes-many of them risking their lives in doing so. Antony Loewenstein's travels take him to private parties in Iran and Egypt, internet cafes in Saudi Arabia and Damascus, to the homes of Cuban dissidents and into newspaper offices in Beijing, where he discovers the ways in which the internet is threatening the rule of governments. Through first-hand investigations, he reveals the complicity of Western multinationals in assisting the restriction of information in these countries and how bloggers are leading the charge for change. This fully updated new edition of the book reveals some of the key players of the Arab Spring and how years of organising, web dissent and bravery led to momentous changes in US-backed dictatorships across the Middle East. The Blogging Revolution is a superb examination about the nature of repression in the twenty-first century and the power of brave individuals to overcome it.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The girl who was dying lay in an invalid chair piled up with cushions in a sheltered corner of the lawn. The woman who had come to visit her had deliberately turned away her head with a murmured word about the sunshine and the field of buttercups. Behind them was the little sanitarium, a gray stone villa built in the style of a château, overgrown with creepers, and with terraced lawns stretching down to the sunny corner to which the girl had been carried earlier in the day. There were flowers everywhere - beds of hyacinths, and borders of purple and yellow crocuses. A lilac tree was bursting into blossom, the breeze was soft and full of life. Below, beyond the yellow-starred field of which the woman had spoken, flowed the Seine, and in the distance one could see the outskirts of Paris. "The doctor says I am better," the girl whispered plaintively. "This morning he was quite cheerful. I suppose he knows, but it is strange that I should feel so weak - weaker even day by day. And my cough - it tears me to pieces all the time."

"Seeking Love in Modern Britain charts the emergence of the modern British single through an account of the dating industry that sprang up to serve men and women. It shows how - amid a period of unprecedented sexual and social change - 'the single' became a key unisex identity and lifestyle. From around 1970, a growing, cottage-style matchmaking industry in Britain was offering the romantically solo a choice between computer dating firms, such as Dateline or Compudate, introduction agencies and the lonely hearts pages of Private Eye , Time Out and others. Zoe Strimpel reveals how this rapidly expanding landscape of services was catering to a new breed of single people, and how - by the late 1990s - singleness had become the culturally mainstream, wholly expected part of the romantic life cycle that it is today. Refuting the widespread idea that the Internet invented modern dating, this book uses an eclectic and engaging range of first-person accounts and snapshots from the time to show that the story of contemporary romance, mediated courtship and singleness began in a time long before Tinder."--