The Western Mind In Transition: An Eyewitness Story is a book written by Franz Alexander, a renowned psychoanalyst and psychiatrist. The book is a first-hand account of the intellectual and cultural changes that swept across Western society in the early 20th century. Through his personal experiences and observations, Alexander traces the evolution of Western thought from the rationalism of the Enlightenment to the existentialism and psychoanalysis of the 20th century. He discusses the impact of World War I, the rise of fascism, and the disillusionment of the post-war generation on the Western psyche.The book also delves into the role of psychoanalysis in shaping the modern Western mind. Alexander explores the theories and practices of Sigmund Freud and his followers, as well as his own contributions to the field.Overall, The Western Mind In Transition: An Eyewitness Story is a thought-provoking and insightful examination of the intellectual and cultural changes that have shaped the Western world. It is a must-read for anyone interested in the history of ideas and the evolution of the human mind.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler{u2019}s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories{u2014}an 2Austro-Modernism3 that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus{u2019}s drama The Last Days of Mankind and Elias Canetti{u2019}s memoir The Tongue Set Free to Ludwig Wittgenstein{u2019}s notebooks and Paul Celan{u2019}s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers

Not only do "modern" Jewish languages like Yiddish and Hebrew have their own Jewish writers, but every major Western tongue?from German and Russian to English and Portuguese?does as well. These writers are often at the crossroad between the two traditions: their Jewish one and their own national one. Is there such a thing as a modern Jewish literary tradition, one navigating across linguistic and national lines? If so, how should one define it? Ilan Stavans is uniquely qualified to answer these questions and to comment on the power and challenges of cultural margins and literary crossings. He has been at the forefront of an appreciation of the Jewish literary tradition that is less asphyxiating, more global. His reflections on Jewish Latin America have won him the nickname "pathfinder." This incomparable volume showcases Stavans's most insightful and provocative?and at times controversial?observations on transnational Jewish culture and literature. Stavans explores the problems and prospects of representing Jewish experiences through such media as Holocaust memoirs and Jewish museums; astutely comments on well-known intellectual figures, including Lionel Trilling, Isaac Babel, Primo Levi, Harold Bloom, and Walter Benjamin; engages in memorable conversations with Norman Manea, Joseph Brodsky, and Ariel Dorfman; and offers compelling glimpses of revelatory moments in his own life.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in 1983 and now reissued, a portrayal of middle-class Englishwomen in the interwar period which draws on the work of such novelists as May Sinclair, Rosamond Lehmann and Rebecca West.

Living in a rat-infested hotel in Franco’s post-war Spain, André Bennett, a Canadian painter, loves Toni, his girl friend, who wants him to return home. Roger Kraus, a Nazi on the run, shadows the young artist day and night. They meet on a bridge during the last night of the fiesta, and as the sky is shredded by exploding fireworks, the story draws to its violent climax. Originally published in 1954, The Acrobats marks Mordecai Richler’s stunning debut as a novelist.

For almost twenty years, Ilan Stavans—described by the Washington Post as "Latin America’s liveliest and boldest critic and most innovative cultural enthusiast"—has interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume Stavans’s most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.

In its day, Andrei Codrescu's controversial and notorious anti-literary literary magazine Exquisite Corpse was a primary source rebellion, passion and black humor. Calculated to assault, shock, intrigue and reflect our anxious millennium fill the pages of this Corpse reader. A heady invitation to enjoy one's intellectual freedom while it lasts, the volume inscribes central (and edgy) poetic controversies, eulogizes and condemns, realizes and surrealizes, translates and travels across space and time to place us in all those wild worlds visited by the bizarre legion of Corpse correspondents.

Adeena Karasick’s fourth book of poetry achieves an astonishing layered complexity and maturity. Dyssemia Sleaze is at one and the same time Karasick’s most political and most personal book to date. Its performance is that of an inter-folded language, woven (shuffled) back and forth between the perpetual absence of intimations of the thing itself and the rupture of the ever-present metamorphoses of its mediation. This tapestry of syntax, the fitting of one word to another, becomes a triumph, in this book, of the feminine sensibility over the linear, masculine, causal narrative (what used to be called ‘naive realism’). It is the feminine soul crying at the ‘Mehitzah,’ the wall that separates the male and female worshipers in the Jewish temple. It is the woman at the temple screen, impervious to anything but language, as the current post-modern heir to authenticity. This is a book of walls: defensive walls that keep people out-the garrison; and inclusive walls that keep people in-paradise. And it is a book of transgression-of messengers, both voluntary and mercenary, who pass and carry the notes and letters, both living and dead, between those who are without and those who are within those walls. At times, Karasick’s language becomes the veritable milk of life: you, the reader, the child of innocence, get whatever “mama’s eaten that day,” both “itself,” and “itself mediated,” always unpredictably. The very sensuality of its presentational style (full colour image-text collage) is at one and the same time in dire conflict with the complex austerity of its exegesis-the heartbreak of recognition illustrated in the mirror of desire. Knowing here (her) is always the illusion of the illustration of the object of desire: certainty is a fetish of bondage; knowing the opening of the mouth (wound) of the tear into substance. And the laughter, that dangerous laughter.

"The Elsewhere." Or, midbar-biblical Hebrew for both "wilderness" and "speech." A place of possession and dispossession, loss and nostalgia. But also a place that speaks. Ingeniously using a Talmudic interpretive formula about the disposition of boundaries, Newton explores narratives of "place, flight, border, and beyond." The writers of The Elsewhere are a disparate company of twentieth-century memoirists and fabulists from the Levant (Palestine/Israel, Egypt) and East Central Europe. Together, their texts-cunningly paired so as to speak to one another in mutually revelatory ways-narrate the paradox of the "near distance."

Australian Readers Remember is a novel cultural history, based on an investigation into the reading habits of sixty elderly Australians, who were asked to recall and to analyse what they were reading in the late nineteenth century and during the first three decades of the twentieth century, It is the first work of Australian literary history to focus on readers' experience and attitudes. Part One discusses the project, the place of oral history, and the problems involved in analysing the finding. Part Two offers an account of readers' memories of novels, verse, children's books, newspapers etc. Part Three examines the diffusion of literature and how the subjects obtained access to books. Part Four, the most original in the book, analyses the status of reading, attitudes towards books, as well as myths and prejudices surrounding the act of reading.

In the English-speaking world, it is generally believed that there are very few Jews living and thriving in Germany. Yet, there has been an unlikely postwar history 1945-2001 that has been somewhat repressed in North America and the United Kingdom. While most people are well-informed about the Holocaust and the consequences that this tragic event has had for the world, very few people know that there has been a steady increase in the population of Jews in Germany since 1945 and that there is a flourishing 'Jewish' culture, certainly a relatively strong Jewish presence, in Germany today. Does this development mean that Jews are playing a significant role in German social life? Does this mean that the great German-Jewish relationship, often referred to as a kind of symbiosis, has re-emerged despite the odds against it? The sixteen essays in this book written by the leading critics in the field cover the fascinating changes that have been made in German society since 1945 in the Jewish communities, literature, theater, film, architecture, and other areas of interest including an examination of the resurgence of anti-Semitism in Austria. For anyone interested in reading about the unpredictable transformations in German-Jewish relations since 1945, Unlikely History will provide information and insights into a history that needs to be told to bring about greater understanding of Jews and Germans in contemporary Germany.

"Ilan Stavans has emerged as Latin America’s liveliest and boldest critic and most innovative cultural enthusiast," states the Washington Post. And the New York Times described him as "the czar of Latino literature in the United States." But his influential oeuvre doesn’t address Hispanic culture exclusively. It has also opened fresh new vistas into Jewish life globally, which has prompted the Forward to portray Stavans as "a maverick intellectual whose canonical work has already produced a whole array of marvels that are redefining Jewishness." Neal Sokol devoted almost a decade to the study of Stavans’s work. He applies his substantial knowledge to this candid, thought-provoking series of eight interviews. In them Stavans is caught at the vortex where his Mexican, Jewish, and American heritages meet. He discusses everything from the formative influences that shaped his worldview to anti-Semitism, Edmund Wilson, sexuality in Latin America, Gabriel García Márquez, and the fate of Yiddish. He also contrasts the role of intellectuals in advanced and developing societies, dwells on his admiration for Don Quixote and his passion for dictionaries, and reflects on his groundbreaking, controversial research on Spanglish—the hybrid encounter of English and Spanish that infuriates the Royal Academy in Madrid and also makes people describe Stavans as "the Salman Rushdie of the Hispanic world." Sokol shrewdly tests Stavans’s ideas and places them in context. By doing so, he offers a map to the heart and mind of one of our foremost thinkers today—an invaluable tool for his growing cadre of readers.

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--

"Macy offers a rare and fascinating glimpse into the journey of women's rights through the lens of women in sports during the pivotal decade of the 1920s. With elegant prose, poignant wit, and fascinating primary sources, Macy explores the many hurdles presented to female athletes as they stormed the field, stepped up to bat, and won the right to compete in sports. Featuring bold and talented heroines, this book documents how the social issues and morals of the decade--from politics to segregation to the media--helped shape the changing narratives around women and alter the course of history entirely. It is a fascinating window into a rich and seldom explored history, and also a topical reminder of the many discussions surrounding femininity and the role of women that continue today."--Amazon.com