The Laws of Verse is an unchanged, high-quality reprint of the original edition of 1870. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A collection of poetry by Heinrich Heine, translated into English by Emil Alexander Charles Keppler. The poems, originally published in Heine's Buch der Lieder, cover a wide range of themes including love, nature, and politics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a compilation of poems written by Yvan Goll as he lay dying due to terminal cancer. His final poems were written on scraps of paper found in his hospital room and compiled following his death.

âeoeOn the Way to Willowdale: Being Other Songs From a Georgia Garden, With Sonnet Interludesâe is a collection of poems by Robert Loveman, showcasing his lyrical style and deep appreciation for nature. Loveman, often compared to Robert Browning, infuses his work with vivid imagery and emotional depth. This collection presents a diverse range of subjects, from the delicate beauty of 'Morning Glories' and 'Sally Dahlia' to the dramatic intensity of a comet and tempest. Loveman's romantic sensibilities shine through in poems addressing themes of love and loss, such as 'slain my love, ' 'Mary Marigold, ' and 'Juliet.' The included sonnet interludes offer moments of introspective beauty, capturing fleeting moments of 'rapture' and 'ecstasy.' With its evocative language and timeless themes, "On the Way to Willowdale" remains a testament to Loveman's contribution to American poetry, inviting readers to revel in the 'SKIES AND BUTTERFLIES' and the 'toy of joy' found within the Georgia landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Poetry. QUESTIONS/PLACES/VOICES/SEASONS continues and expands the innovative meditational poetry Norman Fischer has explored in earlier books, such as SLOWLY BUT DEARLY, SUCCESS, and I WAS BLOWN BACK. The two long serial poems that anchor QUESTIONS/PLACES/VOICES/SEASONS, "Charlotte's Way" and "Seasons," will feel quite familiar to Fischer's many readers. But he also inaugurates a new form of writing in this new book in which he inhabits the voices of others, such as Alberto Caeiro, Reb Yosl of Kemenetz, Elena Rivera, and Saigyo Hoshi. The combination of these distinct forms of writing create a compelling new addition to Fischer's already impressive body of work.

A collection of poems about the moods and fascinations of childhood.

Excerpt from Weather and Season: New Poems The shape of last year's boughs, cankered or grown, And where that stump is, one that died in blossom; Forget the bill's curve under the aerial masts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Maxwell Bodenheim was an American writer and poet who gained international notoriety during the 1920s, and who often used the techniques of imagists. A writer since forgotten, he was once one of the world's leading writers. Though he was an important writer, his life had a tragic end; he was murdered in his early 60s at a flophouse. The Sardonic Arm was one of Maxwell's major works.

A captivating collection of poems that explore the themes of love, nature, and the human condition through vivid and evocative imagery. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Ascent of Man" by Mathilde Blind is a powerful collection of poems exploring themes of evolution and human progress. Written by a significant woman author, this work delves into the concept of social evolution through compelling verse. This poetry examines humanity's journey, offering insightful reflections on societal development and change. A historical text meticulously prepared for print republication, Blind's poems resonate with enduring relevance, providing a unique perspective on the forces shaping our world. Explore the complexities of human advancement and the ongoing quest for a better future through the evocative language and timeless observations of Mathilde Blind. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Comitment, sincerity and and identification characterizes this collection of sensitive lyrical poetry. At the core of the poems is the individual contemplating the meaning of existence. The experience is lived in all its immediacy and it is passed on. The poems describe a large range of subjects, as life in Israel, and they express a deep yearning for peace in the Middle East.

In The Poetry of Everyday Life, John Hollander grapples with issues of poetry and the imagination. In a series of aphorisms, The book's title essay distinguishes between poetry's relations to the rest of life and other kinds of literature that merely deal literally with it. The essay introduces a range of other prose writing, from poetic fictions in prose (which Hollander calls "enigmatic narratives") to literary essays and memoirs of poets such as W. H. Auden, James Merrill, and Anthony Hecht. There are observations on the eternal problem of verse translation, as well as an interview with Langdon Hammer. Unburdened by theoretical agendas, both the short fables and the critical essays in this volume concern various aspects of the ways in which poetry can engage life most strongly when it most deeply regards itself.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Pink Trance Notebooks is the product of the year Wayne Koestenbaum stopped keeping the traditional journal he had maintained for three decades and began a series of "trance notebooks" as a way to reflect an intensified, unmoored consciousness. The resulting sequence of 34 assemblages reflects Koestenbaum's unfettered musings, findings, and obsessions. Freed from the conventions of prose, this concatenation of the author's intimate observations and desires lets loose a poetics of ecstatic praxis--voiced with aplomb and always on point. "Wayne Koestenbaum is one of the most original and relentlessly obsessed cultural spies writing today. His alarmingly focused attention to detail goes beyond lunacy into hilarious and brilliant clarity." --John Waters

Camp Marmalade takes the freedoms of trance utterance―unfettered verbal association, explicit auto-ethnography, erotic bricolage―and applies a more stringent sense of time-as-emergency to this liberation-oriented poetic method. Part diary, part collage, part textbook for a new School of Impulse, Camp Marmalade assembles a perverse and giddy cultural archive, a Ferris wheel of aphorisms, depicting a queer body amidst a dizzying flow of sensations, dreams, and sex-and-death distillations―whether sugary, fruity, bitter, expired, or freshly jarred.