In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives, the lasting influence of the anarchist movement they shaped, and their unyielding commitment to equality and justice. Berkman shocked the country in 1892 with "the first terrorist act in America," the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman's closest confidant though the two were often separated-by his fourteen-year imprisonment and by Emma's growing fame as the champion of a multitude of causes, from sexual liberation to freedom of speech. The blazing sun to Sasha's morose moon, Emma became known as "the most dangerous woman in America." Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street. Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world.

"A nobleman and his wife, an apothecary nun, an astronomer-mathematician, an inquisitor, a poet who is both lover and villain, a portraitist, a queen and loyal servants deftly act out a beautiful drama of tantalizing relationships. They take up their roles in castle and convent, some surrounded by ornate interiors, garbed in velvets and silks, garlanded with precious jewels; while others abide in simple space devoid of art or representation, and dressed in plain linens and dull calicos. THE APOTHECARY'S DAUGHTER is a wondrous tale, rendered in erotic prose and poetry, stitched through with rich imagery, humour and tenderness. It is also a story of trade and exotic travel, both across the surface of the earth and among the stars."

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.

A master historian offers an eloquent and personal auto-history of his life and his ideas Twenty years ago, John Lukacs paused to set down the history of his own thoughts and beliefs in Confessions of an Original Sinner, an adroit blend of autobiography and personal philosophy. Now, in Last Rites, he continues and expands his reflections, this time integrating his conception of history and human knowledge with private memories of his wives and loves, and enhancing the book with footnotes from his idiosyncratic diaries. The resulting volume is fascinating and delightful--an auto-history by a passionate, authentic, brilliant, and witty man. Lukacs begins with a concise rendering of a historical understanding of our world (essential reading for any historian), then follows with trenchant observations on his life in the United States, commentary on his native Hungary and the new meanings it took for him after 1989, and deeply personal portraits of his three wives, about whom he has not written before. He includes also a chapter on his formative memories of May and June 1940 and of Winston Churchill, a subject in some of Lukacs's later studies. Last Rites is a richly layered summation combined with a set of extraordinary observations--an original book only John Lukacs could have written. Praise for Confessions of an Original Sinner: "[Lukacs] is an often witty and always fascinating--even entertaining--writer."--Washington Post

The title, Behemoth, derives from the Hebrew word Behemah-a beast, an enormous creature, monstrously huge and vast. It is an apt description of the State on the eve of the twenty-first century. Loved by few, vilified by many from all perspectives, it nonetheless continues to grow; by turns rivaling and co-opting that more pleasant-sounding word: Society. Political sociology aims to define and understand the interrelationship between these two huge terms: State and Society. Continuing in a path begun by Horowitz in the 1950s in The Idea of War and Peace in Contemporary Social and Philosophical Thought, expanded upon in the 1970s with Foundations of Political Sociology, this summing up in the late 1990s is an effort to extract and evolve the canon of political sociology. Starting with Montesquieu, Horowitz proceeds through the European experience of Rousseau, Tocqueville, Hegel, Marx, Durkheim, Sorel, and Weber. He then takes the field on its tangled migration to America with the Frankfurt School in exile, followed by searching chapters on Schumpeter, Mills, Arendt, and Huntington, among others. The result is a stunning revaluation of the intellectual sources of the present day divisions between statists and socialists, welfarists and individualists, advocates of dictatorship and of democracy, mandated rules and voluntary association, hard realists and soft utopians, a world without states and a world with a single state. Horowitz does not offer the usual evolutionary notion of doctrines, but a canon embedded in and embattled with the societies they aim to serve or overthrow in the present as in the past. The result is a major recasting of the theory and practice of social science and normative frameworks. The final chapter offers Horowitz's own prognosis of what we can expect in the recasting of the Welfare State to include the Welfare Society, and its growing nemesis the global economy which threatens to engulf State and Society alike in a return to civilizational concerns. This is an essential text for policy-makers and social scientists interested in macroscopic changes in the political order.

A brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. The Rainy Season, Amy Wilentz’s award-winning 1989 portrait of Haiti after the fall of Jean-Claude Duvalier, was praised in the New York Times Book Review as “a remarkable account of a journalist’s transformation by her subject.” In her relationship with the country since then, Wilentz has witnessed more than one magical transformation. Now, with Farewell, Fred Voodoo , she gives us a vivid portrayal of the extraordinary people living in this stark place. Wilentz traces the country’s history from its slave plantations through its turbulent revolutionary history, its kick-up-the-dirt guerrilla movements, its totalitarian dynasty that ruled for decades, and its long and always troubled relationship with the United States. Yet through a history of hardship shines Haiti’s creative culture—its African traditions, its French inheritance, and its uncanny resilience, a strength that is often confused with resignation. Haiti emerged from the dust of the 2010 earthquake like a powerful spirit, and this stunning book describes the country’s day-to-day struggle and its relationship to outsiders who come to help out. There are human-rights reporters gone awry, movie stars turned aid workers, priests and musicians running for president, doctors turned diplomats. A former U.S. president works as a house builder and voodoo priests try to control elections. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the essence of this beautiful and confounding land into its darkest and brightest corners. Farewell, Fred Voodoo is a spiritual journey into the heart of the human soul, and Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.

"The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. The 2014 "Revolution of Dignity" heralded a tremendous transformation of Ukrainian politics and society that has continued to ripple and reverberate throughout the world. These unprecedented events also wrought a remarkable cultural revolution in Ukraine itself. In late 2015, a year and a half after the 2014 Revolution swept away the presidency of the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review, focusing on newly emergent trends in film, literature, painting, design, and fashion. The journal became an East European cultural institution, publishing outstanding writers in the region and beyond. From his vantage point as a journalist and editor, Davidzon came to observe events and know many of the leading figures in Ukrainian politics and culture, and to write about them for a Western audience. Davidzon later found himself in the center of world events as he became a United States government witness in the Ukraine scandal that shook the presidency of Donald Trump. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center"-- Provided by publisher.

Maeve begins her royal fosterage but her new companions are full of secrets and jealousy, her only friends are an elderly lady-in-waiting and Kian, the prince who rescued her kestrel, Ea, and her future promises only household management and childbearing until someone from her past brings a message about her true love.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

Modern Jews tend to relate to the past through “history,” which relies on empirical demonstration and rational thought, rather than through “memory,” which relies on the non-rational architectures of mythology. By now “history” has surpassed “memory” as a means of relating to the past—a development that falls short in building identity and creates disconnection between Jews and their collective history. Kurtzer seeks to mend this breach. Drawing on key classical texts, he shows that “history” and “memory” are not exclusive and that the perceived dissonance between them can be healed by a selective reclamation of the past and a translation of that past into purposefulness.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

`England', Benjamin Disraeli famously said, `does not love coalitions'. But 2010 saw the first peace-time coalition in Britain since the 1930s. The coalition, moreover, may well not be an aberration. For there are signs that, with the rise in strength of third parties, hung parliaments are more likely to recur than in the past. Perhaps, therefore, the era of single-party majority government, to which we have become accustomed since 1945, is coming to an end. But is the British constitution equipped to deal with coalition? Are alterations in the procedures of parliament or government needed to cope with it? The inter-party agreement between the coalition partners proposes a wide ranging series of constitutional reforms, the most important of which are fixed-term parliaments and a referendum on the alternative vote electoral system, to be held in May 2011. The coalition is also proposing measures to reduce the size of the House of Commons, to directly elect the House of Lords and to strengthen localism. These reforms, if implemented, could permanently alter the way we are governed. This book analyses the significance of coalition government for Britain and of the momentous constitutional reforms which the coalition is proposing. In doing so it seeks to penetrate the cloud of polemic and partisanship to provide an objective analysis for the informed citizen.

Eric Jensen, a young American researcher of ancient Taoist philosophy, falls in love with Lillian Yang, a young Chinese revolutionary, during the Chinese Civil War

Sex is beyond reason, and yet we constantly reason about it. So, too, did the peoples of ancient Greece and Rome. But until recently there has been little discussion of their views on erotic experience and sexual ethics. The Sleep of Reason brings together an international group of philosophers, philologists, literary critics, and historians to consider two questions normally kept separate: how is erotic experience understood in classical texts of various kinds, and what ethical judgments and philosophical arguments are made about sex? From same-sex desire to conjugal love, and from Plato and Aristotle to the Roman Stoic Musonius Rufus, the contributors demonstrate the complexity and diversity of classical sexuality. They also show that the ethics of eros, in both Greece and Rome, shared a number of commonalities: a focus not only on self-mastery, but also on reciprocity; a concern among men not just for penetration and display of their power, but also for being gentle and kind, and for being loved for themselves; and that women and even younger men felt not only gratitude and acceptance, but also joy and sexual desire. Contributors: * Eva Cantarella * Kenneth Dover * Chris Faraone * Simon Goldhill * Stephen Halliwell * David M. Halperin * J. Samuel Houser * Maarit Kaimio * David Konstan * David Leitao * Martha C. Nussbaum * A. W. Price * Juha Sihvola

""Aristide Froissart"" is a novel written by French author Leon Gozlan and published in 1873. The story follows the life of Aristide Froissart, a young man from a wealthy family who becomes disillusioned with his privileged life and seeks purpose and meaning. He becomes involved in the socialist movement and begins to question the class system and the injustices he sees around him.As he becomes more involved in politics, Aristide faces opposition from his family and the upper-class society he was born into. He also falls in love with a woman who comes from a different social class, adding to the challenges he faces.Through Aristide's journey, the novel explores themes of social inequality, political activism, and the struggle for personal identity. It also offers a glimpse into French society during the late 19th century and the tensions between different social classes.Overall, ""Aristide Froissart"" is a thought-provoking and engaging novel that delves into important social and political issues of its time.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

Born with a split lip and cleft palate, Toshy Wolfman's life is an uphill battle. Believing he is dim-witted and ugly, Toshy finds his resentment slowly building as he is ridiculed, used, and misled. Ultimately, he is imprisoned after being caught stealing a valuable and famous diamond, the Orange Sunset. But Toshy's story is not his alone - it is shared with his two sisters: Lil, a radical and a devotee of anarchist Emma Goldman; and Bessie, who goes to work for one of Goldmans enemies, the owners of the Orange Sunset. Toshy's love for his sisters drives him to make some of the bravest decisions of his life. But despite having seemingly overcome his obstacles, an aging Toshy stuns his nephew by asking for his assistance in committing suicide.Toshy wont fully explain his decision. Nor will he fully explain why, at this late stage in life, he is obsessed with making a journey to France.

Harry Stein gives us the conversations of a group of older men who meet every week for lunch to reflect on their lives and the state of the world. What is a well-lived life? What is honour, and does it have a place in our society? A profound and poignant meditation on the meaning of honour, told through the words of men who lived life according to the forgotten rules of trust and responsibility. From these conversations, Stein shows us men who lived their lives according to values that have since been declared relative or obsolete: honour, responsibility, decency, and an uncynical commitment to being the best men they could be. Stein presents the stories of this remarkable group of men who lived through the difficult time of the mid-20th century and all its wars and social upheavals. We meet Moe Turner, Stein's father-in-law, a mathematician involved in research on the H-bomb who is Stein's connection to the group. We meet Boyd Huff, a survivor of the Nazi prisoner camps, whose youngest son was killed in a gun accident and oldest is a hospitalized schizophrenic. We meet Gene Cooper, an electrical engineer and the emotional centre of the group. These three men, and the rest of the club, have had difficult lives and plenty of trying moments, yet all of them have survived with their sense of right and wrong, of honour and love, fully intact. Stein connects their background, stories and lives, to the valuable views and ideas they share with him now. What the reader comes away with is a renewed sense of purpose, a new confidence in the strength of courage and conviction in your beliefs—even as those of the world change around you.

Dissecting the complexities of living under a spiritual microscope, The Fakir follows Rudra, a hippie ripe with plans of suicide whose sudden rescue of an old man who strikingly resembles Sai Baba lends to a contemplative relationship of excavating truths and mysteries related to life.Rudra doesn t love anything and is in fact much in need of spiritual or medical help. He is a hippie inclined to live out of haversacks in small and dingy hotels and swigging down malt whiskey. However, this young man finds that everything in his life is changed due to a chance encounter. While driving along the highway, he comes upon an old man lying in a pool of his own blood. In a moment of conscientiousness that the traffic around him doesn t bother to acknowledge, he rushes forward to the old man's aid. There and then in an embrace, Rudra notes the resemblance this man shares with the Shirdi Sai Baba. The novel is an empathetic symbol of spirituality and life as the old man makes the hapless protagonist realize several truths about the metaphysics of the world. The dialogues that are written between the sage and disciple are at the heart of this novel and Bharucha brings a fascinating narrative to life. Karma, divinity, praying, and spirit communication among the broader entities of faith, forgiveness, and energy are all demystified to both the lay reader and the hippie. Most importantly, this book dwells upon the antenna that connects every individual to its master and how the act of goodness is necessary to inculcate a more attuned relationship with that figure of authority. The book stretches across the length of mysticism and spirituality and Bharucha triumphs in his use of symbolism and generosity. The Fakir is the opening installment of a trilogy and was published in 2007. It received rave reviews and was the fourth book in top Indian best selling lists.