Artur Schnabel's Music, Wit, and Wisdom is an expanded and revised version of the twelve lectures he delivered at the University of Chicago in 1945. Often regarded as his autobiographical statement, the book combines memoir, musical philosophy, cultural criticism, and reflections on the role of the artist in society.

Andras Schiff is one of the most important pianists of our time. This stimulating account of his life and work, told in two parts, takes readers on an intimate journey from Schiff's childhood in Hungary through to the present day. In conversationw with Martin Meyer, Schiff discusses a diverse range of topics from his experiences with anti-Semitism and communist rule to his musical training with maestros such as Pál Kadosa and Ferenc Rados, as well as his thoughts on playing techniques and musical interpretation. In a collection of Schiff's writings we are enthralled by a guided tour of Bach's 'Goldberg' Variations, sobered by Schiff's public defiance against nationalistic and racist attitudes - to the extent that he refused to perform in Haider's Austria or Orban's Hungary - and delighted by the playful 'Ten Commandments' for concertgoers. More than a memoir, this is a seminal compilation of the thoughts and experiences of one of the greatest musicians of our time, of his inimitable art of making music out of silence.

"Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova's beauty, in that moment she dedicated herself to dance. Her memoir records with light-hearted humor and wisdom not only the difficulties she faced - the resistance of her parents, the sacrifices of her training - but also the frontier atmosphere of early Hollywood, as well as New York and London during the Depression. "This is the story of an American dancer," writes Agnes de Mille, "a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.""--

"To perform heroically in a perilous situation is one thing, but I found that, in my case, the real difficulty was in getting myself into a spot where heroism was possible. Nobody on latrine duty ever got the Medal of Honor." This delightful memoir of A. E. Hotchner’s World War II experiences explores a different side of the troubled war years. Hotchner, who grew up in St. Louis, was a rookie lawyer fresh out of Washington University Law School when the United States declared war. Like many others of his generation, he aspired to serve his country. He tried to enlist in the navy, first as a pilot and then as a deck officer, but he was rejected for faulty depth perception and flat feet, respectively. Drafted as a lowly GI into the air force branch of the army, he was accepted to bombardier school. But on the eve of his departure, he was ordered to write and perform in an air force musical comedy instead. He eventually went to Officer Candidate School and was assigned to the Anti-Submarine Command as a lieutenant adjutant, but just before his squadron’s departure for North Africa he was detached and, despite knowing nothing about moviemaking, ordered to make a film that glorified the Anti-Submarine Command’s role in combating U-boats. All through his four-year military career, despite his efforts to get into combat, fate and the military bureaucracy thwarted him. The author skillfully recounts the events of those years, describing the encounters he had with many unforgettable characters, including a footsore and sentimental Clark Gable and an inept Alan Ladd—best known as the star of Shane. Ladd, then a GI, did such a poor job reading the narration for Hotchner’s film Atlantic Mission that Hotchner had to fire him. The author also describes his encounters with other well-known people, notably Tennessee Williams, with whom he attended a playwriting class at Washington University, and a wistful, vulnerable Dorothy Parker. Although much of Hotchner’s memoir is lighthearted, it also provides a unique look at the impact of the war on everyday life in the United States. Hotchner’s fast-paced prose makes this memoir an insightful pleasure to read.

The son of the founder of public relations reflects on his unusual life in his father's shadow, chronicling his defiant youth, his escapades with beautiful women and the CIA, and his battle with multiple sclerosis

"An honest look at life's second half from Everybody Loves Raymond TV sitcom star and comic Brad Garrett"--

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

Memoirs of a Jew born in 1922 in Blatná, Czechoslovakia. In 1925 her family moved to Rokycany (west of Prague). In 1940 Fantlová's father was arrested; he was interned in various camps and died in 1945 on a death march. In January 1942, Fantlová was deported to Theresienstadt with her stepmother, brother, and sister. Describes cultural activities in Theresienstadt, especially musical theater, in which she participated. In October 1944 the family was deported to Auschwitz, where Fantlová's stepmother was killed. Her brother was sent to Gleiwitz and died there. Fantlová and her sister were taken to the Kurzbach labor camp, and from there to Gross-Rosen, Mauthausen, and Bergen-Belsen, where her sister perished and Fantlová was liberated. In July 1945 she was sent for treatment to Sweden and remained there.

Memoirs of Filar, a Jewish pianist born in Warsaw in 1917. Describes his youth as a child prodigy, including his early successes despite anti-Jewish discrimination. Pp. 50-115 relate his experiences in the Holocaust. At the outbreak of the war he fled to Lvov, but he returned to Warsaw after the German occupation in 1941. He entered the ghetto, where he first played with the Jewish symphony orchestra, but was soon sent for forced labor. When his parents and several of his six siblings were deported, he and his brother Joel joined a resistance group. They fought during the uprising, but were then caught and deported, first to Majdanek and then to Skarżysko-Kamienna, Buchenwald, and Schlieben. After surviving a death march, they were liberated at Nixdorf. His parents and two siblings perished in the Holocaust. After the war Filar lived in Germany; in 1950 he emigrated to the U.S., where he became a concert pianist and played in Carnegie Hall in 1952.

"Gene Gutowski's name is associated with some of the great films of the twentieth century: the Oscar-winning masterpiece The Pianist, Repulsion, Cul-de-sac, and Fearless Vampire Killers. Producer of many of Roman Polanski's classics, Gene Gutowski shares here his extraordinary memoirs: those of a Polish Jew, alone in occupied Warsaw after the deportation of his entire family. As a young man who, with the blind courage of one who has nothing to lose, took incredible risks, he narrowly escaped the many horrors of life in Nazi-occupied Poland. In an extraordinary twist of destiny, and thanks to his prodigious resourcefulness, Gene Gutowski found himself in Germany in 1945, working as an American counter-espionage agent. After the war, he made his way to New York, where he worked as a fashion illustrator and TV producer, then on to London, where he became a successful producer and member of the jet set during the sixties. Finally, he achieved Hollywood consecration with the three Oscars won by The Pianist. It is an extremely endearing personality that reveals itself here, modest about the difficulties overcome, honest about the successes and failures. Gene Gutowski's youth was a thumb of the nose to death and totalitarianism, and his journey is a formidable life lesson"--back cover.

Arnold Daghani (1909-85) came from a German-speaking Jewish family in Suczawa, then in the Austro-Hungarian Empire, now Romania. His understated narrative of his experiences in the slave labour camp at Mikhailowka, south west Ukraine (1942-43), presented here in its first English book edition, provides a day-by-day account of the chilling experiences of Jewish slave labourers. It is written in a compelling style and illustrated by watercolours and drawings that Daghani made secretly in captivity and smuggled out of the camp and a Romanian ghetto. It includes an extraordinary account of the couple's escape and the shooting of over three hundred prisoners. The uniqueness of Daghani's Holocaust testimony lies in his role as an artist which led to his (and his wife's) escape from the camp and their survival. The camps in Ukraine have been under-investigated and the diary provides significant material. It was used as the basis of investigations in the 1960s into war crimes in the slave labour camps in Ukraine, helping to bring attention to the region and providing some form of recognition for those who suffered there. This richly illustrated and scrupulously edited book is distinguished from more conventional Holocaust memoirs by focusing on fundamental questions of historical testimony and the problems of representation in both words and images. Daghani's diary is contextualized on the basis of wide-ranging new historical, archival and art historical research in essays that document the artist's attempts to achieve justice and reconciliation. They locate the diary in relation to contemporary issues on migration and statelessness, genocide and trauma, self-reflection and memory. The diary is both art and document, addressing how we understand and construct history. It enables readers to engage with the Holocaust via the viewpoint of an individual, making statistics more meaningful and history less distant.

Dennis Altman first travelled from Australia to the United States when Lyndon Johnson was President, beginning a long obsession with the US. In the early 1970s he was involved in New York Gay Liberation; his 1971 study Homosexual: Oppression and Liberation, is widely regarded as a classic work in its field. In the 1980s Altman lived in San Francisco during the onset of the AIDS epidemic. Later he sat on the Australian National Council on AIDS and international organisations including, as president, the AIDS Society of Asia and the Pacific. The election of Donald Trump took place while Altman was back in California on one of his frequent visits. In this diarised memoir, moving between Australia, the United States, Europe and parts of Asia, Gore Vidal, James Baldwin, Susan Sontag, Christopher Isherwood and many others people a story of a half century of activism, intellectualism, friendship and conflict.

Imagine that the most severe physical pain and sorrow of your life was caused by the people you trusted most. In the spring of 2007, Belo Cipriani was beaten and robbed of his sight at the hands of his childhood friends. Blind: A Memoir chronicles the two years immediately following the assault. At the age of 26, Belo found himself learning to walk, cook, and date in the dark. Armed with visual memory and his newly developed senses, Belo shows readers what the blind see. He narrates the little known world of the blind, where microwaves, watches, and computers talk, and where guide dogs guard as well as lead.

Robin Morgan is known as a prize-winning author, a political theorist, and a founder of the contemporary women's movement. But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

The author shares the story of his family, their immigration, and the challenges of navigating two cultures.

In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Facts recalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.

The life story of a Holocaust survivor: his prewar childhood in Czechoslovakia, his experiences in 8 Nazi concentration camps, his liberation and emigration to the USA, and his career as a General Motors engineer, a Christian minister, and a consummate teacher. For Walter Ziffer, who today considers himself a Jewish secular humanist, life has always been a search for meaning. His compelling and insightful memoir distills the experiences of a remarkable man.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

The number one bestselling memoir of one of New Labour's three founding architects, now with a revealing new chapter updating this paperback edition. Peter Mandelson is one of the most influential politicians of modern times. The Third Man is his story - of a life played out in the backroom and then on the frontline of the Labour Party during its unprecedented three terms in government. Much of the book is devoted to the defining political relationships of Peter Mandelson's life - with Tony Blair and Gordon Brown. Charting what he terms the 'soap-opera' years of the Labour government, his book continues to ruffle feathers with an updated preface bringing the story up to the tempestuous present.