Featuring interviews with Chris Hardwick on The Nerdist Podcast and Marc Maron on WTF with Marc Maron Bad Sex On Speed is a savage, careening, hyper-real nightmare of a novel, taking us to the depths of Amphetamine America. Told with no concession to traditional narrative, in the voices of those in the grips and on the fringes, the stories that emerge are at once devastating, hysterical, and--perhaps most terrifying of all--going on all around you, all the time. Stahl digs deep into the psyche of the most demented and dispossessed among us, returning with a vision so unsparing that those not prepared to experience the screaming depths of speed psychosis up close and on the page should back slowly away and return to their lives unscathed.

""A uniquely nuanced and engaging perspective on the oddness of Hollywood...Superhero goes inside baseball in all the best ways: unbiased, at times ridiculous, and wonderfully, uncomfortably accurate. It begs to be read because it is so damned good." -Amanda Seyfried A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood's elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking. Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn't take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter's disastrous on-set behavior goes viral, Peter and Marci's partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them. With his signature wit and razor sharp dialog, Tim Blake Nelson invites the reader to walk alongside him as he enters the closely-guarded world of industrial strength cinema"--

New York City€™s Lower East Side on the eve of WWI. Abraham Cahan, editor-in-chief of The Jewish Daily Forward, receives a letter addressed to his €œBintel Brif€ column from a twenty-three-year-old girl who confesses to living in sin with her uncle and seeks his advice. The girl€™s description of her plight inflames Cahan€™s imagination; the enclosed photograph, a young woman in a white cotton shift gazing languidly up at the camera from her bed, overwhelms him with desire. €œPeering at the photograph, wondering if her slackened, unprotected presentation of herself was the aftermath of a feverish embrace, Cahan felt a ghostly invisible presence possess him, settling into the emptiness in his soul.€ Thus begins the drama of a righteous man€™s struggle to free himself from an obsession that threatens to destroy him and mortally wound his family. Desperate to fathom the mystery of her power, Cahan explores the girl€™s past only to discover that her st

Meet Phil Snyder: new father, nursing assistant at a cutting-edge biotech facility on Staten Island, and all-around decent guy. Trouble is, his life is falling apart. His wife has betrayed him, his job involves experimental surgeries with strange side effects, and his father is hiding early-onset dementia. Phil also has a special talent he doesn't want to publicize--he's a mind reader and moonlights as Brainstorm, a costumed superhero. But when Phil wakes up from a blackout drunkand is confronted with photos that seem to show him assaulting an unknown woman, even superpowers won't help him. Try as he might, Phil can't remember that night, and so, haunted by the need to know, he mind-reads his way through the lab techs at work, adoring fans at Toy Polloi, and anyone else who gets in his way, in an attempt to determine whether he's capable of such violence.

"Climats" is a profound and elegant psychological novel that explores the intricate complexities of human relationships, love, and the shifting emotional landscapes of the heart. Written by the celebrated French author André Maurois, this masterpiece delves into the lives of Philippe Marcenat and the women who shape his existence, offering a searingly honest portrayal of the joys and devastations of romantic obsession. The narrative is divided into two compelling perspectives. The first part follows Philippe as he recounts his tumultuous marriage to the ethereal but elusive Odile, whose need for freedom clashes with his possessive nature. In the second part, Philippe's second wife, Isabelle, provides a contrasting viewpoint, revealing the challenges of living in the shadow of a past love and the struggle to create a lasting bond. Through these dual narratives, Maurois examines how personal "climates"-the emotional atmospheres individuals bring to their relationships-can both attract and repel, leading to cycles of misunderstanding and longing. Regarded as a classic of 20th-century literature, "Climats" remains a timeless meditation on the nature of jealousy, the difficulty of truly knowing another person, and the pursuit of happiness within the confines of marriage. Its lyrical prose and keen psychological insights continue to resonate with readers seeking a deep understanding of the human condition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A blistering, brilliant novel from the Booker-shortlisted author, elegantly reflecting his Geoffrey Faber Memorial award-winning story collection The Quantity Theory of Insanity. In The Quantity Theory of Morality, Will Self 's unconventional new novel, his pen remains dipped in vitriol and elegance as ever. In this dark yet hilariously satirical "state-of-an-era novel," Self 's target is a collective morality that is nothing more or less than pure sociability. His middle-class, middle-English characters appear trapped in a timeless go-round of polite chitchat in dinner parties that refract like a hall of mirrors as the novel progresses, until one day someone says something to the effect of, "This way to the gas chamber, please, ladies and gentlemen." The Quantity Theory of Morality finally solves the equation of time and money that dominates our lives, in a way that is simultaneously deranging, destabilizing, and hilarious. With recurring-if defeated-appearances from now-canonical characters like Zack Busner, the repetition of each chapter, or "Proposition," shows Will Self to be both a master of satire and slapstick humor and a sublime and thoughtful critic of the alienation of modern life. With The Quantity Theory of Morality, Self provides the sequel to his award-winning debut of thirty-four years ago: The Quantity Theory of Insanity. That literary psycho-surgery proved there wasn't enough sanity to go around-now he's established what many of us fear to be the absolute truth: there isn't enough good to go around, either"-- Provided by publisher.

A delightfully clever contemporary novel inspired by the Louisa May Alcott classic In Katharine Weber's third novel, The Little Women , three adolescent sisters--Meg, Jo and Amy--are shocked when they discover their mother's affair, but are truly devastated by their father's apparently easy forgiveness of her. Shattered by their parents' failure to live up to the moral standards and values of the family, the two younger sisters leave New York (and their private school) and move to Meg's apartment in New Haven, where Meg is a junior at Yale. They enroll in the local inner-city public high school, and, divorced from their parents, they try to make a life with Meg as their surrogate mother. Written in the form of an autobiographical novel by Joanna, the middle sister, the pages of The Little Women are punctuated by comments from the "real" Meg and Amy. Their notes and Jo's replies form a second narrative, as they argue about the "truth" of the novel. Why do readers insist on searching for the autobiographical elements of fiction? When does a novelist go too far in mulching actual experience for a novel? What rights, if any, does a writer have to grant the people in her life and story? An ingenious combination of classic storytelling in a contemporary mode, The Little Women confirms Katharine Weber's reputation as a writer who "astutely explores the gap between perception and reality." ( The New York Times Book Review )

"Katz lives up to her first novel's potential in this moving, funny, wholly original picaresque about a nice Jewish girl. . . . The pasts and common destiny of two remarkable women--related with perfect timing in Sofia's convincing Yiddish-tinged English--come together beautifully in this nicely crafted, emotionally satisfying, and well-researched historical fiction."-- Publishers Weekly " The Escape Artist , a brilliant work of historical fiction . . . fast-paced and gorgeously written novel" -- Liberty Press Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum and Hankus Lubarsky. Sofia, a nice Jewish girl from Poland, is lured away from home by Tutsik Goldenberg, a wealthy traveling businessman who claims to be a lonely Argentine diamond merchant in search of a wife. Upon arriving in Buenos Aires, Tutsik dumps Sofia at his sister's brothel. Hankus, also a nice Jewish girl from Poland, is passing as a man. Having escaped the pogroms of Poland that killed her family, she lives her life as a handsome and mysterious magician and escape artist. When Tutsik spots the talented juggler and acrobat Hankus he envisions success as his manager, seeing Hankus as the means to get out from under his sister's thumb. Sofia and Hankus fall in love and their attempts to walk the tightrope of love, freedom, and independence are quickly put to the test. Sex, deception, magic, and love are the main ingredients of this tour de force novel by Lambda Literary Award winner Judith Katz. In The Escape Artist , Katz reveals that all human interactions consist of love and hate, deception and candor, altruism and self-interest. This is as true in our lives today as it was in an immigrant community at the turn of the last century. Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won a Lambda Literary Award for Best Lesbian Fiction. She has received Bush Foundation, McKnight Foundation, and National Endowment fellowships for fiction.

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

In an ambitious departure from her usual form, Anita Brookner expands her canvas in Family and Friends to create a richly textured novel about the life of a wealthy Jewish family in London, focusing on the generation that came to maturity between the two World Wars. Presiding over the Dorn household is the formidable Sofka, an elegant and circumspect widow who watches as her four children find their way into adulthood. Frederick, the sybaritic eldest son, escapes to the comforts of the Riviera while stern, dutiful Alfred runs the family business and burns with unrealized longings; Betty—pleasure-loving, vain, and selfish—makes her ambitious way from Paris to Hollywood, leaving her dreamy, passive sister Mimi to languish at home. A brilliant social novel of lost innocence and the complex nature of family bonds, Family and Friends meticulously portrays the emotional cost of everyday life.

Anzia Yezierska's "Children of Loneliness" explores the complex experiences of Jewish immigrants in New York City. This literary work delves into the challenges of social alienation and the struggles inherent in cultural assimilation. Through compelling prose, Yezierska examines the conflicts that arise between generations as they navigate new identities in a rapidly changing world. A poignant portrayal of the immigrant experience, "Children of Loneliness" offers a powerful glimpse into the lives of those seeking a new home while grappling with the loss of their traditions. The novel masterfully portrays the universal themes of identity, belonging, and the search for connection in an unfamiliar land, ensuring its enduring relevance. This carefully prepared print republication makes this important historical fiction accessible to all. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue "Zuckerman bound," It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art. This Vintage edition is the first paperback publication of the epilogue.

"As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence"--Back cover.

Maud Gonthier yearns for an escape from the cocoon of the bourgeois modesty. The splendid, caddish David Tyler appears to offer one. In this stylish, deeply knowing novel by the Booker Prize winning author of Hotel du Lac, Maud's seduction creates a chemistry of longing, sensuality, and betrayal--with a surprising climax.

The death of flamboyant writer and womanizer Peter Grosvenor sets in motion a series of spiraling events surrounding his legacy and his estate. His bitter third wife, his two children, his sister, his friends, and his would-be biographers are drawn into a maelstrom of intense memories and painful encounters as each of the major players in Peter's life seeks to appropriate Peter's estate for his or her own purposes. As a complex story of passion, jealousy, and loss unfolds, the figures that had once blossomed in Peter's presence spin off into their own orbits and turn against one another without the anchor of his charismatic presence. Ultimately, the tragedy and scandal that marred his life cannot be ended even by his death. Susan Fromberg Schaeffer writes with exquisite flavor and measure; character, history, and relationships build into a large, minutely detailed canvas and remind us why she is a master of the epic novel. Reading group guide included.

A coming-of-age novel set in New York and Michigan during the Vietnam War era, Winter Eyes shows how the past controls and divides the immigrant Borowski family, and isolates their American-born son Stefan. But when Stefan comes to learn the terrible secrets at the heart of his family, that knowledge transforms them all and points the way to a happy new future for him, despite his doubts about his sexual identity. A haunting and remarkable novel, Winter Eyes is a tale of family secrets, silence, revelation - and the hope for healing and change. A spellbinding achievement from a talented author of American fiction. This new 2022 edition contains a foreword by Brian Bouldrey (The Genius of Desire). "Raphael's Winter Eyes resembles a piano sonata, a piece he knows so well that his fingers breathed the music." - Los Angeles Times "Winter Eyes is one of the most affecting, absorbing, and quietly powerful American coming-of-age novels." - Booklist "Loneliness, separation, desire and the struggle with gay identity are leitmotifs of Lev Raphael's novel. What distinguishes it is Raphael's handling of grand themes, and his ongoing exploration of worlds both Jewish and gay and how they intersect, daring himself and his readers to contemplate wholeness." - Jenifer Levin

A Guest for the Night (first published in 1939 as Germany invaded Poland) is Agnon's depiction of how all modern movements aside from Zionism secularism, Haskalah, socialism, communism failed to provide a viable alternative to traditional life. But, he is clear, even traditional life was untenable, because it all fell apart from within before the first furnaces were ignited in Auschwitz. Even the Guest's well-intentioned attempt to revivify and to re-engage the lost world of piety is also doomed. The Alte Heim, the old home, can no longer exist it is a place where we can only be passing guests for the night. Therefore you can't go home again, but not for the reasons that Thomas Wolfe suggests; rather, because home no longer exists. It has to be rebuilt, but it can only be rebuilt in the Bayit Hadash, in the new home in the Land of Israel. This is Agnon's greatest theme in the novel and, in differing ways, throughout his body of writing: The idea that modern man, modern Jews, are alienated from their spiritual home. While we can't go home again, that doesn't mean we can't move forward through conceiving of a new home although doing so comes with the great danger of being caught in the disconnect between the old and the new, between what was and what might be. Translated by Misha Louvish, with a new Foreword by Jeffrey Saks.

Sunday, July 13. 1:46 A.M. Near Lookout Mountain and Laurel Canyon. An unidentified woman in her twenties, wearing a nightgown, was the victim of a hit-and-run accident that left her unconscious and seriously injured. There were no witnesses. So reads the report on the accident off Mulholland Drive in Molly Blume's Crime Sheet column for a weekly Los Angeles tabloid. Just another small L.A. tragedy, soon forgotten. But the image of the young woman in her nightgown stumbling along a dark, winding road is one Molly, a freelance true-crime writer, cannot shake. In fact, it draws her to a bedside in intensive care, where the victim whispers to her three names: Robbie, Max, and Nina. It's not a smoking gun, but is sufficient to reinforce Molly's gut instinct that there are sinister circumstances behind the assault on Lenore Saunders. With fearless conviction, Molly asks questions that nobody--including Lenore's mom, her ex-husband, her shrink, or even Molly's L.A.P.D. buddy, Detective Connors--wants to answer. Nevertheless, the astute Molly discovers Lenore lived a fractured life, so different from Molly's own secure and loving Orthodox Jewish background. And as a chilling picture of the unfortunate woman begins to take shape, the menace of murders past and present stirs and quickens. In her first Molly Blume novel, award-winning novelist Rochelle Krich tells a story in the tradition of the great L.A. mysteries of the past--and introduces an investigator who is pure gold. Twentysomething divorcee Molly Blume, with her deep faith, short skirts, and nose for the truth, is a heroine to cherish. From the Hardcover edition.

In this brilliant new novel by the Booker Prize-winning author of Hotel du Lac and Making Things Better, a young woman leaves her family and London to study in France--and, through friendships and love, is able to do the work of leaving home.

'I had this vision very clearly of a book in which I would record my total experience, and I knew how it should sound: with all the tones that no one ever admires, âe" the Gruesome, Tender, Needy, Sleazy, Boring, the Lurid and the Cute.âe(tm) In this way the hero of Adam Thirlwellâe(tm)s new novel describes the book you hold between your hands: a delirious tale of backchat and low tricks, all of which begin when our hero wakes beside a woman who is bleeding, unconscious and not, unfortunately, his wife... And then, of course, events get very much worse. SHORTLISTED FOR THE GOLDSMITHS PRIZE 2015 WINNER OF THE E.M. FORSTER AWARD 2015