This collection of poems focuses on the author's view of America and was the winner of the 1964 Pulitzer Prize for Poetry.

Investigative reporter Bobby Kelleher has just about given up the hope of landing the Big Hit: the story that will win him a Pulitzer and make him a star. Then the governor of Maryland is assassinated. . . . Feinstein is the New York Times bestselling author of A Season on the Brink.

In this lively book, Pulitzer prize-winning historian Boorstin, author of the widely acclaimed trilogy The Americans, illuminates our everyday concerns with his reflections on the new meaning of technology for America and of America for technology. He gives us a bold new view of the two kinds of revolution - the political and technological - and shows us how and why they are different, and why technological revolutions are irreversible. We are a center from which radiate forces that converge human experience everywhere. Though people around the world may not love one another any more than they did, yet their ways of life tend to become more and more alike. These same overwhelming forces of technology that homogenize the culture of the human race have disrupted the international community of nations; large and small nations become "equal," but each day the word "nation" grows more meaningless. Ideology, tribalism, nationalism, the crusading spirit in religion, bigotry, censorship, racism, persecution, immigration and emigration restriction, tariffs, and chauvinism do interpose barriers. For reasons which we are only beginning to discover, and which Boorstin explores in this controversial book, these barriers will only be temporary. The converging powers of technology will eventually triumph.

Pulitzer Prize–winning Washington Post columnist Art Buchwald returns undaunted to examine the ridiculous people and preposterous events that we call our daily reality. Collected from his columns, with a foreword by Garry Trudeau, Buchwald’s satirical voice darts at politicians, power, corporations and the media without pause. A self-described troublemaker, Buchwald continues to represent the great American traits of skepticism, humor, and a refusal to compromise in the face of absurdity.

In this collection of criticisms, Edith Wharton's unique gifts as a story-teller and her superb talents as a craftsman are carefully evaluated. Her indebtedness to Henry James is re-examined. Her more notable novels, such as The Age of Innocence, which won a Pulitzer prize, The House of Mirth, her masterful social portrait, and Ethan Frome, her tale of New England poverty and frustration, are among the works reappraised. Society in Edith Wharton's old New York, at once sophisticated and provincial, dreaded scandal more than disease. Its refinement was a veneer, its conversation mere gossip, its standards double. Society performed conventional rites; intellectual winds seldom stirred the sands of this wasteland. Edith Wharton, placed in this milieu by birth and marriage, turned it into a subject for subtle satire. Though she was no rebel, Edith Wharton was fascinated by rebellion. She regarded pessimistically those who challenged social mores, pointing always to the exorbitant price exacted for the assertion of individual thought. She distrusted human nature and saw the human condition as a struggle between the generous and the mean. She believed that self-sacrifice is almost invariably useless. In this study of the woman and the artist, Irving Howe has included articles by Diana Trilling, E.K. Brown, Alfred Kazin, and Percy Lubbock. Here is Edith Wharton, the literary pioneer who pointed the road to realism, the social historian with enormous powers of recreation, the fine observer of emotions. This anthology should serve to enlarge Edith Wharton's appreciative audience and to reassert her influential place in American writing. Among the essays are: Justice to Edith Wharton (Edmund Wilson) Henry James's Heiress: The Importance of Edith Wharton (Q.D. Leavis) The Morality of Inertia (Lionel Trilling) Our Literary Aristocrat (Vernon L. Parrington) Edith Wharton and Her New Yorks (Louis Auchincloss)

The Civil War and the World War II stand as the two great cataclysms of American history. They were our two costliest wars, with well over a million casualties suffered in each. And they were transforming moments in our history as well, times when the life of the nation and the great experiment in democracy--government of the people, by the people, for the people--seemed to hang in the balance. Now, in War Comes Again, eleven eminent historians--including three Pulitzer Prize winners, all veterans of the Second World War--offer an illuminating comparison of these two epic events in our national life. The range of essays here is remarkable, the level of insight consistently high, and the quality of the writing is superb. For instance, Stephen Ambrose, the bestselling author of D-Day, June 6th, 1944, offers an intriguing comparison of the two great military leaders of each war--Grant and Eisenhower. Pulitzer Prize-winning historian Robert V. Bruce takes a revealing look at the events that foreshadowed the two wars. Gerald Linderman, author of Embattled Courage, examines the two wars from the point of view of the combat soldier. And Arthur Schlesinger, Jr., describes how both Lincoln and FDR went around strict observance of the Constitution in order to preserve the Constitution. There is, in addition, a fascinating discussion of the crucial role played by spying during the two wars, by Peter Maslowski; a look at the diplomacy of Lincoln and Roosevelt, by Howard Jones; and essays on the impact of the wars on women and on African Americans, by D'Ann Campbell, Richard Jensen, and Ira Berlin. In perhaps the most gripping piece in the book, Michael C.C. Adams offers an unflinching look at war's destructiveness, as he argues that the evils we associate with "bad wars" (such as Vietnam) are equally true of "good wars." And finally, in perhaps the most provocative essay in the book, Russell Weigley, one of America's most eminent military historians, maps the evolution of American attitudes toward war to our present belief that the only acceptable war is one that is short, inexpensive, and certain of victory. Would any great commander, Weigley asks, would a Lee or a Grant or a Marshall, refuse to fight unless he knew he couldn't lose? "Is not a willingness to run risks for the sake of cherished values and interests close to the heart of what defines greatness in a human being or in a nation?" Another Pulitzer winner and World War II veteran, Don E. Fehrenbacher, concludes War Comes Again with a very personal look at two common soldiers who have no monuments, who have not been mentioned in previous histories, but who point at the essence of these two wars and are "embedded in the very structure of the enduring nation and the world we live in."

The New Yorkers is a glorious look at a city bursting with colour and life. It is a body of work full of frozen moments, serendipity and reflection. Through Robert Herman s work we recognise the New York we knew and the New York we still know today. His street photography freezes people and places in this city at decisive moments, with spontaneity and authenticity. In this book the city waves at us, looks us right in the eye and brushes past us, without seeing. It layers images upon images like the best graffiti -- always renewing and reforming itself. Features a Foreword by Sean Corocoran, Curator of Prints and Photographs, Museum of the City of New York and an Essay by Stella Kramer, Pulitzer Prize Winning Photo Editor.

Mike Teak has a classic Harvard profile. He's a twenty-five-year-old scholar/athlete from an upper-class family who was recruited by his godfather to work for a U.S. intelligence agency. On a covert mission in a Somali village, he delivers cash and cell phones to Hatashil, a legendary orphan warrior turned rebel leader. It's a routine assignment until, minutes after they meet, the village is decimated by a missile assault, and although Mike escapes, his life is changed forever. Echoing across continents, the assault disrupts professor Susan Lowell, who has just won a Pulitzer Prize for her book celebrating Hatashil. Also shaken is Lowell's student, David Ayan, who was born in the targeted village a world away from Harvard's most exclusive final club, the Porcellian, which is courting him and Jane, the smart, risk-taking daughter of East Coast money who's sleeping with him. David Ayan struggles with his identity and Susan Lowell struggles against rumors about her relationship with Hatashil, who has been accused of ordering the village massacre. But it is Mike Teak who faces a deadly struggle--because when he discovers a horrific conspiracy he immediately realizes that he has become expendable, with nowhere to run and no one to trust.

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

An extraordinary collection of essays by Nobel Peace laureates and leading scholars on the concluded Iraq War, The Iraq War and its Consequences is the First and Only book that brings together more than 30 Nobel Peace laureates and eminent scholars to offer opinions, analyses and insights on the war that has drawn both widespread opposition and strong support.In this intellectually captivating book, Professor Irwin Abrams, considered the leading authority world-wide on the history of the Nobel Peace Prize and Distinguished University Professor Emeritus at Antioch University, and Professor Wang Gungwu, renowned historian and Director of the East Asian Institute at the National University of Singapore, have collected works of notable laureates and scholars from diverse backgrounds. The Nobel Peace laureates and eminent scholars, together, expound on the consequences and impacts of the Iraq War ? an effort that has not been made before. In conclusion, there are two sermons by Gunnar St†lsett, Bishop of Oslo.The Prominent Contributors are: Nobel Peace LaureatesTenzin Gyatso (The Fourteenth Dalai Lama of Tibet, 1989)David Trimble (MP, Leader of the Ulster Unionist Party, UK, 1998)Jody Williams (International Ambassador of International Campaign to Ban Landmines, USA, 1997)Sir Joseph Rotblat (Pugwash Conferences on Science and World Affairs, UK, 1995)Jose Ramos-Horta (Foreign Minister of East Timor, 1996)Frederik Willem de Klerk (Former President of South Africa, 1993)Mairead Corrigan Maguire (Co-founder, Community of Peace People, Northern Ireland, UK, 1976)Bernard Lown (Co-founder, International Physicians for the Prevention of Nuclear War, 1985)Peter Hansen (Commissioner-General, United Nations Relief and Works Agency, UN, 1945)Irene Khan (Sec-General, Amnesty International, 1977)Mary Ellen McNish (Executive Secretary, American Friends Service Committee, USA, 1947)Brian Philips of Oxford Brookes University (Quaker Peace and Social Witness, UK, 1947)Cora Weiss, President (Permanent International Peace Bureau, 1910)Christian Dominice (Sec-General, Institute of International Law, 1904)Eminent ScholarsNoam Chomsky (Prominent Political Critic, Professor of Linguistics, MIT)Joseph Stiglitz (Nobel laureate in Economics 2001, Columbia University)Richard A Falk (Albert G Milbank Professor of International Law and Practice, Emeritus, Princeton University)Sir John Daniel (UNESCO Assistant Director-General for Education)John W Dower (Pulitzer Prize winner & Elting E. Morison Professor of History, MIT)Eric Stover (Director of Human Rights Center, UC Berkeley)Frank N von Hippel (Professor of Public and International Affairs, Princeton University)Lord Colin Renfrew of Kaimsthorn (Director of McDonald Institute for Archaeological Research, Cambridge University)William Hartung (Director of Institute's Arms Trade Resource Center, World Policy Institute)Benjamin R Foster (Professor of Assyriology and Curator of the Yale Babylonian Collection, Yale University)Svetlana Broz (Sarajevo Cardiologist, Author and Lecturer)Faleh A Jabar (Iraq specialist and Research Fellow, Birkbeck College, London University)Lisa Martin (Professor of Government, Harvard University)Helena Cobban (Middle-East Specialist and Columnist for Christian Science Monitor)Mahmood Mamdani (Director of Institute of African Studies, Columbia University)Rosemary Foot (Professor of International Relations, Modern History, Oxford University)Robin Lakoff (Professor of Linguistics, UC Berkeley)Roland Paris (Political Science and International Affairs, University of Colorado at Boulder

"From one of the most respected historians in America, twice the winner of the Pulitzer Prize, a new collection of essays that reflect a lifetime of erudition and accomplishments in history. The past has always been elusive: how can we understand people whose worlds were utterly different from our own without imposing our own standards and hindsight? What did things feel like in the moment when outcomes were uncertain? How can we recover the uncertainties of the past, before the outcomes were known? What kind of imagination goes into the writing of transformative history? Are there latent trends that distinguish the kinds of history we now write? How unique was North America among the far-flung peripheries of the early British empire? As Bernard Bailyn argues in this elegant, deeply informed collection of essays, history always combines approximations based on incomplete data, with empathic imagination and the interweaving of strands of knowledge into a narrative which also explains. This is a stirring and insightful work drawing on the wisdom and perspective of a career spanning more than five decades--a book that will appeal to anyone interested in history"--From publisher's website

Collection of stories Bio Edna Ferber (August 15, 1885 - April 16, 1968) was an American novelist, short story writer and playwright. Her novels include the Pulitzer Prize-winning So Big (1924), Show Boat (1926; made into the celebrated 1927 musical), Cimarron (1930; adapted into the 1931 film which won the Academy Award for Best Picture), Giant (1952; made into the 1956 film of the same name) and Ice Palace (1958), which also received a film adaptation in 1960. Ferber's novels generally featured strong female protagonists, along with a rich and diverse collection of supporting characters. She usually highlighted at least one strong secondary character who faced discrimination, ethnic or otherwise. Ferber's works often concerned small subsets of American culture, and sometimes took place in exotic locations she had visited but was not intimately familiar with, such as Texas or Alaska. She thus helped to highlight the diversity of American culture to those who did not have the opportunity to experience it. Some novels are set in places she had not visited. (wikipedia.org)

The Pulitzer Prize-winning reporter recounts her battle--and those of other victims--to conquer multiple sclerosis with courage, determination, and enormous amounts of hope

Jewish Girls Coming of Age in America, 1860—1920 draws on a wealth of archival material, much of which has never been published—or even read—to illuminate the ways in which Jewish girls’ adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education. Klapper explores the dual roles girls played as agents of acculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society. While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat ; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history. Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

In September 1952, John Lukacs, then a young and unknown historian, wrote George Kennan (1904-2005), the U.S. ambassador to the Soviet Union, asking one of the nation's best-known diplomats what he thought of Lukacs's own views on Kennan's widely debated idea of containing rather than militarily confronting the Soviet Union. A month later, to Lukacs's surprise, he received a personal reply from Kennan.So began an exchange of letters that would continue for more than fifty years. Lukacs would go on to become one of America's most distinguished and prolific diplomatic historians, while Kennan, who would retire from public life to begin a new career as Pulitzer Prize-winning author, would become revered as the man whose strategy of containment led to a peaceful end to the Cold War. Their letters, collected here for the first time, capture the writing and thinking of two of the country's most important voices on America's role and place in world affairs. From the division of Europe into East and West after World War II to its unification as the Soviet Union disintegrated, and from the war in Vietnam to the threat of nuclear annihilation and the fate of democracy in America and the world, this book provides an insider's tour of the issues and pivotal events that defined the Cold War.The correspondence also charts the growth and development of an intellectual and personal friendship that was intense, devoted, and honest. As Kennan later wrote Lukacs in letter, "perceptive, understanding, and constructive criticism is . . . as I see it, in itself a form of creative philosophical thought." It is a belief to which both men subscribed and that they both practiced.Presented with an introduction by Lukacs, the letters in Through the History of the Cold War reveal new dimensions to Kennan's thinking about America and its future, and illuminate the political-and spiritual-philosophies that the two authors shared as they wrote about a world transformed by war and by the clash of ideologies that defined the twentieth century.

Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France's leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg's Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg's plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe. This volume offers the first English translation of three of Grumberg's prize-winning plays: The Workplace ( L'Atelier , 1979), On the Way to the Promised Land ( Vers toi Terre promise , 2006) and Mama's Coming Back, Poor Orphan ( Maman revient, pauvre orphelin , 1994). Presented in the order of the history they record and steeped in Grumberg's personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays' themes, structures, characters, and settings, along with an introduction that discusses Grumberg's place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.

A selection of short stories from a twentieth-century “American master” (Dan Cryer, Newsday). A contemporary of Ann Beattie and Tobias Wolff, Frederick Busch was a master craftsman of the form; his subjects were single-event moments in so-called ordinary life. The stories in this volume, selected by Pulitzer Prize winner Elizabeth Strout, are tales of families trying to heal their wounds, save their marriages, and rescue their children. In "Ralph the Duck," a security guard struggles to hang on to his marriage. In "Name the Name," a traveling teacher attends to students outside the school, including his own son, locked in a country jail. In Busch's work, we are reminded that we have no idea what goes on behind closed doors or in the mind of another. In the words of Raymond Carver, "With astonishing felicity of detail, Busch presents us with a world where real things are at stake―and sometimes, as in the real world, everything is risked." From his first volume, Hardwater Country (1974), to his most recent, Rescue Missions (2006), this volume selects thirty stories from an "American master" (Dan Cryer, Newsday), showcasing a body of work that is sure to shape American fiction for generations to come.

From the pulitzer prize-winning American novelist, Edna Ferber. Who was heralded as the greatest female author of the 1920s and 1930s and among the best-read authors of her nation.

"Si Lewen's Parade is a timeless story told in a language that knows no country--a wordless epic that, despite its muteness, is more powerful than the written or the spoken word. First published in 1957, The Parade is a lost classic, newly discovered, remastered, and presented by Art Spiegelman, the Pulitzer Prize-winning author of Maus. Reproduced in a unique two-sided accordion-fold format with an extensive overview of the artist's career on the verso, The Parade is a celebration of art and the story of recurring war as Si Lewen experienced it over the past 90 years, watching the joyful parades that marked the end of World War I lead into the death marches of World War II and the Korean War. As The Parade unfolds, the reader is taken on an unforgettable journey of sequential images"--

Adapted by Norman Corwin Dramatic Comedy Characters: 2 male, 1 female Simple Set Carl Sandburg's works, adapted by Norman Corwin, as first performed by Bette Davis and Lief Erickson, and a host of others in New York and on tour. The best of the Pulitzer Prize-winner's verse, including some previously unpublished; and prose, including the biography of Lincoln; and interspersed with optional American folk songs from his songbag. "Playful and serious, childlike and wise, com