"This Darkness Will Never End, the first short story collection by the Hungarian-born author Edith Bruck, was published to acclaim in Italy in 1962. After World War II, Bruck, a Holocaust survivor, settled in Rome where she wrote her fable-like stories, recounting the lives of poor Jewish families in Europe before, during, and immediately following the war. In the title story, believed by some film scholars to have inspired the Oscar-winning movie Life Is Beautiful, a young girl shepherds her blind, sickly brother as they are deported. In "Matzoh Bread," a child gets a painful glimpse of anti-Semitism when a friend tells her a legend about the unleavened bread Jews eat at Passover. In one of the more colorful stories, a hapless father whose business partners swindle him over a horse only tells the truth when he's talking in his sleep. Beautifully translated from the Italian by Jeanne Bonner, these stories offer a glimpse into a bygone world. They testify to the resilience of survivors like Bruck, whom Italian critics initially compared to Anne Frank, deeming her the writer Anne would have become had she survived." -- Back cover.

Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, reviews and cultural commentary. Landfall 240 also features the winner of the 2020 Landfall Essay Competition as well as judges comments.

Algorithmic Shapeshifting is the first poetry collection of Bogi Takács, winner of the Lambda award for editing Transcendent 2: The Year's Best Transgender Speculative Fiction, and finalist for the Hugo and Locus awards. The collection includes poems from the past decade and previously unpublished work. The scope of pieces extends from the present and past of Jewish life in Hungary and the United States to the far-future, outer-space reaches of the speculative—always with a sense of curiosity and wonder. “Bogi Takács is a poet of visceral exuberance and Talmudic invention. Moving as dazzlingly between genres as languages, e makes the reader eir kaleidoscope where ancient traditions, unenvisioned technologies, and children's toys tumble with ordinary, transcendent precision, imagining new ways of being and observing others signally extant. These poems draw blood and spark synapses, make dauntingly familiar and tenderly strange. You should let them change you.” Sonya Taaffe, author of Forget the Sleepless Shores “Bogi Takács's poetry is gleefully and unabashedly itself, pulling the reader through surreal worlds of visceral magic, body modification, political wit, and interpersonal devotion. Whether looking back into Talmudic history, forward into a science fictional psychic war, or sinking into the earth and growing flowers from its own eye sockets, "Algorithmic Shapeshifting" presents a voice that is consistently fresh, startling, and sincere.” Ada Hoffmann, author of The Outside

"'When you're dead, I figure you can quit adjusting to other people, but until then life is all about adjusting.'" "So reflects Arnon Grunberg, as he finds himself high-fiving an elderly drug-dealer and her husband in a Las Vegas hotel room ('We use it before sex'). Bizarre, garrulous, self-confident, often desperately lonely; such is the variety of characters Grunberg meets - in Amsterdam or New York - it's thanks only to this ability to adjust, and quietly tune in, that we're able to share so many private worlds, or be moved by the most fleeting encounters." "From the rich widow blowing her husband's fortune on slot machines because she 'doesn't believe in an afterlife', to the language student telling of her arrival in America under the hood of a truck, Grunberg moves effortlessly between worlds. Be it cynical high society New York, claustrophobic family arguments back in Amsterdam, or simply small-talking with waiters in the people-watching capital of the world. Grunberg steals glimpses deep into the most guarded of lives, sharing moments of joy and absurdity at every turn." --Book Jacket.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Wayne Koestenbaum's first book of short fiction: a collection of whimsical, surreal, baroque, ribald, and heartbreaking fables."--Provided by publisher.

Space and Time magazine #148 offers an immersive journey into the captivating world of speculative fiction, poetry, and visionary artwork. Explore extraordinary narratives across the intriguing genres of science fiction, fantasy, and horror, each expertly crafted to push boundaries and spark your imagination. Discover chilling tales that stay with you, mesmerizing poetry that blurs reality, and evocative artwork designed to stimulate creative thought. Ideal for fans of speculative literature seeking fresh and compelling stories, Space and Time #148 is a must-have addition to your collection. Unlock endless adventures and unforgettable experiences today. Includes work from Linda D. Addison, Danny Robb, JJ de Melo, Sarah Walker, Lesley Hart Gunn, R Mac Jones, Larina Warnock, John C. Mannone, Adan Jerreat-Poole, Angela Yuriko Smith, Corey Niles, Valerie B. Williams, Mark A. Fisher, C.S. Magnuson, Richard Dansky, Matthew Roy, Frances Lu Pai Ippolito, Michael Getty, Nancy Taylor, Scot Noel, Darius Jones, Osmani Alcaraz-Ochoa, Scott J. Couturier, A J Dalton, Daniel M. Kimmel, Lee Murray, Sara Castaneda, Mark Guyer, Mark Dougherty, Nikki Dekeuster, Anthony R. Rhodes, Douglas Draper, Arthur Haywood, Thomas Nackid, Brad W. Foster, Mark Lavine, Al Sirois, Alfred Klosterman, Shikar Dixit and Anthony R. Rhodes. Interior design by Anthony R. Rhodes. Cover art from Arthur Haywood. Special thanks goes to the Space and Time Team that helped to bring this together: EDITOR-IN-CHIEF Angela Yuriko Smith, MANAGING EDITOR Ken Hueler, EDITOR FICTION EDITOR Gerard Houarner, POETRY EDITOR Linda D. Addison, ART EDITOR Diane Weinstein, TRANSLATIONS Luiz F. Peters, EDITORS EMERITUS Gordon Linzner and Hildy Silverman, FEATURE WRITERS Linda D. Addison, Daniel M. Kimmel, and Michael Wyatt, EDITORIAL ASSISTANTS Kyra Starr, J.W. Donley and Nikki DeKeuster.

George Steiner is internationally renowned as the author of an oeuvre which, taken together, is one of the shaping influences of our time. Steiner himself describes his work in the genre as 'allegories of argument, or 'scripts for thought'. He asks the question; in what ways is the seeming collapse of messianic Marxism a stringent test more for an idealist and ascetic in the west than for anyone in the east? In the title story, the subject of this examination is the 'Professore', a proofreader working in Italy. As in his early work, Steiner uses fiction to give voice to what is either taboo or unspoken. 'Proofs and Three Parables' is a collection by a contemporary master.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A collection of stories which span intimacy and politics, violence and calm. The settings include the depths of the Pacific and the Amazonian forests, the Poland of the death camps, and Italy after the collapse of Marxism.

Before he became one of America’s most celebrated humorists, S.J. Perelman unleashed his razor-sharp wit in Dawn Ginsbergh’s Revenge, a dazzling debut filled with linguistic acrobatics, absurdist storytelling, and sheer comic genius. Overflowing with rapid-fire puns, genre-bending satire, and wordplay that bends the English language to his will, Perelman’s first collection of sketches captures the youthful energy and anarchic spirit that would later influence the Marx Brothers. Whether lampooning pulp fiction, skewering popular culture, or crafting surreal scenarios where no paragraph ends where you expect, this book is a wild ride through the mind of a master humorist in the making. For fans of clever comedy, literary playfulness, and vintage satire, Dawn Ginsbergh’s Revenge is a rare and delightful glimpse into the early brilliance of a writer who redefined American humor.

Fiction. Edited by George Fragopoulos. Introduction by Mark Jacobs and George Fragopoulos. A nearly impossible text to categorize--is it a collection of short stories, prose poems, manifestos or something else entirely?--EXPERTS ARE PUZZLED is one of Laura Riding's earliest and most intense examinations of poetry's and language's relationship to truth. In essayistic examinations such as the titular piece, "Introduction to a book on Money," and "An Address to America," Riding seeks to articulate a higher, more poetic notion of truth and truth telling, a project that would later result in her famous renunciation of poetry itself. As such, EXPERTS ARE PUZZLED stands as an essential text in better understanding why it is that Riding rejected poetry and stopped writing it altogether in the late 1930s. While excerpts and selections from EXPERTS have been published before, most notably in Riding's The Progress of Stories, the entirety of the collection has not appeared in print since its initial publication by Jonathan Cape in 1930.

pp. 4 127, signed and inscribed by the author on title page to Dr. Kreisel, paperback edition