An anthology of poetry, old and new, by a variety of poets from all over the world.

A novel for secondary school English classes with great writing and important themes.

"Who cares about details? As Naomi Schor explains in her highly influential book, we do-but it has not always been so. The interest in detail--in art, in literature, and as an aesthetic category--is the product of the decline of classicism and the rise of realism. But the story of the detail is as political as it is aesthetic. Secularization, the disciplining of society, the rise of consumerism, the invention of the quotidian, have all brought detail to the fore. In this classic work of aesthetic and feminist theory, now available in a new paperback edition, Schor provides ways of thinking about details and ornament in literature, art, and architecture, and uncovering the unspoken but powerful ideologies that attached gender to details."--

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

"Ethics for Disaster addresses the moral aspects of hurricanes, earthquakes, tornadoes, plane crashes, Avian Flu pandemics, and other disasters. Naomi Zack explores how these catastrophes illuminate the existing inequalities in society. By employing the moral systems of utilitarianism, deontology, and virtue ethics to analyze the consequences of recent natural disasters, Zack reveals the special plight of the poor, disabled, and infirm when tragedy strikes. Zack explores the political foundations of social contract theory and dignitarianism and invites readers to rethink the distinction between risk in normal times and risk in disaster. Using both real life and fictional examples, Zack forcefully argues for the preservation of normal moral principles in times of national crisis and emergency, stressing the moral obligation of both individuals and government in preparing for and responding to disaster."--Provided by publisher.

Philosophy is in its fourth millennium but this collection is the first of its kind. Twelve contemporary women of color who are American academic philosophers consider the methods and subjects of the discipline from perspectives partly informed by their experiences as African American, Asian American, Latina, Mixed Race and Native American.

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As a high school senior struggles to accept either the consequences of draft resistance of its alternatives, he must define his responsibility to himself, his family, and his country.

Book by Hentoff, Nat

A history of free speech in our country from earliest times to some of the controversial court cases of today involving school demonstrations and the right of Nazis to march.

"The hauntingly beautiful epistolary novel from 'a glowing light of modern Italian literature' (New York Times Book Review). At the heart of Happiness As Such is an absence, an abyss that draws everyone nearer to its edge, created by the departure of a family's wayward only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes to him too; so does Mara, his former lover, who gave birth to a child who could be his own. Left to clean up Michele's mess, his family and friends complain and commiserate, making mistakes and missteps, attempting to cope in the only ways that they know how. With a few brushstrokes, Natalia Ginzburg can flesh out an entire existence and all its pitfalls and disappointments with unmatched clarity. One of Natalia Ginzburg's finest achievements, Happiness As Such is an experimental, wise, raw, comic novel, written in powerful prose that cuts to the bone with surgical precision"--

An epic biography set in ducal Italy and postrevolutionary France focuses on the Manzoni family, beginning with the matriarchal Giulia and ending in 1901

In a hushed, Italian town after the Second World War Elsa lives with her parents in the house where she was born. Twenty-seven and unmarried, she is of constant concern to her mother, whose status anxiety manifests itself in acute hypochondria. Elsa hopes to live a life different to the one she's always known and when she meets Tommasino, it seems possible. Tommasino belongs to the De Francisci family, who owns the cloth factory where Elsa's father works, and whose lives and stories Elsa has known all her life. In the course of their secret meetings, Elsa and Tommasino begin to imagine another future for themselves, free from the constraints of shared history and expectation. But all of this is threatened when their relationship is revealed. In the course of their secret meetings, Elsa begins to imagine a future with Tommasino, free from the constaints of shared history and expectation. But all of this is threatened when their relationship is revealed.

The distinguished French author portrays her memories of the experiences of her early life spent in Paris, Russia, and Switzerland

"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

Book by Branden, Nathaniel

A pocket-sized package of wise advice and persuasive prescriptions, this collection of inspirational quotations brings together reflections that refresh our appreciation of the good things in life. Nathaniel Brandens Self-Esteem Everyday offers practical suggestions for renewing our commitment to the values, interests, and projects that bring us pure satisfaction and joy.