A guide to building self-esteem shows readers how to become active participants in their journeys toward self-discovery, how their past controls their present, and how to obtain fresh insights into their relationships. Reprint.

The original, never-before-printed, lectures on Ayn Rand's philosophy of Objectivism by Nathaniel Branden with a foreword by Barbara Branden and an epilogue by Dr. Branden. These lectures systematized Rand's philosophy for the first time and created a philosophical movement.

All cities have their secrets, but none are so dark as San Francisco's, the city that Ambrose Bierce famously described as "a point upon a map of fog." With its reputation as a shadowy land of easy vice and hard virtue, San Francisco provided the ideal setting for many of the greatest films noir, from classics like The Maltese Falcon and Dark Passage to obscure treasures like Woman on the Run and D.O.A. , and neo-noirs like Point Blank and The Conversation . Readers visit the Mission Dolores cemetery where James Stewart spied Kim Novak visiting Carlotta's grave in Vertigo ; the Steinhart Aquarium, where a steamy love scene unfolded between Orson Welles and Rita Hayworth in The Lady from Shanghai ; and the Kezar Stadium, where Clint Eastwood captures the serial killer, Scorpio, in a blaze of ghastly white light in Dirty Harry . In this guide to the great films noir and the locations where they were shot, the mythic noir city meets San Francisco's own dark past. With period film stills.

"It's a humorous confection divided into four parts: Visitor from New York, Visitor from Philadelphia, Visitors from London and Visitors from Chicago. In Visitor from New York, Hannah, a magazine writer is joined by her ex-husband, the question being with whom should their daughter spend the next six months? The banter flies fast and furious but Hannah's well-wrought artifice crumbles as her fears take hold. from New York, Hannah, a magazine writer is joined by her ex-husband, the question being with whom should their daughter spend the next six months? The banter flies fast and furious but Hannah's well-wrought artifice crumbles as her fears take hold. The Visitor from Philadelphia is a wife who arrives at the suite, catching her husband "en flagrante delicto" with a drunken hooker. Visitors from London brings a British star as Academy Award nominee. Diana returns from the ceremony empty-handed to husband Sidney whose homosexuality will be no comfort tonight. The Visitors from Chicago are two couples ending a disastrous vacation they should not have shared."--Publisher's description

Based closely on his own life, Neil Simon's most recent Broadway play centers around a recently widowed writer who falls in love and marries a much younger woman whom he hardly knows

Comedy / Casting: 2m 3f / Scenery: Var. settings This Broadway hit is a composite of Neil Simon and Anton Chekhov. In one sketch a harridan storms a bank and upbraids the manager for his gout and lack of money. In another a father takes his son to a house where he will be initiated into the mysteries of sex only to relent at the last moment and leave the boy more perplexed than ever. In another sketch a crafty seducer goes to work on a wedded woman only to realize that the woman has bee

In his critically acclaimed Rewrites, Neil Simon talked about his beginnings - his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart of the reader permeates The Play Goes On. This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life. Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself. -- from back cover.-- Provided by publisher.

Claudia Corvette. From her tousled bedroom hair to her name–all the porn stars in this world take their names from supermodels and sports cars–she is adult entertainment's prototypical femme fatale. Her life is the collision of countless troubled–childhood cliches and grown–up wet dreams, projected onto her as surely as her videos project their blue light onto lonely men around the world. From its first panel, How to Make Money Like a Porn Star draws the reader into the dark world of girls like Claudia, the men who fantasize about them, and the monsters who control them. In the hands of Rolling Stone writer Neil Strauss and illustrator Bernard Chang, this adult graphic novel weaves together black humor and blacker reality. Like all great American stories, it features humble beginnings, life–changing tragedy, stripping, abuse, implants, fame, addiction, bigger implants, abduction, gunplay, downfall, and even bigger implants. Not to mention a thousand shades of latex and L'Oreal. Part parody, part morality tale, here is the truth about the porn life, its outsized visual splendor captured in a comic parade of doe–eyed centerfolds, its essence distilled in a story that will haunt every reader who has ever wondered where his next fantasy is coming from.

Never Come Morning is unique among the novels of Algren. The author's only romance, the novel concerns Bruno Bicek, a would-be boxer from Chicago's Northwest side, and Steffi, the woman who shares his dream while living his nightmare. "It is an unusual and brilliant book," said The New York Times. "A bold scribbling upon the wall for comfortable Americans to ponder and digest." This new edition features an introduction by Kurt Vonnegut, Jr. and an interview with Nelson Algren by H.E.F. Donohue.

Provides a workable notion of the kinds of skills and capacities that are central for those who work in the arts.

In 1961, when Newton N. Minow was President Kennedy's chairman of the Federal Communications Commission, he astonished the American public with his blunt criticism of television broadcasting as a "vast wasteland". To Mr. Minow today, after decades in communications and public service, and to his colleague Craig L. LaMay, the problem is more urgent than ever, for we all - broadcasters, parents, public officials, and teachers - have abandoned our children to a wasteland of vacuous, often violent, and openly consumerist television programming that represents none of the values we claim to cherish and that threatens our future. The commercial interests dominating television today argue that the Constitution gives them the right to broadcast whatever they wish. But Minow and LaMay persuasively demonstrate that this is a false application of the First Amendment. They remind us that broadcasters are required by law to serve the public interest, and that the Supreme Court and Congress regard service to children as a broadcaster's obligation under law. They argue that the First Amendment can be used on behalf of children, to help make television a force that will nurture and not harm them. They offer many hardheaded, workable ideas for an effective children's television policy (America is alone among the Western democracies in not yet having one) and for new ways to ensure that our children travel safely on the information superhighway.

For decades, liberal democracy has been extolled as the best system of governance to have emerged out of the long experience of history. Today, such a confident assertion is far from self-evident. Democracy, in crisis across the West, must prove itself. This highly timely volume is both a conceptual and practical guide of impressive scope to the challenges of good governance as the world continues to undergo profound transformation in the coming decades.

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Argues that the United States and China are in a contest for dominance, alliances, and resources, focusing on the global economic impact of this "cool war" instead of the political consequences.

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