This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.

This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics— The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s. Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II.

The rabald new masterpiece by one of the world's great novelists -- an unflinching view of private lives in Roman of mid-20th century.

Katerina, probablemente la novela más conmovedora y hermosa de Appelfeld, fue escrita en 1989 y se ha convertido en un texto imprescindible. Katerina recrea los años de entreguerras, la génesis del odio antisemita que se extendió por los pueblos permitiendo que sucediera el Holocausto mientras los vecinos miraban hacia otra parte. A través de la historia de Katerina, una campesina cristiana que regresa a su pueblo natal de Ucrania sesenta años después de su partida y entra como criada en una casa judía, Appelfeld retrata al europeo medio de entonces: inculto, lleno de prejuicios y necesitado de encontrar a un culpable genérico para su situación de pobreza y temor. Y nos narra el nacimiento de una tragedia al tiempo que la historia de una redención, la que nace del respeto, el conocimiento y el amor.

"He was, according to Pauline Kael, 'the greatest American screenwriter.' Jean-Luc Godard called him 'a genius' who 'invented 80 percent of what is used in Hollywood movies today.' Besides tossing off dozens of now-classic scripts--including Scarface, Twentieth Century, and Notorious--Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine's Jewish terrorist underground. Whatever the outrage he stirred, this self-declared 'child of the century' came to embody much that defined America--especially Jewish America--in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman's vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman--critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics--is uniquely suited to capture him in all his modes"--Jacket

"Set in Vienna in the 1930s, Yellow Street is a novel in "five scenes" that captures the despair, poverty, enforced idleness, and crumbling moral values of those years just before the political catastrophes that led to World War II....Veza Canetti weaves together stories about the people of Yellow Street, the home of the leather-merchants in the Leopoldstadt district. Living cheek by jowl on the bustling thoroughfare, crabbed merchants, impoverished bourgeois, canny profiteers, and out-and-out criminals alike find no privacy respected and no secrets possible. Canetti's concern, however, is the victims--in the main seemingly helpless women and children, perhaps poor and exploited but grown streetwise and cagey, each protecting a core of integrity and dignity"--From p. 4 of cover.

"Through this dramatic history by Stefan Heym, we become intimate with the story of the maverick and internationalist Karl Radek, known as the editor of the newspaper of record throughout the Soviet era, Isvestia. Beginning as Lenin's companion at the dawning of the October Revolution, Radek later became Stalin's favorite intellectual - only to find himself entangled in the great purges of the late 1930s and scripting his own trial. In this, his last historical novel, Heym reveals Radek as a brilliant Bolshevik journalist and politician who found himself at every turn of the wheel of fate. A central figure of the communist world, Radek was such a controversial and perennially ambiguous personality that even his historical biography seems a work of fiction. With his thick glasses and most non-Aryan appearance, marked by what some might have seen as distinctively Jewish argumentative skills and humor, Radek's enormous talent as a writer, political acumen, and continuous curiosity carried him through event after event. In the struggles of the revolutionary movement Radek changed sides several times and came into conflict with Stalin, was exiled to Siberia, capitulated and resumed his editorial duties at Isvestia -- only to get caught up in the purge trials and sentenced to prison, where he died. As Heym sculpts credible conversations with Lenin, Luxemburg, Liebknecht, Trotsky, Stalin, and many others (all seen from Radek's perspective) we come to know Radek as a man haunted by the fear that the insurgency will cease to move forward, living his life as a frenzied chase in pursuit of the continuation of the revolution, until the very end. Originally published in Munich in 1995, this first-ever English translation of Radek fashions the inner voice of a unique figure in the global revolutionary wave of the first half of the twentieth century"--

Nathan, a blind Jewish scribe, tells the story of the coming of the Messiah in the person of one Simon Stern—from his birth on the Lower East Side, through his career as a millionaire dealer in real estate, to his building of a refuge for the Jewish remnant of World War II. "A majestic work of fiction that should stand world literature's test of time, to be read and reread. A masterpiece."— Commonweal "This book ensnares one of the most extraordinarily daring ideas to inhabit an American novel in a number of years. For one thing, it is that risky devising, dreamed of only by the Thomas Manns of the world, a serious and vastly conceived fiction bled out of the theological imagination. For another, it is clearly an 'American' novel—altogether American, despite its Jewish particularity: it is not so much about the history of the Jews as it is about the idea of the New World as haven. . . . In its teeming particularity every vein of this book runs with a brilliance of Jewish insight and erudition to be found in no other novelist. Arthur Cohen is the first writer of any American generation to compose a profoundly Jewish fiction on a profoundly Western theme."—Cynthia Ozick, New York Times Book Review "This stately, ambitious amalgam of Jewish myth, history, theology, and speculations on the Jewish soul is like an enormous Judaic archeological ruin—often hard for the uninitiated to interpret, but impressive. . . . Intelligent, inventive, fascinating."— New Yorker

"In March 1953, four women meet in Room 408 of Moscow's deluxe Metropole Hotel. They have gathered, not altogether willingly, to reminisce about Vladimir Mayakovsky, the poet who in death had become a national idol of Soviet Russia. In life, however, he was a much more complicated figure. Each of these ladies loved Mayakovsky in the course of his life, and as they piece together their memories of him, a portrait of the artist emerges. From his early years as a leader of the Futurist movement to years as a propagandist for the Revolution, to the censorship battles that turned him against the State, Mayakovsky is revealed as a passionate, complex man who lived at the center of history and fought to hold onto his ideals even in the face of a world changing for the worse. The Mayakovsky Tapes is an ambitious, impressive novel that captures the tumultuous life of one of the most significant writers of the Soviet era"--

Historical Fiction At Its Best Ray Comfort and Anna Jackson have crafted a compelling novel of mystery and romance that breathes with suspense and intrigue. Greed over gold, a cold-blooded murder, overwhelming bitterness, abiding faith, romantic love, abuse, blackmail, secrecy, and intense personal struggles are the core elements of this great work that is set in the Wild West of the nineteenth century. How does Jake deal with his father's murder? How does it affect his relationships with his mother, his girlfriend, and God? What is Jake's fortune? Where does it come from? How does a blackmail plot threaten the central family of this book? What secret is being kept from Jake? This book is filled with intricate twists and turns that will surprise you as you read an keep reading. You will identify with Jake's inner turmoil as he endeavors to come to grips with evil in this world. You will be amazed to see how he learns to deal with his own bitterness and his tumultuous emotions. Jake's Fortune will open the door to spiritual understanding and truth, and your reading of this book will challenge you and inspire you to find solid answers for your own life.

One of the country’s more perceptive younger critics, Louis Rubin is well known for his commentaries on the literature of the South. These essays—selected from his critical works over a period of more than a dozen years—reflect his wider concern with the whole spectrum of American literature. In the title essay Rubin treats “tired literary critics” and the often-heard pronouncement that the novel is dead. He argues that the response of novelists to our difficult and demanding times “will doubtless be what the response of writers to difficult and demanding times always has been: namely, difficult and demanding works of literature.” Another essay, “The Experience Difference: Southerners and Jews,” is a perceptive examination of the parallels in different factors and cultural experiences which brought Southern and Jewish writers to prominence. Rubin explores the potential pitfalls for Southern writers today in an essay called “Getting Out From Under William Faulkner.” Edgar Allan Poe’s position in American literary history and H.L. Mencken’s role as a literary critic and an “artist of destruction” who cleared the way and created an audience for the major American writers of the twenties are dealt with in other essays. The collection includes imaginative studies of Henry James, Mark Twain, Edmund Wilson, and Karl Shapiro. Several Southern writers, including Faulkner, Ellen Glasgow, Robert Penn Warren, Flannery O’Connor, and James Branch Cabell, also come under Rubin’s scrutiny.

Take chocolate candy, add a family business at war with itself, and stir with an outsider's perspective. This is the recipe for True Confections , the irresistible new novel by Katharine Weber, a writer whose work has won accolades from Iris Murdoch, Madeleine L'Engle, Wally Lamb, and Kate Atkinson, to name a few. Alice Tatnall Ziplinsky's marriage into the Ziplinsky family has not been unanimously celebrated. Her greatest ambition is to belong, to feel truly entitled to the heritage she has tried so hard to earn. Which is why Zip's Candies is much more to her than just a candy factory, where she has worked for most of her life. In True Confections , Alice has her reasons for telling the multigenerational saga of the family-owned-and-operated candy company, now in crisis. Nobody is more devoted than Alice to delving into the truth of Zip's history, starting with the rags-to-riches story of how Hungarian immigrant Eli Czaplinsky developed his famous candy lines, and how each of his candies, from Little Sammies to Mumbo Jumbos, was inspired by an element in a stolen library copy of Little Black Sambo, from which he taught himself English. Within Alice's vivid and persuasive account (is her unreliability a tactic or a condition?) are the stories of a runaway slave from the cacao plantations of C�te d'Ivoire and the Third Reich's failed plan to establish a colony on Madagascar for European Jews. Richly informed, deeply moving, and spiked with Weber's trademark wit, True Confections is, at its heart, a timeless and universal story of love, betrayal, and chocolate. From the Hardcover edition.

25th ANNIVERSARY EDITION Nadine Pagan's dyke sister Jane wants to find her. Her lover Rose wants to marry her. And her mother Fay wants to forget her. All Nadine wants is to stop the buzzing in her head. Running Fiercely Toward a High Thin Sound follows Nadine's (née Morningstar) adventures as she escapes from her incendiary Jewish family into the lesbian town of New Chelm--and far beyond. This is the novel Isaac Bashevis Singer might have written if he'd been a lesbian with a keen eye for contemporary middle-class assimilation. It's Jewish magical lesbian realism, a good story, and a dynamic piece of writing. Includes an all new introduction by the author Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won the 1992 Lambda Literary Award for Best Lesbian Fiction. She teaches cultural studies and literature courses for the University of Minnesota's Center for Jewish Studies.

"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

Starred reviews from Library Journal and Publishers Weekly Award-winning author Irina Reyn explores what it means to be a mother in a world where you can't be with your child Nadia's daily life in south Brooklyn is filled with small indignities: as a senior home attendant, she is always in danger of being fired; as a part-time nanny, she is forced to navigate the demands of her spoiled charge and the preschooler's insecure mother; and as an ethnic Russian, she finds herself feuding with western Ukrainian immigrants who think she is a traitor. The war back home is always at the forefront of her reality. On television, Vladimir Putin speaks of the "reunification" of Crimea and Russia, the Ukrainian president makes unconvincing promises about a united Ukraine, while American politicians are divided over the fear of immigration. Nadia internalizes notions of "union" all around her, but the one reunion she has been waiting six years for - with her beloved daughter - is being eternally delayed by the Department of Homeland Security. When Nadia finds out that her daughter has lost access to the medicine she needs to survive, she takes matters into her own hands. Mother Country is Irina Reyn's most emotionally complex, urgent novel yet. It is a story of mothers and daughters and, above all else, resilience.

Rose is dedicated, troubled and on the move. She is an Australian medievalist on sabbatical in modern France. Most of her attention is focused on her research, on buying books, and on the odd behavior of her boyfriend. She finds an inexplicable manuscript that tells the story of Ailinn and Guenloie, two women who lived in Arthurian Britain. Ailinn is determined to solve the world's problems and Guenloie searches for success, romance, and her father. Rose's world parallels theirs. And theirs is about to come to an agonizing close. "The way the past illuminates the present; the way in which human lives throughout the ages illuminate an unchanging, yet always complex, human nature; the way in which art illuminates life, and vice versa: these are some of the concerns at the heart of this very fine novel. Yet it is much more than that: it is a journey deep into the heart of Arthurian myth, of the numinous, and of the human soul. What's more, it is most readable, and layered in a most intriguing and mysterious manner, reminiscent of A.S. Byatt's 'Possession'." -Sophie Massonauthor of the Laylines Trilogy

"The funniest American novel since Sam Lipsyte's The Ask ." - Village Voice "A ribald chronicle of [a] 60-something Manhattan accountant, who's come to Rio de Janeiro as a sex tourist. [A] fever dream of a novel." - New York Times Book Review "Levy delivers a visceral blend of hilarious satire and study in human sexuality, taking us on a deviant tour of Rio." - Interview Magazine I have come to regard almost everything that happens in human life as a form of therapy. So muses Kenny Cantor, always dapper in his seersucker suit from the Brooks Brothers 346 collection. Kenny is a CPA, amateur psychoanalyst, and sex-tourist vacationing in Rio when he gets waylaid at a psychoanalytic conference. What ensues is a provocative journey that merges sex and psychoanalysis through Rio's tawdry netherworld of Susan Sontag-quoting denizens as only an incendiary voice like Francis Levy could imagine. Francis Levy is the author of Erotomania: A Romance , a Queerty.com Top 10 Book of 2008 and an Inland Empire Weekly Standout Book of 2008. His short stories, criticism, humor, and poetry have appeared in The New York Times , The Washington Post , The New Republic , The Village Voice , and many others.

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years? Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place. From the Hardcover edition.

Ziff: A Life? is the latest tour de force by an extraordinary novelist with explosive verbal energy and intelligence, sexual sensibility, and drive, who has been acclaimed by Philip Roth, Saul Bellow, and Wallace Stegner. Who is Arthur Ziff? One of our greatest living writers or an impertinent provocateur? A true literary master or a clever tactician who seduces the reading public? It is narrator Danny Levitan’s job to find out who Ziff really is, in a compelling novel about the writing life that is at once comic and provocative, producing a memorable reading experience. Sensational publishing and serious literature collide when Levitan, a has-been writer, is offered a hefty advance to write a biography of Ziff, the scourge of myriad Jewish-American readers and a titan among the world’s literary giants. For years, Ziff has been sharing secrets, manuscripts, and sexual escapades with his longtime and less successful friend Danny. But, old friendships aside, Ziff hardly welcomes an incendiary study of his life, and is determined to thwart Danny, with legal roadblocks and personal humiliation. Danny must decide whether to accept the advance and risk the rollercoaster of recriminations that will surely follow. He recounts with humor and often wrenching anguish his journey of discovery into the land of Ziff, and the hard-won truths he finds there—original insights into a man who has crafted his novels, often savagely, from the lives of his friends, including Danny’s life. An unabashed look at the ruthless forging of literary careers and a heady brew of books within a book, Ziff: A Life? will enthrall readers of great fiction everywhere and anyone eager for a peek through the keyhole of contemporary literary celebrity.

"In the summer of 2000, Israel teeters between total war and total peace. Similarly on edge, Helen Michaelson, a respectable suburban housewife from Michigan, has brought her ailing husband and rebellious college-age son, Jeremy, to Jerusalem. She hopes the journey will inspire Jeremy to reconnect with his faith and find meaning in his life ... or at least get rid of his nose ring. It's not that Helen is concerned about Jeremy's sexual orientation (after all, her other son is gay as well). It's merely the matter of the overdose ('Just like Liza!' Jeremy had said), the green hair, and what looks like a safety pin stuck through his face. After therapy, unconditional love, and tough love ... why not try Israel? Yet in seductive and dangerous surroundings, with the rumbling of violence and change in the air, in a part of the world where 'there are no modern times, ' mother and son become new, old, and surprising versions of themselves. Funny, erotic, searingly insightful, and profoundly moving, Faith for Beginners is a stunning debut novel from a vibrant new voice in fiction."--Jacket.