Sir Leon Radzinowicz is one of the key figures in the development of criminology in the twentieth century. This account of the development of criminology intertwines his personal narrative as a criminologist with the progression of criminology itself. His experience gained from a career which has spanned 70 years since the 1920s, offers a profound overview of how the understanding of crime and criminals, of criminal justice systems and penology has changed, and of the tensions and dilemmas these pose for democratic societies.

Pp. 1-7 contain the story of Greenman, told in his own words. A Jew born in London, he lived with his wife and small son in Rotterdam. In 1942, disregarding his British nationality, the Nazis sent him and his family to Westerbork and then to Auschwitz, where his wife and son were killed. In January 1945 Greenman was sent on a death march and transport to Buchenwald, where he was liberated by the American army. After the war he returned to England. Startled by British ignorance of the Holocaust, he began to recount his experiences to students. Pp. 8-13 contain guidelines for teachers using Greenman's story for Holocaust education.

The Iron Chancellor, Otto von Bismarck, leader of the rising German Empire based on Prussian militarism and discipline, and Lord Odo Russell, Britain's Liberal Ambassador when her empire was at its most powerful, serene and confident, were politically and socially worlds apart. Their remarkable friendship, which is examined in this volume, endured intense national rivalry which would change the face of Europe and the world, and end in world war. The author sets out to illustrate major themes of the relationship between Bismarck and Russell: the Franco-Prussian war; Turkey as "the sick man of Europe", and the Eastern Question; relations with France, Russia and other European powers; the beginnings of imperial rivalry; and the clash of ideologies between liberal Anglo-Saxon beliefs and the militarism of the new Germany. Emerging from the text is a picture of the German Imperial court and of British political society at its highest.

The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others. As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo ) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

ex-lib with usual stamps and markings, binding tight and square, pages clean, mylar cover, d/j good condition, tape on back of book where mylar was torn

A memoir rich in reflections and reminiscences by the war correspondent and editor of the New Masses. (1904-1945).

John Byner is a man of many voices and characters, from impersonating the slow, rolling gait and speech of John Wayne, to lending his voice to The Ant and the Aardvark cartoons. His dead-on impersonations, as well as his unique talents as a character actor, have put him on the small screen in peoples' homes, the big screen in theaters, and no screen on Broadway. Growing up in a big family on Long Island, John discovered his uncanny ability to mimic voices as a child when he returned home from a Bing Crosby movie and repeated Bing's performance for his family in their living room. He discovered his talent made him the focus of everyone's attention, and allowed him to make friends wherever he went, from elementary school to the U.S. Navy. John started his career in nightclubs in New York, but soon found himself getting national acclaim on The Ed Sullivan Show. With that he was on his way. This memoir is the best and funniest moments of his life, career, and relationships with some of the biggest names in entertainment, both on and off the screen.

Jack Rosenthal had always resisted writing an autobiography until he hit on an original way of writing it that excited him: it would be as a screenplay, with himself as the central character, the storyline that of his own life, the supporting cast drawn from the many wonderful and sometimes eccentric people who touched, shaped and shared that life. What a prospect, coming from the author of such memorable classics as 'Bar Mitzvah Boy', 'The Evacuees', 'London’s Burning', 'The Knowledge' and 'P’tang Yang, Kipperbang', a writer who uniquely won three successive BAFTA Awards. The story moves from Manchester in the 30s – via school, evacuation, university, the Navy, the early days of Granada TV (he wrote 129 pioneering episodes of 'Coronation Street'), the ‘Busby Boys’, marriage and life with Maureen Lipman, fatherhood, writing his famous plays, working with Barbara Streisand – to Muswell Hill in the 90s. Sharp, funny, evocative, teeming with memorable stories and characters, this is an autobiography like no other ... but then, its author is Jack Rosenthal.

Jack Rosenthal had always resisted writing an autobiography, until he hit on an original way of writing it that excited him--it would be as a screenplay, with himself as the central character, and the supporting cast drawn from the many wonderful and eccentric people who touched, shaped, and shared that life. What a prospect, coming from the author of such memorable classics as Bar Mitzvah Boy, The Evacuees, London's Burning, The Knowledge, and P'tang Yang, Kipperbang, a writer who uniquely won three successive BAFTA Awards. The story moves from Manchester in the 30s--via school, evacuation, university, the Navy, the early days of Granada TV, marriage and life with Maureen Lipman, fatherhood, writing the famous plays, and working with Streisand--to Muswell Hill in the 90s. Sharp, funny, evocative, teeming with memorable stories and characters this is an autobiography like no other.

"[Marshall] understands that the neighborhoods and cities that no longer exist can be conjured by memory and reanimated by art."-- San Francisco Chronicle "Born in Brooklyn of Arabic/Jewish heritage, Marshall may represent the keynote, most critical multicultural mixture of our time."--Naomi Shihab Nye, Hungry Mind Review Inspired by the posthumous discovery of letters written by his father but never mailed, Jack Marshall's memoir is both a moving story of a writer's artistic coming-of-age and a lush, lyrical recollection of a childhood spent in Brooklyn's Arabic-speaking Jewish community. Born in 1936 to an Iraqi father and Syrian mother who had immigrated to the United States, Marshall grew up in the hardworking Sephardic community--enveloped in an extended family that spoke little English, no Yiddish, and whose way of life owed more to their Middle Eastern homelands than to European Jewish traditions. As the sights, sounds, and tastes of midcentury New York leap off the page, Marshall beautifully evokes the magic of youth and discovery. From playing "running bases" in the Brooklyn streets to making egg creams at Coney Island, from his mother's rich kibbeh and baklava to the vast world revealed in the books of the New York Public Library, from the pleasures of music to the mysteries contained under a microscope, Marshall's story is as enduring as it is original. And before he sets sail for Africa as a seaman on a Norwegian freighter, Marshall has, through his negotiation of language, culture, family strife, and issues of education, faith, and politics, shined a light upon the possibilities of our collective future. A critically acclaimed poet, Jack Marshall has received a PEN Center USA West Award, two Bay Area Book Reviewers awards, and was a finalist for the National Book Critics Circle Award. He lives in the San Francisco Bay Area.

Berend's memoir offers an interesting case study, a subjective addition to the "objective" historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within. Ivan T. Berend, is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973-79), and President of the Hungarian Academy of Sciences (1985-90). He was President of the International Committee of Historical Sciences (1995-2000), and Vice-President of the International Economic History Association (1986-1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th-20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published 26 books and more than 120 studies.--Publisher's description

This sweeping, eighty-year memoir is the last work of veteran journalist Israel Epstein (1915-2005), one of the very few Western writers to experience the Chinese Communist Revolution firsthand. Born in Poland and raised in China, Epstein served as a war correspondent from the front lines of the Chinese War of Resistance against Japan, as well as during the Communist-Nationalist struggle. Inspired by the immense social revolution taking place, Epstein took Chinese citizenship, only to be imprisoned during the Cultural Revolution. During this dark period, Epstein found his ideals challenged in ways he never imagined, yet his lifelong struggle for social equality has never wavered. This powerful memoir resonates with some of the twentieth century's most turbulent years and is a fascinating read for anyone interested in Chinese history.

Dollars for Scholars, Dr. Irving A. Fradkin, with Michael J. Vieira, Branden Books, Paperback ISBN 9780828319744 $19.95; E-Book ISBN 9780828319744, $9.99 It all started when Dr. Fradkin received the first donation: “Here’s a buck!” His organization, Citizens’ Scholarship Foundation of America , however, took hold when another donor said, “Here’s a million!” This book tells the story of Dr. Fradkin’s crusade to raise money so that thousands of needy students would have access to institutions of higher learning through his scholar-ship grants. When people say, only in America” they include the feats of Dr. Fradkin. He started with a dollar and grew it to tens of millions of dollars now administered by a national headquarters with hundreds of chapters located in every state, and counting benefactors by the tens of thousands. Dollars for Scholars is a tribute to Dr. Irving Fradkin whose vision and efforts have become emblematic in the concrete reality rooted in the phrase, “only in America.”

"In Film and Fate: Camera Flashes Illuminating a Life, Ilse Aichinger describes her past and her present largely from the viewpoint of her abiding passion for the cinema, and for still photography. She reflects on her life by discussing directors ranging from Luchino Visconti to Leni Riefenstahl, actors ranging from Orson Welles to Stan Laurel, and photographs by Bill Brandt depicting subjects as diverse as the Brontës’ Haworth Parsonage and London’s East End. Though Aichinger’s recollections are detailed, intriguing and vivid, they are pervaded by her sense of the contingency and fragility of existence – of how the presence of pictures and people in her life presages their disappearance, and of how 'memory shatters easily when you try to master it'" --

"For more than four decades, Hugh Segal has been one of the leading voices of progressive conservatism in Canada. A self-described Red Tory warrior who disdained "boot strap" approaches to poverty, he has always promoted policies, especially a basic annual income, to help the most economically vulnerable. Why would a life-long Tory support something so radical? In this revealing memoir, Segal shares how his life and experiences brought him to this most unlikely of places, beginning with his childhood in a poor immigrant family in Montreal to his time as a chief of staff for Prime Minister Mulroney and to his more recent work as an advisor on basic income for the Ontario Liberal government. This book is a passionate argument for why a basic annual income makes economic sense - and for why it is the right thing to do."

A WORLD APART by GUSTAV HERLING. Contents include: PREFACE , k PART I CHAP. PAGE 1 VITEBSK LENINGRAD VOLOGDA 1 2 HUNTING BY NIGHT 20 3 WORK 1 DAY AFTER DAY 32 2 THROWN TO THE WOLVES 45 3 STALINS MURDERER 50 4 DREI KAMERADEN 56 5 THE ICE-BREAKER 65 6 THE HOUSE OF MEETINGS 86 7 RESURRECTION 97 8 THE DAY OF REST 113 PART II 9 HUNGER 131 10 NIGHTFALL 143 11 THE HOUSE OF THE DEAD 152 12 N THE REAR OF THE WAR FOR THE FATHERLAND 1 A GAME OF CHESS 174 2 HAYMAKING 183 13 MARTYRDOM FOR THE FAITH 190 14 THE MORTUARY 210 15 IN THE URALS, 1942 227 EPILOGUE THE FALL OF PARIS 242 APPENDIX 249 ILLUSTRATIONS THE AUTHORS PHOTOGRAPH TAKEN IN GRODNO PRISON IN 1940, AND STOLEN BY HIM FROM HIS DOSSIER ON THE DAY OF HIS RELEASE FROM KARGOPOL CAMP frontispiece A PHOTOGRAPH OF ONE OF THE CAMP-SECTIONS OF THE KARGOPOL CAMP, TAKEN ORIGINALLY BY A CAMP GUARD AS A SOUVENIR, AND LATER SOLD BY HIM TO ONE OF THE PRISONERS facing page 24 A PHOTOGRAPH OF THE HANDKERCHIEF MADE AND EMBROI DERED BY Miss Z. facing page 220 IGANOVS POSTCARD facing page 228 AN EXTRACT FROM THE AUTHORS DIARY, KEPT AFTER HIS RELEASE FROM THE CAMP facing page 234. PREFACE by BERTRAND RUSSELL: OF the many books that I have read relating the experiences of victims in Soviet prisons and labour camps, Mr. Gustav Herlings A World Apart is the most impressive and the best written. He possesses in a very rare degree the power of simple and vivid description, and it is quite impossible to question his sincerity at any point. In the years 1940-42 he was first in prison and then in a forced labour camp near Archangel. The bulk of the book relates what he saw and suffered in the camp. The book ends with letters from eminent Communists saying that no such camps exist. Those who write these letters and those fellow-travellers who allow themselves to believe them share responsibility for the almost unbelievable horrors which are being inflicted upon millions of wretched men and women, slowly done to death by hard labour and starvation in the Arctic cold. Fellow-travellers who refuse to believe the evidence of books such as Mr. Herlings are necessarily people devoid of humanity, for if they had any humanity they would not merely dismiss the evidence, but would take some trouble to look into it. Communists and Nazis alike have tragically demonstrated that in a large proportion of mankind the impulse to inflict torture exists, and requires only opportunity to display itself in all its naked horror. But I do not think that these evils can be cured by blind hatred of their perpetrators. This will only lead us to become like them. Although the effort is not easy, one should attempt, in reading such a book as this one, to understand the circumstances that turn men into fiends, and to realise that it is not by blind rage that such evils will be prevented. I do not say that to understand is to pardon there are things which for my part I find I cannot pardon. But I do say that to understand is absolutely necessary if the spread of similar evils over the whole world is to be prevented. I hope that Mr...

Paperback in very good condition. Covers are slightly scored and sunned, and edges are a little worn. Page block is lightly tanned. Binding is sound and pages are clear. LW