In 1945 the United States saw the Soviet Union as its principal ally. By 1947, it saw the Soviet Union as its principal opponent. How did this happen? Historian John Lukacs has provided an answer to this question through an exchange of letters with George F. Kennan. Their correspondence deals with the antecedents of containment between 1944 and 1946, during most of which time Kennan was at the American embassy in Moscow. Kennan had strong opinions about America's appropriate role during and after World War II and is perhaps best known as the architect of America's containment policy. Much has been written about Kennan and containment, but relatively little is known about the events that made him compose and send the Long Telegram in 1946 that ultimately became the draft for foreign policy dealing with the Soviets in the following forty years. These letters show Kennan's fear of the extent to which the United States misunderstood the Soviet regime. Especially in 1944, at the time of the Russians' betrayal of the Warsaw Uprising, it became evident that the Soviets were interested in establishing their rigid domination of Eastern and Central Europe and dividing the continent. Kennan's letters to Lukacs are thorough and detailed, suggesting that the Truman administration was not in the least premature in opposing the Soviet Union. Indeed, both correspondents suggest that these decisions should have been made earlier. This series of letters will add greatly to our understanding of what preceded containment and the Cold War in 1947.

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

The painter son of the great surrealist Max Ernst describes his childhood amid the European avant-garde art world on the eve of World War II and his escape and new life in America

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there a perpetrator who makes things that I know and cherish disappear?" These things disap- pear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things That Disappear follows on the heels of Erpenbeck's Booker Prize-winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer"-- Provided by publisher.

"Her parents moved her from Austria to Tokyo, Japan before she started school. They were all rendered stateless when Nazi Germany and Austria stripped Jews of their citizenship. She graduated high school fluent in Japanese plus four other languages and went to college in America at age 15. Cut off from her parents by the Japanese attack on Pearl Harbor, and America's entry into World War II, she went years not knowing if they were alive. She returned to post-war Japan as an interpreter, found her parents, and wrote the fateful words that make her a storied feminist hero in that nation even today. As Justice Sonia Sotomayor said about Beate Sirota Gordon, 'It is a rare life treat for a Supreme Court Justice to get to meet a framer of a Constitution. It is rarer indeed for that framer to have been a woman'"--

In 1942, Lt. Herman H. Goldstine, a former mathematics professor, was stationed at the Moore School of Electrical Engineering at the University of Pennsylvania. It was there that he assisted in the creation of the ENIAC, the first electronic digital computer. The ENIAC was operational in 1945, but plans for a new computer were already underway. The principal source of ideas for the new computer was John von Neumann, who became Goldstine's chief collaborator. Together they developed EDVAC, successor to ENIAC. After World War II, at the Institute for Advanced Study, they built what was to become the prototype of the present-day computer. Herman Goldstine writes as both historian and scientist in this first examination of the development of computing machinery, from the seventeenth century through the early 1950s. His personal involvement lends a special authenticity to his narrative, as he sprinkles anecdotes and stories liberally through his text.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The essay that forms the core of this book is an attempt to understand the developments that have occurred in Orthodox Jewry in America in the last seventy years, and to analyse their implications. The prime change is what is often described as 'the swing to the right', a marked increase in ritual stringency, a rupture in patterns of behaviour that has had major consequences not only for Jewish society but also for the nature of Jewish spirituality. For Haym Soloveitchik, the key feature at the root of this change is that, as a result of migration to the 'New Worlds' of England, the US, and Israel and acculturation to its new surroundings, American Jewry--indeed, much of the Jewish world-- had to reconstruct religious practice from normative texts: observance could no longer be transmitted mimetically, on the basis of practices observed in home and street. In consequence, behaviour once governed by habit is now governed by rule. This new edition allows the author to deal with criticisms raised since the essay, long established as a classic in the field, was originally published, and enables readers to gain a fuller perspective on a topic central to today's Jewish world and its development."

Utah Series in Middle East Studies In 1915, the Ottoman government, then run by the Young Turks, deported most of its Armenian citizens from their eastern Anatolian lands. According to reliable estimates, close to forty percent of the prewar population perished, many in brutal massacres. Armenians call it the first genocide of the twentieth century. Turks speak of an instance of intercommunal warfare and wartime relocation made necessary by the treasonous conduct of their Armenian minority. The voluminous literature on this tragic episode of World War I is characterized by acrimony and distortion in which both sides have simplified a complex historical reality and have resorted to partisan special pleading. The Armenian Massacres in Ottoman Turkey examines the rich historical evidence without political preconceptions. Relying on archival materials as well as eye-witness testimony, Guenter Lewy avoids the sterile “was-it-genocide-or-not” debate and presents a detailed account of what actually happened. The result is a book that will open a new chapter in this contentious controversy and may help achieve a long-overdue reconciliation of Armenians and Turks.

"The work is primarily the story of a company. It traces the Deutsche Bank's evolution into a big bank, its positioning as a foreign trade and 'industrial' bank, and also its big international financing projects in East Asia, the Ottoman Empire and America, with all their foreign policy implications during the German Empire. It describes the bank's situation and business policy from the period of high inflation after the First World War to the world economic and banking crisis at the end of the Weimar Republic. The company's activities under the National Socialist dictatorship and the treatment of Jewish staff and customers are looked at in the same detail as banking business during the Second World War. The book documents the splitting-up of the bank and its reamalgamation after 1945 under Allied occupation policy and its emergence as today's international financial conglomerate. Furthermore, it portrays the leading bank managers, the changes in staff as well as the new directions in organizational structure, and shows the company's position in the banking landscape at different points in time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The spread and increasing power of bureaucracy - the accelerated growth of large-scale, centralized administrative structures - is one of the most noticed and discussed phenomena of our time. It now cuts across the distinction between capitalism and communism, democracy and dictatorship, "the Western world" and the organized despotisms of empires and Oriental "agro-managerial" societies. It bids fair to dominate our future, but it has also shaped our past. The concept of "bureaucracy" is as important as its uses are varied, unexamined and confused. In this book, separate chapters describe the ancient bureaucracies of Egypt, China, Mesopotamia and, later, in the New World, the development and perception of bureaucracy in Europe, capitalism and bureaucracy, socialism and bureaucracy in the the post-industrial world. The work seeks both historical understanding and conceptual clarification - it is concerned with bureaucracy as a major and lasting social phenomenon.

The interaction of Jew and Greek in antiquity intrigues the imagination. Both civilizations boasted great traditions, their roots stretching back to legendary ancestors and divine sanction. In the wake of Alexander the Great's triumphant successes, Greeks and Macedonians came as conquerors and settled as ruling classes in the lands of the eastern Mediterranean. Hellenic culture, the culture of the ascendant classes in many of the cities of the Near East, held widespread attraction and appeal. Jews were certainly not immune. In this thoroughly researched, lucidly written work, Erich Gruen draws on a wide variety of literary and historical texts of the period to explore a central question: How did the Jews accommodate themselves to the larger cultural world of the Mediterranean while at the same time reasserting the character of their own heritage within it? Erich Gruen's work highlights Jewish creativity, ingenuity, and inventiveness, as the Jews engaged actively with the traditions of Hellas, adapting genres and transforming legends to articulate their own legacy in modes congenial to a Hellenistic setting. Drawing on a diverse array of texts composed in Greek by Jews over a broad period of time, Gruen explores works by Jewish historians, epic poets, tragic dramatists, writers of romance and novels, exegetes, philosophers, apocalyptic visionaries, and composers of fanciful fables—not to mention pseudonymous forgers and fabricators. In these works, Jewish writers reinvented their own past, offering us the best insights into Jewish self-perception in that era.

This is the original classic work by one of America's most respected modern military historians. It is a thrilling account of six extraordinary days in June 1967 when Israel embarked on a bold, risky war of national survival - and won! Hammel decisively disproves the myth that Israel's stunning victory was a 'miracle' or a 'fluke' and reveals how a tiny nation was able to, in secret, develop a First-World military force that has become the envy of nations around the world.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

"From Suburb to Shtetl" is an outstanding ethnography that moves beyond simple demographics. Mayer weaves an intricate tapestry of how family, school, and community leaders influence each other. Whether discussing the role of the rebbe or the matchmaker, those who know these communities will find what he says as relevant today as it was when first penned. This is hardly surprising, for the ultra-Orthodox community takes great pride in not changing, in maintaining itself as it was in Europe despite the allure of modern American society. His discussion of synagogue life is particularly informative and evocative. Those in charge of helping immigrants adopted the path of least resistance, allowing and even encouraging them to retain their identities except for those few aspects that might threaten the country's national interests. The American Orthodox community was tremendously augmented by the arrival from Europe, after World War Two, of thousands of Orthodox Jews who remained devoted to that way of life. Egon Mayer was himself part of a smaller, but significant group of Jews who came to the U.S. and settled mostly in Boro Park in the wake of the 1956 Hungarian Revolution. The interaction between the Hasidim and their less fervent Orthodox counterparts described and analyzed in this volume tells us a great deal about how people negotiate their beliefs, values, and norms when forced into close contact with each other in an urban setting within the larger American culture. By exploring these and many other related issues Mayer has given us the chance to assess and forecast the future of American Jewish life as a whole.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dina Z, a Jewish-American filmmaker is seeking to document the lives of people who dwell on ancient holy ground and to discover how that history affects them. She falls in love with a Palestinian activist and sees him and his people in ways that were not available to her before the ancient story of Dinah and Shechem was revived through their meeting. This novel is a republication of Deena Metzger's 1989 novel, originally published by Viking.. This novel is a republication of Deena Metzger's 1989 novel. The original motivation for the novel was to investigate the Biblical story from Genesis, the story of Jacob and Leah's daughter who is loved and ravished by a "heathen," and whose brothers avenge her honor by slaying him on his wedding night. This story, which is somehow still unacknowledged, is of the ancient core of the intergenerational conflict remaining very much in our collective DNA, the story which has not been mourned, for which amends have not been made. Metzger is hoping to see if the retelling of it in a new way, the reliving of it, even if only in the creative imagination, could offer healing to the terrible history which was (which is) once again exploding in violence.