This charming ABC book from Maine artist Dahlov Ipcar contains an original illustration done especially for this edition, her first new children's book illustration in more than twenty years. The Maine wildlife and coastal scenes are near and dear to her heart, and this new book serves as a kind of love letter to her home state where she lived and worked for almost seventy-five years, where, as she writes, A is for animals, wild and free, and W is for woodlands of wonder for you and for me.

"True stories of twenty-six people who either wrote or told them to Chaim Walder."--

Young people in Israel write about their experiences dealing with personal problems, handicaps, fears, and relationships with parents and others.

Family trauma, race, and the destiny of a nation corrupted by slavery, cast in the light of epic myth: "More than a saga of Black revitalization . . . Part vision, part parable, it is a story for all America." ( The New York Times Book Review ) The Snowdon family stands as a pinnacle of Black excellence in Washington, D.C.: educated, affluent, and influential. John Christopher, the patriarch, saves lives as a heart surgeon and is revered by his students at Howard University. His wife, Camille, governs an elegant house overlooking Rock Creek Park and devotes herself to reading, gardening, and raising their three daughters--Cynthia, Patricia, and Eva--to attend the very best schools and roam the world on a whim. Theirs ought to be a story of success and empowerment, but something is rotten in the house of Snowdon. Years later, when John Christopher's granddaughter Johnnie comes to seek the truth about her own parentage, she unveils a legacy of unspeakable family secrets tangled up in America's original sin. What begins as a quest for identity spirals into an apocalyptic vision of a nation on the brink of ruin. By turns a poetic epic, a ghost story, a historical saga, and a chilling dystopian fable, Thereafter Johnnie is a unique and uniquely American fusion of myth and hard-bitten reality: an erotic, horrifying, and even hopeful reckoning with centuries of injustice.

Publisher's Advance Review Copy slip laid in. A A clean, unmarked and unclipped copy in a Mylar dj cover. Price clipped.

Provides an overview of lesbian fiction, and analyzes the ways in which it has both mirrored and shaped the lesbian movement and lesbian culture.

What do Jews think scripture is? How do the People of the Book conceive of the Book of Books? In what ways is it authoritative? Who has the right to interpret it? Is it divinely or humanly written? And have Jews always thought about the Bible in the same way? In seventeen cohesive and rigorously researched essays, this volume traces the way some of the most important Jewish thinkers throughout history have addressed these questions from the rabbinic era through the medieval Islamic world to modern Jewish scholarship. They address why different Jewish thinkers, writers, and communities have turned to the Bible—and what they expect to get from it. Ultimately, argues editor Benjamin D. Sommer, in understanding the ways Jews construct scripture, we begin to understand the ways Jews construct themselves.

A rediscovered gem from the Roaring Twenties, "Cutie: A Warm Mamma" offers a biting satire of social reformers and urban life in Chicago. Co-authored by Ben Hecht and Maxwell Bodenheim, this collection of short stories delivers sharp social commentary through humorous and literary fiction. Exploring themes of city life and societal change, the book provides a unique snapshot of the era. Readers will find insightful, and often droll, observations on human nature and the complexities of social interaction. "Cutie: A Warm Mamma" remains a relevant and engaging exploration of the tensions between idealism and reality, rendered with a distinctive voice from a pivotal moment in American history. Its enduring appeal lies in its ability to provoke thought and laughter, making it a timeless reflection on society and its discontents. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Justice in the city argues, based on the Rabbinic textual tradition, especially Babylonian Talmud, and utilizing French Jewish philosopher Emmanuel Levinas' framework of interpersonal ethics, that just a city should be a community of obligation"--back cover.

"With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cezanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire"--

Trenchant, occasionally splenetic, and always brutally funny, Romanian-born Codrescu confronts the convulsions of our post-ideological world at a time when "the advent of cyberspace and the caffeinating of America has occurred simultaneously." With these newest essays from 1994 and 1995 - some that are straight off the NPR airwaves and some that have served as magazine pieces or speeches - Codrescu takes us on a roller-coaster tour through our own dramatically changing country. Making stops along the way to observe the shifting American landscape, our incisive guide confronts, among other curiosities: the ever-increasing illusion of democracy; the Internet and sex in the cyber age; the rise and rerise of the religious Right; the grotesquerie born out of the cooling shards of post-Communism; the transformation of the American palate; the ascendance of vampirism; and the new millennial contagion. Andrei Codrescu has been keeping his audience abreast of the absurdities of American culture for over ten years, and his trademark irony, buoyant paranoia, and mystical cynicism are once again in ample evidence in this collection. Along for the ride are all of his familiar characters, including puppets, fascists, airplanes, and Greyhound buses, but now his menagerie has expanded to include one electronically adjusted dog, Miss America, and an alligator god.

The Teeth of the Tiger by Maurice Leblanc

When Miriam Davis's grandfather is murdered, the young lawyer discovers a small, yellowed photograph of a man on horseback. Further investigation with her partner, Paul Sinclair, propels them both into the heart of a conspiracy of politics and death that sweeps from the Kremlin archives to Isael.

Katerina, probablemente la novela más conmovedora y hermosa de Appelfeld, fue escrita en 1989 y se ha convertido en un texto imprescindible. Katerina recrea los años de entreguerras, la génesis del odio antisemita que se extendió por los pueblos permitiendo que sucediera el Holocausto mientras los vecinos miraban hacia otra parte. A través de la historia de Katerina, una campesina cristiana que regresa a su pueblo natal de Ucrania sesenta años después de su partida y entra como criada en una casa judía, Appelfeld retrata al europeo medio de entonces: inculto, lleno de prejuicios y necesitado de encontrar a un culpable genérico para su situación de pobreza y temor. Y nos narra el nacimiento de una tragedia al tiempo que la historia de una redención, la que nace del respeto, el conocimiento y el amor.

This work is a translation into English of the Third Edition of the classic German language work Mengenlehre by Felix Hausdorff published in 1937. From the Preface (1937): “The present book has as its purpose an exposition of the most important theorems of the theory of sets, along with complete proofs, so that the reader should not find it necessary to go outside this book for supplementary details while, on the other hand, the book should enable him to undertake a more detailed study of the voluminous literature on the subject. The book does not presuppose any mathematical knowledge beyond the differential and integral calculus, but it does require a certain maturity in abstract reasoning; qualified college seniors and first year graduate students should have no difficulty in making the material their own … The mathematician will … find in this book some things that will be new to him, at least as regards formal presentation and, in particular, as regards the strengthening of theorems, the simplification of proofs, and the removal of unnecessary hypotheses.”

"The ancient Israelites believed things that the writers of the Bible wanted them to forget: myths and legends from a pre-biblical world that the new monotheist order needed to bury, hide, or reinterpret. Ancient Israel was rich in such literary traditions before the Bible reached the final form that we have today. These traditions were not lost but continued, passed down through the ages. Many managed to reach us in post-biblical sources: rabbinic literature, Jewish Hellenistic writings, the writings of the Dead Sea sect, the Aramaic, Greek, Latin, and other ancient translations of the Bible, and even outside the ancient Jewish world in Christian and Islamic texts. The Bible itself sometimes alludes to these traditions, often in surprising contexts. This volume presents thirty such traditions. It voyages behind the veil of the written Bible to reconstruct what was told and retold among the ancient Israelites, even if it is 'not what the Bible tells us'"--Back cover.