(Boosey & Hawkes Scores/Books). HPS 1152

(Boosey & Hawkes Scores/Books). Composed for string quartet plus two pre-recorded quartets, Triple Quartet can also be played live by three string quartets with no pre-recording.

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A biography of Mort Meskin, a respected comic artist who was active from the 1940s to the 1960s, showcases his diverse work in comics as well as the pieces he produced for ad agencies and the fine art he created at home.

Political theorist Steven Friedman addresses how and why the current language around anti-Semitism in Israel has been distorted and weaponised to serve the political objectives of the Israeli state. Friedman's critique examines what this implies for the fight against racism in South Africa and India, and in other parts of the world.

Steven Goldberg has devoted his career to exposing fallacious reasoning, misrepresented fact, and ideological agendas in the social sciences. His scholarly critiques offer alternative, and sometimes controversial, explanations that are notable for their logical integrity and loyalty to empirical reality. Best known for his work in the physiological roots of sex differences, he has also written on a myriad of other subjects, which, as he bluntly states, "are as fallaciously reasoned in professional journals as in the cocktail party conversations that naively repeat the errors first propounded in those journals." In this new collection of essays he is as lively, interesting, and provocative as ever. Among the subjects addressed are the validity of intelligence tests, group differences, the death penalty, sex differences in aggression and cognition, the family, abortion, and the nature of modern society. Also included are a couple of polemics, observations on the O. J. Simpson trial, and a moving encomium to his hero, Jackie Robinson. Goldberg's work has been praised by reviewers as "persuasive and accurate"(Margaret Mead); "coolly, tightly, even brilliantly reasoned" (Morton Kaplan); and "the most significant . . . on the subject in decades" (Murray Rothbard). Readers who appreciate razor-sharp rigor and logical elegance will be richly rewarded by these essays on many of the most hotly contested issues of the social sciences.

"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol’s fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

This volume analyzes the function of informal institutions in Latin America and how they support or weaken democratic governance. Drawing from a wide range of examples—including the Mexican dedazo , clientelism in Brazil, legislative "ghost coalitions" in Ecuador, and elite power-sharing in Chile—the contributors examine how informal rules shape the performance of state and democratic institutions, offering fresh and timely insights into contemporary problems of governability, "unrule of law," and the absence of effective representation, participation, and accountability in Latin America. The editors present this analysis within a fourfold conceptual framework: complementary institutions, which fill gaps in formal rules or enhance their efficacy; accommodative informal institutions, which blunt the effects of dysfunctional formal institutions; competing informal institutions, which directly subvert the formal rules; and substitutive informal institutions, which replace ineffective formal institutions.

Publisher Alfred A. Knopf. Attacking the traditional distinction between mind and brain, one of the founders of neurobiology reveals what he and his colleagues discovered about the phyical basis of human consciousness and personality.

"Revolutions in the Desert investigates the development of pastoral nomadism in the fertile heartland of the ancient Near East, challenging the prevailing notion that such societies left few remains appropriate for analytic study. Few prior studies have approached the deeper past of desert nomadic societies, which have been primarily recognized only as a complement to the study of sedentary agricultural societies in the region. Based on decades of archaeological field work in the Negev of southern Israel, both excavations and surveys, and integrating materials from adjacent regions, Revolutions in the Desert offers a deeper and more dynamic view of the rise of herding societies beyond the settled zone"--

"In addition to his ground-breaking research, Nobel Laureate Steven Weinberg is known for a series of highly praised texts on various aspects of physics, combining exceptional physical insight with a a gift for clear exposition. Describing the foundations of modern physics in their historical context and with some new derivations, Weinberg introduces topics ranging from early applications of atomic theory through thermodynamics, statistical mechanics, transport theory, special relativity, quantum mechanics, nuclear physics, and quantum field theory. This volume provides the basis for advanced undergraduate and graduate physics courses as well as being a handy introduction to aspects of modern physics for working scientists"--

This commentary on the discovery of the atom's constituents provides an historical account of key events in the physics of the twentieth century that led to the discoveries of the electron, proton and neutron. Steven Weinberg introduces the fundamentals of classical physics that played crucial roles in these discoveries. Connections are shown throughout the book between the historic discoveries of subatomic particles and contemporary research at the frontiers of physics, including the most current discoveries of new elementary particles. -- ‡c From publisher's description.

This is the third in a series of volumes of essays by Steven Weinberg, the previous two having also been published by HUP (Facing Up in 2001, and Lake Views in 2010). Weinberg, recipient of the Nobel Prize (1979) with Abdus Shalam and Sheldon Glashow for their contributions to the electroweak unification theory, is well known not only for his groundbreaking work in physics, but also for his efforts in popularizing science and the history of science, and for his stances on various matters in politics, public policy, and religion. This volume, like the previous two, runs a wide gamut, from the cosmological to the personal. Specific topics include particle physics, quantum mechanics, astronomy, big science, the history of science, space flight, science funding, the limits of current knowledge, and several other subjects ranging from the art of discovery to being wrong. Nearly all of the work included here, again as with the previous two volumes, has been previously published. The author has added introductions to the volume as a whole and to each essay, putting the material in context and adding further explanation where necessary. He has also added a number of explanatory notes.--

From Library Journal The author, a screenwriter and long-time friend of Newman's, attended rehearsals which preceded that director's filming of The Glass Menagerie. This rambling, uncritical journal is the result. (The 1987 film had a limited theatrical release, received lukewarm critical response, and is currently available on video.) Numerous personal asides and digressions inflate a narrative which would be more effective condensed to long article form. Though Stern claims to write with "the flat, dispassionate tones of an astronaut," even Newman's many admirers might take exception to the book's reverent view of its subject. For all its pretensions, there is less wit and insight here than in many other "insider" accounts of film productions. Not recommended. - Stephen Rees, Bucks Cty. Free Lib., Levittown, Pa. Copyright 1989 Reed Business Information, Inc. From Publishers Weekly In his restrained yet emotive recent film version of Tennessee Williams's The Glass Menagerie , director Paul Newman strove, in his own words, "to make cinematic virtue of claustrophobia." An experienced cast aided his efforts: his wife Joanne Woodward as obsessive matriarch Amanda Wingfield; John Malkovich as her son Tom, the drunken poet; Karen Allen as Tom's fragile sister; and James Naughton as the "gentleman caller." In this day-by-day log of the film rehearsals, Stern, an Academy Award-winning screenwriter and a friend of the Newmans, records seemingly every nuance, every set direction, every argument. Although this diary has the cozy, self-indulgent feel of a home movie, cinema and theater buffs will watch with interest as Williams's drama is translated onto celluloid. Copyright 1989 Reed Business Information, Inc.

In this very personal book, Stirling Moss guides the reader through his motor racing life with a fascinating, insightful and often amusing commentary to an unrivalled collection of over 300 photographs, many of which will be unfamiliar to even his most ardent fans. He takes us from his childhood to the height of his fame as 'Mr Motor Racing' and then to the sudden end of his career with that crash at Goodwood in 1962. Along the way we dwell on his finest moments as well as the setbacks, and delight in the sheer variety of machinery - almost 100 different cars - in which he competed during his rollercoaster racing life. This is a book that all motor racing enthusiasts will treasure. - Starting in 1948, he made his name in little 500cc Coopers, moving towards stardom in HWM, ERA and Cooper F2 cars, then his own F1 Maserati 250F. - The 1955 Mercedes season and its twin highlights – winning the Mille Miglia and the British Grand Prix. - His longing to win in British cars was rewarded with two fine F1 seasons at Vanwall (1957–58), with whom he came very close to winning the F1 World Championship, and sports car successes with Aston Martin. - Rear-engined Cooper and Lotus F1 cars with Rob Walker (1958–62), including two celebrated Monaco GP wins. - Two-seater variety: the amazing range of sports cars he drove included Jaguars (XK120, C-type and D-type), Maseratis (150S to 450S), Ferraris (250 GT SWB and Testa Rossa) and Porsches (550 Spyder to RS61), plus Frazer Nash Le Mans Replica, Osca, Healey 100S, Cooper ‘Bobtail' and more. - Ever busy and versatile: rallying with Sunbeams, trialling a Harford special, Bonneville record-breaking with MG EX181, saloon car racing in a humble Standard Ten – and even a kart race. - Published to mark the 60th anniversary of Moss's famous win in the 1955 Mille Miglia road race in a Mercedes 300SLR. Foreword by 2014 Formula One World Champion Lewis Hamilton.

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.