A novel about Mormons.

BABYHIP , is the consummate sixties novel about a rebellious teenager. The Times said, "immensely readable-very funny!" Cleveland Press wrote, "...Sarah...the thoroughly original creation of novelist Patricia Welles...wonderfully alive...preposterously funny...the best of the beat, bored, turned-on generation." Published in nine countries, sold to Columbia Pictures. BABYHIP remains a cult novel, about a sexy girl, who tries to "drop-out" of her Midwestern, conventional background and drop into the swinging Harvard scene. BABYHIP , the bold girl power book of the sixties and Sarah Green, its out-spoken anti-heroine, is "the funniest, most alarming teen-ager to appear since Lolita." Ladies Home Journal .

Former Saturday Night Live writers Patricia Marx and Douglas G. McGrath take aim at Hollywood in this wicked, satirical novel about the making of the flop of flops. Through the 1930s and 40s, X. Y. Schwerdloff brought us the best: the best comedies ( Let's Play Golf ), the best dramas ( Surprise Witness ), the best musicals ( Sing-a-ling ), even the best World War II propaganda ( Tokyo, Kansas ). But by the 60s, the legendary Schwerdloff studio had fallen on hard times. To get out of accepting an assignment at the studio, many actors served in Vietnam. Fugitives liked to appear in a Schwerdloff film because they would be safe from being seen. Now, it is up to Bucky Schwerdloff to save his father's studio. He must produce a blockbuster. To do so, he hires the most successful director in Hollywood, Ferris Keneally, whose last film, The Blinkies, broke box office records. Bucky promises Keneally that he can make whatever film he wants. Thus begins the hilarious drama of the most breathtaking flop in Hollywood history. There has never been a film to match Keneally's version of The Pilgrim's Progress, about which one film critic wrote: "You are mesmerized by it . . . the same way you can't take your eyes away from a bad car accident." "One of the most original and witty takeoffs on Hollywood . . . a delicious read."--Judith Crist

Police Inspector Buck Safiotte is corrupt and cruel, ruthless and remorseless, ambitious and outrageous, ruling the streets of New York City like a monarch of the gutter. One early reader of Bodies Are Dust fretted that the book was too vicious for the library, but this almost-forgotten, impossible-to-find novel has become a classic, and noir fans consider their copies precious. Now, after more than 60 years out of print, Bodies Are Dust is available again, the first title from Staccato Crime, a new imprint of Stark House Press, which will resurrect noir classics, both novels and true crime, originally published 1899-1939.

A novel of ordinary, every day life in Israel during multiple plagues ― deadly flu, economic collapse, apocalyptic weather, and suicide bombings. “It was an exceptional winter.” With understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued―by a Saudi flu that is decimating the population, and by weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. First published in 2002, Orly Castel-Bloom spins a web of filament-fine connections between her characters. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians. Holding a mirror up to her country, Castel-Bloom shows us a society in microcosm, struggling for continuity and normalcy in a fractured world. Sardonic, topical and wholly engrossing, this is a novel capturing the maelstrom of contradictions that is life today.

A Child's Night Dream is an arresting novel that seethes with rage, writhes with pain and searches for a psychic unity that forever eludes its protagonist, young Oliver Stone. Like Dean Moriarty in On the Road, the fictional Oliver is alienated from the stultifying American nation in which he lives. Abandoning his parents and his Ivy League education, he flees towards a hell far more brutal than he could have ever imagined -- a world of barroom whores, psychedelic drugs, and killing fields of indescribable proportion. His head torn apart, his emotions sundered, he begins an epic journey that will lead him through the merchant marines, an unceremonious return to American soil, and a flight into madness south of the border into Mexico. A Child's Night Dream is a voyage into the unconscious mind, a work that celebrates the power of dream, which can propel both the protagonist and the reader to the brink of reality and then veer back to calmer waters. It is an extraordinary trip that no reader will soon forget.

Consists of two essays which refute the arguments used by Goldhagen in "Hitler's Willing Executioners." Finkelstein's "Daniel Jonah Goldhagen's 'Crazy' Thesis: A Critique of 'Hitler's Willing Executioners'" (pp. 1-100) contends that Goldhagen's book is neither novel nor a scholarly work. It is based mainly on misinterpreted secondary sources. Goldhagen exaggerates the significance of German "eliminationist antisemitism, " while he disparages the crucial factor of Nazi totalitarianism, with its propaganda and repressive system. He exaggerates the uniqueness of German antisemitism, racism, and wartime sadism. Goldhagen's book is a continuation of the pro-Zionist historical discourse which considers antisemitism to be eternal and the only cause of the Holocaust. Birn's "Revising the Holocaust" (pp. 101-148) is a slightly revised version of a review published in "The Historical Journal" 40 (1997). (States here that this essay was written in collaboration with Volker Riess.) Criticizes Goldhagen's discursive technique, non-academic style, and biased use of sources. Goldhagen exaggerates the number of Germans involved in the Holocaust, as well as their "ordinariness, " and he ignores the participation of non-Germans in the Holocaust.

What we cannot keep. What we cannot lose. A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story. On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. -- Pamela Katz , The Partnership: Brecht, Weill, Three Women, and Germany on the Brink In the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. -- Rabbi Andrew Baker , Director of International Jewish Affairs, American Jewish Committee

A collection of Algren’s lost and unfinished writings, including his last novel and several stories considered to be among his masterpieces, with a new introduction by Algren's biographer Colin Asher. "You should not read [Algren] if you can’t take a punch. Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful." —Ernest Hemingway Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the sex workers and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one. Algren admired them all for their vitality and no-bullshit forthrightness, their insistence on living, their self-awareness, and their ability to find a laugh and a dream in the unlikeliest places. Entrapment and Other Writings contains his unfinished last novel, previously unpublished or uncollected stories and poems, and reportage. Algren speaks to our time as few of his American contemporaries of the 1940s and ’50s do, in part because he was always the outsider.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

"In separate but resonating story lines, both men's adventures take them from New York City to the mountainous borderlands of northern Italy, where the line between imagination and reality begins to blur and stories take on a life of their own. Here we are immersed in Rich's vivid, enchanting world, full of captivating characters - the despairing Enzo, who wanders looking for a nameless love; the tiny, doll-like guide, Lang; and the grotesque Eakins. Over this strange, spectral landscape looms the Mayor, a mythic and monstrous figure considered by his townspeople a "beautiful creator," whose pull ultimately becomes irresistible." "From a young writer with exceptional promise, this refreshingly original novel is a meditation on the frustrations of love, the madness of mayors, the failings of language, and the transformative power of storytelling."--BOOK JACKET.

I was struck, while reading this, by the fact that the only action in this book is literally the text, and this happens in a way severely different from other authors who attempt the same goal. There are "things" that happen in the "plot," of course, but these things do not move any sort of mimetic narrative forward, rather, these "things" move the text forward. However, despite this insistence upon the novel as text, writing, what you end up 'getting out of' the novel upon it's close is really more of an idea than a technique: you are confronted with the issue of empty criticism, social class elitism, intellectual snobbery. There are no lines drawn in terms of this is bad or this is good, but you view these things at the point of view of the text and so you become actively engaged in, basically, trying to determine bullshit. You experience embarrassment, you have to make your own decisions regarding the cultural worth of an apocryphal work. But it's in such an unselfconscious level, Sarraute's intense control is almost incredible.

Dust jacket design by James and Ruth McCrea. His first novel after many non-fiction books about jazz.

Poppy, newly recruited cub reporter at the Downingham Post, is determined to prove to the editor that he's wrong in his belief that 'Women are a nuisance in the office'. He certainly doesn't think she's a nuisance when it's time for the tea round - a job which never fails to fall to the only female reporter. What Poppy lacks in experience, she makes up for in spirit and ambition. She'll make the Downingham Post the best regional newspaper there is - even if she occasionally gets the names wrong in court hearings. Life, for a single professional woman in the post-war years, certainly has its challenges - from finding a room, when the tyrannical landlady doesn't consider Poppy to be quite respectable, to changing her editor's deeply entrenched ways. This semi-autobiographical novel, recounted with Monica Dickens's wit, warmth and wry observation, will charm all who read it.

Monica Dickens' novel opens in a juvenile court in London. One of the young offenders is a 16-year-old girl, Kate, who is described as being in need of care and protection. In the court is a girl only slightly older, Emma, daughter of the magistrate. From her experience of going around with a social worker on his calls she knows that adolescents and, more important, small children are daily subjected to neglect and brutality and that "care and protection" cannot be prescribed like National Health aspirin.She meets Kate again, by chance, in her Uncle's supermarket where she is learning the business from the bottom up. And between these two girls, from different backgrounds, with very different parents who have different personal problems, there springs up a friendship which is deep and, for a while at any rate, beyond misunderstanding.Each girl has her way to make in life; each has her love, hate, despair, and hope; each the complications of parental control sapped by the inner knowledge of marriages that no longer work.

"Moacyr Scliar was the preeminent literary voice of the Jewish immigrant experience in modern Brazil. Now his most ambitiously satirical and irreverent novel is at last translated into English, offering not just a significant contribution to Latin American and Jewish literature but to world literature as well. In a past-life therapy session, a mysterious woman makes a remarkable breakthrough when she discovers that in a previous life she was one of King Solomon's seven hundred wives. In language that hilariously mixes modern jargon and biblical diction, she sets out to tell the story of her earlier incarnation three thousand years in the past, revealing how she went from a provincial nobody to a queen. Yet being royalty isn't all it's cracked up to be. As the least desirable of King Solomon's wives and concubines, she is unceremoniously discarded and forgotten in his harem. But as luck would have it, she possesses a unique gift: she is a woman who knows how to read and write. Once her talent is discovered, King Solomon charges her with writing what will become one of the most important texts in human history. Along the way our nameless narrator leverages her newfound status as royal scribe to bring about her own secret agenda. A brilliant feminist critique skewering the absurdities of patriarchy, The Woman Who Wrote the Bible is a comic masterpiece of truly biblical proportions"-- Provided by publisher.

This unique book is the first of its kind to explore the diversity of interactions between insects and birds. A group of international experts enthusiastically agreed to contribute to the four sections of the book following the success of an Entomological Club Conference on Insect and Bird Interactions. The first section covers population management issues, discussing effects on birds highly relevant to the planting of large areas of GM crops, new opportunities for increasing biodiversity in farming landscapes, and the novel aspect of managing insects by exploiting birds as biological control agents. This is followed by a section discussing the effects of insecticides on bird populations, and includes a contribution from the RSPB, as well as a re-appraisal of the effects of DDT on raptors. Next, the foraging behaviour of birds on insects is discussed, with chapters also on ‘warning’ coloration in insects and learning by birds. The first chapter in this section is unusual in having been written by an ophthalmologist and covers colour vision in birds, more specifically ultraviolet vision in relation to insect coloration. Finally, the authors look at insects that are parasites of birds or feed on the detritus in nests, and review the ecology and evolution of the co-adaptation of insect ectoparasites with birds. Insect and Bird Interactions is unparalleled in scope and coverage and will be of interest to entomologists, ornithologists, and ecologists alike.

"New religions emerge as distinct entities in the religious landscape when innovations are introduced by a charismatic leader or a schismatic group leaves its parent organization. New religious movements (NRMs) often present novel doctrines and advocate unfamiliar modes of behavior, and have therefore often been perceived as controversial. NRMs have, however, in recent years come to be treated in the same way as established religions, that is, as complex cultural phenomena involving myths, rituals and canonical texts. This Companion discusses key features of NRMs from a systematic, comparative perspective, summarizing results of forty years of research. The volume addresses NRMs that have caught media attention, including movements such as Scientology, New Age, the Neopagans, the Sai Baba movement and Jihadist movements active in a post-9/11 context. An essential resource for students of religious studies, the history of religion, sociology, anthropology and the psychology of religion"--

Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother -- Grandma Number One --died while giving birth to her in Kazakhstan. Her three kids -- the oldest is forty-two -- are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business , Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.

Michael Tolkin has garnered acclaim for his classic dark comedies The Player and Among the Dead. His most ambitious novel yet, Under Radar is a tale of guilt and redemption that is "provocative...so unexpected, so full of startling insights, that it sems to be blazing a fresh trail" (John Hartl, The Oregonian). While vacationing in Jamaica, Tom Levy witnesses a man goading his four-year-old daughter into an act so vulgar that Tom vows he must pay for it with his life. The next day, when they come to grips atop the Dunn's River Falls, Tom kills the man in cold blood. Condemned to prison, Tom faces a world unlike any be has ever known, among the most brutal and hardened men of Jamaica. Does an elusive story hold the key their salvation, and Tom's own? And once Tom has told it, can he find a way to reenter the hearts of those he has left behind? As gripping as it is wrought with layers of meaning, Under Radar "places parables within parables, exploring the essence of evil and the possibility of redemption....Tolkin has shown himself no stranger to the psyche's stranger recesses, though the results here are more unsettling than ever" (Don McLeese, Msnbc.com).