Book by Denker, Henry

The Young family seems to be living the American dream. Willard "Pepper" Young is a successful sales executive who provides amply for his wife, Lily, and children, Gwen and Bud. Bud Young excels both academically and as the quarterback of his high school football team. Tragically, their lives are shattered when Pepper crashes the family station wagon, hurtling Bud into a coma. Equally devastating is the fact that it was Pepper's alcoholism that precipitated the accident. While Lily devotes herself fully to Bud's recovery, younger sister Gwen is bewildered at the course of her family's fate. Bud has overcome athletic and academic obstacles in the past, but he now must face the greatest challenge of his life - recovering from a severe brain injury. Bud's fate depends upon Marcy Ethridge, a tough but caring physical therapist whose strength and knowledge push Bud to the limits of his capabilities over long months of painful recovery. While Marcy achieves small daily victories with Bud, Pepper and Lily grapple with the terrifying prospect that their son will never be the same. This loss is compounded by the months, even years, it will take to gauge the extent of his recuperation. Through it all, Bud leans on Marcy as his therapist. Though at times he calls her his worst enemy, ultimately, she's his greatest friend.

A four hundred-plus page collection of the horror stories of Henry Kuttner, including his classic tale "The Graveyard Rats" and a number of other stories that have not been reprinted since their original publications in the pulps over fifty years ago. This collection features a striking full-color cover by Erik Gist and a color frontispiece and endpapers by photographer J.K. Potter. Each book is signed by Gist, Potter, and the book's editor, Stefan Dziemianowicz. These works are not in printanywhere else, and are essential reading for pulp and Weird Tales fans.

Two companion pieces released in one volume, containing selected writing and tour journal entries from 1988-1992.

"Completed in the last year of his life, From Bondage is perhaps Roth's most profound work, for like Tolstoy in The Death of Ivan Ilyich, Roth examines his own imminent passing in the most plaintive of ways, telling the story of the old man, Ira Stigman, who, in spite of his physical frailties, finds solace in re-creating the lost love affair of his youth. Capturing the bohemian downtown world of Manhattan in the 1920s, Roth has set the stage for one of the most memorable of literary romances." "At its heart, From Bondage is the mesmerizing love triangle involving young Ira, an impressionable neophyte from Jewish Harlem, and Edith Welles, a sophisticated professor of English, a muse to starving poets and lovelorn men, who sweeps Ira into her world of soigne parties and literary debaucheries. Edith, as the old man Ira relays the story, is still physically involved with her former student Larry Gordon when she finds herself attracted to Ira, who is Larry's best friend. To complicate the matter even more, Edith is also carrying on a simultaneous affair with Lewlyn, the separated husband of the aspiring anthropologist Marcia Meede." "Fictionalizing the lives of the celebrities of the 1920s, including such burgeoning literary figures as Hart Crane, Louise Bogan, Leonie Adams, and Margaret Mead, Roth creates an unforgettable portrait of New York where "the lights of Manhattan twisted toward him across the rippling water like a gimlet." Perhaps the last witness to this age, Roth paints a gentile and genteel world that contrasts so vividly with the seemingly coarse, abject slums of the Pushcart District from which he had sprung. Ira, then a young man, is the observant witness to the spectacle that unfolds, seeking desperately to ingratiate himself into this world of sophisticates, yet hopelessly tethered to the tenement roots he cannot escape."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Jerry Bridges, sitting in the chair opposite his employer's desk, chewed on his knuckles and said nothing. One part of his mind wanted him to play it cagey, to behave the way the newspaper wanted him to behave, to protect the cozy Washington assignment he had waited four years to get. But another part of him, a rebel part, wanted him to stay on the trail of the story he felt sure was about to break. "I didn't mean to make trouble, Mr. Conners," he said casually. "It just seemed strange, all these exchanges of couriers in the past two days. I couldn't help thinking something was up." "Even if that's true, we'll hear about it through the usual channels," Conners frowned. "But getting a senator's secretary drunk to obtain information--well, that's not only indiscreet, Bridges. It's downright dirty."

(LKM Music). This Critical Urtext Edition is based on the composer's manuscript and the first printed edition (Schott 1875).

Focus in the media on the risks posed to ordinary people has become increasingly strong in recent years - particularly on those risks popularly perceived to be posed by the mentally ill. But how justified is this concern? How do we best manage so-called dangerous people? In Will They Do It Again? Herschel Prins considers the issue of public protection within a broad context of risk in society generally, examining the concerns arising in contemporary society from dealing with uncertainty. It is argued that public fear over the danger posed by the mentally ill is at odds with the evidence, and that much of the concern is focused on a small number of high-profile cases. Prins goes on to examine such cases where management of the mentally ill has failed and sets out suggestions for improvements in practice. Will They Do It Again? cuts through popular misunderstanding and media hype over risk to give a clear, unbiased picture of the real risks to society from the mentally ill and how best they can be contained and managed, and will prove invaluable to a range of practitioners involved in the fields of criminal justice and psychiatry.

"From the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story. 3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In The Secret Lives of Stones, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from Dorset fossil-hunters to Chinese philosophers, Catherine the Great to Michelangelo. Discover why alchemists sought cinnabar and sulphur. Unearth the mystery of the tuff statues of Rapa Nui, the lost amber room of Frederick of Prussia and the scandal of Flint Jack. Find out how a Greek monster created coral, moon rock explains the history of Earth's only satellite and obsidian inspired the world's favourite computer game. Stone by stone, story by fascinating story, The Secret Lives of Stones builds into a dazzling, epoch-spanning adventure through human culture, and beyond"--Publisher's description.

A masterly biography of Yehuda Halevi, one of the greatest of Hebrew poets and a shining example of the synthesis of religion and culture that defined the golden age of medieval Spanish Jewry. Like Maimonides, with whom he contrasts sharply, Yehuda Halevi spanned multiple worlds. Poet, philosopher, and physician, he is known today for both his religious and secular verse, including his famed “songs of Zion,” and for The Kuzari, an elucidation of Judaism in dialogue form. Hillel Halkin brilliantly evokes the fascinating world of eleventh- and twelfth-century Andalusian Spain in which Halevi lived and discusses the influences that formed him. Relying on the astonishing discoveries of the Cairo Geniza, he pieces together the mystery of Halevi’s last days, with its fateful voyage to Palestine, which became a haunting legend. An acclaimed writer and translator, Halkin builds his account of Halevi’s life and death on his magnificent translations of Halevi’s poems. He places The Kuzari within the wider context of Jewish thought and explains why, more perhaps than any other medieval Jewish figure, Halevi has become an inspirational yet highly controversial figure in modern Jewish and Israeli intellectual life.

In the nineteenth century, American tourists, scholars, evangelists, writers, and artists flocked to Palestine as part of a "Holy Land mania." Many saw America as a New Israel, a modern nation chosen to do God's work on Earth, and produced a rich variety of inspirational art and literature about their travels in the original promised land, which was then part of Ottoman-controlled Palestine. In American Palestine, Hilton Obenzinger explores two "infidel texts" in this tradition: Herman Melville's Clarel: A Poem and Pilgrimage to the Holy Land (1876) and Mark Twain's The Innocents Abroad: or, The New Pilgrims' Progress (1869). As he shows, these works undermined in very different ways conventional assumptions about America's divine mission.In the darkly philosophical Clarel, Melville found echoes of Palestine's apparent desolation and ruin in his own spiritual doubts and in America's materialism and corruption. Twain's satiric travelogue, by contrast, mocked the romantic naiveté of Americans abroad, noting the incongruity of a "fantastic mob" of "Yanks" in the Holy Land and contrasting their exalted notions of Palestine with its prosaic reality. Obenzinger demonstrates, however, that Melville and Twain nevertheless shared many colonialist and orientalist assumptions of the day, revealed most clearly in their ideas about Arabs, Jews, and Native Americans.Combining keen literary and historical insights and careful attention to the context of other American writings about Palestine, this book throws new light on the construction of American identity in the nineteenth century.

"No Room at the Morgue came out after Jean-Patrick Manchette had transformed French crime fiction with such brilliantly plotted, politically charged, unrelentingly violent tales as Nada and The Mad and the Bad. Here, inspired by his love of Dashiell Hammett, Manchette introduces Eugene Tarpon, private eye, a sometime cop who has set up shop after being kicked off the force for accidentally killing a political demonstrator. Months have passed, and Tarpon desultorily tries to keep in shape while drinking all the time. No one has shown up at the door of his office in the midst of the market district of Les Halles. Then the bell rings and a beautiful woman bursts in, her hands dripping blood. It's Memphis Charles, her roommate's throat has been cut, and Memphis can't go to the police because they'll only suspect her. Can Tarpon help? Well, somehow he can't help trying. Soon bodies mount, and the craziness only grows"--

The Savage in Judaism exposes and challenges the opposition between Judaism and "savage" religions that has shaped the conceptualization of Judaism in the discourses of modernity. Since the Enlightenment, Judaism has typically been regarded as superior to other religions. This judgment gave rise to the conviction that interpreters of Judaism had little if anything to learn from either the discipline of anthropololgy or comparative inquiry. This book, by contrast, aligns itself with a growing trend that is seeking to collapse the distinction between Judaism and savage religions. It does so, by recounting the history of that opposition and by a series of studies showing how differently Judaism appears when passed under the gaze of anthropological inquiry and cross-cultural analysis. Topics includes circumcision, impurity, and dietary restrictions.

FBI agent Nancy Clement teams up with Gideon Davis after learning of an impending terrorist attack that none of their superiors believe is real, a threat that forces the pair to go rogue to protect targets at the top level of the government.

Felix is a happy man. He runs a bookshop in London, and his wife, Marisa, is unfaithful to him. All husbands, Felix maintains, secretly want their wives to be unfaithful. After an event on their honeymoon in Florida, Felix went from dreading the thought of someone else's hands on the woman he loves to thinking about nothing else.

Novelist Guy Ableman is in thrall to his vivacious wife Vanessa. The trouble is, he is no less in thrall to her alluring mother, Poppy. His publisher has committed suicide and his agent is in hiding. In flight from personal disappointment and universal despair, Guy wonders if it's time to take his love for Poppy to another level.

They number barely a million today, less than one-tenth of the world Jewish population. But long ago, on Iberian soil, they were the magisters of their people, and the leaven of Mediterranean civilization altogether. Such were the Sephardim, and in Moslem Andalusia they were renowned prime ministers and army commanders, distinguished scientists, belletrists, and religious scholars. In Christian Spain and Provence, their translators ignited Europe's twelfth-century renaissance, their revenue agents funded the economies of Aragon and Castile, and their astronomers and navigators plotted the explorations of Christopher Columbus and Vasco da Gama. From the late fifteenth century onward, in exile from their Spanish and Portuguese homelands, the Sephardim made their mark as viziers and intimate advisers of Ottoman sultans, as vastly esteemed physicians of Renaissance dukes and popes, and as dynamic importers and exporters in the Dutch maritime traffic. Whether as professing Jews or converted "New Christians," it was this protean minority that functioned as a self-contained international trading network, spanning the seas and oceans, pioneering the gem industry of Europe and the sugar and tobacco plantations of Brazil, and flourishing as merchant ship captains amid pirate-infested Caribbean waterways. Farewell Espana transcends conventional historical narrative. With the lucidity and verve that have characterized his numerous earlier volumes, Howard Sachar breathes life into the leading dramatis personae of the Sephardic the royal counselors Samuel ibn Nagrela and Joseph Nasi, the poets Solomon ibn Gabirol and Judah Halevi, the philosophers Moses Maimonides and Baruch Spinoza, the statesmen Benjamin Disraeli and Pierre Mendes-France, the warriors Moshe Pijade and David Elazar, the fabulous charlatans David Reuveni and Shabbatai Zvi. In its breadth and richness of texture, Sachar's account sweeps to the contemporary era of Mussolini, Hitler, and Franco, poignantly traces the fate of Balkan Sephardic communities during the Holocaust -- and their revival in the Land and State of Israel. Not least of all, the author offers a tactile dimension of immediacy in his personal encounters with the storied venues and current personalities of the Sephardic world. Farewell Espana is a window opened on a glowing civilization once all but extinguished, and now flickering again into renewed creativity.

"In this story Erekosë assumes the role of "Clen of Clen-Gar," a noble of the land called the "Dream Marches", part of a greater land called "Heaven" .He befriends a peaceful race of beings known as "Angels", who can best be described in one of their forms as flying manatees. In the day-time, they gracefully float through Heaven, absorbing water vapour from the air, and by night they release the stored water as acid rain upon a neighboring land coincidentally called "Hell", whose savage inhabitants live in poverty compared to the luxury of Heaven and the Dream Marches. The angels can also assume an insectoid form similar to human sized ant-men." -- Google Books