Sun. Sin. Sex. Scandal - St. Tropez! For the rich and famous, it's not always fun in the sun... Having recently ended an abusive marriage, the beautiful and filthy rich Contessa Carlotta di Ponti looks to find true love on the beautiful French beaches of the Côte d'Azur. And what better place to find love than the playground of the wealthy and beautiful, the exquisite enclave of St. Tropez. With the annual party season kicking into high gear at billionaire Harry Silver's palatial mansion, tragedy soon strikes paradise. Among the high fashion, nude sunbathing and heavy drinking a bad oyster, a fatal wasp sting, and a faulty cliff railway have changed the mood of the party-goers. Death is in the air and these appear to be no accidents. Is there something far more sinister coming down upon the wealthy party-goers of the usually festive St. Tropez? The gorgeous detective Gabrielle Poulpe makes it her mission to save the day, as well as the financial security of the town, and find the murderer in their midst. Otherwise, life in this sanctified corner of France could change forever. Can Gabrielle find the suspect before they strike again? St. Tropez is known as the ultimate playground of the rich and famous and thrives on the mega-money spent here, but now, it's riddled with threats from within which is scaring everyone away...

In The Fantasy of Feminist History , Joan Wallach Scott argues that feminist perspectives on history are enriched by psychoanalytic concepts, particularly fantasy. Tracing the evolution of her thinking about gender over the course of her career, the pioneering historian explains how her search for ways to more forcefully insist on gender as mutable rather than fixed or stable led her to psychoanalytic theory, which posits sexual difference as an insoluble dilemma. Scott suggests that it is the futile struggle to hold meaning in place that makes gender such an interesting historical object, an object that includes not only regimes of truth about sex and sexuality but also fantasies and transgressions that refuse to be regulated or categorized. Fantasy undermines any notion of psychic immutability or fixed identity, infuses rational motives with desire, and contributes to the actions and events that come to be narrated as history. Questioning the standard parameters of historiography and feminist politics, Scott advocates fantasy as a useful, even necessary, concept for feminist historical analysis.

"Compelling and intimate, this collection of never-before-seen letters between the celebrated art critic and essayist, John Berger and his son Yves, an artist, is a moving look at their musings on art, memory, life, death, and beyond. Written between 2015-16, with 53 color images of well-known old masters and contemporary art as well as some of the Bergers' own drawings and watercolors, Over to You is an informal back and forth not unlike the ping-pong games father and son used to play in the barn of their house. It begins when John - who is in a Parisian suburb - sends Yves - who is in Haute Savoie - an envelope of reproductions of art that have moved him. And so they begin to reveal their thoughts looking at a Goya, Watteau, Twombly, Joan Mitchell, Durer, Caravaggio, Manet, and Euan Uglow, among many others. But the art is just a way to summon shared emotions and memories, as well as deepen their understanding of the world and its mysteries. John at 89 is the more formal teacher, Yves at 39 comes across as the younger, philosophical artist. There are John's thoughts on the use of color, light and space in, say, a Dürer, or a Beckmann to the question of "staying fully alive"; or Yves noting how much in life exceeds our understanding, the gap between our consciousness and our feeling, between the said and the unsaid. "That's the zone where I would like us to meet. Are you coming?" He asks his father. "I may need other eyes to confirm what is really there. Like your eyes always did." This is an exceptional and moving tribute to a relationship between a father and son, and between two artists, as well as a thought provoking look at questions we all have about work, time, the universe, life and death"--

A parody of detective stories features Mac Slade as he tries to avoid mobsters and find a missing Hollywood private eye.

Addresses the perplexing and often overlooked questions about World War II, revealing the ways in which the war and its legacy still touch lives today.

From the creator of the HBO series Bored to Death , the story of a young alcoholic writer and his personal valet, a hilarious homage to the Bertie and Jeeves novels of P.G. Wodehouse. Alan Blair, the hero of Wake Up, Sir! , is a young, loony writer with numerous problems of the mental, emotional, sexual, spiritual, and physical variety. He's very good at problems. But luckily for Alan, he has a personal valet named Jeeves, who does his best to sort things out for his troubled master. And Alan does find trouble wherever he goes. He embarks on a perilous and bizarre road journey, his destination being an artists colony in Saratoga Springs. There Alan encounters a gorgeous femme fatale who is in possession of the most spectacular nose in the history of noses. Such a nose can only lead to a wild disaster for someone like Alan, and Jeeves tries to help him, but...well, read the book and find out!

For connoisseurs of imaginative fiction, the novels of Jonathan Carroll are a special treat that occupy a space all their own. His surreal fictions, which deftly mix the everyday with the extraordinary, have won him a devoted following. Now, in Glass Soup , Carroll continues to astound . . . . The realm of the dead is built from the dreams--and nightmares--of the living. Octopuses drive buses. God is a polar bear. And a crowded highway literally leads to hell. Once before, Vincent Ettrich and his lover, Isabelle Neukor, crossed over from life to death and back again. Now Isabelle bears a very special child, who may someday restore the ever-changing mosaic that is reality. Unless the agents of Chaos can lure her back to the land of the dead--and trap her there forever. Glass Soup is another exquisite and singular creation from the author January magazine described as "incapable of writing a bad book much less an uninteresting one."

"Mid-level office drone Tony Areal receives an extravagant gift: the Lichtenberg wristwatch he has always coveted. Shortly afterward, he receives an even grander gift: the luxurious--and expensive--Porsche Cayman that has always been the car of his dreams. Accompanying the car is the mysterious Alice, who knows more about Tony's dreams and desires than Tony himself. This encounter opens the door to a rich and unexpected universe: the world behind the world"--Publisher description

A compelling novel from a major cult author, mixing crime, thriller and the supernatural

"In her foreword to Science Next, Elizabeth Edwards wrote of science as a tool for social progress: "Innovation is not simply the abstract victory of knowledge [or] the research that gave me years to live; the next science can advance human flourishing and serve the common good. That's the kind of world I want to leave for my children, and for yours." With these words, she joined a tradition that goes back to America's founders, who saw America itself as a "great experiment." Yet while no one can deny that science undergirds the American Dream, it has long been fertile terrain for the "culture wars." Along with arguing the pros and cons of abortion and healthcare, policymakers must now grapple with advancements that raise questions about what it means to be human: we've decoded the genome, but should we modify it to enhance certain "desirable" traits? If we can, should we prolong life at any cost? Will we soon be counting robots, cyborgs, and chimeras among our friends and family?The first book to unpack our love/hate relationship with science from our country's origins to today, The Body Politic is essential reading for science buffs and concerned citizens alike.Jonathan D. Moreno is editor of the Center for American Progress' online magazine Science Progress and professor of bioethics at the University of Pennsylvania. Author and editor of many seminal books and articles on science and science policy, he divides his time between Philadelphia, PA, and Washington, DC"--

"Songs of Sonderling is the story of Jacob Sonderling's unique contributions to Jewish liturgical music. Rabbi Sonderling was many things: a descendant of Chassidic rebbes, a rationalist, a Reform rabbi, a Zionist, an army chaplain, a celebrated orator, an artistic soul. From his early career at the Hamburg Temple and German Army service in World War I, to his wandering years in the Eastern United States and founding of the Society for Jewish Culture-Fairfax Temple in Los Angeles, Sonderling cultivated a unique aesthetic vision of Judaism, a "five-sense appeal." Jonathan L. Friedmann and John F. Guest document and analyze Sonderling's experience and expression of Judaism through music. Rabbi Sonderling's vision yielded liturgical commissions from exiled Viennese Jewish composers who arrived in Los Angeles in the 1930s and 1940s. Through these musical settings, activities at the Fairfax Temple, and involvement with the Los Angeles campus of the Hebrew Union College-Jewish Institute of Religion, Sonderling made an indelible mark on the city's Jewish community and the wider musical world. Songs of Sonderling focuses on the commissions Sonderling made from 1938 to 1945: Ernst Toch's Cantata of the Bitter Herbs, Arnold Schoenberg's Kol Nidre, Erich Wolfgang Korngold's A Passover Psalm and Prayer, and Eric Zeisl's Requiem Ebraico. Through musical analyses and an examination of Sonderling's career in Los Angeles, Friedmann and Guest contribute to the study of Jewish liturgical music, to Jewish history in the American West, to Jewish identity in the twentieth century, and to Jewish diaspora writ large"--

"What are our duties or rights? How should we act? What are we responsible for? How do we determine the answers to these questions? Joseph Raz examines and explains the philosophical issues underlying these everyday quandaries. He explores the nature of normativity--namely, the fact that we believe and feel we should behave in certain ways, the reasoning behind certain beliefs and emotions, and various basic features of making decisions about what to do. He goes on to consider when we are responsible for our actions and omissions, and offers a novel account of responsibility. We can think of responsibility for unjustified actions or attitudes as a precondition of the blameworthiness of a person for an attitude or an action, or perhaps for a whole set of actions, intentions, or beliefs. Responsibility for justified actions or attitudes may be a precondition of praiseworthiness. Either way responsibility may point to further consequences of being justified or unjustified, rational or not. But crucially, responsibility attaches to people in a more holistic way. Some people are responsible for their actions, while others are not. In this way, Raz argues that the end is in the beginning, in understanding how people are subject to normativity, namely how it is that there are reasons addressed to them, and what is the meaning of that for our being in the world."--

At one time an underground hero in the world of journalism, with prose on a par with Tolstoy and Kafka, Joseph Roth now looms large in the pantheon of European literature. Indeed, the last five years have seen a major Roth revival culminating in Report from a Parisian Paradise, a haunting epitaph by the greatest foreign correspondent of his age. An exile in Paris, Roth captured the essence of France in the 1920s and 1930s. From the port town of Marseille to the erotic hill country around Avignon, Report from a Parisian Paradise—superbly translated by Michael Hofmann—paints the sepia-tinted landscapes, enchanting people, and ruthless desperation of a country hurtling toward dissolution. Roth's book is not only a paean to a European order that could no longer hold but also a miraculous and revelatory work of transcendent philosophical clarity.

The starting point of this book is the coexistence of the overlapping regimes of the WTO, the EU and the NAFTA. On this basis it explores the emergence of a nascent Common Law of International Trade. This exploration is rooted in three phenomena: Firstly, the fact that the very same regulatory measure may come simultaneously within the jurisdictional reach of more than one trade regime and may even be adjudicated simultaneously. Some regimes offer alternatives. The NAFTA, for example, offers GATT dispute resolution as an option for many of its own disputes. Secondly, convergence in the material law of the disparate international trade regimes. This, of course, is the heart of the emergent Common Law. Thirdly, the strengthening of private parties in all regimes. Once a preserve of the EU, the NAFTA allows private party dispute resolution of different types in relation to various matters and in the case of the WTO, although it is still an intergovernmental preserve,private actors are learning to manipulate the system. This volume, built on a recent series of courses at the Academy of European Law, is a reflection of this conviction. The various contributions deal with discrete areas - in the double sense - of the international trading system but each placing considerable emphasis on the interlocking nature of the various components of that system. It is our conviction that this is the appropriate way to understand and to teach this branch of the law.

Fogel explores the tractate Horayot (Decisions), page by page, and offers a modern commentary with doses of humor and comparative examples. The central focus concerns how to adjudicate cases when the governing body, the Sanhedrin, incorrectly designates certain practices legal and people follow the erroneous advice as a result.

This book has hardback covers.Ex-library,With usual stamps and markings,In good all round condition.No dust jacket.

"With a triangulation of lovers and spouses, young children and careers struggling to get off the ground, in Celia and Paul we encounter two people in that pocket of life when the fight to figure out who we are and what we want burns brightest. A meditation on the limits of what we can and cannot have, set in a city--New York--that would have us think that we can have it all"--