"This anthology presents Albert Memmi's insights on the legacies of the colonial era, critical theories of race, and his own story as a French writer of Tunisian and Jewish descent, allowing readers to appreciate the full arc of one of the great thinkers of the twentieth century"--

Book by Hirschman, Albert O.

Contends that from the emergence of racial antisemitism in the 1870s up to the rise of the Nazi regime, antisemitism in Europe and in the U.S. was more ambiguous than is usually presented; it was less pervasive and central in the lives of both Jews and non-Jews, and did not indicate a rising hatred of Jews everywhere or a likelihood of mass murder. Surveys the history of antisemitism, with emphasis on Germany, Austria, France, Russia, Romania, Great Britain, and the U.S. States that there were real (as opposed to chimerical) factors promoting antisemitism wherever it arose. Tension between Jews and non-Jews promoted the rise of antisemitism and was exacerbated by the success of Jews in wealth, social position, and political power. "Such rapid changes typically produce tensions and problems for any group, and the Jews were no exception". Claims that the leading exponents of antisemitism in Germany in the late 19th century - Wilhelm Marr, Heinrich von Treitschke, and Adolf Stöcker - had legitimate reasons for disliking Jews, based on personal experiences with them.

Racconti romani (Roman Tales) is a series of sixty-one short stories. Written and published initially in the Italian newspaper, Il Corriere della Sera, they were published as a collection in 1954 by Bompiani. All of the stories are set in Rome or its surroundings after World War II and focus on 'the common people of Rome' (Roma popolana). The characters in these stories tend to be the unemployed, ex-convicts, waiters, drivers, con artists, thieves and petty criminals, the average man (or woman) and the lower classes aspiring to climb out of poverty.All the stories are told in the first person with the narrator often unnamed, although details are usually furnished to provide a clue to the narrator's identity, such as their occupation, motivations and social status. Moravia's Racconti Romani provide a snapshot on life in Rome after World War II, revealing much about the inhabitants of Rome in the early 1950s.

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

ALEKSANDAR TISMA was born in 1924 in Vojvodina, Yugoslavia, to a Serbian father and a Hungarian mother. He experienced the Holocaust in his native town of Novi Sad. After the war he worked as a journalist in Novi Sad and Belgrade, and later became an editor, writer, and translator. He has written sixteen works of fiction, of which the last five--what he calls a pentateuch of novels and stories--have been devoted to the subject of the Holocaust.

What made the West western ? And has Western civilisation found modernity but lost itself? This provocative and stimulating polemic argues that western culture and civilisation have been destroyed not only in, but indeed by, modernity. How the West Was Lost argues that all modern upheavals the Reformation, the English, American, French and Russian Revolutions, the Napoleonic Wars, the American Civil War, both World Wars can only be understood if seen as resulting in an assault on the core values of the West. At its heart lies the belief that the central conflict of our time is cultural and that traditional culture and civilised society have been under attack ever since the Enlightenment. The author traces the development of Western civilisation from its origins paradoxically in the East and examines what he sees as its inexorable decline in all forms of art and all walks of life. He asks uncomfortable questions about politics, philosophy, psychology and religion and suggests answers which are provocative and unorthodox. This book is a bold and challenging attempt to present a new concept of modern history for our complacent times. The results are often unexpected but always original and invigorating."

An analysis of the 1983 Korean airliner incident explores the possible explanations for the straying over Soviet territory, the information that supports or contradicts each other, and the handling of the incident

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

"One of history's most acclaimed and successful magicians provides clear and concise explanations of more than 100 tricks and illusions. Herrmann the Great (Alexander Herrmann) performed these and many other feats in dozens of sold-out stage performances worldwide, where he was one of the highest paid performers of his time. This complete compendium of secrets, published in 1916, includes 90 sleight of hand tips, 24 coin tricks, 27 card magic tricks and much more, including instruction on mind reading and the basics of ventriloquism. Vintage line drawings throughout, along with tips on stage presence and performance"--

"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."—John Wilmerding, Princeton University "This is a book for all serious Americanists."—Jay Fliegelman, author of Declaring Independence "Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."—Ellen Handler Spitz, Museums of the Mind "Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."—David C. Ward, National Portrait Gallery, Smithsonian Institution. "This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "—Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas "A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."—Bryan J. Wolf, author of Romantic Re-Vision

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The sweeping new saga of strong heroines and family secrets from the bestselling author of The Paris Model. While searching for her lost sister, art historian Wren Summers takes on the glittering world of New York's auction houses. A missing girl, a hidden masterpiece, and the search for the truth 1965: After escaping from anti-war turmoil and the suffocating weight of family expectations, a beautiful young couple embrace a life free of materialism and tradition by a sapphire lake in Italy. But the past does not always let go so easily ... 1987: When talented art historian Wren Summers lands her dream job at the Sydney Art Museum, it seems she can finally leave her wildly unconventional background behind - until a treacherous act threatens everything she has strived for. The revelation of a monstrous family secret sees Wren head to New York, compelled to find the missing girl who holds the key to this shocking mystery - and to make a fresh start in the glittering realm of international art auctions. As she struggles to fulfil her quest, can she navigate this new, high-stakes world of swirling temptation, romance and deceit, danger and betrayal, while staying true to what she knows is right? Praise for Alexandra Joel: 'A mesmerising storyteller' The Australian 'Exceptional research and great storytelling ... She has that rare flair for drawing the reader into sumptuous worlds from glamorous bygone eras' Better Reading