As a young Jewish boy growing up in Vienna, Georgia, Abe Orovitz could never have predicted the twists and turns his life would take. Many years later, as retired film director with more than thirty movies to his credit, Vincent Sherman is no less surprised when he looks back on that life. In Studio Affairs he retraces his life with candor and enthusiasm. Sherman discusses the details of his three-year relationship with Joan Crawford, his inadvertent connection with the death of Bette Davis's second husband, and his poignant romantic involvement with Rita Hayworth. Providing counterpoint to these liaisons is the love and devotion of Sherman's wife, Hedda, who accepted her husband's occasional infidelities as part and parcel of his career. Studio Affairs provides an inside look at the motion picture industry during the heyday of the studio system by one who worked his way from nearly starving actor and playwright to respected director. In effect, the book serves as a primer on the art of film directing. Sherman quickly developed a reputation of being a consummate rewrite artist, able to take whatever assignment given him and turn it into a first rate motion picture. His skill at reworked scripts led him to bigger and bigger projects, even as the salary set by his long-term contract with Warner Brothers remained below that of most of his colleagues. Though not originally signed to direct, when asked to do so he drew on his experience putting together productions at summer camps across the "borscht circuit" in upstate New York. Like so many talented individuals in Hollywood during the 1950s, Sherman was targeted by the House Un-American Activities Committee, owing in part to his active support of the WPA Theatre project in New York two decades previous. Time spent on the lesser known gray list kept him out of work for several years. Eventually, he again enjoyed some critical success, but after the demise of the studio system life was never quite the same. The quintessential "studio director" ended his career directing for television. Vincent Sherman's path from Georgia to southern California is compelling, and his legendary talent for good storytelling makes the book impossible to put down.

Report (MBA - Marine Resource Management) -- Australian Maritime College, Dept. of Fisheries and Marine Environment, 2005.

Analogies play a fundamental role in science. To understand how and why, at a given moment, a certain analogy was used, one has to know the specific, historical circumstances under which the new idea was developed. This historical background is never presented in scientific articles and quite rarely in books. For the general reader, the undergraduate or graduate student who learns the subject for the first time, but also for the practitioner who looks for inspiration or who wants to understand what his colleague working in another field does, these historical circumstances can be fascinating and useful. This book discusses a series of analogy effects in subatomic physics, the prediction and theory of which the author has contributed to in the last 50 years. These phenomena are presented at a level accessible to the non-specialist, without formulae but with emphasis on the personal and historical background: memoirs of meetings, discussions and correspondence with collaborators and colleagues. As such, besides its scientific aspects, the book constitutes an absorbing witness account of a holocaust survivor who subsequently illegally crossed the Iron Curtain to escape communist persecution.

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

"One More for the Road recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms, tying cinematic terms to anecdotes spanning Grlić's life, from his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States. With a scholarly introduction by Aida Vidan, these personal stories combine to provide insight into the socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry"--

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.

"A Leader Must Be A Leader essays political leadership in modern Canada. Based on impressions and personal encounters with each of the last 11 Prime Ministers, their followers, and reflections on their paths to power, their legacies still being written on the pages of history -all in the context of their times as observed through the eyes of an up close political activist and participant. Based on impressions and personal encounters with each of the last 11 Canadian Prime Ministers, Senator Jerry Grafstein has explored their paths to power, considering the legacies they have left on the pages of history. Like all politicians, Grafstein became obsessed with the factors that made a leader a leader. Is leadership a natural or a learned skill set? What unique amalgam of oratory skill, ambition, character, persistence, detachment, decisiveness, empathy, intelligence, personality, experiences, memory, common sense, ideas, judgement, temperament and, most especially, self-awareness, separate wannabe leaders from the pinnacle of leadership? This is a unique book written by an acute legal mind, a powerful political strategist, a very successful media and communication expert, an engaged Canadian, and a most thoughtful Liberal. Senator Grafstein assesses, evaluates, and appreciates these Canadian Prime Ministers with insight, humor, and generosity."--