Look, MAN: This book is designed for those who want to feel comfortable being friends and lovers of the women in their life; for men who want long-lasting and secure relationships, and still sexually fulfilling and exciting; and most importantly, for men who want to be loving, sexy and, let's just say it, sweet. Listen, WOMAN: This book will tell to the men in your life what you women of today probably want from your friends, lovers and partners, and how a man can become the one that today's woman seeks and appreciates. “When a Man Loves a Woman was written to show how feminism could either make heterosexual relationships more contentious and confusing, or more exciting and rewarding, depending on how men reacted to it. Today, I am reexamining the issues which I explored in that book and reflecting the more complex realities of the new century. The fundamental question is the same: How can a good man make and keep a deep, meaningful and loving relationship with an emancipated woman?”

This latest work by legendary social activist, musician, and author Kahn outlines many of the practical tactics organizers use, but also emphasizes community organizing as a way of thinking and a way of life....

"Here is the doorway to Kabbalah for readers at all levels of experience: these aphoristic gleanings of ancient and mystical philosophy - written in the form of haiku by award-winning novelist Richard Zimler - capture the heart of the tradition in ways that are personally awakening"--

Detective Fiona Fitzgerald’s privileged upbringing in the nation’s capital and her intimate knowledge of its inner workings come in handy when Fran Miller, a top lobbyist and legal expert, turns up dead on Independence Day. It looks like suicide, but when the clues lead back to Mark Chancellor, the husband of Fiona’s best friend, things get complicated. Chancellor runs a complex, global conglomerate, and along with his Russian partner, is involved in the pharmaceutical and defense industries. Chancellor is at the top of his game, well-connected in Washington and known to believe that money is the planet’s most powerful weapon. But uncovered secrets reveal that terrorist affiliates may have something more powerful: biological weapons. While the high-stakes players behind the scenes are trying to avoid a potential worldwide catastrophe, the race to find an antidote is complicated by deception and corruption, and now maybe by death. Rumors swirl about the dead lobbyist: a mysterious lover, millions of dollars hidden in small-town Virginia, and what looks like a recent vaccination on her upper right arm. But did someone target Fran? After all, she knew more about biological and chemical weapons than almost anyone. Was she caught up in the convoluted web of international biological warfare? Coincidence, luck, and a little passion give Fiona a labyrinth of leads to follow. But sometimes the simple truth is harder to see.

With his trademark access, insight and candour, Britain's leading investigative biographer tackles his most fascinating subject yet: Alexander Boris de Pfeffel Johnson, the UK's Prime Minister. As divisive as he is beguiling, as misunderstood as he is scrutinised, Boris Johnson is a singular figure. Many of us think we know his story well. His ruthless ambition was evident from his insistence, as a three-year-old, that he would one day be 'world king'. Eton and Oxford prepared him well for a frantic career straddling the dog-eat-dog worlds of journalism and politics. His transformation from bumbling stooge on Have I Got New for You to a triumphant Mayor of London was overshadowed only by his colourful personal life, brimming with affairs, scandals and transgressions. His ascent to Number 10 in the wake of the acrimonious, era-defining Brexit referendum would prove to be only the first act in an epic drama that saw him play both hero and villain - from proroguing parliament to his controversial leadership of the Covid-19 Crisis, all against the backdrop of divorce, marriage, the birth of his sixth child, revolts among Tory MPs and the countdown to Brexit. Yet despite his celebrity, decades of media scrutiny, the endless vitriol of his critics and the enduring adoration of his supporters, there is so much we've never understood about Boris - until now. Previous biographies have either dismissed him as a lazy, deceitful opportunist or been transfixed by his charm, wit and drive. Both approaches fall short, and so many questions about Boris remain unanswered. What seismic events of his childhood have evaded scrutiny? How has he so consistently defied the odds, proved his critics wrong, and got away with increasingly reckless gambles? What were his real achievements and failures as Mayor of London, what was really going on during his time as Foreign Secretary, and why did he write two articles for the Telegraph, one in favour of Leave and the other for Remain? How have the women in his life exerted more influence than any of us realise, and why is his story ultimately one overshadowed by family secrets? Based on a wealth of new interviews and research, this is the deepest, most rounded and most comprehensive portrait to date of the man, the mind, the politics, the affairs, the family - of a loner, a lover, a leader. Revelatory, unsettling and compulsively readable, it is the most timely and indispensable book yet from Britain's leading investigative biographer

Even in our supposedly feminist society, women have found it difficult to achieve true independence -- they continue to struggle with dependency issues in their relationships with their mothers, their lovers, and themselves. Now, with a new introduction. Luise Eichenbaum and Susie Orbach offer compelling portraits and insightful case histories that explore dependency as a basic human need rather than a sign of weakness. Their conclusions will radically change women's lives and relationships for the better -- and offer a more insightful, inclusive vision of intimacy for the next millennium.

"The funny and insightful first-person story of the trailblazing movie director of the 80s and 90s whose fearless punk drama, "Smithereens" became the first American indie film to compete at Cannes, and smash hit "Desperately Seeking Susan" led to a four-decade career in film. Starting out in the mid-70s, a time when few women were directing movies, Susan was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC. Seidelman continued to shape American pop culture well into the nineties, directing the pilot of the iconic TV series "Sex And The City," focusing her sharp lens on the changing place of women in American society and helping to fundamentally reshape our self-image in ways that are still felt today. Raised in the safe cocoon of 1960s suburbia, Susan Seidelman wasn't a misfit, an oddball, or an outlier. She was a "good-girl" with a little bit of "bad" hidden inside. A restless teenager, she dreamed of escape and reinvention, a theme that would play out in her films as well as in her own life. Because she loved stories, a high school guidance counselor suggested she become a librarian, but she had her sights set further afield. In 1973, she left the Philly suburbs, enrolled at NYU's burgeoning graduate film school and moved to NYC's Lower East Side. There, she found herself in the right place at the right time. New York City was falling apart, but out of that chaos came a burst of creative energy whose effects are still felt in American pop culture today. Downtown became a vibrant playground where film, music, performance and graffiti art cross-pollinated and where Seidelman chronicled the lives of the colorful misfits, oddballs, dreamers and schemers she met there. It's all in DESPERATELY SEEKING SOMETHING. Seidelman not only has a keen perspective on the times she's lived through -- from her Twiggy-obsessed girlhood, through the Women's Lib movement of the early 70s, the punk scene of the late 70s, Madonna-mania of the 80s, to the dot-com "greed is good" 90s, and beyond--she tells great stories"--

Stephen Greenblatt sets out to explain his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.

"A rarity of rarities: a book that makes you laugh out loud. Selina Rosen's debut is very much worth reading. SF"s answer to Terry Pratchett."--C.J. Cherryh"Queen is funny and pointed. Ms. Rosen takes a Star-Trek-like plot, introducing the social ills of a world that could be our own, and attacks them with ruthless humor."--Jody Lynn Nye"Should appeal to anyone who loves a riotous, wickedly funny read."--Jane Fancher'"A rip-snorting space adventure the likes of which we don't see often enough these days!"--Lawrence Watt-Evans

"Scott Raab's big-hearted companion to his darkly comic "sports-jeremiad-slash-memoir" The Whore of Akron follows the first two years of LeBron James's return to Cleveland, where everybody just loves a good story of forgiveness--especially when you fulfill your promise and bring home an NBA Championship, the first major title for a Cleveland team since 1964. "If I had a chance to return to Cleveland, and those fans welcomed me back, that'd be a great story." --LeBron James in 2010, days after "The Decision" In 2010, when LeBron James announced to the world that he was leaving for Miami, he broke the collective heart of his native city and destroyed the hopes of an entire tortured generation. As LeBron headed south, unofficial spokesman Scott Raab sent him off with a middle-finger salute of his own--a deliciously obscene aria of sports fandom, Jewishness, and weight gain that became infamous as The Whore of Akron. Four years--and two NBA championships later--LeBron came home to the Rust Belt faithful who had vilified him mercilessly, none more so than Raab. You're Welcome, Cleveland is the story of both LeBron's and Scott's redemption as they pursue the one thing they crave more than anything in life--an NBA title for the city that made them men. LeBron is back. So is Scott Raab. It's a great story. You're Welcome, Cleveland"--

Finally back in print in its original form after 30 years, Sam Gross's I Am Blind and My Dog is Dead - perhaps his best known and most loved book - is being re-released in a lavish hardcover format, introducing a new generation of readers to his unforgettable and original brand of dark humour, little match girls, confused pets, bewildered children and blind men. A long-time contributor to The New Yorker, Gross, a legendary pioneer of bad taste, has inspired many to take up the art, including John Callahan.

While delivering the news to the other field mice, Charlie Meadows, who loves dancing with his shadow in the moonlight, narrowly escapes being eaten by the owl.

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.â€Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists†unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists†lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Satur n. The Wittkowers have read everything and have countless anecdotes to about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts.“This book is fascinating to read because of the abundant quotations which bring to life so many remarkableindividuals.â€â€“ The New York Review of Books

The New 60 is an exploration of approaching (and, eventually, arriving at) 60-an age that had once seemed beyond my reach. Aging in the 21st Century is an exciting new frontier. We are redefining its meaning as we live it. This is that journey-much of it a surprise even to me. Tracey Jackson on THE NEW 60: Robert Levithan writes with the wisdom of a sage, the enthusiasm of a kid, the depth of someone who has seen the world from all sides and the humor of someone who always knows where the joke is hiding. While he is often classified as a gay writer, or writer of subjects pertaining to the gay experience, he manages to take all of his topics and somehow turn them into universal stories. I have never read one of Robert's pieces and not walked away with a great life lesson. In all of his work one sees oneself, one's friends, one's lovers, and one's life. He is sometimes the benevolent father, sometimes the naughty, yet learned instructor, often the whimsical brother or sister you wish you had and he can even be the gossipy neighbor upstairs. But while he is able to pull off all these various personas he is always without hesitation, or question dealing up heavy doses of the truth; his own and thus ours. For me that is what makes him not only a wonderful writer, but a writer who transcends race, gender, and sexual identity. He writes about the human condition in all its various incarnations and while forcing us to think, he ultimately always reminds us how lucky we are to be alive and to relish every thing that comes our way. - Tracey Jackson, Screenwriter Author of Between A Rock and a Hot Place, and blogger

"Mason Brady loves comics! He knows every hero, villain, and sidekick. He even draws his own characters. On a trip to his favorite place, the Comic Book Characters Hall of Fame Museum, Mason explores every exhibit. He even comes across the very real Night Howler. But when villains start terrorizing the town, Mason realizes that his whole life is about to change. Will Mason be a superhero or will he just be a superzero?"--Back cover.

A classic tale of supernatural horror.Richard Marsh's novel "The Beetle" is the story of a British statesman, Paul Lessingham, who is haunted by his youthful indiscretions in Egypt. A shape-shifting figure follows him from Egypt, intent upon getting revenge on Lessingham.The characters are well drawn: Paul Lessingham, a budding cabinet minister with an ominous gap in his past; lovely Marjorie Linton, a witty New Woman caught between her Radical lover (Paul) and her Tory father; madcap young scientist Sydney Atherton who also adores Miss Linton and is meanwhile working on weapons of mass destruction for the glory of the British Empire; Robert Holt, down-and-out clerk who falls into the clutches of the Beetle.

This book shows you how to create the authentic vintage look in your own home with her expert advice and simple craft projects. An absolute must-have for lovers of vintage and all things handmade. Craft projects include : Dyed lace window panels ; Vintage bunting ; Midsummer and winter wreaths ; Gypsy-style apron ; Two-toned fringed lampshade ; Personalised rubber stamp ; Sumptuous padded headboard ; Upcycled chest of draws ; Antique ghost mirror ; Handmade vintage-style tiles and more.

"The hauntingly beautiful epistolary novel from 'a glowing light of modern Italian literature' (New York Times Book Review). At the heart of Happiness As Such is an absence, an abyss that draws everyone nearer to its edge, created by the departure of a family's wayward only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes to him too; so does Mara, his former lover, who gave birth to a child who could be his own. Left to clean up Michele's mess, his family and friends complain and commiserate, making mistakes and missteps, attempting to cope in the only ways that they know how. With a few brushstrokes, Natalia Ginzburg can flesh out an entire existence and all its pitfalls and disappointments with unmatched clarity. One of Natalia Ginzburg's finest achievements, Happiness As Such is an experimental, wise, raw, comic novel, written in powerful prose that cuts to the bone with surgical precision"--

"When the play begins there is Harry Berlin, looking like a shaved, mustachioed beatnik who has sunk so low that honest beatniks would disown him. He has no future except to jump off the bridge and is about to do so when Milt Manville comes along and intervenes. Milt and Harry turn out to be college classmates. As Harry, in his rags, slowly drops hints of his tale of woe, Milt, a picture of prosperity, is all sympathy. but LUV has ample place in its bosom for more than one miserable fellow. Milt is also full of frustration, for his wife won't release him and let him marry the girl he loves. Presently Milt's wife, Ellen, appears. As she stands under the lamppost, her expression congealed and fur-coated body rigid, it is clear that she too is torn by anguish. Now we have a trianglematched in misery. Milt has had an inspiration. Why not bring Ellen and Harry together and thus win the freedom to marry the other girl? But Ellen looks despairing; she needs sprucing up. Milt tidies her dress and slip, combs her hair, rouges her lips, powders her cheeks, delicately touches up her eyelashes and sprays her with perfume. Could a husband be more tender with a wife he hopes to palm off? The events that follow need not be detailed. All you will wish to kow is that whatever marriages are mand and unmade, Milt, Ellen and Harry end up in sorrow and agony, and the greater their misunderstandings and problems, the more you laugh"--Page 4 of cover

Tom Richards has fallen off a crane while directing his latest movie, The Hamburger Girl, fracturing some ribs and a hip. A comic procession of doctors, nurses, and relatives files through his hospital room. Another director replaces him at the studio, and everything in his cinematic dream is being changed - the screenplay, the title, the plot. Tom is baffled and furious. His children's marriages are coming apart, and who can be certain of his own? People everywhere are losing their jobs. His real life and his creative life become ever more displaced while he gradually recovers his health, his balance, and his natural imbalance. Tom's shrewd wife, Claire; their daughter Marigold, for whom Tom has ambivalent feelings; his beautiful daughter Cora, by his first marriage; and his lovers, family, friends, and colleagues all find themselves revolving in a sexual and economic maelstrom that gradually results in violence. "What we are doing", Tom tells his film crew at last, "is real and not real. We are living in a world where dreams are reality and reality is dreams. In our world everything starts from a dream".