World known Russian writer Anatoly Rybakov, the author of the Dirk, Bronze Bird, Children of Arbat, Heavy Sand and many other stories, novels, screenplays and TV serials was the founding President of the Russian PEN Centre. Harrison Salisbury says: "The epic tragedy of Stalin's Russia has never been written with such pervasive and dramatic terror as by Anatoli Rybakov in his semi-fictional novel, Fear". "Once read, it is a tale which will be engraved on the mind of the reader for life." .... The San Francisco Chronicle says: " A landmark in Soviet literary history.... Rybakov is a major talent."

Tells the stories of successful, and unsuccessful, New England inventors, including Birdseye, Goodyear, and Whitney

Chesman's simple recipes include a selection of appetizers, salads, pastas, and breads as well as instructions for drying tomatoes at home.

Book by Dworkin, Andrea

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Feininger, Andreas, Perfect Photograph, The

Gathers poems by Kay Boyle, Ted Berrigan, Ishmael Reed, David Shapiro, Maxine Chernoff, Tom Clark, and Bernadette Bayer

Ever wondered where that demonic voice on NPR comes from? In these memoirs, Codrescu recalls his life with irrepressible and uncensored candor. From the bitter-sweet delights of a fantastic childhood in the ruins of a Transylvanian castle to the horror and ecstasy of re-inventing himself as an American in a new language, this Proustian romp brims with erotic delight and language at high heat. In an age rife with "memoirs" set on grinding dull axes, Codrescu's razersharp language is both pitiless and unsparing of his experience.

"The Posthuman Dada Guide is an impractical handbook for practical living in our posthuman world - all by way of examining the imagined 1916 chess game between Tristan Tzara, the daddy of Dada, and V. I. Lenin, the daddy of communism. This epic game at Zurich's Cafe de la Terrasse - a battle between radical visions of art and ideological revolution - lasted for a century and may still be going on, although communism appears dead and Dada stronger than ever. As the poet faces the future mass murderer over the chessboard, neither realizes that they are playing for the world. Taking the match as metaphor for two poles of twentieth- and twenty-first-century thought, politics, and life, Andrei Codrescu has created his own brilliantly Dadaesque guide to Dada - and to what it can teach us about surviving our ultraconnected present and future. Here dadaists Duchamp, Ball, and von Freytag-Loringhoven and communists Trotsky, Radek, and Zinoviev appear live in company with later incarnations, including William Burroughs, Allen Ginsberg, Gilles Deleuze, and Newt Gingrich. The Posthuman Dada Guide is arranged alphabetically for quick reference and (some) nostalgia for order, with entries such as "eros (women)," "internet(s)," and "war." Throughout, it is written in the belief "that posthumans lining the road to the future (which looks as if it exists, after all, even though Dada is against it) need the solace offered by the primal raw energy of Dada and its inhuman sources."

In the wake of the considerable cultural changes and social shifts that the United States and all advanced industrial democracies have experienced since the late 1960s and early 1970s, social discourse around the disempowered has changed in demonstrable ways. In From Property to Family: American Dog Rescue and the Discourse of Compassion , Andrei Markovits and Katherine Crosby describe a “discourse of compassion” that actually alters the way we treat persons and ideas once scorned by the social mainstream. This “culture turn” has also affected our treatment of animals inaugurating an accompanying “animal turn”. In the case of dogs, this shift has increasingly transformed the discursive category of the animal from human companion to human family member. One of the new institutions created by this attitudinal and behavioral change towards dogs has been the breed specific canine rescue organization, examples of which have arisen all over the United States beginning in the early 1980s and massively proliferating in the 1990s and subsequent years. While the growing scholarship on the changed dimension of the human-animal relationship attests to its social, political, moral and intellectual salience to our contemporary world, the work presented in Markovits and Crosby’s book constitutes the first academic research on the particularly important institution of breed specific dog rescue.

The award-winning, bestselling author of While Canada Slept gives his view of a country wasted on Canadians. What is national character? What makes the Americans, the British, the French, the Russians, and the Chinese who they are? In this homogenized world, where globalization is a byword for a deadening sameness, why do peoples who live in the same region, use the same money, read the same books, and watch the same movies remain different from one another? As much as Canada may be seen as a copy, clone, or colony of America, we are unquestionably distinctive. It is a result of our geography, history, and politics. It comes from our demography and prosperity. Most of all, it comes from our character. In The Unfinished Canadian , Andrew Cohen delves into our past and present in search of our defining national characteristics. He questions hoary shibboleths, soothing mythologies, and old saws with irreverence, humour, and flintiness, unencumbered by our proverbial politeness (itself a great misperception) and our suffocating political correctness. We are so much, in so many shades, and it’s time we took an honest look at ourselves. In this provocative, passionate, and elegant book, Cohen argues that our mythology, our jealousy, our complacency, our apathy, our amnesia, and our moderation are all part of the unbearable lightness of being Canadian.

"A propulsive debut political thriller set in the aftermath of a global nuclear weapons crisis -- from the acclaimed filmmaker of The Fugitive and an award-winning journalist A plot to disrupt a global peace summit in Chicago collides with a civil rights case breakthrough at a mysterious archaeological site "Andrew Davis is a cinematic master, and Jeff Biggers is a brilliant scribe of wild places. Together, they have created a thriller that will keep you up all night." --Luis Urrea, NY Times bestselling author of Good Night, Irene. Chicago detective Randall Jenkins has not been back home to the historic Civil Rights hotspot of Cairo, Illinois since the disappearance of his mother, a well-known journalist, several decades ago. That all changes the day Dr. Molly Moore, an ambitious young archaeologist in the national spotlight for her groundbreaking high-tech discoveries, uncovers a set of strange bones at a huge 12,000-year-old site at a highway construction project. With retired military general and contractor William Alexander breathing down her neck to cover up the dig, Molly and Randall soon find themselves in the middle of a wild military conspiracy. The detective and archaeologist's entwined family mysteries suddenly thrust them into the central position as the only people who can ensure the safety of the ongoing Chicago global peace summit. They must take on the rogue general who views any disarmament agreement as a clear and present danger to the United States. The fate of global peace and the lives of Molly and Randall hang in the balance"--

After the Party is the explosive story of the power struggles dominating South African politics and a crucial analysis of the ANC’s record in power. Andrew Feinstein, a former ANC member of parliament, uncovers a web of corruption to rival Watergate, revealing a web of concealment and corruption involving senior politicians, officials and figures at the very highest level of South African politics. With an insider’s account of the events surrounding the contentious trial of South Africa’s colourful President, Jacob Zuma, and the ongoing tragedy in Zimbabwe, After the Party has been acclaimed as the most important book on South Africa since the end of apartheid.

Klavan's novel, a small treasure, recounts the psychosexual odyssey of Samantha Bradford, an obsessive poet in search of sanity and sexual fulfillment. His sentences are richly allusive, evidencing his mastery of the literary and psychoanalytic canons -- Small Press

There are, to paraphrase a familiar axiom, millions of stories in the imagination factory that is Hollywood. In the world of filmmaking, it's generally acknowledged that the best stories don't always end up on the screen. Cinematographer and author Andrew Laszlo, ASC has long recognized that fact and now puts pen to paper to reveal some of those tantalizing tales as only he can. With his latest entry, It's A Wrap!, Laszlo takes readers behind the scenes on a variety of projects he himself was involved in, to illustrate how unforeseen events can impact even the most carefully planned production.From a secret trip to Havana with Ed Sullivan during the Cuban Revolution, to near disasters involving The Beatles, Ossie Davis and Richard Chamberlain, It's A Wrap! gives an insider's view of the filmmaking process and sheds light on the inherent dangers of the industry. Through straight-forward commentary and insightful deconstruction of these events, Laszlo invites his readers into the world of filmmaking as it has never been discussed before. To do so, he strips away "the glamour and the dirt" to reveal the lives of cast and crew on location, the long and arduous days, the pressures, the constant demands of unforeseen problems, the personalities, the egos, the politics and more.Focusing on the action behind the scenes, Laszlo hopes to mine new territory and open the door for those with a genuine interest in the filmmaking process. "The memories of certain events associated with films I shot are so vivid still in my memory that I often talk about them," says Laszlo. "And whenever I do, I sense the interest of my listeners. In fact, during my lecture series for Kodak, I often tell 'War Stories,' which are generally the most popular portions of my lecturers. Compiling a few of these stories in greater detail, I hope will be appealing to readers with an interest in filmmaking, or just movies in general."

Surgery theory, the basis for the classification theory of manifolds, is now about forty years old. There have been some extraordinary accomplishments in that time, which have led to enormously varied interactions with algebra, analysis, and geometry. Workers in many of these areas have often lamented the lack of a single source that surveys surgery theory and its applications. Indeed, no one person could write such a survey. The sixtieth birthday of C. T. C. Wall, one of the leaders of the founding generation of surgery theory, provided an opportunity to rectify the situation and produce a comprehensive book on the subject. Experts have written state-of-the-art reports that will be of broad interest to all those interested in topology, not only graduate students and mathematicians, but mathematical physicists as well. Contributors include J. Milnor, S. Novikov, W. Browder, T. Lance, E. Brown, M. Kreck, J. Klein, M. Davis, J. Davis, I. Hambleton, L. Taylor, C. Stark, E. Pedersen, W. Mio, J. Levine, K. Orr, J. Roe, J. Milgram, and C. Thomas.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.