"[The anti-testing] movement now has a guidebook. . . . Kamenetz shows how fundamentally American it would be to move toward a more holistic system." - New York Times Book Review The Test is an essential and critically acclaimed book for any parent confounded by our national obsession with standardized testing. It recounts the shocking history and tempestuous politics of testing and borrows strategies from fields as diverse as games, neuroscience, and ancient philosophy to help children cope. It presents the stories of families, teachers, and schools maneuvering within and beyond the existing educational system, playing and winning the testing game. And it points the way toward a hopeful future of better tests and happier kids.

Liberated from a German concentration camp at the end of World War II but haunted by the memory of her ordeal, fifteen-year-old Piri starts a strange new life as a Jew in Sweden. Sequel to "Upon the Head of the Goat."

'This is an excellent, quick and powerful read, accessible to everyone' Publishers WeeklyOn October 16th, 1998, the world awoke to amazing news: General Augusto Pinochet, Chile's former dictator, had been arrested by Scotland Yard in England & was awaiting extradition to Spain on charges of torture & genocide. What ensued became one of the most important human rights trials of the last fifty years: for the first time in the twentieth century, a former Head of State was being judged by a foreign court.Renowned author Ariel Dorfman, obsessed for twenty-five years with the malignant shadow General Pinochet cast upon Chile & the world, followed every twist & turn of the four year trial in Great Britain, Spain & Chile as well as in the U.S., the country that had created Pinochet. Told as a suspense thriller, filled with court-room drama & sudden reversals of fortune, the book at the same time addresses some of today's most burning issues, made all the more urgent after the terrorist attacks of September 11th 2001. What are the limits of national sovereignty in a globalizing world? How does an ever more interconnected world judge crimes committed against humanity? What role do memory & pain & the rights of the survivors play in this struggle for a new system of justice? But above all, the author, by listening carefully to the voices of Pinochet's many victims, explores how can we purge ourselves of terror & fear once we have been traumatized, and asks if we can build peace & reconciliation without facing a turbulent & perverse past.From Dorfman's emotional reconstitution of the many phases of Pinochet's trial, both in London & in Santiago, there slowly emerges a picture of a victory, both for the people of Chile & for people the world over, serving as a prelude to the prosecution of other Heads of State - such as Milosevic in The Hague - but as a warning to many powerful men around the world - like Henry Kissinger - who felt they would never be held accountable for sufferings inflicted on faraway civilians.

Set in a Greek village in 1942, and purportedly written from his imagination by a Danish man before he was picked up by the Gestapo and not seen again, here is Ariel Dorfman s haunting and universal parable of individual courage in the face of political oppression. Widows forms a testament to the disappeared those living under totalitarian regimes the world over, who are taken away for "questioning" and never return. One by one, the bodies of men wash up on the shore of the river, where they are claimed by the women of the local town as husbands and fathers, even though the faces of the dead men are unrecognizable. A tug-of-war ensues between the local police, who insist that the women couldn t possibly recognize their loved ones, and the women demanding the right to bury their beloveds. As it evolves, the stand-off reveals itself to be a power struggle between love, dignity and honor, and the lesser god of brute force. -- Amazon.com.

"When Adam Freedman--a skinny, immature, and lackluster high school student from Piedmont, California--is sent by his parents to join his older sister Casey in New York City, he is hopeful that his life is about to change. And it sure does. It is the Summer of 2006--the year of gay marriage demonstrations and the rise of transgender rights--and Casey has thrust herself into New York's fringe lesbian, sexual, and political scene. Accustomed to being a social misfit, Adam now finds himself part of a wild subculture complete with underground clubs, drinking, and friendly women who take a surprisingly intense interest in him. It takes some time for him to realize many in this new crowd assume he is transgendered--a boy who was born a girl--or else why would he always be around? But then he meets Gillian, the girl of his dreams. If only she weren't a lesbian! And if only she didn't believe he was really (sort of) a girl. Ariel Schrag's scathingly funny and poignant debut novel puts a fresh spin on questions of love, attraction, self-definition, and what it takes to be at home in your own skin"--

"Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule - both in everyday political discussion and in legal and academic debates - as temporary, as a state of affairs incidental and external to the Israeli regime. In The One-State Condition, Ariella Azoulay and Adi Ophir directly challenge this belief. Looking closely at the history and contemporary formation of the ruling apparatus - the technologies and operations of the Israeli army, the General Security Services, and the legal system imposed in the Occupied Territories - Azoulay and Ophir outline the one-state condition of Israel/Palestine: the grounding principle of Israeli governance is the perpetuation of differential rule over populations of differing status. Israeli citizenship is shaped through the active denial of Palestinian citizenship and civil rights. Though many Israelis, on both political right and left, agree that the occupation constitutes a problem for Israeli democracy, few ultimately admit that Israel is no democracy or question the very structure of the Israeli regime itself. Too frequently ignored are the lasting effects of the deceptive denial of the events of 1948 and 1967, and the ways in which the resulting occupation has reinforced the sweeping militarization and recent racialization of Israeli society. Azoulay and Ophir show that acknowledgment of the one-state condition is not only a prerequisite for considering a one- or two-state solution; it is a prerequisite for advancing new ideas to move beyond the trap of this false dilemma."--Publisher's description

"We all know what Rainbow is," began Lamondois. "Rainbow is a planet colonized by science and designed for physical experiments." "The Far Rainbow was written at one breath, it is full of dynamics and genuine dramatism." - Literary Gazette "Science-fiction stories by the Strugatsky brothers are philosophical pieces. They are full of action but each action is clearly imbued with speculation." - Neva Magazine "Take the Far Rainbow, for instance. 'Authentic' is the word, and this is rather unusual where science fiction is concerned." - The Young Guard Magazine The brothers Boris and Arkady Strugatsky have chosen different careers. Arkady is a linguist and Boris an astronomer. Perhaps it is this divergence of interest which has helped them to describe the world of the far future so vividly. The brothers Strugatsky are among the most prominent Soviet science-fiction writers. They have written a number of works in the genre.

"Documents the triumphs and missteps of the singer's fledgling record company, Rising Son Records, and traces the chronology of Guthrie's mid- to-late career. Also examines Guthrie's role in preserving and shaping his father's contributions to American culture and his long-lasting partnership with Pete Seeger" --

Love or power ? these are the opposing poles of a choice every child is compelled to make, very early in its life, in a drama that sets it irrevocably on its path through life. This startling new insight into a formative experience fundamental to our development is the subject of THE BETRAYAL OF THE SELF, Dr. Arno Gruen's passionately argued contribution to the psychoanalytic view of the human soul, and what distorts it into pathology. What happens to an infant when it learns that the love it craves from its parents is available only at the price of submission to their will? In paying this price, as Dr. Gruen found in many years of experience with his patients, the infant renounces its true, autonomous self and instead embarks on a search for power with which to manipulate the world around it-a quest that will henceforth rule its life. Dr. Gruen maps out the process by which this striving for power, once the fatal choice has been made, masks the child's inner emptiness, dulls its fears, and soothes its secret feelings of self-loathing. Its need for power soon bars all access to its real emotions, and corrupts all of its relationships into ones based on mastery and domination. The power-oriented world around it, which puts a premium on stoic "strength" and "invulnerability," further confirms the child in this pursuit of power, leading it on to a path of dehumanization which pervades our entire society. Thus human destructiveness and evil are not innate, but develop in a complex process of growth marked by the failure to attain autonomy. In contrast, Dr. Gruen defines autonomy as that state of integration in which we live in full harmony with our feelings and needs. It is a natural state of being experienced in early childhood when the infant is loved unconditionally and without the need to earn this love by the self-sacrifice of submission. It allows the child to remain vulnerable to feelings of self-doubt, helplessness, pain, and rage ? the very emotions the infant fearfully flees in its decision to betray its own self. The fear of these emotions, Dr. Gruen shows, alienates the male in particular, destroying his soul, depriving him of his ability to love, and imposing on him the need to oppress others, women especially. How can therapy help the patient to find the way back to health and his autonomous self? Dr. Gruen discovered the clue to the therapeutic process in the active role the patient originally played in his choice between love and power, when he took refuge in power in his flight from pain. The therapist's task in helping the patient is to teach him how to accept the vulnerability he once feared in order to recover his lost autonomy. By defining man's vulnerability as his strength, Dr. Gruen points the way to a psychoanalysis of personal courage and social responsibility. At the same time, by exposing the childhood split which leads man to abandon his true self, Gruen has written a powerful indictment of our modern culture which mirrors the individual's self-alienation in growing social violence and loss of humanity. DR. ARNO GRUEN, who was born in Germany, emigrated to the U.S. as a child in 1936. He received his psychoanalytic training at New York University, and held many teaching posts in the United States, including seventeen years as professor of psychology at Rutgers University. Since 1979 he has lived and practiced in Switzerland. He is the author of many books and papers in both German and English. His other major work available in English is his 1992 book, THE INSANITY OF NORMALITY: TOWARD UNDERSTANDING HUMAN DESTRUCTIVENESS (republished in 2007 by Human Development Books).

Although they are normal and obedient pets during the day, at night Irving Dog and Ermine Cat rise and shake and roam as Daring Dog and Captain Cat, twirling capes and flashing swords and chasing crooks.

Arnold Daghani (1909-85) came from a German-speaking Jewish family in Suczawa, then in the Austro-Hungarian Empire, now Romania. His understated narrative of his experiences in the slave labour camp at Mikhailowka, south west Ukraine (1942-43), presented here in its first English book edition, provides a day-by-day account of the chilling experiences of Jewish slave labourers. It is written in a compelling style and illustrated by watercolours and drawings that Daghani made secretly in captivity and smuggled out of the camp and a Romanian ghetto. It includes an extraordinary account of the couple's escape and the shooting of over three hundred prisoners. The uniqueness of Daghani's Holocaust testimony lies in his role as an artist which led to his (and his wife's) escape from the camp and their survival. The camps in Ukraine have been under-investigated and the diary provides significant material. It was used as the basis of investigations in the 1960s into war crimes in the slave labour camps in Ukraine, helping to bring attention to the region and providing some form of recognition for those who suffered there. This richly illustrated and scrupulously edited book is distinguished from more conventional Holocaust memoirs by focusing on fundamental questions of historical testimony and the problems of representation in both words and images. Daghani's diary is contextualized on the basis of wide-ranging new historical, archival and art historical research in essays that document the artist's attempts to achieve justice and reconciliation. They locate the diary in relation to contemporary issues on migration and statelessness, genocide and trauma, self-reflection and memory. The diary is both art and document, addressing how we understand and construct history. It enables readers to engage with the Holocaust via the viewpoint of an individual, making statistics more meaningful and history less distant.

So I'm a Heel It's just a lucky break the way Ed Hawkins gets a look at that police blotter that tips him off on the arrest-and-release of his rich neighbor, Otto Weylin, for molesting a minor. Nobody ever gave Hawkins a break, and he doesn't intend to give Weylin a break either. He figures that Weylin is good for ten grand to keep this little bit of information out of the papers, and maybe he's right. But why all of a sudden is his 10-year-old son becoming so friendly with Weylin? What is the secret that Weylin's sex-starved wife keeps hinting at? The blackmail scheme is rapidly backfiring and Hawkins can't trust anyone, even his own wife--and now his own boy has gone missing Flint Flint took a bullet in the lung during that last job, a hole that just won't seem to plug itself. But hired killers don't get to retire, and Flint is called out to Colorado for one more job. A rancher named Mr. Good wants his competition removed, and he's got a pretty plan how to get away with it. So Flint rides out and meets the local sheriff, a man so fat he spends all his time in his office--should be easy to work around. He meets his victim, Thomason, a poor but honest man, who naively hires him on the spot. And then he meets Thomason's wife, Cora, who seems....very friendly--but is she all that she seems? And can Mr. Good really be trusted? This is supposed to be Flint's last job, but it's funny how a simple plan can soon get so complicated. The Big Out Brick Palmer, catcher for the Blues, gets a call after the game. His kid brother Johnny is in trouble again. Johnny is the brilliant one, the one who's going to be a doctor, but he's forged Brick's name on a $10,000 Syndicate debt. So Brick does what he has to do, he pays off the Syndicate punk, then busts his nose. Randy York of the Herald sees the payoff and reveals the meeting in his column the next day. Unable to rat out his brother, Brick is thrown out of the league. All he can do is play for one of the outlaw leagues. So he and wife Cathy move to Montreal and try to start over. But they're all out to get him--the fans and players for selling out, the Umps for dirtying the game. They're all out for blood. But for the Syndicate punk it's personal--he plans to make it murder.

A fascinating read of personal experiences from the famed fashion designer that showcases the lives and contributions of iconic women -- from Jackie Kennedy to Elizabeth Taylor to Laura Bush to Princess Diana Arnold Scaasi has been dressing legends for almost five decades. His enduring tenure as one of the world's premier fashion designers and tastemakers has afforded him vast stores of insider knowledge and firsthand perspectives on an array of illustrious personalities who -- in their disparate arenas of high-wattage celebrity and influence -- have defined our contemporary notions of female power and glamour. Here, for the first time, Scaasi invites readers into his glittering A-list realm as he recounts his intimate experiences and interactions with larger-than-life female icons who made their mark in spheres as varied as politics, Hollywood, the music industry, and high society. Scaasi devotes each chapter to a specific woman or to a group of women, including "Broadway Girls," "New York Girls," and "Hollywood Girls." He shares dozens of behind-closed-doors anecdotes exploring what makes these women tick. In candid prose, he recalls what they said and how they acted, and most important, offers keen observations of who they really are underneath his creations. Using a privileged entrée into their private and public lives, Scaasi takes the measure of their impact on the world at large. Here, readers will Joan Crawford's fetish for cleanliness; the dazzling Barbra Streisand's famous Oscar night outfit and her obsession with perfection; Mamie Eisenhower's staunch refusal to wear a bra; the bountiful charms of Joan Sutherland, the opera legend; Mary Tyler Moore's and Sophia Loren's unique glamour; Rose Kennedy's prediction of a future woman president; Aretha Franklin's fear of flying; Scaasi's visits to the White House to his good friend and client Barbara Bush; his confrontations with Elizabeth Taylor and Marilyn Monroe; and much more! Scaasi dresses only women he genuinely likes, so his tales are never mean-spirited. Instead they spotlight the designer's surprising interactions and often poignant perceptions of Eleanor Roosevelt, Joan Rivers, Louise Nevelson, Natalie Wood, Hillary Clinton, and many others. The book is filled with photographs from the author's personal scrapbooks and fond recollections of some of the world's most beautiful, accomplished, and powerful women. Women I Have Dressed (and Undressed!) is a trove of irresistible insider dish and a tender, humorous memoir of the most influential women of our time.

Originally published in 1943, Models for Beginners in Composition represents one of Arnold Schoenberg's earliest attempts at reaching a broad American audience through his pedagogical ideas. The novelty of this book was its streamlined approach, basing all aspects of composition including motivic design, harmony, and the construction of themes on the two-measure phrase. This newly revised edition by Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. It also includes a significant commentary elucidating the evolution of Schoenberg's pedagogical approach. In its function as a practical manual for the American classroom, Models for Beginners in Composition is unique among Schoenberg's texts. The current Commentary explores Schoenberg's experience as a teacher at UCLA while tracing the development of the two-measure phrase as the main component of his pedagogical method. It demonstrates the way in which Schoenberg simultaneously preserved and adapted European ideas about tonal theory and pedagogy when he came to America, a give and take that allowed for increased theoretical originality and scope. Models for Beginners in Composition established the two-measure phrase as one of the most significant of Schoenberg's contributions to American music education. This new edition, with Schoenberg's corrections and newly added commentary, allows readers to utilize and explore the text in greater depth. Students of composition, Schoenberg scholars, music theorists, and historians of music theory alike will no doubt welcome this new edition.

This book will come as a joy, a revelation, a warm reassurance. From this one book one might well learn less about harmony than about form, about aesthetics, even about life. Some will accuse Schoenberg of not concentrating on the topic at hand, but such an accusation, though well-founded, would miss the point of Theory of Harmony, because the heart and soul of the book is to be found in his vivid and penetrating digressions. They are the fascinating reflections of a great and humane musician who was a born writer as well. - from the book.

"The Case of Sergeant Grischa" by Arnold Zweig unfolds against the backdrop of World War I and presents a gripping narrative that delves into the complexities of justice, morality, and the impact of war on the human psyche. Sergeant Grischa, accused of desertion and espionage, finds himself at the center of a military trial that becomes a microcosm of the moral dilemmas faced by individuals during times of conflict. As the courtroom drama unfolds, Zweig weaves a powerful exploration of the blurred lines between right and wrong, duty and conscience. Readers are drawn into a thought-provoking examination of the human condition amidst the chaos of war. "The Case of Sergeant Grischa" is a compelling journey that challenges preconceived notions, providing a poignant reflection on the nature of justice and the choices individuals make in the crucible of war.

Product Description The story of a simple Russian peasant caught on the Eastern Front in World War I, this classic novel was first published to wide acclaim in English in 1928. It is a devastating indictment of military brutality and a horrifying tale of an individual caught in the cogs of a remorseless machine. Grischa, a soldier of the Russian Army and prisoner of war of the Germans, escapes and determines to find his way home across the war-ravaged wastes of Central Europe. To evade arrest, he wears the uniform of a dead German soldier he finds in the snow. But the dead German was a deserter, and when Gischa is recaptured he is sentenced to be shot. He struggles to establish his true identity, but will it save him? About the Author Arnold Zweig was president of the Academy of Arts in East Germany.