Stilwell & the American Experience in China, 1911-45 was written by Barbara Wertheim Tuchman & published in '71 by Macmillan Publishers. It won the '72 Pulitzer Prize for General Non-Fiction. The book was republished in 2001 by Grove Press. It was also published under the title Sand Against the Wind: Stilwell & the American Experience in China, 1911-45 by Macmillan Publishers in 1970. Using the life of Joseph Stilwell, military attache to China in 1935-39 & commander of U.S. forces & allied chief of staff to Chiang Kai-shek in '42-44, this book explores the history of China from the Revolution of 1911 to the turmoil of WWII, when its right-wing Nationalist government faced attack from both Japanese invaders & Communist insurgents.

Sociologist Michael Kimmel, one of the leading writers on men and masculinity, has spent hundreds of hours in the company of America's angry white men--from white supremacists to men's rights activists to young students--in pursuit of a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social, and political shifts that have transformed the American landscape: Downward mobility, increased racial and gender equality, and tenaciously clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. The election of Donald Trump proved that angry white men can still change the course of history. Here, Kimmel argues that we must consider the rage of this "forgotten" group and create solutions that address the concerns of all Americans.

A New York Times Book Review Editors’ Choice Selection An urgent examination into the revived Klan of the 1920s becomes “required reading” for our time ( New York Times Book Review ). Extraordinary national acclaim accompanied the publication of award-winning historian Linda Gordon’s disturbing and markedly timely history of the reassembled Ku Klux Klan of the 1920s. Dramatically challenging our preconceptions of the hooded Klansmen responsible for establishing a Jim Crow racial hierarchy in the 1870s South, this “second Klan” spread in states principally above the Mason-Dixon line by courting xenophobic fears surrounding the flood of immigrant “hordes” landing on American shores. “Part cautionary tale, part expose” ( Washington Post ), The Second Coming of the KKK “illuminates the surprising scope of the movement” ( The New Yorker ); the Klan attracted four-to-six-million members through secret rituals, manufactured news stories, and mass “Klonvocations” prior to its collapse in 1926—but not before its potent ideology of intolerance became part and parcel of the American tradition. A “must-read” ( Salon ) for anyone looking to understand the current moment, The Second Coming of the KKK offers “chilling comparisons to the present day” ( New York Review of Books ).

In an elegant, eminently readable work, one of our most distinguished intellectual historians gives us a brilliant revisionist history. The Roads to Modernity reclaims the Enlightenment–an extraordinary time bursting with new ideas about human nature, politics, society, and religion--from historians who have downgraded its importance and from scholars who have given preeminence to the Enlightenment in France over concurrent movements in England and America. Contrasting the Enlightenments in the three nations, Himmelfarb demonstrates the primacy and wisdom of the British, exemplified in such thinkers as Adam Smith, David Hume, and Edmund Burke, as well as the unique and enduring contributions of the American Founders. It is their Enlightenments, she argues, that created a social ethic–humane, compassionate, and realistic–that still resonates strongly today, in America perhaps even more than in Europe. The Roads to Modernity is a remarkable and illuminating contribution to the history of ideas.

"In an age in which the lack of independent public intellectuals has often been sorely lamented, the historian Tony Judt played a rare and valuable role, bringing together history and current events, Europe and America, what was and what is with what should be. In When the Facts Change, Tony Judt's widow and fellow historian Jennifer Homans has assembled an essential collection of the most important and influential pieces written in the last fifteen years of Judt's life, the years in which he found his voice in the public sphere. Included are seminal essays on the full range of Judt's concerns, including Europe as an idea and in reality, before 1989 and thereafter; Israel, the Holocaust and the Jews; American hyperpower and the world after 9/11; and issues of social inclusion and social justice in an age of increasing inequality. Judt was at once most at home and in a state of what he called internal exile from his native England, from Europe, and from America, and he finally settled in New York--between them all. He was a historian of the twentieth century acutely aware of the dangers of ethnic exceptionalism, and if he was shaped by anything, it was the Jewish past and his own secularism. His essays on Israel ignited a firestorm debate for their forthright criticisms of Israeli government polices relating to the Palestinians and the occupied territories. Those crucial pieces are published here in book form for the first time, including an essay, never previously published, called 'What Is to Be Done?' These pieces are suffused with a deep compassion for the Israeli dilemma, a compassion that instilled in Judt a sense of responsibility to speak out and try to find a better path, away from what he saw as a road to ruin. When the Facts Change also contains Judt's homages to the culture heroes who were some of his greatest inspirations: Amos Elon, Francois Furet, Leszek Kolakowski, and perhaps above all Albert Camus, who never accepted the complacent view that the problem of evil couldn't lie within us as well as outside us. Included here too is a magnificent two-part essay on the social and political importance of railway travel to our modern conception of a good society; as well as the urgent text of 'What Is Living and What Is Dead in Social Democracy, ' the final public speech of his life, delivered from a wheelchair after he had been stricken with a terrible illness; and a tender and wise dialogue with his then-teenage son, Daniel, about the different outlooks and burdens of their two generations. To read When the Facts Change is to miss Tony Judt's voice terribly, but to cherish it for what it was, and still is: a wise, human, deeply informed view on our most pressing concerns, delivered in good faith."--

A groundbreaking history of anti-Semitism, from the Roman Empire to the twentieth century The origins of anti-Semitism have been hotly contested. Some say that it is a transitory phenomenon, appearing randomly in Western history, while others argue that it reflects a deep-seated tradition inherent in Western culture. Anti-Semitism in Times of Crisis argues that anti-semitism is not an anomaly in Western culture, but a defining feature. In this collection of essays, 16 celebrated contributors trace representations of Jewish people over the past two thousand years. Their analysis shows how Jewish people have been consistently cast as outsiders, allowing Westerners to define themselves in contrast to the Jewish community. Even as the popular image of Jewish people changed, anti-semitism persisted. With essays on the religious, social, political, and economic origins of European and American anti- Semitism, as well as some Jewish responses, this volume is the most wide-ranging history of anti-Semitism ever compiled.

Traces the history of antisemitism in the USA from the colonial period to the present, emphasizing the role of the conception that "America is a Christian nation." Discusses the Jewish stereotypes embedded in the American public consciousness, social discrimination in the late 19th-early 20th centuries, the advent of racial antisemitism in the early 20th century, and the scapegoating of Jews in the interwar period. Shows that antisemitism in the USA reached its climax in 1933-45, and that while it declined drastically after the war, it did not disappear. Special attention is devoted to the American South and to Black antisemitism.

2015 Reprint of 1948 Edition. Full facsimile of the original edition. Not reproduced with Optical Recognition Software. "On Tyranny" is Leo Strauss's classic reading of Xenophon's dialogue "Hiero," or "Tyrannicus," in which the tyrant Hiero and the poet Simonides discuss the advantages and disadvantages of exercising tyranny. Strauss taught that liberalism in its modern form contained within it an intrinsic tendency towards extreme relativism, which in turn led to two types of nihilism. The first was a "brutal" nihilism, expressed in Nazi and Marxist regimes. In "On Tyranny," he wrote that these ideologies, both descendants of Enlightenment thought, tried to destroy all traditions, history, ethics, and moral standards and replace them by force under which nature and mankind are subjugated and conquered. The second type-the "gentle" nihilism expressed in Western liberal democracies-was a kind of value-free aimlessness and a hedonistic "permissive egalitarianism", which he saw as permeating the fabric of contemporary American society. In the belief that 20th century relativism, scientism, historicism, and nihilism were all implicated in the deterioration of modern society and philosophy, Strauss sought to uncover the philosophical pathways that had led to this situation. The resultant study led him to advocate a tentative return to classical political philosophy as a starting point for judging political action. "On Tyranny is a complex and stimulating book with its 'parallel dialogue' made all the more striking since both participants take such unusual, highly provocative positions and so force readers to face substantial problems in what are often wholly unfamiliar, even shocking ways." --Robert Pippin History and Theory

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

An engaging social history that reveals the critical role Pullman porters played in the struggle for African American civil rights When George Pullman began recruiting Southern blacks as porters in his luxurious new sleeping cars, the former slaves suffering under Jim Crow laws found his offer of a steady job and worldly experience irresistible. They quickly signed up to serve as maid, waiter, concierge, nanny, and occasionally doctor and undertaker to cars full of white passengers, making the Pullman Company the largest employer of African American men in the country by the 1920s. In the world of the Pullman sleeping car, where whites and blacks lived in close proximity, porters developed a unique culture marked by idiosyncratic language, railroad lore, and shared experience. They called difficult passengers "Mister Charlie"; exchanged stories about Daddy Jim, the legendary first Pullman porter; and learned to distinguish generous tippers such as Humphrey Bogart from skinflints like Babe Ruth. At the same time, they played important social, political, and economic roles, carrying jazz and blues to outlying areas, forming America's first black trade union, and acting as forerunners of the modern black middle class by virtue of their social position and income. Drawing on extensive interviews with dozens of porters and their descendants, Larry Tye reconstructs the complicated world of the Pullman porter, and provides a lively and enlightening look at this important social phenomenon.

** Wall Street Journal , Publishers Weekly , and USA Today Bestseller!** In the lead-up to the Bolshevik Revolution, one young revolutionary is condemned to exile in Siberia; a hundred years later, his ancestors discover his story and learn just how much history has repeated itself. In the midst of running a long-shot political campaign, Democratic political consultant John Simon discovers a 100-year-old manuscript written by his grandfather Joseph—a brilliant young revolutionary whose exile to Siberia by the last czar of Russia is just the beginning of an extraordinary tale of survival, romance, and revolution. Return From Siberia chronicles not only the Simon family's relationship to each other and the past, but also the remarkable story of a young man who sacrificed everything for his political ideals. As Joseph's manuscript is translated, chapter-by-chapter, the Simon family is pulled deep into their ancestor’s story— in particular, the bitter rivalry between two brothers, whose competing visions of the American Dream are played out on the campaign trail and in their lives. Return from Siberia is a timely appraisal of modern politics and society juxtaposed with an inside look into the machinations of a young political mind 100 years ago. The true story documents an extraordinary time of political upheaval in Russia and Europe just prior to World War I while also drawing parallels to current day American politics and the current philosophical and ideological debates about immigration, Democratic Socialism, and Capitalism. Beyond the deep social, political, and philosophical themes, there is romance, adventure, betrayal, suspense, and the struggles of families today and in yesteryear. Return from Siberia illustrates how one modern family's connection to the past helps them resolve their future.

Named a Best Book of the Year by The San Francisco Chronicle "Survivor Café . . . feels like the book Rosner was born to write. Each page is imbued with urgency, with sincerity, with heartache, with heart.... Her words, alongside the words of other survivors of atrocity and their descendants across the globe, can help us build a more humane world." — San Francisco Chronicle As firsthand survivors of many of the twentieth century's most monumental events—the Holocaust, Hiroshima, the Killing Fields—begin to pass away, Survivor Café addresses urgent questions: How do we carry those stories forward? How do we collectively ensure that the horrors of the past are not forgotten? Elizabeth Rosner organizes her book around three trips with her father to Buchenwald concentration camp—in 1983, in 1995, and in 2015—each journey an experience in which personal history confronts both commemoration and memorialization. She explores the echoes of similar legacies among descendants of African American slaves, descendants of Cambodian survivors of the Killing Fields, descendants of survivors of the bombing of Hiroshima and Nagasaki, and the effects of 9/11 on the general population. Examining current brain research, Rosner depicts the efforts to understand the intergenerational inheritance of trauma, as well as the intricacies of remembrance in the aftermath of atrocity. Survivor Café becomes a lens for numerous constructs of memory—from museums and commemorative sites to national reconciliation projects to small–group cross–cultural encounters. Beyond preserving the firsthand testimonies of participants and witnesses, individuals and societies must continually take responsibility for learning the painful lessons of the past in order to offer hope for the future. Survivor Café offers a clear–eyed sense of the enormity of our twenty–first–century human inheritance—not only among direct descendants of the Holocaust but also in the shape of our collective responsibility to learn from tragedy, and to keep the ever–changing conversations alive between the past and the present.

David Brion Davis has long been recognized as the leading authority on slavery in the Western World. His books have won every major history award--including the Pulitzer Prize and the National Book Award--and he has been universally praised for his prodigious research, his brilliant analytical skill, and his rich and powerful prose. Now, in Inhuman Bondage, Davis sums up a lifetime of insight in what Stanley L. Engerman calls "a monumental and magisterial book, the essential work on New World slavery for several decades to come."Davis begins with the dramatic Amistad case, which vividly highlights the international character of the Atlantic slave trade and the roles of the American judiciary, the presidency, the media, and of both black and white abolitionists. The heart of the book looks at slavery in the American South, describing black slaveholding planters, the rise of the Cotton Kingdom, the daily life of ordinary slaves, the highly destructive internal, long-distance slave trade, the sexual exploitation of slaves, the emergence of an African-American culture, and much more. But though centered on the United States, the book offers a global perspective spanning four continents. It is the only study of American slavery that reaches back to ancient foundations (discussing the classical and biblical justifications for chattel bondage) and also traces the long evolution of anti-black racism (as in the writings of David Hume and Immanuel Kant, among many others). Equally important, it combines the subjects of slavery and abolitionism as very few books do, and it illuminates the meaning of nineteenth-century slave conspiracies and revolts, with a detailed comparison with 3 major revolts in the British Caribbean. It connects the actual life of slaves with the crucial place of slavery in American politics and stresses that slavery was integral to America's success as a nation--not a marginal enterprise.A definitive history by a writer deeply immersed in the subject, Inhuman Bondage offers a compelling narrative that links together the profits of slavery, the pain of the enslaved, and the legacy of racism. It is the ultimate portrait of the dark side of the American dream. Yet it offers an inspiring example as well--the story of how abolitionists, barely a fringe group in the 1770s, successfully fought, in the space of a hundred years, to defeat one of human history's greatest evils.

Some are household names, other are all but forgotten. These twelve heroes played an important role in the American Revolution. Paul Revere, silversmith, engraver, midnight messenger to the Patriots. Lydia Darragh, nurse, mother of five, Continental army spy. Crispus Attucks, escaped slave, "the first to defy, the first to die." George Washington, father of the country. Deborah Sampson, "the female soldier." From spying on the British to rescuing fallen soldiers on the battlefield, these men and women stand as unforgettable heroes of the Revolutionary War. David A. Adler's lively anecdotes and Donald A. Smith's bold paintings present a dozen figures whose courage and determination to seek freedom were indomitable in their own times and remain a shining example in our own. Author's notes, a list of important dates, source notes, and a selected bibliography expand on the biographies of each person. This is a great gift for young history buffs interested in the Revolutionary War as well as a resource for classroom use.

"No more dramatic courtroom scene has ever been enacted," reported the Syracuse Herald on May 22, 1915, as it covered "the greatest libel suit in history," a battle fought between former President Theodore Roosevelt and the leader of the Republican party. Roosevelt, the boisterous and mostly beloved legendary American hero, had accused his former friend and ally, now turned rival, William Barnes of political corruption. The furious Barnes responded by suing Roosevelt for an enormous sum that could have financially devastated him. The spectacle of Roosevelt defending himself in a lawsuit captured the imagination of the country, and more than fifty newspapers sent reporters to cover the trial. Accounts from inside and outside the courtroom combined with excerpts from the trial transcript give us Roosevelt in his own words and serve as the heart of this book. This was Roosevelt's final fight to defend his political legacy and perhaps regain his fading stature. He spent more than a week on the witness stand, revealing hidden secrets of the American political system, and then endured a merciless cross-examination. Witnesses, including a young Franklin D. Roosevelt and a host of well-known political leaders, were questioned by two of the most brilliant attorneys in the country. Following the case through court transcripts, news reports, and other primary sources, Dan Abrams and David Fisher present a high-definition picture of the American legal system in a nation standing on the precipice of the Great War, with its former president fighting for the ideals he held dear

Acclaimed novelist Austin Grossman reimagines the ultimate American antihero. Richard Milhous Nixon lived one of the most improbable lives of the twentieth century. Our thirty-seventh president's political career spanned the button-down fifties, the Mad Men sixties, and the turbulent seventies. He faced down the Russians, the Chinese, and ultimately his own government. The man went from political mastermind to a national joke, sobbing in the Oval Office, leaving us with one burning question: how could he have lost it all? Here for the first time is the tale told in his own words: the terrifying supernatural secret he stumbled upon as a young man, and the truth behind the Cold War. What if the man we call our worst president was, in truth, our greatest? Combining Lovecraftian suspense and international intrigue, Crooked is a masterwork of alternative history, equal parts mesmerizing character study and nail-biting Faustian thriller.

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

"From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece. Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als"--

The Case for Mars makes living in space seem more possible than ever in this updated 25th anniversary edition, featuring the latest information on the planet's exploration and the drive to send humans there. Since the beginning of human history, Mars has been an alluring dream—the stuff of legends, gods, and mystery. The planet most like ours, it had long been thought impossible to reach, let alone explore and inhabit. But that is changing fast. In February 2021, the American rover Perseverance will touch down on Mars. Equipped with a powerful suite of scientific instruments—including some that will attempt to make oxygen from the Martian atmosphere—the rover also carries a helicopter that will take spectacular panoramic movies from the air. Most exciting of all, a spectrometer onboard may find evidence of fossils left behind by microbes millions of years ago, when the planet was warm and wet, proving at last that life on Earth is not unique, but a general phenomenon in the universe. Meanwhile, in Boca Chica, Texas, Elon Musk’s SpaceX has created a shipyard that is building and testing the vessels that will take humans to Mars before this decade is out. Leading space exploration expert Robert Zubrin crafted the daring blueprint for humanity’s reach to the Red Planet twenty-five years ago, when he first published The Case for Mars . Now, in this updated edition, he looks to the future once more to describe how—in an era when the American space program and private companies like SpaceX are racing to send astronauts to Mars—our first colonies there are imminent. In the grand tradition of successful explorers, Zubrin calls for a travel-light and live-off-the-land approach to Martian settlement. He explains how scientists can use present-day technology to send humans to Mars, produce fuel and oxygen on the planet’s surface with its own natural resources, build bases and communities, and one day, terraform—or alter the atmosphere of the planet in order to pave the way for sustainable life. As a landmark new mission opens the decisive campaign to take humans to the Red Planet, Zubrin lays out a comprehensive plan to build life on a new world.

"An intellectual and emotional jigsaw puzzle of a novel for readers of A. S. Byatt's Possession and Geraldine Brooks's People of the Book Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents' scribe, the elusive"Aleph."Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must makein order to reconcile the life of the heart and mind"--