At the Same Time contains sixteen illuminating essays by Susan Sontag. With a preface by David Rieff. The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers. 'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman 'One of America's greatest public intellectuals' Observer 'Excellent and essential' Financial Times 'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph 'Sontag's clear thinking . . . shines like a spotlight in dark places' The Times One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others , On Photography , Illness as Metaphor , At the Same Time , Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963 , all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls , and the novels The Volcano Lover and The Benefactor , are available from Penguin Modern Classics.

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly

'The Fun Parts' is a Lipsyte at his best - an exploration of new voices and vistas from a writer 'Time' magazing has said 'everyone should read'.

An unforgettable take on a favorite fairy tale by multi-award-winning author Jane Yolen Summer's life in the mountains of West Virginia feels like a fairy tale--her parents dote on her, and she's about to get a new baby brother. But when the baby dies soon after he's born, taking their mother with him, Summer's life turns grim. Things get even worse when her father marries a woman who brings poisons and magical mirrors into Summer's world. Stepmama puts up a pretty face and Summer's father is under her spell, but Summer suspects she's up to no good--and is afraid she is powerless to stop her.

Carl Solomon is considered to be one of the Beat Generation writers.

The works of Spanish nun SAINT TERESA OF AVILA (1515-1582) rank among the most extraordinary mystical writings of Roman Catholicism and among the classics of all religious traditions... and her own life story is considered one of the finest autobiographies in any language. From her carefree childhood through her life as an ascetic Carmelite nun, from her visions of Satan through her worship of God, this is her passionate yet earthy retelling of her struggles with temptation, her work founding and ruling convents, and her devotion to God. Hailed by those seeking spiritual succor as one of the most accessible guides to achieving a closer relationship to God through prayer, this extraordinary book remains a commanding entry to numinous Christianity.

WINNER OF THE NOBEL PRIZE IN LITERATURE, 2014 Haunted by the fate of Dora Bruder - a fifteen-year-old girl listed as missing in an old December 1941 issue of Paris Soir - Nobel Prize-winning author Patrick Modiano sets out to find all he can about her. From her name on a list of deportees to Auschwitz to the fragments he is able to uncover about the Bruder family, Modiano delivers a moving survey of a decade-long investigation that revived for him the sights, sounds and sorrowful rhythms of occupied Paris. And in seeking to exhume Dora Bruder's fate, he in turn faces his own family history. Translated by Joanna Kilmartin 'Absolutely magnificent' Le Monde

With a lack of sentimentality unusual for the genre, Venice Observed explores the history, art, architecture, religion, and cultural peculiarities of the City of Canals. Mordantly witty and legendarily wry, Mary McCarthy catalogs the impressions of such visitors to the city as Montaigne, Stendhal, Spencer, and Henry James, but paints her own wholly original depictions of the city. Her adoration of the immortal city enlivens her interest in everything from the Venetian preference for cats over dogs to Tintoretto's paintings in the Scuola di San Rocco. Concerning Venice's ubiquitous tourists, McCarthy notes, "The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St Mark's Square filled with 'Turks, Libyans, Parthians, and other monsters of the sea.' Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words." Conversational yet deeply informed, Venice Observed is a classic travel narrative for the ages.

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

An NYRB Classics Original Simone Weil—philosopher, activist, mystic—is one of the most uncompromising of modern spiritual masters. In “On the Abolition of All Political Parties” she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends. This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.

Mazel means luck in Yiddish, and luck is the guiding force in this magical and mesmerizing novel that spans three generations. Sasha Saunders is the daughter of a Polish rabbi who abandons the shtetl and wins renown as a Yiddish actress in Warsaw and New York. Her daughter Chloe becomes a professor of classics at Columbia. Chloe's daughter Phoebe grows up to become a mathematician who is drawn to traditional Judaism and the sort of domestic life her mother and grandmother rejected.

In his memoirs and fiction, Primo Levi bore witness to the suffering of the Holocaust and books like The Periodic Table and The Drowned and the Saved are now recognised as classics of twentieth-century literature. Throughout his writing life, Levi also produced poetry and this volume collects together all his poems, including eighteen that have not previously appeared in book form. Short and spare, the poems employ the same courageous and steady gaze at the worst that can happen that illuminates his prose.

Renowned author Peter S. Beagle returns to the world of The Last Unicorn in this resonant and moving two-novella collection, featuring the award-winning “Two Hearts” and the brand-new “Sooz.” The Last Unicorn is one of fantasy’s most revered classics, beloved by generations of readers and with millions of copies in print. Revisiting the world of that novel, Beagle’s long-awaited Hugo and Nebula-Awards-winning “Two Hearts” introduced the irrepressible Sooz on a quest to save her village from a griffin, and explored the bonds she formed with unforgettable characters like the wise and wonderful Molly Grue and Schmendrick the Magician. In the never-before-published “Sooz,” the events of “Two Hearts” are years behind its narrator, but a perilous journey lies ahead of her, in a story that is at once a tender meditation on love and loss, and a lesson in finding your true self. The Way Home is suffused with Beagle’s wisdom, profound lyricism, and sly wit; and collects two timeless works of fantasy.

"The bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays--funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Named one of the "40 women who changed the media business in the last 40 years" by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls' sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics. In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless--they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate. Don't Call Me Princess offers a crucial evaluation of where we stand today as women--in our work lives, sex lives, as mothers, as partners--illuminating both how far we've come and how far we still have to go"--

A unique memoir that celebrates not just one life, but all of the lives connected through the past ownership of second-hand books. Every second-hand book tells two stories: one within its pages and another of the life it lived before changing hands. Whether mundane or extraordinary, on a grand scale or intensely personal, every second-hand book conceals the story of its past life. Lives filled with love, loss, scandal and conflict, these are the intimate and incredible stories that author Josh Spero uncovered after tracking down the previous owners of twelve of his second-hand books. Tom Dunbabin, a Classics scholar who became a spy, leading the resistance against the Germans in Crete in the Second World War. Peter Levi, a priest who fell in love with his friend's wife. Belinda Dennis, a contrary Latin teacher, and Emilie Vleminckx, an equally contrary Latin student. And James Naylor, a boy the author once loved. Combined with stories from the author's own life -- from growing up in London as a poor boy at a public school to becoming a scholar Oxford and later a tutor in Hampstead -- and his lifelong love and pursuit of classical education, "Second-Hand Stories" is a unique memoir that celebrates not just one life, but all the lives connected through second-hand books. It will make you reconsider your own second-hand books, the people who owned them and what stories they have to tell."

DEATHWORLD centers on Jason dinAlt, a professional gambler who uses his somewhat erratic psionic abilities to tip the odds in his favor. He is challenged by a man named Kerk Pyrrus (who turns out to be the ambassador from the planet Pyrrus) to turn a large amount of money into an immense sum by gambling at a government-run casino. He succeeds and survives the planetary government's desperate efforts to steal back the money. In a fit of ennui, he decides to accompany Kerk to his home, despite being warned that it is the deadliest world ever colonized by humans...DEATHWORLD! DEATHWORLD is one of the classics of the Golden Age of science fiction, born in the pages of Astounding Science Fiction under the editorship of John W. Campbell, Jr.

Groucho Marx may be the funniest man who ever lived. Here in one volume are the classics of Marxian mayhem: excerpts from the scripts of the immortal movies, passages from his books, his articles for magazines ranging from The New Yorker to the Saturday Evening Post , the choicest ad-libs and quips from his long-running game show, You Bet Your Life , and selected letters, including his classic correspondence with T. S. Eliot. It's all here-the finest and funniest work by this century's most influential comedian, that man of whom Woody Allen said, "He is simply unique in the same way Picasso and Stravinsky are, and I believe his outrageous, unsentimental disregard for order will be equally funny a thousand years from now. In addition to all this, he makes me laugh." In the words of Groucho Marx: One morning I shot an elephant in my pajamas. How he go in my pajamas I don't know. Time flies like an arrow. Fruit flies like a banana. Outside of a dog, a book is man's best friend. Inside of a dog, it's too dark to read.

Edward Shils's The Torment of Secrecy is one of the few minor classics to emerge from the cold war years of anticommunism and McCarthyism in the United States. Mr. Shils's "torment" is not only that of the individual caught up in loyalty and security procedures; it is also the torment of the accuser and judge. This essay in sociological analysis and political philosophy considers the cold war preoccupation with espionage, sabotage, and subversion at home, assessing the magnitude of such threats and contrasting it to the agitation―by lawmakers, investigators, and administrators―so wildly directed against the "enemy." Mr. Shils's examination of a recurring American characteristic is as timely as ever. "Brief...lucid... brilliant."―American Political Science Review. "A fine, sophisticated analysis of American social metabolism."―New Republic. "An excitingly lucid and intelligent work on a subject of staggering importance...the social preconditions of political democracy."―Social Forces.

Looking at the figures for movie attendance in the 1930s, one might conclude that the America of the Great Depression was a land of Bijous, Gems, Orpheums, Strands, and Rivieras. Americans needed their movies, as Mr. Bergman notes, and they needed them not just for escape. In We're in the Money, Mr. Bergman looks at the films of the thirties (many of them which we now regard as classics) and shows how Hollywood helped prop up the nation's fundamental institutions during the gravest economic crisis in history. Movies, he demonstrates, kept alive the myth of a mobile and classless society, focused on the endless possibilities for individual success, turned social evil into personal evil, and made the New Deal into a veritable leading man. "The kind of book that both old film buffs and the new post-grads of Sesame Street' can really enjoy. It makes history fun, enables teachers and kids to test out their own assumptions about how the 30s turned out the gangsters, the hi-steppers, the FBI gurus, the zany anarchists and the mythical down-on-the-farm good guys who took on the whole punchy and reeling microcosm of America." Robert Geller, Center for Understanding Media. "First rate. It should stand for a long time as a pioneer work in a field where all too little has been written." Alfred B. Rollins, Jr."