Discover the darkness that lurks around every corner in the latest installment of Peter James's award-winning detective series, which is now a major TV program, Grace, on Britbox starring John Simm as Roy Grace. Harry and Freya, an ordinary couple, dreamed for years of finding something priceless buried amongst the tat in a car boot sale. It was a dream they knew in their hearts would never come true - until the day it did.They buy the drab portrait for a few pounds, for its beautiful frame, planning to cut the painting out. Then studying it back at home there seems to be another picture beneath, of a stunning landscape. Could it be a long-lost masterpiece from 1770? If genuine, it could be worth millions.One collector is certain it is genuine. Someone who uses any method he can to get want he wants and will stop at nothing.Detective Superintendent Roy Grace finds himself plunged into an unfamiliar and rarefied world of fine art. Outwardly it appears respectable, gentlemanly, above reproach. But beneath the veneer, he rapidly finds that greed, deception and violence walk hand-in-hand. And Harry and Freya Kipling are about to discover that their dream is turning into their worst nightmare...

The latest race-against-time instalment of the award-winning Grace series by Peter James, now a major BRITBOX show. Hunting him would be murder . . . When James Taylor arrives late for a funeral, he has to stand at the back of the small church. But as the service progresses, Taylor notices a man six rows in front of him. At first he thinks he must be mistaken, but the more he looks at him, the more convinced Taylor becomes that this is his old schoolfriend, Rufus Rorke. Except it couldn’t be him, could it? Because two years ago, Taylor attended Rufus Rorke’s funeral. He even delivered Rufus’s eulogy. . . On the other side of Brighton at Police HQ, Detective Superintendent Roy Grace has been alerted to a number of suspicious deaths that he can’t get out of his mind. But how are they linked? And how could they possibly be connected to Rufus Rorke? Roy Grace is about to find out just how dangerous a dead man can be . . . 'Peter James is one of the best British crime writers, and therefore one of the best in the world' - Lee Child 'Peter James is one of the best crime writers in the business' - Karin Slaughter 'One of the world’s most popular detective series' - The Guardian

The award-winning actor takes us behind-the-scenes into his professional and private life In Just One More Thing, Peter Falk takes us on an acting journey that begins not in Hollywood but in Hartford, where he worked as a management analyst for the Connecticut State Budget Bureau. His time there was no more successful than an earlier attempt to find work with the Central Intelligence Agency. At loose ends, Falk turned to an old college interest: acting. He came to prominence as an actor in 1956 in the highly successful Off-Broadway revival of The Iceman Cometh with Jason Robards. Although he worked continuously for the next three years, bouncing from one Off-Broadway theater to the next, a theatrical agent advised him not to expect much work in motion pictures because of his glass eye. Surgeons had removed his right eye, along with a malignant tumor, when he was three years old. But in 1958, the actor made the jump to Hollywood, where he landed his first movie, Murder Incorporated, and was nominated for an Oscar. Next came Frank Capra's A Pocketful of Miracles starring Bette Davis, which garnered Falk his second Oscar nomination. Falk was a favorite among moviegoers during the 1960s, admired for his roles in classic comedies such as It's A Mad, Mad, Mad, Mad World and The Great Race. However, it was through his collaboration with filmmaker John Cassavetes that Falk entered into his most creative period in 1970. Motion pictures such as Husbands and A Woman Under the Influence helped launch the independent film movement. Nevertheless, Falk continued to act in light film comedies, including The In-Laws and Neil Simon's The Cheap Detective and Murder by Death, among others. Yet it was through television that Falk reached his widest audience. He has portrayed the beloved Lt. Columbo since the 1970s, winning four Emmys. The series was so successful that ten years after it's demise, Columbo was re-launched, bringing Falk to a new generation of viewers. Just One More Thing also chronicles the author's later work, such as movie appearances in A Shark's Tale and Paul Reiser's The Thing About My Folks, as well stories of growing up in New York, Hollywood and Broadway luminaries, and the author's accomplished passion for drawing and painting.

The story of Nobel Prize–winning discoveries regarding the molecular mechanisms controlling the body’s circadian rhythm. How much of our fate is decided before we are born? Which of our characteristics is inscribed in our DNA? Weiner brings us into Benzer's Fly Rooms at the California Institute of Technology, where Benzer, and his asssociates are in the process of finding answers, often astonishing ones, to these questions. Part biography, part thrilling scientific detective story, Time, Love, Memory forcefully demonstrates how Benzer's studies are changing our world view--and even our lives. Jonathan Weiner, winner of the Pulitzer Prize for The Beak of the Finch , brings his brilliant reporting skills to the story of Seymour Benzer, the Brooklyn-born maverick scientist whose study of genetics and experiments with fruit fly genes has helped revolutionize or knowledge of the connections between DNA and behavior both animal and human.

One summer day in 1941, half of the Polish town of Jedwabne murdered the other half, 1,600 men, women, and children, all but seven of the town's Jews. Neighbors tells their story. Jan Gross pieces together eyewitness accounts and other evidence into a reconstruction of the horrific July day remembered well by locals but forgotten by history. His investigation reads like a detective story, and its unfolding yields wider truths about Jewish-Polish relations, the Holocaust, and human responses to occupation and totalitarianism. It is a story of surprises: The newly occupying German army did not compel the massacre, and Jedwabne's Jews and Christians had previously enjoyed cordial relations. After the war, the nearby family who saved Jedwabne's surviving Jews was derided and driven from the area. The single Jew offered mercy by the town declined it. Most arresting is the sinking realization that Jedwabne's Jews were clubbed, drowned, gutted, and burned not by faceless Nazis, but by people whose features and names they knew well: their former schoolmates and those who sold them food, bought their milk, and chatted with them in the street. As much as such a question can ever be answered, Neighbors tells us why.

Academy Award-winning documentary filmmaker and former private detective Errol Morris examines the nature of evidence and proof in the infamous Jeffrey MacDonald murder case. In 1979 MacDonald was convicted of the brutal 1970 murder of his wife and two children, and remains in prison today. Since then a number of bestselling books, including Joe McGinniss's Fatal Vision, and a blockbuster television miniseries have attempted to solve and explain the MacDonald case. Here, Morris, who has been investigating the case for nearly two decades, reveals that almost everything we know about it is ultimately flawed, and an innocent man may be behind bars. In a reinvention of the true-crime thriller, Morris looks behind the haze of myth. Drawing on court transcripts, lab reports, and original interviews, he brings a complete forty-year history back to life and allows the reader to explore the case as a detective might by confronting the evidence as if for the first time.--From publisher description.

A new title in the bestselling series about the world's greatest supersleuth in sneakers! A slippery salamander, a banana burglar, a judge who's run away, and a presidential toothbrush . . . these are just some of the clues that the world's greatest young detective must use to solve 10 all-new mysteries. Young readers can try to solve the cases alongside Encyclopedia--the answers to all the mysteries are in the back of the book.

Investigating the murder of an elderly Jewish woman in a Black ghetto, Bobby Gold, a homicide detective, is forced to come to terms with his own feelings about being Jewish

Tobacco companies had been protecting their turf for decades. They had congressmen in their pocket. They had corrupt scientists who made excuses about nicotine, cancer and addiction. They had hordes of lawyers to threaten anyone—inside the industry or out—who posed a problem. They had a whole lot of money to spend. And they were good at getting people to do what they wanted them to do. After all, they had already convinced millions of Americans to take up an addictive, unhealthy, and potentially deadly habit. David Kessler didn't care about all that. In this book he tells for the first time the thrilling detective story of how the underdog FDA—while safeguarding the nation's food, drugs, and blood supply—finally decided to take on one of the world's most powerful opponents, and how it won. Like A Civil Action or And the Band Played On, A Question of Intent weaves together science, law, and fascinating characters to tell an important and often unexpectedly moving story. We follow Kessler's team of investigators as they race to find the clues that will allow the FDA to assert jurisdiction over cigarettes, while the tobacco companies and their lawyers fight back—hard. Full of insider information and drama, told with wit, and animated by its author's moral passion, A Question of Intent reads like a Grisham thriller, with one exception—everything in it is true.

A New York Times Notable Book * Winner of the National Jewish Book Award * Winner of the National Book Critics Circle Award * A Los Angeles Times Book Prize Finalist "A gripping detective story, a stirring epic, a tale of ghosts and dark marvels, a thrilling display of scholarship, a meditation on the unfathomable mystery of good and evil, a testimony to the enduring power of the ancient archetypes that haunt one Jewish family and the greater human family, The Lost is as complex and rich with meaning and story as the past it seeks to illuminate. A beautiful book, beautifully written."--Michael Chabon In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic--part memoir, part reportage, part mystery, and part scholarly detective work--that brilliantly explores the nature of time and memory, family and history. The Lost begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust--an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939 and tantalized by fragmentary tales of a terrible betrayal, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relatives' fates. That quest eventually takes him to a dozen countries on four continents and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. And it leads him, finally, back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with childhood memories of a now-lost generation of immigrant Jews and provocative ruminations on biblical texts and Jewish history, The Lost transforms the story of one family into a profound, morally searching meditation on our fragile hold on the past. Deeply personal, grippingly suspenseful, and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.

Growing up as best friends in small-town New Hampshire, Jon and Chloe are the only ones who truly understand each other and their intense connection. But just when Jon is ready to confess the depth of his feelings, he's kidnapped by his substitute teacher, a discredited scientist who is obsessed with H.P. Lovecraft and has a plot to save humanity. After four years in captivity, Jon finally escapes, only to discover that he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to Providence to protect Chloe while he searches for answers. Across town from Jon, Detective Charles "Eggs" DeBenedictus is fascinated by a series of strange deaths - young, healthy people whose hearts just stop. Convinced these deaths are a series of vigilante killings, he jeopardizes his job and already strained marriage to uncover the truth.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered. Ex-Detective Inspector Daniel Hawthorne is dead. Or, rather, the actor playing him in the film adaptation of The Word is Murder is. Rising star David Caine has been stabbed, and it seems that everyone on the set had a motive. Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie. But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price. From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow they combine to unlock the secret of what has happened in Hastings. For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth. A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.

Over three hundred years ago, a French scholar scribbled a simple theorem in the margin of a book. It would become the world's most baffling mathematical mystery. Simple, elegant, and utterly impossible to prove, Fermat's Last Theorem captured the imaginations of amateur and professional mathematicians for over three centuries. For some it became a wonderful passion. For others it was an obsession that led to deceit, intrigue, or insanity. In a volume filled with the clues, red herrings, and suspense of a mystery novel, Dr. Amir Aczel reveals the previously untold story of the people, the history, and the cultures that lie behind this scientific triumph. From formulas devised for the farmers of ancient Babylonia to the dramatic proof of Fermat's theorem in 1993, this extraordinary work takes us along on an exhilarating intellectual treasure hunt. Revealing the hidden mathematical order of the natural world in everything from stars to sunflowers, Fermat's Last Theorem brilliantly combines philosophy and hard science with investigative journalism. The result: a real-life detective story of the intellect, at once intriguing, thought-provoking, and impossible to put down.

"New York homicide detectives pursue a serial killer in this apocalyptic thriller. When detectives James Manning and Covina "Dewey" Duwai are called in to investigate a series of bizarre murders, they make a shocking discovery: the legend of the hidden righteous ones, the 36 who preserve the world from destruction, is no legend at all. They are real, and they are being murdered. As the bodies pile up and the world tilts into chaos, Manning and Dewey must protect the righteous ones from a ruthless killer able to beguile his victims and command them against their will"--

"When several children go missing in a small English hamlet, the Dead Boy Detectives are on the case. A series of strange and unexpected twists take them to Free Country, a place that dates back a millennia, where children never grow old and are free from the abuse and tyranny of adults. But Free Country is failing and what it needs is the strength of five innately powerful children--one of whom is sorcerer Timothy Hunter--to restore their uncanny world to what it once was. This complete edition features Neil Gaiman's original THE CHILDREN'S CRUSADE #1, with artists Chris Bachalo and Mike Barreiro, along with THE CHILDREN'S CRUSADE #2 with writers Alisa Kwitney and Jamie Delano and artist Peter Snejbjerg. A brand-new middle act, written by DEAD BOY DETECTIVES writer Toby Litt, and drawn by THE BOOKS OF MAGIC artist extraodinaire Peter Gross, fully completes this compelling tale of ancient history, stolen dreams and lost children, in a way Neil Gaiman originally envisioned. Also featuring an introduction by Gaiman, and exquisite new cover art by DEAD BOY DETECTIVES artist Mark Buckingham."--Page [4] of cover.

The latest film from the director of Three Kings , I Heart Huckabees is an 'existential comedy' that picks at life's biggest questions with wit, whimsy, and a biting sense of humour. Albert Markovski (Jason Schwartzman), head of the Open Spaces Coalition, has been experiencing an alarming series of coincidences, the meaning of which escapes him. With the help of two Existential Detectives, Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin), Albert examines his life, his relationships, and his conflict with Brad Stand (Jude Law), an executive climbing the corporate ladder at Huckabees, a popular chain of retail superstores. When Brad also hires the detectives, they dig deep into his seemingly perfect life and his relationship with his spokesmodel girlfriend, the Voice of Huckabees, Dawn Campbell (Naomi Watts). Albert pairs up with rebel firefighter Tommy Corn (Mark Wahlberg) to take matters into their own hands under the guidance of the Jaffes' nemesis, the French radical Caterine Vauban (Isabelle Huppert).

The world’s most beloved detective, Hercule Poirot—the legendary star of Agatha Christie’s Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930. “We Agatha Christie fans read her stories--and particularly her Poirot novels--because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home.” — Gillian Flynn, author of Gone Girl Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate him outside his front door. Her name is Sylvia Rule, and she demands to know why Poirot has accused her of the murder of Barnabas Pandy, a man she has neither heard of nor ever met. She is furious to be so accused, and deeply shocked. Poirot is equally shocked, because he too has never heard of any Barnabas Pandy, and he certainly did not send the letter in question. He cannot convince Sylvia Rule of his innocence, however, and she marches away in a rage. Shaken, Poirot goes inside, only to find that he has a visitor waiting for him — a man called John McCrodden who also claims also to have received a letter from Poirot that morning, accusing him of the murder of Barnabas Pandy... Poirot wonders how many more letters of this sort have been sent in his name. Who sent them, and why? More importantly, who is Barnabas Pandy, is he dead, and, if so, was he murdered? And can Poirot find out the answers without putting more lives in danger?

Assistant DA Alexandra Cooper returns in the new breakneck thriller by the New York Times bestselling author of Death Angel who once again captures the essence of New York City--its glamour, its history, its possibilities, and its endless capacity for darkness. Grand Central Station is hiding more than just an underground train system. When the body of a young woman is found in the tower suite of the Waldorf Astoria, Assistant DA Alex Cooper and Detective Mike Chapman find themselves hunting for a killer whose only signature is a carefully drawn symbol carved into his victims' bodies, a symbol that bears a striking resemblance to train tracks. After a second body is discovered in a terminal alleyway, attention shifts to the iconic transportation hub and the potential for a bigger attack. With the President of the United States set to arrive for a United Nations meeting, Alex and Mike must contend with Grand Central's expansive underground tunnels and century-old dark secrets--as well as their own changing relationship--to find a killer who's cutting a deadly path straight to the heart of the city.

"Hunting a killer within New York's urban jungle becomes the biggest case of Alexandra Cooper's career inNew York Timesbestselling author Linda Fairstein's latest riveting thriller. A wild heart beats within New York City. Amid concrete and skyscrapers, the Wildlife Conservation Society works to preserve and protect the animal kingdom both within and beyond the borders of the five boroughs. But dangerous creatures don't always have claws and fangs, as Assistant DA Alexandra Cooper and NYPD detectives Mike Chapman and Mercer Wallace know all too well. Predators lurk close to home, and in the aftermath of the shocking assassination of an iconic public figure--someone Alex has worked with for years--the trio must unravel the motive behind the shooting to discover who is the bigger snake: the killer or the victim. The murder investigation provides more questions than answers, as a tangled mess of secrets slowly comes to light. From street gangs to secret societies, from big-game hunting to the illegal animal trade, from New York City zoos to the highest offices in city government, Alex has her work cut out for her--especially since the task force, led by the US Attorney, seems to be more against her than with her. As tensions rise between Alex and the feds, she must determine just how far she is willing to go to uncover the truth--and uphold the integrity of the office she has so proudly served. Deadfallproves once again why Linda Fairstein is hailed as "a champion teller of detective tales."* *USA Today"--

Years ago V.I. Warshawski's Aunt Rosa treated the detective's beloved mother in an unforgiveable way. Now, after she's accused of stealing $3 million from the Dominican priory where she works, Rosa calls upon the ties of blood to clear her name. V.I. is not prepared to forgive so easily. Until suddenly no one else - the FBI, a threatening phone caller, and even Aunt Rosa herself - appears to want her on the case either. V.I. turns to an old friend for help. But the stakes are higher than she could have realised . . .