From one of our most distinguished historians, a new examination of the vitally important years of Emancipation and Reconstruction during and immediately following the Civil War–a necessary reconsideration that emphasizes the era's political and cultural meaning for today's America. In Forever Free, Eric Foner overturns numerous assumptions growing out of the traditional understanding of the period, which is based almost exclusively on white sources and shaped by (often unconscious) racism. He presents the period as a time of determination, especially on the part of recently emancipated black Americans, to put into effect the principles of equal rights and citizenship for all. Drawing on a wide range of long-neglected documents, he places a new emphasis on the centrality of the black experience to an understanding of the era. We see African Americans as active agents in overthrowing slavery, in helping win the Civil War, and–even more actively–in shaping Reconstruction and creating a legacy long obscured and misunderstood. Foner makes clear how, by war's end, freed slaves in the South built on networks of church and family in order to exercise their right of suffrage as well as gain access to education, land, and employment. He shows us that the birth of the Ku Klux Klan and renewed acts of racial violence were retaliation for the progress made by blacks soon after the war. He refutes lingering misconceptions about Reconstruction, including the attribution of its ills to corrupt African American politicians and “carpetbaggers,” and connects it to the movements for civil rights and racial justice. Joshua Brown's illustrated commentary on the era's graphic art and photographs complements the narrative. He offers a unique portrait of how Americans envisioned their world and time. Forever Free is an essential contribution to our understanding of the events that fundamentally reshaped American life after the Civil War–a persuasive reading of history that transforms our sense of the era from a time of failure and despair to a threshold of hope and achievement.

When George W. Bush Became President in January 2001, he took office with a comfortably familiar surname, bipartisan rhetoric, and the promise of calming a public shaken by the convulsions of a contested election. Then, after the tragedy of 9/11, both the country and the world looked to him for leadership that could unite people behind great common goals. Instead, George W. Bush squandered the good will felt toward America, turned allies into adversaries, and ran what may well be the most radical and divisive administration in the history of the presidency. Carefully documented and with vivid detail, The Book on Bush traces the guiding ideology that runs through a wide range of W.'s policies. The Book on Bush is an invaluable resource that exposes plutocracy posing as patriotism and, in area after area, the encroachment of radical right-wing ideology onto a moderate country. Book jacket.

Filled with stories that demonstrate the mind-numbing reasons behind the secular left's smug disdain for Christianity, Horowitz traces the history of religious liberty from the Founding Fathers to now. He shows how the Founding Fathers put aside their own skepticisms about God and religion to write The Declaration of Independence. Today, he writes Donald Trump's "genuine love for his country" has galvanized Christians to fight the secular war waged against them -- as the president has become a lightning rod for the radical left.

Winner of the National Book Critics Circle Award 2014 With this volume, Davis presents the age of emancipation as a model for reform and as probably the greatest landmark of willed moral progress in human history. Bringing to a close his staggeringly ambitious, prizewinning trilogy on slavery in Western culture Davis offers original and penetrating insights into what slavery and emancipation meant to Americans. He explores how the Haitian Revolution respectively terrified and inspired white and black Americans, hovering over the antislavery debates like a bloodstained ghost. He offers a surprising analysis of the complex and misunderstood significance the project to move freed slaves back to Africa. He vividly portrays the dehumanizing impact of slavery, as well as the generally unrecognized importance of freed slaves to abolition. Most of all, Davis presents the age of emancipation as a model for reform and as probably the greatest landmark of willed moral progress in human history.

David Brion Davis has long been recognized as the leading authority on slavery in the Western World. His books have won every major history award--including the Pulitzer Prize and the National Book Award--and he has been universally praised for his prodigious research, his brilliant analytical skill, and his rich and powerful prose. Now, in Inhuman Bondage, Davis sums up a lifetime of insight in what Stanley L. Engerman calls "a monumental and magisterial book, the essential work on New World slavery for several decades to come."Davis begins with the dramatic Amistad case, which vividly highlights the international character of the Atlantic slave trade and the roles of the American judiciary, the presidency, the media, and of both black and white abolitionists. The heart of the book looks at slavery in the American South, describing black slaveholding planters, the rise of the Cotton Kingdom, the daily life of ordinary slaves, the highly destructive internal, long-distance slave trade, the sexual exploitation of slaves, the emergence of an African-American culture, and much more. But though centered on the United States, the book offers a global perspective spanning four continents. It is the only study of American slavery that reaches back to ancient foundations (discussing the classical and biblical justifications for chattel bondage) and also traces the long evolution of anti-black racism (as in the writings of David Hume and Immanuel Kant, among many others). Equally important, it combines the subjects of slavery and abolitionism as very few books do, and it illuminates the meaning of nineteenth-century slave conspiracies and revolts, with a detailed comparison with 3 major revolts in the British Caribbean. It connects the actual life of slaves with the crucial place of slavery in American politics and stresses that slavery was integral to America's success as a nation--not a marginal enterprise.A definitive history by a writer deeply immersed in the subject, Inhuman Bondage offers a compelling narrative that links together the profits of slavery, the pain of the enslaved, and the legacy of racism. It is the ultimate portrait of the dark side of the American dream. Yet it offers an inspiring example as well--the story of how abolitionists, barely a fringe group in the 1770s, successfully fought, in the space of a hundred years, to defeat one of human history's greatest evils.

Some are household names, other are all but forgotten. These twelve heroes played an important role in the American Revolution. Paul Revere, silversmith, engraver, midnight messenger to the Patriots. Lydia Darragh, nurse, mother of five, Continental army spy. Crispus Attucks, escaped slave, "the first to defy, the first to die." George Washington, father of the country. Deborah Sampson, "the female soldier." From spying on the British to rescuing fallen soldiers on the battlefield, these men and women stand as unforgettable heroes of the Revolutionary War. David A. Adler's lively anecdotes and Donald A. Smith's bold paintings present a dozen figures whose courage and determination to seek freedom were indomitable in their own times and remain a shining example in our own. Author's notes, a list of important dates, source notes, and a selected bibliography expand on the biographies of each person. This is a great gift for young history buffs interested in the Revolutionary War as well as a resource for classroom use.

"No more dramatic courtroom scene has ever been enacted," reported the Syracuse Herald on May 22, 1915, as it covered "the greatest libel suit in history," a battle fought between former President Theodore Roosevelt and the leader of the Republican party. Roosevelt, the boisterous and mostly beloved legendary American hero, had accused his former friend and ally, now turned rival, William Barnes of political corruption. The furious Barnes responded by suing Roosevelt for an enormous sum that could have financially devastated him. The spectacle of Roosevelt defending himself in a lawsuit captured the imagination of the country, and more than fifty newspapers sent reporters to cover the trial. Accounts from inside and outside the courtroom combined with excerpts from the trial transcript give us Roosevelt in his own words and serve as the heart of this book. This was Roosevelt's final fight to defend his political legacy and perhaps regain his fading stature. He spent more than a week on the witness stand, revealing hidden secrets of the American political system, and then endured a merciless cross-examination. Witnesses, including a young Franklin D. Roosevelt and a host of well-known political leaders, were questioned by two of the most brilliant attorneys in the country. Following the case through court transcripts, news reports, and other primary sources, Dan Abrams and David Fisher present a high-definition picture of the American legal system in a nation standing on the precipice of the Great War, with its former president fighting for the ideals he held dear

This is the story of when I was a boy, almost 100 years ago, when fire engines were pulled by horses, boys did not play with girls, kids went to libraries for books, there was no TV, you could see a movie for a nickel and everybody wore a hat. When Everybody Wore a Hat was one of celebrated author/artist William Steig's last gifts to the world of children's books: a portrait of the artist himself, told in Steig's signature quirky words and illustrations. Now in paperback, this funny, poignant, and revealing picture book has all the vitality and wit of a Steig classic. Ages 2+

A New York Times BestsellerThomas L. Friedman won his third Pulitzer Prize for his clarity of vision, based on extensive reporting, in commenting on the worldwide impact of the terrorist threat after the attacks of September 11, 2001. Longitudes & Attitudes is made up of the columns Friedman has published about September 11, as well as a diary of his private experiences and reflections as he travels from Afghanistan to Israel to Europe to Indonesia to Saudi Arabia reporting on the post-September 11 world.

Pulitzer Prize-winning oral historian Studs Terkel's "greatest hits." Terkel's oral histories have been enjoyed by millions of Americans, and have earned him a Pulitzer Prize, induction into The American Academy of Arts and Letters, The National Humanities Medal, and The National Book Foundation Medal for Distinguished Contribution to American Letters, among other honors. My American Century collects the best of his interviews and the introductions from each of his eight classic books, along with a major new introduction to Terkel's work by Robert Coles. It is a both stellar collection of portraits and a panoramic chronicle of America from the 1920s onward.

A New York Times bestseller when it was first published in 1995, Coming of Age presents an astonishing portrait of American life and the experience of aging in the twentieth century, drawn from the stories of seventy-four very different people, the youngest of whom is seventy and the oldest ninety-nine. Inspiring in the honesty of their voices and their lack of nostalgia or illusions, these are people with the widest range of experiences from all around the country; many were at the vanguard of their movements, whether of trade unions, gay liberation, or the arts. They remind us what we once were, what we have lost, and the extraordinary extent to which we've been transformed as a society over the last hundred odd years.

Chaplin plays 2 characters in his first full talkie. Adenoid Hynkel, the dictator of Tomania, and a Jewish Barber. The Barber recovers from amnesia to discover Hynkel is persecuting all the Jews in his country.

"For anyone interested in the world behind the business-page headlines, this is the book to read." --Publishers Weekly With the same breadth of vision and narrative élan he brought to his monumental biographies of the great financiers, Ron Chernow examines the forces that made dynasties like the Morgans, the Warburgs, and the Rothschilds the financial arbiters of the early twentieth century and then rendered them virtually obsolete by the century's end. As he traces the shifting balance of power among investors, borrowers, and bankers, Chernow evokes both the grand theater of capital and the personal dramas of its most fascinating protagonists. Here is Siegmund Warburg, who dropped a client in the heat of a takeover deal because the man wore monogrammed shirt cuffs, as well as the imperious J. P. Morgan, who, when faced with a federal antitrust suit, admonished Theodore Roosevelt to "send your man to my man and they can fix it up." And here are the men who usurped their power, from the go-getters of the 1920s to the masters of the universe of the 1980s. Glittering with perception and anecdote, The Death of the Banker is at once a panorama of twentieth-century finance and a guide to the new era of giant mutual funds on Wall Street. "Chernow . . . delivers a sound, accessible account of the forces shaping capital, credit, currency, and securities markets on the eve of a new millennium. " --Kirkus Reviews

Krugman pursues the questions of how bad the "Great Recession" really is, how we got stuck in what can now be called a depression and, above all, how we can free ourselves.

An impotant new book by the former ambassador to the U.S.

"A startling look at how concentrated financial power and consumerism transformed American politics, resulting in the emergence of populism and authoritarianism, the fall of the Democratic Party--while also providing the steps needed to create a new democracy"--

Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

The fight for gay and lesbian civil rights -- the years of injustice, the early battles, the defeats, and the victories beyond the dreams of the gay rights pioneers -- is an important civil rights issue of the present day. In this book, Lillian Faderman tells this unfinished story through the accounts of passionate struggles with sweep, depth, and feeling. The Gay Revolution begins in the 1950s, when gays and lesbians were criminals, psychiatrists saw them as mentally ill, churches saw them as sinners, and society victimized them with hatred. Against this dark backdrop, a few brave people began to fight back, paving the way for the revolutionary changes of the 1960s and beyond. Faderman discusses the protests in the 1960s; the counter reaction of the 1970s and early eighties; the decimated but united community during the AIDS epidemic; and the current hurdles for the right to marriage equality.