Book by Garlick, Raymond

Limited edition hardcover with unclipped dust jacket, in very good condition. This is number 64 of 100, signed by the author, the artists and photographers who have contributed to the book. Errata slip tipped in. From the collection of Ian Angus, British Librarian and a scholar on George Orwell, whose name and date are pencilled to FEP. Jacket is sunned throughout, and edges are creased and nicked. Boards are clean, binding is sound and pages are clear. LW

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This rare and vintage book is a perfect addition to any bibliophile's collection

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Queen of Sheba: Opera in Four Acts, From a d104 by Mosenthal Kano awaits thecoming of the Queen of Sheba. He has dispatched his favorite courtier, Assad, to escort the royal guest to Jerusalem. Assad, the betrothed of Sulamith, the High Priest's daughter, was to celebrate his nuptials during the Queen' s sojourn in the Jewish capital; but at the foot of the Lebanon he has surprised the beautiful queen in a bath, and, inflamed by her charms, has become deeply enam ored with her, as she with him. On his return to Jerusalem he 18 met by his betrothed and her father, but conscious of his guilty passion he shrinks from their welcomes. Solomon who half divines the truth, questions him closely, whereupon Assad confesses the truth so far as it is known to himself, for he is not yet aware of the fact that it was the Queen herself whom he had espied in the bath. Solomon exhorts himto remain faithful to Sulamith; Assad promises obedience, but finds his resolution shaken when, at the Queen's reception of the royal court, she raises her veil and gazes at him. Dining the night the Queen has a secret meeting with Assad in the royal gardens and urges him to abandon Sulamith and to return with her (the Queen) to Arabia. The day set for his nuptials with Sulamith arrives Solomon himself appears in the temple to witness the celebration Assad seems inclined to return to his faith, but on seeing the Queen enter the sacred edifice, his unhahowed passxon revives, and be publicly spurns his devoted bride. Solomon, suspecting the truth, conjures the Queen to solve this mystery, but she declares that she does not know Assad and has never seen him. The latter is condemned to death by the priests, but the execution of judgment is stayed by the Ling. The Queen pleads for him, but Solomon remains deaf to her prayers, where upon the Queen departs from Jerusalem. Sulamith declares her intention to retire from the world and to devote her remaining days to God. Assad, whose life has been spared, but who is condemned by the King to perpetual banishment, strays repent nully in the Syrian desert. Once more he meets the false Queen who exhausts her seductive eloquence, but m vain. Assad remains deaf to her pleadings and is resolved to atone his guilt by sincere repentance. He expires in the arms of Sulamith who, accompanied by her maidens, is traversing the desert on her way to her cloistral seclusion and has found her faithless lover fainting and dying. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Poems.

The critic George P. Elliott once declared: "Hecht's voice is his own, but his language, more amply than that of any other living poet writing in English, derives from, adds to, is part of the great tradition." The Darkness and the Light , Anthony Hecht's seventh volume - whose 44 poems include fine translations of poems by Horace, Baudelaire, Goethe, Vaillant and d'Orleans - vividly demonstrates that Elliott's claim is as apt now as it was when he made it, a quarter of a century ago.

Luisa Futoransky is a poet of lived experience above all, though not hers alone; other voices inhabit the work, whether of friends, lovers, fellow travellers (people she met or figures from history and literature). Like her fiction, the poetry employs a direct language rooted in anecdote and reflection, while sometimes delighting in playful experimentalism. Hers are mosaic narratives, made of pieces, fragments. Something else to notice in Nettles is her flair for the theatrical, especially acute when she writes in shorter forms. Surely her studies of opera helped to hone her instinct for the dramatic gesture. But to think that we start in Rome with this book only to end up in Ohio. That is some sense of humour.

With Jerusalem as its epicentre, The Maltese Dreambook extends Gabriel Levin’s quarter-century-long ramble through the Levant, his adopted homeland. On a Greek island, in the desert wastes of southern Jordan and in Malta, whose Stone Age temples serve as a backdrop to the title poem, this collection abounds in unforeseen encounters that blur the borders between the phantasmal and the real, the modern and the archaic, the rational and the imaginary. Gabriel Levin was born in France, grew up in the United States, and has been living in Jerusalem since 1972. He has published two collections of poetry, Sleepers of Beulah (1992) and Ostraca (1999) and several translations from the Hebrew, French and Arabic, including a selection of Yehuda Halevi’s poetry, Poems from the Diwan (Anvil, 2002). He is one of the founding editors of Ibis Editions, a small press established in Jerusalem in 1997 and dedicated to the publication, in English, of literature from the Levant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This new bilingual edition of Rosalind Resnick's poetry celebrates her life, loves and adventures in New York and Italy. For romantics everywhere!

This is a collection of poems that reflects the author's experiences as a traveler and a lover of nature. The poems are characterized by a lyrical and introspective tone, and reveal a deep appreciation for the beauty and mystery of the natural world. Philip Max Raskin's work is sure to resonate with readers who share his sense of wonder and awe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A poem describing the sights and sensations of flying in an airplane.