Out of the ashes of the Nazi concentration camps came an extraordinary love story which caught the public's imagination at the end of World War II. This autobiography tells how the author survived the camps and met her husband, a sergeant working for British intelligence, when he arrived to round up the SS guards for interrogation. Norman Turgel, then a young man, was among the first to enter the camp on April 15, 1945, and like so many battle-hardened soldiers, was deeply shocked and angered by the human suffering and degradation he witnessed. Yet it was here, in the midst of the living evidence of the most terrible suffering that man has ever inflicted on his fellow human beings, that he fell in love at first sight. Gena, a young Polish Jewish inmate of the camp, who had experienced indescribable loss, hardship, and deprivation, was to survive and find happiness against all odds. This is Gena's story: the autobiography of a woman whose strength of spirit enabled her to keep her mother alive and thereby save herself. When Gena married Norman in Germany in October 1945 in a wedding dress made of British parachute silk, the British Army Rabbi proclaimed their love a symbol of hope after so much death. But, Gena still lights a candle in memory of her three brothers and two sisters who died in the Holocaust. And, while her own story has a happy ending, she can never forget.

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, Independent In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s,it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died. Antal Szerb (1901-1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murderedin a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend , Oliver VII and his masterpiece Journey by Moonlight , as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories .

Rafael, a young Jewish boy living in Spain during the Inquisition, wants to have a Bar Mitzvah and when his father opposes it, Rafael leaves, meets and falls in love with Miriam, and journeys with her toward Safed, Israel, the spiritual home of mystical Jews.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Written at the height of Arab terror attacks against Jews in Israel, Rabbi Meir Kahane, head of the Kach Party, says the phenomenon could have been crushed in two days, but instead, has been permitted to fester. Israeli Jews are angry, frustrated and bitter. They are deeply concerned for themselves and their loved ones. They are eager to strike back against those Arabs who are allowed by the government to destroy them. Kahane warns that the situation cannot continue. If the govenment cannot or will not protect Jews lives and property, it loses its legitimate right to rule, and will force desperate Jews to take the law into their own hands. There is another alternative! Kahane suggest that the Israeli government allow its angry citizens to go to the polls themselves, to decide. A referendendum is the only alternative to save mainline Jews from both murderous Arabs and incited Jews.

No one before or after Kurt Tucholsky has captured the horrors of the "Great War," as World War I was known, quite like he did. The famed Weimar writer, who would become one of Germany's best-known satirist and journalists, describes surviving in the trenches and fighting a losing battle, the arrogance of the officers and the desperation of the loved ones back home. His writing is similar to that of Heinrich Heine, his role model, in that it appears superficially simple but is replete with hidden meanings. His works are touching, stirring, and precisely to the point. He brings alive the war that still looms even into our own 21st century. This is the first bilingual anthology in German and in English of his works on World War I. The First World War was the "Great War". Everything that happened after this war, even into our own 21st century, is contingent on the years between 1914 and 1918. The Great War also shaped Kurt Tucholsky who emerged from the war.. His style is biting, satirical, and penetrating, full of Berlin gallows humor. This bilingual anthology contains English translation of his short stories as well as a rendition of his poetry about World War I, all representative of his style.

When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.

The first biography in a generation of Canada's most eccentric and most important prime minister -- Mackenzie King -- and his defining influence on our 20th century. Most Canadian historians consider William Lyon Mackenzie King to be not only the country's greatest prime minister but also its most peculiar. From 1919 to 1948 he occasionally lorded over the Liberal Party, also serving as prime minister for much of that time. Mackenzie King was a brilliant tactician, was passionately committed to Canadian unity, and was a protector of the underdog, introducing such cornerstones of Canada's social safety net as unemployment insurance, family allowances and old-age pensions. At the same time, he was insecure, craved flattery, became upset at minor criticism, and was prone to fantasy -- especially about the Tory conspiracy against him. King loosened the Imperial connection with Britain and was wary of American military and economic power. Yet he loved all things British and acted like a praised schoolboy when British Prime Minister Winston Churchill or U.S. President Franklin Roosevelt treated him as an equal. King comes at a time when the Canadian people have resoundingly rebuffed the Liberal party under Michael Ignatieff; while the party's future remains uncertain, this definitive biography sheds light on its history under its greatest leader. This first major biography of Mackenzie King in 30 years mines the pages of his remarkable diary. At 30,000 pages, King is one of the most significant and revealing political documents in Canada's history and a guide to the deep and often moving inner conflicts that haunted Mackenzie King. With animated prose and a subtle wit, Allan Levine draws a multidimensional portrait of this most compelling of politicians.

My Life And Loves In Greenwich Village is a memoir written by Maxwell Bodenheim, an American poet and novelist who lived in the bohemian neighborhood of Greenwich Village in New York City during the early 20th century. The book is a candid account of Bodenheim's personal and professional life, detailing his struggles as a struggling writer, his relationships with women, and his experiences with drugs and alcohol. Bodenheim describes the colorful characters and events that defined the Greenwich Village scene during his time there, including the rise of modernist art and literature, the emergence of jazz music, and the social and political movements of the era. The book also provides insights into the author's own creative process, as he discusses his writing techniques and the inspiration behind his work.Overall, My Life And Loves In Greenwich Village is a fascinating glimpse into the bohemian lifestyle of early 20th century New York City, as seen through the eyes of one of its most talented and troubled writers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David , Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art. A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David , Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

From the "Introduction": European Emperors, Kings, Kaisers and Tsars, and their Churches, forbade contraception, women¿s equality and divorce. Baptismal Certificates and class barriers dictated who could legally marry, attend school or the university, advance socially, and who could not. World War I finally swept them from power, but their dictates frequently remained as law, in a turbulent era of struggle for freedom and democracy, versus resurgent fascism and slavery. Hodann's History contains a clear discussion of these historical developments within the sexual reform and women's rights movements of Weimar Germany and Europe generally, in the early decades of the 1900s. The parallel advance of scientific knowledge on human sexuality is also detailed. Unlike many contemporary works on these subjects, History of Modern Morals is authored by a physician who lived the struggle, was a leader in it, got arrested by the Nazis for it, and intimately worked with other professionals who also had personally suffered for their work in the same social-sexual reform movement. His writings are therefore filled with a strong passion and vitality, and with many personal observations, anecdotes, and clarifying information not found elsewhere. Hodann's History is also unique in that he frequently and positively discusses the work of his contemporary and associate, Wilhelm Reich. This is especially important given their life-positive emphasis upon love and emotion in sexuality, and their distinction between natural-healthy heterosexual genitality versus neurotic and unhealthy sexual expressions. In the modern era of "politically correct" moral equivalence, this essential consideration has been diminished or erased from public discussion.

"Considered Antonio Lobo Antunes's masterpiece, The land at the end of the world -- now in a new and fully restored translation by acclaimed translator Margaret Jull Costa -- recounts the anguished tale of a Portuguese medic haunted by memories of war, who, like the Ancient Mariner, will tell his tale to anyone who listens. In the tradition of William Faulkner and Gabriel Garcia Marquez, one of the twentieth century's most original literary voices has delivered a haunting and heartrending meditation on the absurdities of love and war"--Back cover

"Lettres d'un Innocent: The Letters of Captain Dreyfus to His Wife" offers a poignant and invaluable firsthand account of one of the most significant political scandals in French history: the Dreyfus Affair. Penned by Alfred Dreyfus himself, these letters to his wife, Lucie, provide a deeply personal window into his experience as he faced accusations of treason and endured the crucible of military justice. This historical collection allows readers to witness the emotional and intellectual resilience of Alfred Dreyfus during a time of immense personal and national turmoil. More than just correspondence, these letters are a testament to enduring love and unwavering hope in the face of injustice. Explore the complexities of the Dreyfus Affair through the intimate lens of a man fighting to clear his name, offering a unique perspective on a pivotal moment in European history. A powerful and moving historical document. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1853 Excerpt: ...in sacred awe, but my soul feels as I think on death, a longing after Heaven! There is nought yet in this world to dim the bright picture of Heaven:--as long as it pleases my Heavenly Father to guard me in this world I am content to live; but when it is His pleasure to remove me hence, I have no dread of death; I know not what it is to feel-that fondness for a passing world to live in dread of death, and "die a thousand deaths in fearing one." We lament over the departed, but we lament our loss; surely not that they have quitted a world where joy and sorrow mingle, to enter one of eternal bliss! We mourn, for perchance a family circle is deprived of one of its loved supporters; we feel their absence, we miss their affection, their council, we weep for we can see them not again, at least not in this life, and there is a blank where they have been. Perchance a friend long loved and dear has gone to her last home, and we weep over her tomb, for there is a void within our hearts which no one else can fill--the joys of this world once enjoyed with her are joys no longer. Perchance a fond mother weeps over her child, cut off in the spring of life: she looks in vain for the endearing smile, she can no longer watch the dawning mind, the rise to fame; and a parent's grief no human skill can cure. But, can we weep for the fate of the departed--weep, that they are removed from a chequered world where perfect happiness is not. When we see those in the early bloom of youth cut off, we may sympathise with their mourning friends and weep for them, that those so dear to us are gone; but not for the released one, whom God has taken to Himself, ere the troubles of this world are his, whilst yet the pleasure of an earthly world have been his lot, alone, and ere sin ...

'Bill Freund, the late social historian and leading analyst of African history, passed away in 2020 soon after finishing his autobiography. Often described as the academy's 'outsider insider', he was an eminent South African historian who published prodigiously in the areas of labour, capital and economic history. What influenced this American-educated academic to become such an astute and trusted observer of the political economy in Africa? We follow Bill's intellectual journey from a modest Jewish home in Chicago in the 1950s to the Universities of Chicago, Yale, Ahmadu Bello University in Nigeria and Dar-es-Salaam, Tanzania, and finally to a permanent teaching position at the University of KwaZulu-Natal in Durban, South Africa. Peppered in between the commentaries on academic life are stories of his travels, poems he wrote for loved ones, and endearing anecdotes of friendships that shaped his life. As an 'outsider', both in the United States and abroad, he is able to offer rich insights into the world of Africanists and their scholarship on different continents. His thoughtful and balanced observations on late- and post-apartheid South Africa are especially interesting and refreshing. This posthumously published autobiography will give deeper insight into this unusual man and the world that shaped him - and which he in turn influenced through a deep commitment to rigorous scholarship. It includes a select bibliography of Bill Freund's many publications as well as a foreword by Robert Morrell on the making of this autobiography."--Amazon description.

At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another