In Bad Boy , renowned American artist Eric Fischl has written a penetrating, often searing exploration of his coming of age as an artist, and his search for a fresh narrative style in the highly charged and competitive New York art world in the 1970s and 1980s. With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of America artists, in a high-octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others. It was a world of fashion, fame, cocaine and alcohol that for a time threatened to undermine all that Fischl had achieved. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art—his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl’s maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.

Journalist Dina Rabinovitch had just turned 40 when was diagnosed with breast cancer in September 2004. At that point she didn't know a thing about the disease. By the time of her death in autumn 2007, she was an expert. Her experience of the condition and its treatment, from diagnosis through mastectomy to remission and reoccurrence is recounted in this down-to-earth memoir, covering everything from trialling the last anti-cancer drugs to what to wear that's stylish after surgery. Warm, lively, at times irreverent, Rabinovitch's brave story of juggling a hectic career and a large, extended family while living - and dying - with cancer is essential reading.

"Virginia Woolf wrote that in order to be a writer, a woman needs a room of one's own. Now, in [this book], acclaimed author Deborah Levy concludes her ground-breaking trilogy of living autobiographies with an exhilarating, boldly intimate meditation on home and the specters that haunt it. In this vibrant memoir, Levy employs her characteristic indelible writing, sharp wit, and acute insights to craft a searing examination of womanhood and ownership. Her inventory of possessions, real and imagined, pushes readers to question our cultural understanding of belonging and belongings and to consider the value of a woman's intellectual and personal life. Blending personal history, gender politics, philosophy, and literary theory, [this book] is a brilliant, compulsively readable narrative" --

"A memoir of a decade in prison by a well-educated young addict known as the "Apologetic Bandit" In 2003, fresh out of NYU, Daniel Genis was working in publishing as his writer father had always expected. But he was also hiding a serious heroin addiction that led him into debt and burglary. After he was arrested for robbing people at knifepoint in 2003, Daniel Genis was nicknamed the "apologetic bandit" in the press, given his habit of apologizing to his victims as he took their cash. He was sentenced to twelve years (ten with good behavior), surviving the decade by reading 1,046 books, weightlifting, having philosophical discussions with various inmates, encountering violence on a daily basis, working at a serious of prison jobs, and in general observing an existence for which nothing in his life had prepared him. Sentence is one of the most striking prison memoirs--and memoirs in general--in recent years--written with intelligence, wit, empathy, and remarkable style. Genis is the son of a famous Soviet émigré writer, broadcaster, and culture critic in Russia. He grew up in a home whose visitors included Mikhail Baryshnikov; Russian nuclear physicist Andrei Sakharov; authors Kurt Vonnegut, Umberto Eco and Norman Mailer; and Czech film director Milos Forman. The education and culture so prized by his family were his lifeline during his decade in prison, and he describes in unsparing and vivid detail the realities of daily life in the New York penal system, from Rikers Island through a series of upstate institutions. He learns about the social strata of gangs, the "court" system that sets geographic boundaries in prison yards, how sex was obtained, the black market of drugs and more practical goods, the inventiveness required for everyday tasks such as cooking, and how debilitating solitary confinement actually is--all while trying to preserve his relationship with his recently married wife"--

At last Betty Friedan herself speaks about her life and career. With the same unsparing frankness that made The Feminine Mystique one of the most influential books of our era, Friedan looks back and tells us what it took -- and what it cost -- to change the world. Betty Friedan's The Feminine Mystique, published in 1963, started the women's movement; it sold more than four million copies and was recently named one of the one hundred most important books of the century. In Life So Far, Friedan takes us on an intimate journey through her life -- a lonely childhood in Peoria, Illinois; salvation at Smith College; her days as a labor reporter for a union newspaper in New York (from which she was dismissed when she became pregnant); unfulfilling and painful years as a suburban housewife; finding great joy as a mother; and writing The Feminine Mystique, which grew out of a survey of her Smith classmates and started it all. Friedan chronicles the secret underground of women in Washington, D.C., who drafted her in the early 1960s to spearhead an "NAACP" for women, and recounts the courage of many, including some Catholic nuns who played a brave part in those early days of NOW, the National Organization for Women. Friedan's feminist thinking, a philosophy of evolution, is reflected throughout her book. She recognized early that the women's movement would falter if institutions did not change to reflect the new realities of women's lives, and she fought to keep the movement practical and free of extremism, including "man-hating." She describes candidly the movement's political infighting that brought her to the point of legal action and resulted in a long breach with fellow leaders Gloria Steinem and Bella Abzug. Friedan is frank about her twenty-two-year marriage to Carl Friedan, an advertising entrepreneur. She writes about the explosive cycle of drinking, arguing, and physical battering she endured and explores her prolonged inability to leave the marriage. (They are now friends and the grandparents of nine.) Friedan was not only pivotal in the founding of NOW, she was also the driving force behind the creation of the National Abortion and Reproductive Rights Action League (NARAL), the National Women's Political Caucus (NWPC), and the First Women's Bank and Trust Company. She made history by introducing the issue of sex discrimination as an argument against the ratification of a Supreme Court nominee. She convinced the Secretary General of the United Nations to declare 1975 the International Year of the Woman. In this volume, Friedan brings to extraordinary life her bold and contentious leadership in the movement. She lectures, writes, leads think tanks, and organizes women and men to work together in political, legal, and social battles on behalf of women's rights. It is exactly this breadth of vision that makes Friedan's memoir an important and compelling work.

"Film and television director and notable raconteur Barry Sonnenfeld's outrageous and hilarious memoir, tracing his idiosyncratic upbringing in Washington Heights, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty and A Series of Unfortunate Events"--

"Allen Shawn is afraid of heights, water, fields, parking lots, tunnels, and unknown roads. He avoids subways, elevators, and bridges. He is afraid of both closed and open spaces and of any form of isolation--yet this is a memoir of enormous bravery. He is the son of New Yorker editor William Shawn and brother to playwright/actor Wallace Shawn. His twin sister is autistic. His father led a double life that introduced strict taboos to his household. Shawn examines these influences, his father's and mother's phobias, and his own struggle with agoraphobia with generosity, wit, and insight, interwoven with both Freudian psychology and cutting-edge brain research, attempting to decipher the psychological and biological puzzles that have plagued him for so long

Renaissance military memoirs studied for what they reveal of contemporary attiudes towards war, selfhood and identity.

Mosaic: Memoirs, Lincoln Kirstein's long-awaited autobiography, is a compelling, often highly subjective evocation of his astonishing youth. The book's scenes move from the old mansions of Brahmin Boston to the waterfront bars of Brooklyn, George Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau, and the brothels of Marrakesh. It culminates with thrilling suspense in 1933, when Kirstein visits Paris, hoping to lure George Balanchine to the United States. Kirstein shapes his numinous memories into the story of a young man's quest to fuse his various roles into a unified self. Mosaic is the epic history of his ultimately triumphant search for a vocation. As a chapter in the growth of modernism, and as a contribution to cultural history - and the history of assimilation - this superbly written, humorous, and candid book is unique and invaluable.

Book by Smith, Willie

A complete collection of Robert Lowell's autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life.

From the heyday of the '50s B-movies through the disaster genre of the '70s, William Castle was an extraordinary movie mogul who produced such classic thrillers as Straight Jacket, Homicidal and Rosemary's Baby. Here are the outrageous memoirs of an American original whose life was every bit as outlandish as his movies. Photographs. Filmography.

From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.

The memoirs of Lev Razgon, "the last man alive to have actually attended and survived the Communist Party Congress of 1934." Razgon was born in a shetl, became a Communist journalist and writer, was among the Party elite at the beginning of Stalin's reign of terror, and spent seventeen years in labour camps.

A critical biography drawn from the author's letters, notebooks, memoirs and fiction.

Uses excerpts from letters, memoirs, and documents to recreate the life of Ada Byron, daughter of the English poet, and discusses her contributions to mathematics and her friendships with the leading mathematicians of the period

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--

"A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January of 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad. That journal is now They Went Another Way. The book's through line traces his trying to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project's ups and downs, Kaplan finds himself not only ruminating on show business, but also on today's political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that kept showing up in his backyard. This hilarious and surprisingly moving book is about life-about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment and wonder and hope. In short, it is about everything. And if it's not, it almost is"--

"This memoir is the story of how curiosity led me to investigate some of the greatest political mysteries of our time, including the JFK assassination in Dallas, the Vatican banking scandal in Rome and the diamond cartel in South Africa. To learn about them, I often found myself a fly-on-the-wall at the highest reaches of the establishment where I saw how presidents, tycoons, bankers and media moguls secretly greased the wheels of power. Some accuse me of being a conspiracist, but that is not correct. I am essentially a puzzle solver. Instead of accepting the received wisdom of the media, I search for a puzzle's missing pieces, such as the autopsy photographs of President John F. Kennedy that were kept from the investigation conducted by the Warren Commission Finding suppressed or overlooked evidence often has the result of overturning the established narrative, as happened when I published my book Inquest on the Commission, but that is very different from seeking a conspiracy. Sometimes, it is true. my work results in uncovering a deep conspiracy, as happened in my investigation of the world diamond cartel; other times, however, it results in discrediting belief in a conspiracy, as happened in my investigation of the murders of numerous Black Panthers (which caused the Washington Post, Los Angeles Times and other newspapers, whose reporting had suggested the existence of an FBI conspiracy, to issue editorial apologies following the publication of my investigation in The New Yorker.) My prime interest has always been in finding gaps in the conventional wisdom about an event. How I came to be a pursuer of lost truths is a curious story of self-actualization"--

"Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet"--