Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses. Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.

Given the reputation of Romeo and Juliet in literary circles, theatre programs, and the ordinary world, one would assume that every aspect of this iconic play had long ago been exhausted through relentless study and debate. It's longevity and our persistence with it, however, only enhance Romeo and Juliet's endurance as a piece of writing capable of endless scrutiny and limitless interpretation. The essays within this edition of Critical Insights are no exception to the innovate perspectives that Romeo and Juliet inspires. Inside, readers can expect to find essays on film adaptations, parodies, space, and artificiality, as well as pluralistic approaches to the balcony scene, possibly the most famous scene in western literature. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources. -- Publisher's website.

Interweaving history, criticism, and biography, this book is the first to present the relations among six great founders of modern literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In a dialogue with modern literature, discusses the search for meaning through meeting with the particular. Ch. 10 (pp. 157-185), "The Shoah - Our Ultimate Confrontation, " analyzes works by Andre Schwarz-Bart, Primo Levi, Nelly Sachs, and Paul Celan on the Holocaust, which are "paradigmatic of the absurdity of our time." Schwarz-Bart's novel "The Last of the Just" portrays its protagonist as a "suffering servant" (Isaiah) who suffers voluntarily (including death in a gas chamber) for God, all Jews, and all humanity, during a period of the "eclipse of God." Levi found meaning after the Holocaust via his writing; in "Survival in Auschwitz" he wrote of an Italian civilian, Lorenzo, who represented humanity in a camp environment where there was mainly hunger, cold, and death. Sachs' poetry fused the horror of Holocaust death with a strange transcendence. Celan was torn between affirmation and negation, and "forever in exile"; in his poetry, God was both absurd and divine.

The nearly 300 stories in this lovely volume are from Sephardic oral literature and ethnic culture. They were told in their original language, Judeo-Spanish (Ladino), and documented over 21 years. From 17 countries, including the United States, they come together in this first-ever collection of Joha stories to appear in English.

Born in Clinton, Mississippi, Barry Hannah has been a major force in southern literature since the 1970 publication of his first novel, Geronimo Rex, which won the Bellman Foundation Award in fiction. It was followed by his first collection of stories, Airships (1978), winner of the prestigious Arnold Gringrich Short Fiction Award, and the acclaimed novel Ray (1980). The honesty of Hannah's vision and his varied narrative voices have won him comparison to Walker Percy, William Faulkner, Eudora Welty, and Flannery O'Connor. One of the South's most original writers, Hannah explores the human psyche; he may write primarily about his experiences in the South, but his experiments with prose are not restricted to region. In this first full-length critical study of Hannah's works--six novels and two volumes of short stories--Mark Jay Charney deftly explores Hannah's connections with southern writers like Faulkner and Welty by examining both his progression as a fiction writer and his experiments with language, voice, and form. Expertly combining biographical information with critical analysis, Charney correlates Hannah's literary themes and techniques with the influences shaping his life. The book is organized chronologically to illustrate Hannah's growing preoccupation with unconventional narrative form and to delineate the thematic shift from violence and isolation to peaceful alternatives and community acceptance. This book is a most welcome introduction to the works of a writer who promises to remain one of South's most startling and iconoclastic voices.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

For nearly a decade Marc Aronson ran an imprint dedicated to international and multicultural literature for teens. He was known in the industry for publishing "edgy" books, and for his commitment to bringing the experiences of non-dominant authors and illustrators to the world. Yet in the summer of 2001 he wrote an essay that argued against awards, such as the Pure Belpre and Coretta Scott King prizes, for which you must be a member of a given ethnic group to win. Not surprisingly, his article was very controversial; and the author and publisher Andrea Davis Pinkney who had created an imprint specifically designed to be of, by, and for African Americans, published a thoughtful reply. Here, in Beyond the Pale , Aronson explains the passionate convictions that led him to write his essay, and outlines objections made by others; then reprints the original alongside Pinkney's response. As Aronson prepared a formal response to his critics, the attacks of September 11th took place. This tragedy simultaneously made a squabble among authors seem petty, and the issues around art, society, and cultural diversity all the more important. Throughout 2001 and 2002, Aronson wrote essays in which he weighed out how art, history, and books for younger readers could respond to the altered world. As in his previous collection, Exploding the Myths, the Truth About Teenagers and Reading , he exposes the mythologies and false beliefs that distort our understanding of books and their readers. Provocative and informative, this collection of essays will challenge those who know children's literature well to think in new ways, while linking the debates within that industry to the wider intellectual currents of our time.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Journey to heaven invites readers to rediscover some of the basic tenets of Jewish belief concerning the hereafter: resurrection, immortality, judgment, messianism, and the World to Come. Starting with the Bible's references to Sheol and allusions to resurrection, this comprehensive survey explores immortality and bodily resurrection in Second Temple literature; the Mishnah's discussions of olam ha-ba, the World to Come, and how to merit entertering it; and the Talmud's depictions of Gan Eden (paradise), Gehinnom (hell), and the soul's journey through these metaphysical landscapes. Bronner also explores the views of medieval scholars such as Maimonides and Nahmanides, Jewish mystical teachings about reincarnation, and modern views of faith and belief. A separate chapter is devoted to views of the Messiah over the course of Jewish history. Bronner demonstrates that the afterlife is indeed a vital part of Judaism, as she reveals how generations of Jews, from biblical times to the present, have grappled with its core ideas and beliefs about the hereafter

In this new selection of poems by Karl Shapiro, master literary craftsman John Updike provides a long-overdue reassessment of the Pulitzer Prize–winning poet who first rose to prominence with his poems about war. Updike’s great personal respect and affection for Shapiro’s work resonate throughout the essay he wrote to introduce the volume: “Karl Shapiro’s tone is breezy, surly, rapturous as the mood rapidly shifts. The last lines often stub our toes and invite us to reread. The concreteness can seem defiant. . . . His feet planted on the substantive, he could be modest and casual but also bold, with the boldness of truth personally verified.” In the poems he’s assembled, Updike selected broadly from the entire span of Shapiro’s writing life, and his introduction establishes an enduring place in American literature for the poet whose pungency and vast range of subjects have helped define American poetry of the postwar period. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

Joel Porte offers a timely reassessment of nineteenth century literature, focusing on the general question of the American Romantic ego and its varying modalities of self-creation, self-display, self-projection, and self-concealment. The book begins by exploring the status of the "text" in nineteenth-century American writing, the relationship of "rhetorical" reading to historical context, and the nature of "Romanticism" in an American setting. Porte then concentrates on the great authors of the period through a series of thematically linked but critically discrete essays on Brown, Irving, Parkman, Cooper, Poe, Emerson, Hawthorne, Thoreau, Melville, Frederick Douglass, Stowe, Whitman, and Dickinson. Throughout his important new study, Porte offers provocative reassessments of familiar texts while at the same time casting an illuminating critical eye on less well-known territory. Readers of this book will come away with increased respect for the achievement of American Romantic writers.

Critical Essays of the Seventeenth Century is a collection of some of the most influential and controversial essays of the 1600s, covering topics such as politics, religion, literature, and philosophy. Edited and introduced by a noted scholar of early modern intellectual history, the book provides valuable insight into the intellectual and cultural trends of the period and sheds light on the origins of many of the debates that continue to shape modern thought. With its authoritative scholarship and careful selection of texts, Critical Essays of the Seventeenth Century is an indispensable resource for students and scholars of early modern intellectual history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jacob Neusner has published more than 1000 books and articles, scholarly and academic, popular and journalistic, and is one of the most published humanities scholars in the world. Over a period of fifty years he has made significant, insightful and challenging contributions to the study of Rabbinic Judaism, particularly in the disciplines covered in the three volumes which make up Neusner on Judaism: the study of history (volume 1), literature (volume 2), and religion and theology (volume 3). These unique volumes of selective writings by Jacob Neusner, with new introductions by the author, offer scholars an invaluable resource in the field of Judaic Studies.

Prayers are among the most personal and imaginative among Hittite texts. Rich in metaphors and similes, they provide the best insight into Hittite contemplative thinking and philosophy of life. In the face of grave illness, the death of a loved one, or an impending military catastrophe, those in crisis disregard the conventional rules of prudent phrasing and cry out from the bottom of their hearts for deliverance and for a better comprehension of their world. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Rabbinic texts are often cited in New Testament and Old Testament studies, but hitherto there has been no easy way for a student to grasp the scope and variety of the relevant rabbinic writings. This book introduces the student to the full range of the early rabbinic writings, with a thorough introduction and notes, so that both a bird's eye view of the literature as well as close aquaintance with typical and important texts can be obtained. This will enable the reader to embark on further study with a clearer orientation. The book also aims to correct many mistaken views about rabbinic Judaism arising from outdated conceptions of the relation between Christianity and Judaism.