This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

Manny Farber, one of the most important critics in movie history, championed the American action film-the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel-at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Chantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film". --Publisher.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville The Twenty-Third Precinct of the New York City Police Department includes within its boundaries exalted penthouses and reeking slums. The story concerns three men in blue, their loves, their ambitions, their contentions-the cruelty they encounter, the courage they offer, the pity and aid they are able to give. It speeds through the reader's consciousness like a patrol car wailing in midnight traffic. In 1948 the Acting Commissioner of Police, the late Tom Mulligan, authorized MacKinlay Kantor to proceed on all police activities, accompanying the patrolmen in their work. Kantor learned the life of a policeman through first-hand experience. Such privilege had never been granted to a civilian before. But this civilian happened to be the author of Long Remember, The Voice of Bugle Ann, and many other famous books, as well as the original story of the great motion picture, "The Best Years of Our Lives." Thunder of feet on sagging stairways; a yell from behind a locked door; tears and oaths and-worse- the stony agony of women who stare in silence... The radio voice of CB declares flatly: "Two-Three Precinct. The address...on the roof...proceed with caution..." Is it rape, suicide, assault? Or merely a kitten crying from its trap in a drainpipe? Or do we meet the glare of a razor, the stab of gunfire in a hall? Our fingers squeeze the siren button. This is a Signal Thirty-two... A novel by MacKinlay Kantor Author of Arouse and Beware and Glory for Me

"After years of avoiding the subject, anthropologists have finally discovered that media can be profitably studied ethnographically and that anthropology of media is not only possible but essential. Media Worlds is a collection of groundbreaking essays by top-notch scholars."—Jay Ruby, author of Picturing Culture: Explorations of Film and Anthropology "Not just a book, but the book on the anthropology of the media. The collection works not just as an assemblage but from a sense that every paper adds another perspective to the whole."—Danny Miller, co-author of The Internet: An Ethnographic Approach "The anthropology of media is in many ways the most dynamic domain of the discipline today. Media Worlds will establish itself immediately as the canonical volume in this long overdue area of study. Its rigorous ethnographic studies of the production, distribution, and reception of film, television, and electronic media around the world will also encourage media and cultural studies to relinquish the exclusivity they afford to the 'text' and to attend to the global social practices of media in toto. An outstanding work."—Lucien Taylor, co-author of Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos "The strength of this lovely collection is in the diversity and range of the case materials that it brings together under one cover."—Michael M. J. Fischer, coauthor of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences "Contemporary media studies allow us to continue examining anthropology's traditional subjects in promising new ways. This strong and comprehensive collection by the key figures who have pioneered media studies in anthropology both focuses and surveys the field. As a much needed teaching resource, it will stimulate the proliferation of culture and media courses and will transform the many courses that are built on the identification of peoples as indigenous, minority, or ethnic."—George E. Marcus, editor of the series Late Editions: Cultural Studies for the End of the Century " Media Worlds is a compelling argument for how and why media matters in anthropology and the contemporary world. The exciting array of field-defining work bridges anthropology and film, TV, and radio media. Critically revising earlier paradigms for an anthropology of (visual) communication, the authors argue for new and forceful concerns with media activism, representation, nationalism and transnationalism, diasporas, and social engagements with technology."—Steven Feld, Producer of Voices of the Rainforest and Professor of Music and Anthropology, Columbia University "It is amazing that this is the first book of its kind. One would think that an anthropological approach, placing the media squarely within the rich and diverse contexts of social relations and everyday life, would long have been integral to media studies. Not so! This wonderful book provides an overdue correction. As the essays here show, we cannot understand lives and societies without understanding the mediascapes we inhabit. This is compulsive reading!"—Ien Ang, author of Living Room Wars: Rethinking Media Audiences for a Postmodern World "This landmark collection maps and motivates the anthropological voice in media studies by locating the media in worlds of practice, sentiment, debate, and dissent. Using such vivid examples as the image management of the Dalai Lama and the social organization of Nigerian cinema theatres, the authors remind us that media machineries are no more magical than the social worlds they inhabit and project. Media Worlds will be a boon to scholars and teachers in media studies, anthropology, and global cultural studies."—Arjun Appadurai, author of Modernity at Large: Cultural Dimensions of Globalization

Leaving her home in Seattle in mid-summer to drive 'the long way round' to the Detroit auto show, Lesley Hazleton embarks on a journey to visit the holy places for cars - where they are raced, displayed, crashed, tested and made - as she seeks to understand our deep fascination with automobiles. Her quest takes her on a road trip that teaches her not only about cars and the peculiar passions of car lovers but also about herself. Halfway through this extraordinary adventure, Hazleton's father, the man who taught her to drive, dies suddenly, and her trip becomes a journey of grief and memory.

Whether you are one of the many music lovers currently discovering jazz or a long-time jazz buff interested in any style from New Orleans to the contemporary scene. Understanding Jazz offers you new insights into this uniquely American form of music. In Understanding Jazz, Leroy Ostransky takes you through the history of jazz, beginning with its origins in the marching bands of 1800s, through New Orleans, swing, and bop, right up to the present day. From King Oliver and Louis Armstrong to Miles Davis and John McLaughlin, Ostransky evaluates the contributions of the major figures in jazz and shows how jazz reflected the major events in our history, from prohibition to the civil rights movement. In addition, Ostransky gives you useful insights into the problem of defining jazz, explanations of the role of improvisation, analysis of the techniques, and examples of the elements of style which make one artist different from another. Exploring jazz and its many meanings--racial issue, social phenomenon, political statement, and artistic event-- Understanding Jazz is a valuable history and analysis of the music that America gave the world.

Cat lovers take to cat books like cats take to tuna. This particularly delicious guide--filled with lovely line drawings and illuminating commentary about that most mysterious and compelling species--offers a fitting tribute to the animal that provokes the imagination and touches the spirit more deeply than any other on Earth. As subtle and sly and often as funny as cats themselves.--Alice Adams.

This special limited edition of A Convergence of Birds follows the successful publication of the trade edition of this wonderful anthology of new fiction and poetry inspired by the art of Joseph Cornell. This book features writing from 22 of the best American writers working today; authors such as Joyce Carol Oates, Robert Pinsky, Rick Moody, Howard Norman and Barry Lopez, all invited to participate by editor and contributor Jonathan Safran Foer. The limited edition of only 225 copies is linen-bound and slipcased, and signed by each author on individual sheets of vellum that are bound into the book at the beginning of their contributions. A wonderful and highly collectable edition that will be treasured by lovers of contemporary writing and fine books. In order to insure safe delivery for this item we can only ship Federal Express 3rd Day. An additional charge of $25.00 will be added to your purchase.

Lovely and moody movie star Rebecca Weiss takes the place of her agent as a captive in the mysterious mansion of H. W. Beeze III and develops a deep compassion and intense physical attraction for her disfigured, tormented captor

It is 1987 and Katherine Bennet is at the height of her beauty, power and fame as star of the TV series, The Skeffingtons. But her private life is in tatters. Newly divorced, with a son who is threatening to go off the rails, Katherine promises herself and her public that she will never marry again. Katherine's lifestyle is opulent - complete with maids, butler, cook and chauffer - but it is also lonely. Great fame and beauty have isolated her. And there is also plenty of envy and back-biting from her fellow stars who seek her out for the wrong reasons. such isolation makes a woman vulnerable - especially to the wrong man. This novel is a gripping and utterly realistic portrait of what it is like to be a woman with everything the world can offer - except the one thing she wants above all; someone who truly loves the real Katherine Bennet and and not the

Jim Brickman is one of the hottest New Age composers and performers in the industry today. Titles: All I Ever Wanted * Angel Eyes * By Heart * If You Believe * In a Lover's Eyes * Lake Erie Rainfall * Little Star * Looking Back * Nothing Left to Say * On the Edge * Sudden Inspiration * Where Are You Now?

Play Like A Girl! is a collection of tactical positions from the world's best women chessplayers. Chess lovers of all levels can enjoy the puzzles, as the difficulty goes all the way from one-move killer blows to deep, complex combinations. The crushing tactics in this book show that playing like a girl is something to aspire to! When you purchase Play Like a Girl!, you're also helping charity. All author royalties go to the Tucson-based non-profit organization, 9Queens.

On a midnight visit to a Scottish cemetery, Peter and Jennifer get caught up in a drama three hundred years dead --a tale of two star-crossed lovers and the man who betrayed them. Their bitter ghosts still haunt the graveyard, too angry to leave the world of the living . . . but all too willing to drag Peter and Jennifer into the world of the dead.

A complement to the bestselling Dr. Susan Love's Breast Book, this title gives breast cancer patients practical advice, support, and comfort combined with a well-needed shot of humor.

This collection of essays explores some poetico-philosophical questions that have long been circulating in the Cixousian universe: love's labours lost and found, feminine hours, autobiographies of writing, and animal-human family ties.

"The stars are afire with rebellion against the tyranny of Earth. Jan Kulozik, rebel in exile, returns home as a prisoner on a ship bearing a cargo of death. But Kulozik escapes his captors and ignites the flames of revolt across half a world. With the aid of Dvora, a lovely but lethal comrade-at-arms, Jan races toward a rendezvous with destiny, and a reckoning with a treacherous double agent who holds the fate of the human race in his hands."--Page [4] of cover.

This anthology assembles seventeen never-before-collected pulp stories from the 1950s. Includes-for the first time since its original publication in the April 1957 issue of SUPER-SCIENCE FICTION-"Invulnerable," which STEPHEN KING described as "...one of my favorite stories..." when it nearly appeared in Ellison's 1982 collection, STALKING THE NIGHTMARE. It's taken 30 years, but "Invulnerable" is finally available again. Every story has been revised by the author specifically for this collection. Stories include: "Invulnerable" (1957), "Like Father, Like Son" (1957), "Walk the Ceiling" (1957), "The Kissing Dead" (1956, written with Henry Slesar), "Across the Silent Days" (1958), "Star Route" (1955), "Backlash " (1956), "Machine Silent, Machine Yearning" (1957), "Way of an Assassin" (1958), "Fool's Mate" (1958), "The Untouchable Adolescents" (1956), "The Little Boy Who Loves Cats" (1954), "Parasite" (1955), "Up the Down Escalator" (1955), "Glug" (1958), "Hit-Skip" (1957), and "Why Did Wallace Crack?" (1956).

Widely acknowledged as one of the most influential editors of our era, Gordon Lish has quite simply changed the face of American literature. The stunning list of writers with whom he has worked closely includes Harold Brodkey, Sam Lipsyte, Ben Marcus, Anne Carson, Cynthia Ozick, Raymond Carver, Will Eno, Barry Hannah, Amy Hempel and many more. But it is in his own writing that his genius is made manifest. There, his quick wit and black humor are on full display, as well as a merciless intellect that skewers no one so thoroughly as, and more often than, a narrator most often known as "Gordon." In the stories in Goings, Lish wrestles with memory; self-knowledge (the lack and the impossibility thereof); friendship; mothers, sons and lovers. More than that, the language here is a collective paradigm of Lishian prose: a great writer's attempt to leap off the page.

A new translation of Giorgio Bassani's award winning collection of novellas, which inspired his masterpiece The Garden of the Finzi-Continis. A young working class woman abandoned by her bourgeois lover; the tensions of intermarriage between established classes and communities; a holocaust survivor seemingly back from the dead; a formidable socialist activist defying house arrest; the only surviving witness to the first local atrocity of the Second World War. In these five unforgettable stories, Bassani gave life to the characters that would inform the Romanzo di Ferrara, his suite of novels depicting life in the city. Moving, poetic, atmospheric and artfully observed, this collection is a distillation of Bassani's genius. It won the Strega Prize on first publication as Cinque Storie Ferraresi in 1956, and established Bassani as one of the greatest Italian writers of the twentieth century. 'Giorgio Bassani is one of the great witnesses of this century, and one of its great artists' Guardian 'The most uncompromising, merciful and merciless writer' Ali Smith

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ...which whispers prayer, The vanishings, the ecstasy, the gleam, The nameless aspiration, and the dream? Deep languor overcometh mind and frame: A listless, drowsy, utter weariness, A trance wherein no thought finds speech or name, The overstrainéd spirit doth possess. She sinks with drooping wing--poor unfledged bird, That fain had flown!--in fluttering breathlessness. To what end those high hopes that wildly stirred The beating heart with aspirations vain? Why profier prayers unanswered and unheard To blank, deaf heavens that will not heed her pain? Where lead these lofty, soaring tendencies, That leap and fly and poise, to fall again, Yet seem to link her with the utmost skies? What mean these clinging loves that bind to earth, And claim her with beseeching, wistful eyes? This little resting-place 'twixt death and birth, Why is it fretted with the ceaseless flow Of flood and ebb, with overgrowth and dearth, And vext with dreams, and clouded with strange woe? Ah! she is tired of thought, she yearns for peace, Seeing all things one equal end must know. Wherefore this tangle of perplexities, The trouble or the joy? the weary maze Of narrow fears and hopes that may not cease? A chill falls on her from the skyey ways, Black with the nightrtide, where is none to hear The ancient cry, the Wherefore of our days. IV. FANCIES. The ceaseless whirr of crickets fills the ear From underneath each hedge and bush and tree, Deep in the dew-drenched grasses everywhere. The simple sound dispels the fantasy Of gloom and terror gathering round the mind. It seems a pleasant thing to breathe, to be, To hear the many-voiced, soft summer wind Lisp through the dark thick leafage overhead To see the rosy half-moon soar behind The black slim-branching...