Old Europe’s new crisis. Europe, the charming continent of windmills and gondolas. But lately, Europe has become the continent of endless strikes and demonstrations, bombs on the trains and subways, radical Islamic cells in every city, and ghettos so hopeless and violent even the police won’t enter them. In Spain, a terrorist attack prompts instant capitulation to the terrorists’ demands. In France, the suburbs go up in flames every night. In Holland, politicians and artists are murdered for speaking frankly about Islamic immigration. This isn’t the Europe we thought we knew. What’s going on over there? Traveling overland from London to Istanbul, journalist Claire Berlinski shows why the Continent has lately appeared so bewildering—and often so thoroughly obnoxious—to Americans. Speaking to Muslim immigrants, German rock stars, French cops, and Italian women who have better things to do than have children, she finds that Europe is still, despite everything, in the grip of the same old ancient demons. Anyone who knows the history can sense it: There is something ugly—and familiar—in the air. But something new is happening as well. Indeed, Europe now confronts—and seems unable to cope with—an entirely new set of troubles. Tracing the ancient conflicts and newly erupting crises, Menace in Europe reveals: • Why Islamic radicalism and terrorist indoctrination flourish as Europe fails to assimilate millions of Muslim immigrants • How plummeting birthrates hurtle Europe toward economic and cultural catastrophe • Why hatred of America has become ubiquitous—on Europe’s streets, in its books, newspapers, and music, and at the highest levels of government • How long-repressed destructive instincts are suddenly reemerging • How the death of religious faith has created a hopeless, morally unmoored Europe that clings to anti-Americanism, anti-Semitism, and other dangerous ideologies • Why the notion of a united Europe is a fantasy and what that means for the United States In the end, these are not separate issues. Berlinski provocatively demonstrates that Europe’s political and cultural crisis mirrors its profound moral and spiritual crisis. But this is not just Europe’s problem. Menace in Europe makes clear that the spiritual void at the heart of Europe is ultimately our problem too. And America will pay a terrible price if we continue to ignore it. From the Hardcover edition.

"Sigal breaks new ground in celebrating Hemingway's passionate and unapologetic political partisanship, his stunningly concise, no-frills writing style, and an attitude to sex and sexuality much more nuanced than traditionally assumed" --p.[4] of cover.

Cancelled Confessions reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time. In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as Cancelled Confessions and available in English for the first time in twenty years. Susan de Muth's revised translation of Cancelled Confessions has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse. The book's nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content. Upon publication, Aveux non Avenus simply baffled all but a few of Cahun's friends and admirers, leading Cahun to describe herself as, 'An unwanted Cassandra'. Now, however, is the time of the remarkably prescient Cahun and Moore. 'Cahun was a pioneer of gender-bending role-playing...eerily ahead of her time she has attracted an almost cult-like following.' The late David Bowie Cahun and Moore's appeal is wide and universal. They were adventurers in life as in art. Cahun famously terrified Andre Breton in the 1920s when she appeared in a Paris café with her head shaved and painted gold. Having moved to Jersey in 1938, Cahun and Moore waged a mischievous two-person resistance campaign against the occupying Nazi forces from 1940. Finally caught and imprisoned in 1944, they were sentenced to death in 1945, saved at the very last moment by the armistice.

Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals. Memories? Choice morsels. My soul is fragmentary.—from DisavowalsClaude Cahun (1894-1954), born Lucy Schwob, was a poet, performer, resistance fighter, prisoner, Surrealist, “constructor and explorer of objects,” photographer, and “queer freak” who invented her life by flaunting the interchangability of roles and playing with the ambivalence of identity. Whether feigning vulnerability on the arm of her lover and stepsister Suzanne Malherbe aka Marcel Moore (“the other me”), making theatrical public appearances in disguise (sailor, gymnast, gypsy), or making herself up (vampire, Buddha, mannequin, angel) for self-portraits and installations, she rendered opposites inoperative and exposed the thinness of gender and power constructs by reducing them to mere surface costumes. In May 1930 Éditions Carrefour of Paris published 500 copies of a book called Aveux non avenues, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself “the mania of the exception.” Disavowals is the first appearance of that work, widely considered to be her most important text, in English. Reproductions of the original photomontages introduce the various sections, which in turn explore Cahun's distinctive ideas and obsessions—self-interrogation, narcissism, metamorphosis, love, gender-switching, humor, fear. An extensive introduction by Tate curator Jennifer Mundy sets the text in the context of Cahun's life and art. Also included is a translation of the original preface by Cahun's friend Pierre Mac Orlan, a comment by her biographer, François Leperlier, a note on the translation by Susan de Muth, and a postscript by Agnès Lhermitte.

Claude Levi-Strauss, internationally known as a brilliant and sometimes controversial anthropologist, is also a skilled and sensitive photographer. Saudades do Brasil - "nostalgia for Brazil," from the title of a musical composition by Darius Milhaud - presents 180 of the more than 3,000 photographs Levi-Strauss took in Brazil between 1935 and 1939. While serving as professor of sociology at the University of Sao Paulo, the young ethnographer made expeditions among the natives of Mato Grosso and Southern Amazonia that resulted in numerous publications, most notably Tristes Tropiques. Most of these photographs are published here for the first time.

"On June 19, 1982, James Campbell, successful Houston lawyer, and Virginia, his wife of forty years, were found by their grandsons, brutally shot to death in their own bed. With no witnesses and only allegations of family greed, sexual abuse, and a missing will, the murder went unsolved for over two years. The most likely suspects, Cindy Ray Campbell, the victims' third daughter, and her survivalist boyfriend David West, had an alibi the police could not crack. Until a sexy stripper-turned-private investigator coaxed a confession from West and the most complex murder case in Texas history exploded into national news."--Page 4 of cover

One of America's most respected theater critics presents in complete form 16 plays that reflect the artistic, cultural, and political ferment of the period between 1983 and 1992. Contributors include Neil Simon, David Rabe, David Mamet, Arthur Kopit, August Wilson, Tina Howe, and ten others.

"The Ghetto Swinger is a poignant, sobering, and at turns humorous account of a vibrant and soul-filled life in music. Coco Schumann's career as a jazz and swing musician spans more than seventy years and is replete with honors. But for decades Schumann bore his wartime experiences as a Holocaust survivor in silence, with only the pleasure of composing music and performing for live audiences to ease the burden of his most haunting memories. In his memoir, Schumann recounts the vibrant underground club scenes of Berlin in the years surrounding World War II as well as providing backstage glimpses into Berlin's famous nightlife, where he shared the stage with such jazz notables as Helmut Zacharias, Tulio Mobiglia, Toots Thielemans, and American visitors like Louis Armstrong, Dizzy Gillespie and Ella Fitzgerald. At the same time, The Ghetto Swinger offers Schumann's harrowing testimony from 1943-1945 about daily life inside Theresienstadt (Terezín) and Auschwitz, and provides readers with the important perspective of a Jewish Holocaust survivor who remained in Germany after the war. In his home country, Schumann is a celebrated personality. But until now, his life story hasn't been accessible to English-speaking audiences. Featuring rare photographs and an Afterword by Weimar- and Nazi-era culture scholar Michael H. Kater, The Ghetto Swinger is an engrossing historical document as much as it is a heartwarming memoir"--Publisher's website.

Paris, 1947: Colette Rossant returns to Paris after waiting out World War II in Cairo among her father's Egyptian-Jewish relatives. Initially, the City of Light seems gray and forbidding to the teenage Colette, especially after her thrill-seeking mother leaves her in the care of her bitter, malaisé grandmother. Yet Paris will prove the place where Colette awakens to her senses. Taken under the wing of Mademoiselle Georgette, the family chef, she develops a taste and talent for French cooking. The streets of Paris soon become Colette's own as she navigates the outdoor markets and café menus and emerges into her new, gastronomical self. Return to Paris is an extraordinary coming-of-age story that charts the course of Colette's culinary adventures -- replete with expertly crafted recipes and family photographs. An exploration of passion in all its flavor and texture, Colette's memoir will live in the hearts and palates of readers for years to come.

This entertaining memoir follows Connie Sawyer's show business career, from childhood dance lessons through radio, vaudeville, nightclubs, USO, Broadway, movies and television. Connie never stopped moving, creating a career and a life of amazing longevity, while maintaining a deep connection with her extended family.

Ghost is part of an anarcho-punk airboard gang who live to break the rules. And thereÂ's a good reasonÂ-their world, Saga, has a strict class system enforced by high-tech electronics and a corrupt monarchy. Then Ghost and her gang learn the complicated truth. Saga isnÂ't actually a place; itÂ's a sentient computer game. The Dark Queen who rules Saga is trying to enslave the people of New Earth by making them Saga addicts. And she will succeed unless Ghost and her friendsÂ-and Erik, from Epic, and his friendsÂ-figure out how to stop her in time.

The crusades are often seen as epitomising a period when hostility between Christian West and the Muslim Near East reached an all time high. As this edited volume reveals, however, the era was one which saw both conflict and cohabitation. Tackling such questions as whether medicinal and architectural innovations came to Europe as a direct result of the Crusades, and why and how peace treaties and intermarriages were formed between the different cultures, this distinguished group of contributors reveal how the Holy Wars led on the one hand to a reinforcement of the beliefs and identities of each side, but on the other to a growing level of cultural exchange and interaction. This volume breaks new ground in not only exploring the conflict between the Christian and the Muslim worlds, but also the impact of this conflict on the cultural evolution of European and Near Eastern thought and practices. Utilising the latest scholarship and original studies of the sources, this survey sheds new light on the cultural realities of East-West relations and marks a new departure for studies of the crusades. Contributors include John France, Yehoshua Frenkel, Chris Wright, Natasha Hodgson, A.V. Murray, Sini Kangas, Léan Ní Chléirigh, Susan Edgington, Jürgen Krüger, Yvonne Friedman and Bernard Hamilton.

Series of Black and White photographers by a list of photographers in this showing.