An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

This collection of interviews reveals the intellectual and creative life of one of America's contemporary masters of fiction writing. In spanning his richly productive career, they convey a sense of his continuity and of his growth as a novelist. Roth has said that one of his goals is to reconcile "experience that I am strongly attached to be temperament and training--the aggressive, the crude, and the obscene, at one extreme, and something a good deal more subtle and, in every sense, refined, at the other." These conversations reveal a savvy, thoughtful man who shows great intelligence, confidence, and wit, as well as an admirable sense of humility and tact.

"Peter Weiss's first prose work, The Shadow of the Coachman's Body, was unanimously praised as an original and perfect work of art by critics when it appeared in 1960. Here, in poet Rosmarie Waldrop's stunning translation, Weiss arranges a dark, vividly alive comedy of inert objects in a dismal boarding house-stones, buttons, hooks, needles, chairs, newspapers in an outhouse, clinking tin cups, celestial orbs, sewing machines, an overwound windup music box-which have oblique characters' shadows as their supporting cast. Described by Weiss as a "micro-novel," The Shadow of the Coachman's Body can be obscene, trivial and brutal, and yet it is also peculiarly intimate and offers endless possibilities-like a telescope and kaleidoscope rolled into one"--

Two men, decades apart, are ensnared in the deadly search for a fabled treasure in the conclusion to Lavie Tidhar's epic and audacious Maror Trilogy. 1882, Jerusalem The foreigner. A man with no name, twin guns at his hips, a wide-brimmed hat on his head. A European exile in the backwaters of Ottoman Palestine, The foreigner is a bounty hunter in pursuit of a thief. 1948, Haifa Burton. A man with one name, a detective inspector in the crumpled khaki uniform of the Palestine Police Force's CID. With just seven days before the British Mandate ends, he must find a murderer and a missing aristocrat, as order collapses around him. Both men are outsiders in a land that is a palimpsest of ruins and loyalties, legacy of a history written in blood on a landscape that remembers everything. Both men will treat with bandits and mystics, dreamers and killers as they pursue their quarry; both will be ensnared in a lethal search for the fabled treasures of the Second Temple, long-lost amid the rise and fall of peoples, nations and empires. And both will be haunted by their dreams: burning red skies, a mountain of skulls, echoes of a vision from the dawn of humanity. Before Jerusalem, before Jericho, there has always been Golgotha.

"In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play."--Page 4 of cover.

Mixing observations about friends and family with short sketches and literary gossip, this third installment of the author's notebooks updates an intriguing personal and cultural record. Starting where Rough Copy: Personal Terms II left off, the story of one contemporary writer's life is resumed in anecdotes, aphorisms, journal entries, reviews, and vignettes of people and places.

"She is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. A storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life."--Back cover

Daniela Gioseffi is an American Book Award winning author of fourteen books. She's been a worldwide speaker on campuses, at book fairs, on NPR, BBC, and on The Poet and the Poem, Library of Congress' Radio Show of The National Endowment for the Arts. This book, based on her non-fiction Afterword, includes newly discovered, startling research and theory published in The Emily Dickinson Journal, Vol. X1.2. She is listed with the Dickinson Scholar's Registry, has received the John Ciardi Award for Lifetime Achievement in poetry, two New York State Council for the Arts grants in poetry, and a PEN Syndicated Fiction Award. "Gioseffi's writing is appealing... Engaging, filled with energy.... irresistible. Larry McMurty, The Washington Post. Pulitzer Prize: Terms of Endearment "Gioseffi's work overflows with poetic vision." Nona Balakian, former staff reviewer, The New York Times "... a gifted writer.... A stunning essay [afterword]. It should be a book." Galway Kinnell, Pulitzer Prize & National Book Award winning poet "Whatever Daniela does, she does well. Among other things, I'd put my life in her hands.... Dickinson is lucky Daniela took hers in her hands." Grace Paley, Former Poet Laureate of VT. NY State Fiction Award "Startlingly fresh. Animated. Voluptuous. Gioseffi's writing is mythopoeic." Mary Pradt, Library Journal "Gioseffi's writing is imaginatively rich, startling, intelligent, with a wide range of reading behind it, and relevant to the most profound issues of our times." John Logan, Former poetry editor: The Nation "I like the way your essay richly evokes the life and times of Dickinson." Robert Hass, Former Poet Laureate USA "The essay [afterword] on Dickinson is fascinating and convincing...." Alice Quinn, Director: Poetry Society of America "Daniela's is an adamant poet's world where the poem is the source of all good." Bob Holman, PBS: The United States of Poetry, and Bowery Poetry Club, NY

"In the not-too-distant future, the world is ruled by a male scientific elite. Eugenics has triumphed in this fertility dystopia; from adolescence, women are either made into "vocational mothers," or, if they have no interest in motherhood, they are sterilized by the government and become "neuters." The story introduces a young woman who rebels against this system, and a young man who resists the "happy" norm - a resistance which culminates, like the Savage's in Aldous Huxley's Brave New World, in suicide"--

"Welcome to the sunlit uplands of the 21st century! Britain's avuncular Prime Minister is an ancient eldritch god of unimaginable power. Crime is plummeting as almost every offense is punishable by death. And everywhere you look, there are people with strange powers, some of which they can control, and some, not so much. Hyperorganized and formidable, Eve Starkey defeated her boss, the louche magical adept and billionaire Rupert de Montfort Bigge, in a supernatural duel to the death. At least, she has reason to hope he's dead. But though she's now in charge of the Bigge Corporation, she's not free of him yet. Through the fecklessness of her brother Imp, combined with the intricate feudal law of a tiny Channel Island, it would appear that unbeknownst to her, she was married to Bigge--and that proving his death and releasing herself from his arcane bindings will take years and cost millions. Then an emissary of the Prime Minister arrives with an offer that she absolutely can't...well, you know."--

Laura ha muerto. El misterio de su muerte queda en manos de tres hombres. Waldo, un escritor excéntrico que sufrió porque nunca consiguió el amor de Laura; Shelby, aquel con quien Laura estuvo a punto de casarse y Mark McPherson, el detective a cargo del caso que llega a enamorarse de la víctima durante la investigación. Laura es una atrapante novela psicológica cuyo enigma central resulta un cristal de puntos filosos tanto para el detective como para el lector.

In POT BOUILLE, the well-known French novelist Émile Zola and dramatist William Busnach combine their talents to unmask the hypocrisy that hides behind the façade of a respectable and fashionable Parisian apartment house. The Josserands are struggling to make ends meet, and at the same time to marry off their two daughters to prosperous businessmen. At the heart of this broken family is a weak husband and domineering, spendthrift wife, who between them create two willful children who are doomed to unhappy lives. The sly and adulterous Berthe seduces a shop owner into marriage, and Hortense eventually runs off with the man she loves--knowing he'll never marry her. The result is an unflattering portrayal of a corrupt, immoral society at the heart of French life in the late nineteenth century. Based on one of the great novels of modern literature!

Walter Mosley's talent knows no bounds. Stepping Stone and Love Machine are but two of six fragments in the Crosstown to Oblivion short novels in which Mosley entertainingly explores life's cosmic questions. From life's meaning to the nature of good and evil, these tales take us on speculative journeys beyond the reality we have come to know. In each tale someone in our world today is given insight into these long pondered mysteries. But how would the world really receive the answers? Stepping Stone : Truman Pope has spent his whole life watching the world go by--and waiting for something he can't quite put into words. A gentle, unassuming soul, he has worked in the mailroom of a large corporation for decades without making waves, until the day he spots a mysterious woman in yellow. A woman nobody else can see. Soon Truman's quiet life begins to turn upside-down. An old lover surfaces from his past even as he finds his job in jeopardy. Strange visions haunt his days and nights, until he begins to doubt his sanity. Is he losing his mind, or is he on the brink of a startling revelation that will change his life forever--and transform the nature of humanity? Love Machine : The Datascriber was supposed to merely allow individuals to share sensory experiences via a neurological link, but its true potential is even more revolutionary. The brainchild of an eccentric, possibly deranged scientist, the "Love Machine" can merge individual psyches and memories into a collective Co-Mind that transcends race, gender, species . . . and even death itself. Tricked into joining the Co-Mind, as part of a master plan to take over the world, Lois Kim struggles to adapt to her new reality and abilities. Is there any way back to the life that was stolen from her, or is she destined to lead humanity into a strange new era, despite the opposition of forces both human and otherwise?

Life Out of Context begins as a powerful, brooding and humorously honest examination of Mosley's own sense of cultural dislocation as an African American writer. But due to a series of serendipitous events -- the screening of a documentary about Africa, an encounter with Harry Belafonte and Hugh Masakela -- Mosley, rather like the protagonist in one of his mystery novels, has a series of epiphanies on the role of a black intellectual in America. He asks: What can we do to fight injustice, poverty, exploitation, and racism? What is globalization doing to us? Through these late night meditations, Mosley attempts to transcend his earlier feelings of living a "life out of context" and seeks instead to find a political context. He ends with a call to arms, proposing that African Americans have to break their historic ties with the Democrat Party, and form a party of their own.

The internationally bestselling author of Follow Your Heart uncovers hope in the midst of tragedy in these three utterly transfixing novellas set in Susanna Tamaro’s native Italy. In “Answer Me,” an orphaned girl with a troubled past desperately searches for a sign that she is loved while cultivating an inner strength that allows her to persevere. In “Hell Does Not Exist,” an abused wife attempts to protect her son, who becomes the source of her greatest joy and her most profound devastation. And in “The Burning Forest,” a widower recounts the unraveling of his marriage and seeks the forgiveness of his estranged daughter. Hauntingly powerful and exquisitely written, Answer Me is a spiritually galvanizing book by a writer of international stature.

Three novellas filled with humor and insight by one of America’s modern literary masters. In Searches & Seizures, Elkin tells the story of the criminal, the lovelorn, and the grieving, each searching desperately for fulfillment - while on the verge of receiving much more than they bargained for. Infused with Elkin's signature wit and richly drawn characters, "The Bailbondsman," "The Making of Ashenden," and "The Condominium" are the creations of a literary virtuoso at the pinnacle of his craft.