A tree and its resident bird that sings out of tune are happy together in the spring and summer, but lonesome when the bird must fly south for the winter.

One of England’s foremost filmmakers, Derek Jarman (1942–1994) wrote and directed several feature films, including Sebastiane, Jubilee, Caravaggio, and Blue, as well as numerous short films and music videos. He was a stage designer, artist, writer, gardener, and an outspoken AIDS and queer rights activist in the UK and the United States. He is the author of several books, among them Modern Nature, available from the University of Minnesota Press.

Derek Jarman's widely acclaimed Edward II reworked Christopher Marlowe's original 1594 play for the 1990s. Queer Edward II is a poetic commentary on the making of this luscious film--a lavish book that leaves no holds barred and brings the film to life with luminous stills from the set.

Covering topical issues concerning the nature of the Israeli state, this engaging work presents essays that combine a variety of comparative schemes, both internal to Jewish civilization and extending throughout the world, such as: modern Jewish society, politics and culture; historical consciousness in the 20th century; colonialism, anti-colonialism and postcolonial state-building.With its open-ended, comparative approach, Israel in History provides a useful means of correcting the biases found in so much scholarship on Israel, be it sympathetic or hostile. This book will appeal to scholars and students with research interests in many fields, including Israeli Studies, Middle East Studies, and Jewish Studies.

This is a startling novel - as much for the power and beauty of the writing as for its vivid, searing tale of life on the road as a stripper in Canada. Sarah is the product of a university family that blew angrily apart and the survivor of a childhood disease that meant lonely years spent in the grip of an insensitive medical establishment. Now, scarred in more ways than one, she is a seventeen-year-old high school dropout trying to make a living in the recession. Prospects are dim, and soon she is "Tabitha," heading out on the circuit of motels and strip-bars through the mining towns and suburbs of a seemingly bucolic West Coast. On-stage, dressed in elaborate costumes, she offers a vision of a sex and beauty. Off-stage, she tries to befriend the bikers and strippers and populate her life on the road, but friendships are fleeting when home is a Greyhound bus or a room behind a neon sign on the highway. Diana Atkinson paints a poignant, darkly humorous portrait of the reality behind voyeurism and desire. Delving into the shadowy moments of sex and survival, her work flashes with loss and beauty and a true empathy for those who live on the margins.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

"Four female panellists face off in a wild, whip-smart televised debate about the intersection of religion and misogyny. On one side, there's Maryam, a progressive Muslim lawyer, and Yehudit, an Orthodox Jewish spiritual leader. The other has Liz, a lesbian antitheist pundit, and Margaret, an excommunicated nun. The debaters wrestle with themselves and with each other: Can you be a feminist and believe in religion? What can or can't be forgiven? Why do we have faith to begin with? Between the arguments, each of the debaters return to a seminal and secret moment in their past that represents a crisis of faith, leading the debate to become more and more personally charged, until it climaxes in an epic battle, culminating in a possible leap of faith. Unholy delves into the biblical struggles that tear us apart and makes us who we are. It's about having the courage to take the leap in life and into love. What is more holy than that?"--

This collection offers a stirring blend of fresh ideas and techniques, from the traditional to the experimental... colors ranging from striking to subtle, vivid to subdued... designs and textures inspired by nature, and others discovered by happy accident. The work is presented in four sections: art for art's sake, art to wear, attitudes and accessories, and aesthetic accents. Each piece of art is accompanied by a description of the artist's inspirations, techniques and materials, giving you fascinating insights into the creative process.

Drawing on Dinora Pines’ lifetime of clinical experience this classic book provides a psychoanalytic understanding of women’s relationships with their bodies, focusing on key moments in women’s lives. With chapters organised to follow the female life-cycle, topics covered include: the turbulence of adolescence pregnancy and childbirth infertility and abortion menopause and old age the traumatic effects of surviving the Holocaust. With a foreword from Susie Orbach, this book will be of interest to mental health professionals including counsellors, psychotherapists and psychoanalysts.

Collection of columns and articles published between 1984 and 1992.

This book examines the much-debated question of whether John Maynard Keynes' greatest work— The General Theory of Employment Interest and Money —was an instance of Mertonian simultaneous scientific discovery. In part I of this study, Don Patinkin argues for Keynes' originality, rejecting the claims of the Stockholm school and the Polish economist Michal Kalecki. Patinkin shows that the theoretical problems to which the Stockholm school and Kalecki devoted their attention largely differed from those of the General Theory and that, even when the problem addressed was similar, the treatment they accorded it was not part of their central messages. In the remaining parts of the book Patinkin presents a critique of Keynes' theory of effective demand and discusses Keynes' monetary theory and policy thinking, as well as the relationship between the respective developments of Keynesian theory and national income accounting in the 1930s.

One of the most influential child psychiatrists of the twentieth century, Donald J. Cohen (1940-2001) made groundbreaking contributions to the study of autism and developmental disabilities, Tourette’s syndrome, developmental psychopathology, child psychoanalysis, and children’s adaptation to trauma. As director of the Yale Child Study Center from 1983 to 2001, he fostered international collaborations and innovative approaches to the study of children’s mental health. This book contains a selection of some of his most enduring and influential writings. Showcasing Dr. Cohen’s distinctive approach, these essays--one of which is published here for the first time--address a wide range of topics including autobiographical writings; childhood psychiatric disorders; the role of play fantasy, aggression, and violence in childhood; and research ethics and mentorship.

Reassesses the life and contributions of the ancient revisionist historian to place him in the context of his time, citing the pivotal influence of his refusal to credit the gods or individuals with the societal events documented in "The Peloponnesian War."

Frog in the Well is a vivid and revealing account of Watanabe Kazan, one of the most important intellectuals of the late Tokugawa period. From his impoverished upbringing to his tragic suicide in exile, Kazan's life and work reflected a turbulent period in Japan's history. He was a famous artist, a Confucian scholar, a student of Western culture, a samurai, and a critic of the shogunate who, nevertheless, felt compelled to kill himself for fear that he had caused his lord anxiety. During this period, a typical Japanese scholar or artist refused to acknowledge the outside world, much like a "frog in the well that knows nothing of the ocean," but Kazan actively sought out Western learning. He appreciated European civilization and bought every scrap of European art that was available in Japan. He became a painter to help his family out of poverty and, by employing the artistic techniques of the West, achieved great success with his realistic and stylistically advanced portraits. Although he remained a nationalist committed to the old ways, Kazan called on the shogunate to learn from the West or risk disaster. He strove to improve the agricultural and economic conditions of his province and reinforce its defenses, but his criticisms and warnings about possible coastal invasions ultimately led to his arrest and exile. Frog in the Well is the first full-length biography of Kazan in English, and, in telling his life's story, renowned scholar Donald Keene paints a fascinating portrait of the social and intellectual milieus of the late Tokugawa period. Richly illustrated with Kazan's paintings, Frog in the Well illuminates a life that is emblematic of the cultural crises affecting Japan in the years before revolution.

New York:: The Viking Press,, 1961.. Ex-library with the usual markings, but overall tight and clean in a near fine unmarked dust jacket.. First US printing. Contains 3 short novels, translated and with an introduction by Donald Keene: The Songs of Oak Mountain by Shichiro Fukasawa, Ohan by Chiyo Uno, and Asters by Jun Ishikawa. Although the title refers to these as three modern novels, the themes "stem from the days before the Westernization of Japan when men with swords roamed the city streets and poverty made infanticide a normal practice in the countryside." 172 pp. Jacket design by Kazue Mizumura. 172 pp.

This wide ranging bibliography comprises primary and secondary works on native Chinese Jews in traditional China, most notably the Jewish community of Kaifeng. It also includes the early knowledge and writings by Chinese about Jews and Judaism, as well as the early writings by Jews about China. The author concentrates on primary sources and original contributions, giving subheadings and short annotations for the main items and indicating his judgement of their value.