Lyrical and sensual, this is the true story of a love doomed from the start, but saved by two people who simply would not give up on each other.

Milano, Bompiani, 1972, 16mo brossura con copertina illustrata a colori, pp. 188.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

As the master of the Indian Spring school emerged from the pine woods into the little clearing before the schoolhouse, he stopped whistling, put his hat less jauntily on his head, threw away some wild flowers he had gathered on his way, and otherwise assumed the severe demeanor of his profession and his mature age which was at least twenty. Not that he usually felt this an assumption; it was a firm conviction of his serious nature that he impressed others, as he did himself, with the blended austerity and ennui of deep and exhausted experience

This is a new release of the original 1955 edition.

One afternoon in December 1992, Yuri Lotman sat down to dictate to his assistant. These sessions were spread out over that winter and into the spring of 1993—the final spring of Lotman's life. The result is this book of memories and recollections. Five sections concern a single anecdote or theme—lice on the front, an encounter with a hare, a "totally Bulgakovian" episode, a visit from the KGB, Tartu School politics. The remaining two sections supply the narrative backbone of the memoir, focusing on the passage of time: school and frontline life, the end of the war, and postwar university life. --

In Tek Money, Jake Cardigan tries to relax. But as he enjoys a rare night out at the theater, his son Dan has a frightening experience at the Cardigans' beachfront home. A seemingly deranged man, muttering to himself about nightmare visions that torment him, comes looking for Jake - and then dies suddenly, as Dan tries to find out what he wants. So begins an unwelcome sequence of events. First Dan is accused of murdering the man. Once the police realize that accusation is ridiculous, suspicion falls on Jake: the dead man is Peter Traynor, a Tek addict, a friend of Jake's from the bad old days, when the drug had a strong hold on them both. The murderer did Traynor in with a Tek "sizzler", a powerful chip that plugs directly into the user's brain, starts by giving him wonderful visions, and ends by producing uncontrollable hallucinations. Traynor has literally died of fear. Jake had not seen Traynor in years, but the police are still suspicious. In the meantime, it appears that everybody else in Traynor's past wants Jake's help in solving the crime. The dead man's sister, who has no money but does have a tremendous chip on her shoulder, wants to hire Jake - as long as somebody else pays. The dead man's ex-wife, a mysteriously wealthy woman, also wants to hire Jake, and she'll pay plenty - but it isn't exactly clear that a solution to the crime is what she wants for her money. Jake knows that his own good name is on the line until he finds the real killer.

An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

In 1923, Monroe Wheeler enjoyed publishing a magazine about poetry. Each issue featured a different poet. Manikin Number One was about Janet Lewis. Manakin Number Two, subtitled "Go Go", featured William Carlos Williams. Only 150 copies were made. This little magazine / pamphlet included nine previously-published poems by Williams along with the new one (to print) "The Hermaphroditic Telephones". It was 16 pages long in total, and bound with a string wrap. Enjoy this fresh paperback version of a literary classic!

"An important, provocative and original work, of great interest to Indian scholars, historians of religions, psychologists and historians of ideas, but accessible also to the cultivated reader. Even if one does not always agree with the author's interpretation, one cannot but admire her vast and precise learning, her splendid translations and exegesis of so many, and so different, Sanskrit texts, and her uninhibited, brilliant, and witty prose."—Mircea Eliade, University of Chicago "This is . . . a book which is as rich in detail as the carvings of the great Hindu temples. It shares with them a delight in the interplay of myth and mundane experience, and above all an empathy with the Hindu preoccupation with the meaning of human existence in all its complexity."—G. M. Carstairs, Times Literary Supplement

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

When Bichette, the eponymous Tigress and uncrowned queen of Paris prostitutes, meets the grifter Fec, the unbelievable seems to happen: she is "tamed" and falls head over heels for him -- and he for her. This sets off a dangerous game that spirals toward wild escalation in the luxury hotels and casinos of the French Riviera before reaching its grotesque culmination in Montmartre. The nihilism and invented personas recall Serner's engagement with Dada as nothing anyone says or does can be taken at face value. Everything becomes a con, and love the greatest con of all. Responding to initial attempts to ban The Tigress for its erotic content and demimonde patois by having it placed on a list of "trash and smut writings," many well-known authors, such as Alfred Döblin, wrote testimonials in support of it.

"The titular character, Ghalen, is a brilliant young Black man who is the son of an endearing neurodivergent man and a gifted, astute, and empathic woman. His parents' grand love story takes up the first third of the book and sets you up to know Ghalen so fully and invest in this family (and their extended friend/family) so deeply, that each new twist and turn feels personal. The journey through Ghalen's coming-of-age tale, as he ventures out into the world is marked with peaks and valleys and such a drive that you can't help but strap in for it all, while not wanting it to end"-- Provided by publisher.

A guide to the art of personal writing, by the author of" Fierce Attachments "and "The End of the Novel of Love"All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question "The Situation and the Story" asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith. In doing so, she examines a century of novels of love-in-the-Western-world and comes to see that, for most writers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation.

In Sir Tony Robinson's Weird World of Wonders: Pets , Sir Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining and smelly bits about pets. It's history, but not as we know it! Find out everything you ever needed to know about pets through time in this brilliant illustrated, action-packed, fact-filled book, including: - The fact that Egyptians worshipped cats and shaved off their eyebrows to mourn them when they died - The brilliant and extremely useful jobs that animals did and still do for us in times of war - A whole array of bizarre animals through time, including medieval squirrels! - Pet fashions and fashionable pets And lots of other facts about the amazing pets that we spend our lives with. What are you waiting for? Let's get going . . . For more funny history facts discover the whole series!

Tobias Hill's first full-length collection, Year of the Dog, won an Eric Gregory award in 1995. Dominated by images and narratives from Hill's stay in Japan, as well as other travel poems, the book contains Hill's celebrated sequence 'A Year in Japan', with its sweeping filmic narratives of the poets encounters in a distant and strange land. Hill's skills in depicting urban pastoral landscapes and human tableux are much in evidence. Now made available in a new edition, this hard to obtain work will delight fans and collectors."Hill's special territory, in poetry and prose, is the 'urban-pastoral' ... his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage's storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately 'Japanese', or reminiscent of the heyday of Craig Raine's 'Martian' style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life - and romance ... these are poems of flirtation and desire."--contemporarywriters.co.uk"The closeup detail taken directly from nature, then skewed through 90* to give the reader something completely new, even unique ... with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work."--Poetry Review