"Part One examines New York from aristocracy (e.g. Henry James and Edith Wharton), immigrants (e.g. Mario Puzo), African Americans (e.g. Ralph Ellison), Jews (e.g. Daniel Fuchs). Part Two studies variations and themes in works of Stephen Crane, Tom Wolfe, F. Scott Fitzgerald, and Theodore Dreiser. Part Three covers New York theatre from Eugene O'Neill and Arthur Miller"--Provided by publisher.

Book by Sagarin, Edward

This work presents Sapir's most comprehensive statement on the concepts of culture, on method and theory in anthropology and other social sciences, on personality organization, and on the individual's place in culture and society. Extensive discussions on the role of language and other symbolic systems in culture, ethnographic method, and social interaction are also included. Ethnographic and linguistic examples are drawn from Sapir's fieldwork among native North Americans and from European and American society as well. Edward Sapir (1884-1939), one of this century's leading figures in American anthropology and linguistics, planned to publish a major theoretical statement on culture and psychology. He developed his ideas in a course of lectures presented at Yale University in the 1930s, which attracted a wide audience from many social science disciplines. Unfortunately, he died before the book he had contracted to publish could be realized. Like de Saussure's (ours de Linguistique Generale before it, this work has been reconstructed from student notes, in this case twenty-two sets, as well as from Sapir's manuscript materials. Judith Irvine's meticulous reconstruction makes Sapir's compelling ideas - of surprisingly contemporary resonance - available for the first time.

In these vivid portraits of prominent twentieth-century intellectuals, Edward Shils couples the sensitivity of a biographer with the profound knowledge of a highly respected scholar. Ranging as widely across various disciplines as Shils himself did, the essays gathered here share a distaste for faddists who "run with the intellectual mob" and a deep respect for intellectuals who maintain their integrity under great pressure. Highlights include an affectionate treatment of Leo Szilard, the physicist whose involvement with the development of the atomic bomb led him to work ceaselessly to address its social consequences; a discussion of the educational philosophy of Robert Maynard Hutchins, the University of Chicago's fifth and most controversial president; an appreciative account of the Polish emigre Leopold Labedz's well-informed and outspoken resistance to Communism; and an essay about the extraordinary Indian writer Nirad Chaudhuri.

This third volume of the Selected Papers of Edward Shils brings together ten essays, three of which have never been published before and all the others of which have been completely revised and elaborated. They deal with the history of American and European sociology as an intellectual undertaking and as a means to the attainment of practical ends. Professor Shils's main themes are the influence of ethical and practical intentions on scholarly study in the social sciences, the autonomy of the intellectual tradition of sociology, and the significance of the institutional organization of sociological teaching and research.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Introduction Mountains and the Sacred As the highest and most dramatic features of the natural landscape, mountains have an extraordinary power to evoke the sacred. The ethereal rise of a ridge in mist, the glint of moonlight on an icy face, a flare of gold on a distant peak - such glimpses of transcendent beauty can reveal our world as a place of unimaginable mystery and splendor. In the fierce play of natural elements that swirl about their summits - thunder, lightning, wind, and clouds - mountains also embody powerful forces beyond our control, physical expressions of an awesome reality that can overwhelm us with feelings of wonder and fear. People have traditionally revered mountains as places of sacred power and spiritual attainment. Sinai and Zion in the Middle East, Olympos in Greece, Kailas in Tibet, T'ai Shan in China, Fuji in Japan, the San Francisco Peaks in Arizona - all have acquired a special stature as natural objects of devotion. Speaking of the ability of these mountains to arouse spontaneous feelings of reverence and awe, Lama Anagarika Govinda, a Western practitioner of Tibetan Buddhism, wrote: The power of such a mountain is so great and yet so subtle that, without compulsion, people are drawn to it from near and far, as if by the force of some invisible magnet; and they will undergo untold hardships and privations in their inexplicable urge to approach and to worship the center of this sacred power"--

A collection of the bestselling author's syndicated columns offers observations and judgments on word play, British language and custom, sports, Muzak, news reporting, U.S. foreign policy, and America's lifestyles

Thirty-five years ago, in 1973, the author, then in the middle of life, age 55, wrote Deaths of Man , a set of essays about death. The book was nominated for the National Book Award in Science and recently the American Psychological Association selected it as a "classic" and provided a retrospective review. Now, in 2008 the author, age 90, revisits some of his original concepts with the experience of thirty-five years of clinical perspective and personal travail and what it is to face his own death. This book touches on provocative topics such as some proposed criteria for a good death, a variety of ways in which we seek to survive our own death in our postself; the world-wide coarsening of death, and a chapter on suicide in which the author discusses his theory that the black heart of suicide is psychological pain. The book contains ideas like subintentioned death in which the individual, unbeknownst to the self, plays an indirect, unconscious role in bringing the death date forward. Perhaps the most dramatic feature of this new revision is an essay by the author's psychotherapist (about what he was like as patient discussing his own death). It is an essay which the author will not have seen.

In the late 1980s, when she began keeping a diary, Edwina Currie was the second most prominent woman in British politics - after Margaret Thatcher. Indeed, she was often spoken of as a potential Prime Minister. Her outspokenness and her lively, media-friendly personality won her a much higher profile than her status as a junior minister would otherwise have commanded. When she was forced to resign from the Government after warning of the danger signs of salmonella infection in eggs, she was already a national figure. The appearance of these diaries is an important publishing event. Like Alan Clark's diaries, they provide a remarkable insight into politics at the top, by a writer with an observant eye and a sharp sense of humour. Edwina Currie's honesty, her frankness and her courage make these unexpurgated diaries an irresistible read. Their revelation of her four-year affair with former Prime Minister John Major has already been a media sensation.

"It's a long way from a large, luxurious rambling estate in the Connecticut country side to 77 Sunset Strip, but Efrem Zimbalist, Jr. made that journey, traveling many different roads, during the life he so engagingly recreates in this memoir. His parents, Alma Gluck and Efrem Zimbalist, acclaimed for their artistry throughout the world, provided their son with a childhood of comfort and security - and, of course, music."

We first meet Lucy Appelbaum, the heroine of Paradise, New York , n 1970, when she is a nine year old girl enjoying her family's Catskills hotel, the Garden of Eden. Ten years later, having found nothing else at which she can distinguish herself, she tries to save the Eden by capitalizing on a wave of nostalgia for the Borscht Belt, running the hotel as a sort of living museum of Yiddish culture. In the course of that season, Lucy comes to realize her love for the hotel's black handyman, Mr. Jefferson -- and the difficulties she faces in overcoming the barriers between them. She battles her grandmother's not-so-subtle attempts to sabotage her success, her parents' superstitious fear of anything that attracts attention to the Jews, and her brother's contention that what Lucy is doing is more a matter of ego than authentic religious feeling. On top of all this, Lucy must contend with the Hasid who buys the chicken farm next door, a cell of ancient Jewish Communist who foment a strike among Eden's overworked young staff, and a gay chef and a gay baker who want to prove to the world that kosher cuisine can satisfy the most sophisticated gourmet. Among the novel's characters are Shirley and Nat Feidel, who barely survived the Holocaust but refuse to allow bitterness to rule their lives; Mami Goshgarian, the Eden's tumeler ; and Jimmy Kilcoin, and Irish Catholic insurance adjustor who has earned a reputation as "the Don Juan of the Catskills" and is determined to seduce Lucy before summer's end.

"Traces the three major periods of Begin's life and the events and influences in each that formed his personality, ideology, and opinions: his early years in Poland as a leader in the right-wing youth movement Betar, and later, during World War II, his years in a Soviet prison camp; his years during the 1940s when, as head of the underground, he directed attacks against the British while in hiding; and, since the founding of the state of Israel, his years in political life as leader of the opposition." -- Dust jacket.

Traces the life of the Russian poet, describes the background of her times, and attempts to portray her complex personality

In a rooming house, a young man is unpacking when in walks a young lady looking for rope. She wants to hang herself. Well, the man hasn't any, but has some twine; so in desperate seriousness, they barter. Finally she takes the twine to her room, puts on the phonograph, and prepares to hang herself.

Traces the transformations of themes in women's writings by examining three women author's works.