ABOUT THE BOOK Shortly before he published Walden; or Life in the Woods, Henry David Thoreau called ¿The library a wilderness of books.¿ He also noted that while Americans were ¿clearing the forest in our westward progress, we are accumulating a forest of books in our rear, as wild and unexplored as any of nature¿s primitive wildernesses.¿ In "A Terrible Beauty: the Wilderness of American Literature," Jonah Raskin takes a long close look at the forest of books that poets, novelists and essayists mapped and explored before and after Thoreau. The first work of cultural criticism to look back at writing in the United States from the perspective of the contemporary environmental crisis, Raskin offers insights for students, teachers and lovers of literature as well as for backpackers and hikers who have trekked across untrammeled forests, deserts and mountains. ABOUT THE AUTHOR Jonah Raskin, Phd, has taught American literature at Sonoma State University, the State University of New York at Stony Brook and as a Fulbright professor at the University of Antwerp and the University of Ghent in Belgium. The author of fifteen books, he earned his B.A. at Columbia College in New York, his M.A. at Columbia University and his Ph.D. at the University of Manchester, Manchester, England. He lives in northern California and has written for The San Francisco Chronicle, The L.A. Times, The Nation, The Redwood Coast Review and Catamaran.

A companion to the Penguin book of World War 1 poetry, this anthology reflects how society itself was changed by war. It is divided thematically into the case for war, disillusion versus idealism, action versus stoicism and includes selections from the novels of war writers such as Robert Graves, Ernest Hemingway, Bertrand Russell, D.H. Lawrence, Erichmaria Remarque, Richard Aldington and and in a section entitled close quarters, letters from, among others, Wilfred Owen.

One of the strongest novels yet from the new generation of brat pack writers is a savvy, heartfelt look at the lives of kids who have real options and those who do not.

Surrender is in the tradition of best-selling psychological thrillers and cozy novels. It promises to engage your mind with its plot twists and turns; ignite your sense of humor with the realities of life that make you laugh; and tug at your heart with a hope filled spiritual thread. Psychiatrist Morgan Jane Winters moved back south to her beloved hometown of New Orleans to help those in need of mental and emotional care. Never in Morgan's wildest dreams could she have imagined that helping those in need would lead to being asked to aid in solving crimes with the New Orleans Police Department, but it did. When Commander Jackson Slade, Head of Special Investigations, calls on Morgan to lend a hand in solving the murders of four people, the darkest and deadliest of secrets within the political elite of New Orleans become unearthed. As they sift through what seems to be a massive cover up, they are led down a complex and dangerously lurid path of deception, intrigue, passion, murder, and redemption.

"This new critical biography provides a complete picture of German novelist, playwright and poet Johann Wolfgang von Goethe. It offers fresh, thought-provoking interpretations of all the major works, including novels such as The Sorrows of Young Werther and The Elective Affinities, plays such as Egmont and Iphigenia in Tauris, and Goethe's greatest work, Faust. Alongside these works the incidents of his life are analysed, including his love affairs and his meetings with the great people of the age, such as Napoleon Bonaparte. Jeremy Adler shows how Goethe's encyclopedic interest in numerous fields influenced later thinkers such as Charles Darwin and Sigmund Freud, Émile Durkheim and Susan Sontag. Goethe has often been called the last Renaissance man. He was in fact the first of the moderns - a maker of modernity."--Page 4 of cover.

Continuing her narration of the story of the Patriarchs in the Book of Genesis, After These Things recounts the relationship between Abraham’s tragic son Isaac and Isaac’s son Jacob. In following the psychological trail of the children of Abraham, the first properly constituted family, we discover all the complexities of love, power, and desire that make them so quintessentially human. Jenny Diski is the author of eight novels and two memoirs: Skating to Antarctica and Stranger on a Train.

It starts in the desert. John the prophet lowers Jesus under the Jordan's muddy waters and pulls him up, just as a bird swoops down to skim the river's surface.It spreads next to Galilee, where some welcome Jesus as a disciple of John and others grow wary of his rising influence-fishermen are leaving their nets, tax collectors their offices, and students their masters to listen to this new saint. After abandoning his nets, Andrew ties knots in the threads of his shirt to remember Jesus' teachings. After escaping his slum, Judas waits for Jesus to call down the legions of angels who can end a broken world.But just as Jesus' movement in the north is gaining strength, he turns south toward the Temple and a fate his followers will struggle to understand. The Five Books of Jesus , James Goldberg's lyrical novelization of Jesus' ministry, tells the story of the gospels as Jesus' followers might have experienced it: without knowing what would happen next or how to make sense of events as they unfold.

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The whole of The Catcher in the Rye is in the Oxford English Dictionary , waiting to be unscrambled, and so are all the novels of our past, present, and immediate future en·thu·si·ast Function: noun : a person filled with enthusiasm : as a: one who is ardently attached to a cause, object, or pursuit b: one who tends to become ardently absorbed in an interest A dictionary, despite its heroic effort to pin down language, is destined for failure the moment a single word is printed; language, with its eternal mutations, is forever uncontainable. In Dictionary Days , award-winning essayist Ilan Stavans explores our very human need to "seize upon the meaning of a word." Owner of hundreds of dictionaries, he follows a fascinating, zigzagging history of lexicography across many languages, including English, French, Spanish, German, Arabic, Hebrew, Latin, and Cyrillic. Throughout his journey, Stavans spots strange meaning inconsistencies, uncovers unusual origins, and shares extraordinary and often hilarious anecdotes. With a dazzling knowledge of dictionaries through the ages, matched by a lively wit, Stavans reaches far beyond the margin of the page and pays a worthy tribute to a discipline that is at once inspiring and maddening. "For dictionaries are oracles: nothing is outside them—except the impossible."

"Week after week, for eighteen years, the Booker Prize-winnng novelist Howard Jacobson wrote a weekly column for the Independent, reflecting in inimitable style on the sacred and the profane in turn, the frivoulous and the serious, the deeply personal and the most universal. As the much-loved newspaper ceases printing, this second collection of Jacobson's columns offers a selection of the witty and thunderous best..."--Back cover.

Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil , and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher. Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.

First half of The Astounding-Analog Reader, Volume One, an anthology series of two volumes edited by Harry Harrison and Brian W. Aldiss, collecting some of the best short stories from John W. Campbell's legendary science fiction magazine Astounding (later renamed Analog). Stories in this book date from 1937 to 1941. 1. Forgetfulness (1937) novelette by John W. Campbell, Jr. [as by Don A. Stuart] 2. Seeds of the Dusk [When Earth Is Old] (1938) novelette by Raymond Z. Gallun 3. Farewell to the Master (1940) novelette by Harry Bates 4. Trouble on Tantalus (1941) novelette by P. Schuyler Miller 5. Time Wants a Skeleton (1941) novella by Ross Rocklynne 6. Nightfall (1941) novelette by Isaac Asimov 7. By His Bootstraps (1941) novella by Robert A. Heinlein [as by Anson MacDonald]

"Everyone is fascinated by crime." "When you look at the history of song, romantic love songs may be the dominant mode of songwriting, but second would probably be songs involving crime--murder ballads, political protest songs; crime is a major theme in all songwriting," says Harper Simon. He offers a new and expansive contribution to this legacy with Meditations on Crime , an ambitious multi-media project that includes an album he produced of musical collaborations with a sweeping range of contributors (Julia Holter, Gang Gang Dance, King Khan, the Sun Ra Arkestra) and a book he edited featuring essays by such notables as Miranda July, Hooman Majd, and Jerry Stahl, alongside artwork from giants like Cindy Sherman, Tracey Emin, Julian Schnabel, and Raymond Pettibon. The genesis of Meditations on Crime came in 2016 as the confluence of several ideas. Simon was interested in collaborating with musicians he knew and admired, to create a vinyl LP with an accompanying book--"a beautiful physical object to stand outside the digital world." Given what America was going through during that particular election year, though, he also thought it was a time that called for something more politically charged. Meditations on Crime --if you get down to it, crime is politics and politics is crime, so crime can go a lot of different ways. It seemed to be a way of approaching the moment that was a little more subtle and left space to explore." The songs were developed in a variety of ways: Sometimes Simon sent his collaborators guitar tracks or demos he was working on and had them write over that, sometimes he collaborated on lyrics. On the Sun Ra Arkestra track, he composed melodic themes and went to the group's home base of Philadelphia with the legendary producer Hal Willner, where they fleshed out two songs (Willner passed away in 2020 from Covid; "to have that creative moment with him makes it really touching for me," says Simon. As he reached out to more musicians ("I kind of just went with my gut, and one person led to the next"), Simon retained a consistent backing band for most of the tracks to keep some cohesion. He played most of the guitars, with Paz Lenchantin from the Pixies on bass and Carla Azar, who has played with everyone from Jack White to PJ Harvey to The Who, on drums, as well as members of Ariel Pink's band and Nick Zinner from the Yeah Yeah Yeah's. For the book, Simon points to "On Crime," the essay by Nigerian novelist and poet Ben Okri, as a central piece. "It almost felt like an introduction because it was so philosophical," he says. "It really set the tone and the book started to become less political and more interesting. Once that tone was set, you could go to this beautiful essay on war crimes by Janine di Giovanni, the famous foreign correspondent. You could see it go to a humorous piece by Jerry Stahl or an interview with Kenneth Anger. Wayne Kramer from the MC5 has a foundation called Jail Guitar Doors that brings musical instruments and songwriting to prisoners, and has spent time in prison himself, so I thought he would have an interesting perspective."

"Home Influence" from Grace Aguilar. Novelist and writer on Jewish history and religion (1816-1847).

"How easy Mr. Kersh makes it all seem! How admirably he sets the scene, the atmosphere . . . very neatly done." - The Observer "Three short, rough novels, hard-hitting, battering the emotions without compunction . . . Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph Best known for his gritty novels of London life and his weird and often horrific short fiction, in Clock Without Hands (1949) Gerald Kersh delivers three novellas, each very different but all showcasing the virtuosity of his storytelling. Clock Without Hands relates the unexpected and macabre impact of a sordid murder on the mild-mannered neighbour who witnesses the crime. In Flight to the World's End , a desperate boy flees his cruel life at an orphanage, only to discover a harsh truth about the world outside. And in Fairy Gold , a clerk plays a malicious practical joke on his impoverished co-worker, with unpredictable and startling consequences. Gerald Kersh (1911-1968) published more than thirty books, including the noir classic Night and the City (1938) and Fowlers End (1957), which Anthony Burgess called "one of the great comic novels of the century," as well as hundreds of short stories which were once ubiquitous in British and American magazines. But though he has been championed by Angela Carter, Harlan Ellison, Ian Fleming, Michael Moorcock and others, Kersh has undeservedly fallen into neglect since his death. This edition of one of his lesser-known books is the first-ever reprint and includes a new introduction by Thomas Pluck.

Jews were emancipated at a time when high culture was becoming an integral part of German citizenship. German Jews felt a powerful urge to integrate, to find their Jewish substance in German culture and craft an identity as both Germans and Jews. In this reprint edition, based on the 1983 Efroymson Memorial Lectures given at Hebrew Union College-Jewish Institute of Religion in Cincinnati, George Mosse argues that they did this by adopting the concept of Bildung-the idea of intellectual and moral self-cultivation-and combining it with key Enlightenment ideas such as optimism about human potential, individualism and autonomy, and a connection between knowledge and morality through aesthetics. Personal friendships could be devoted to common pursuit of Bildung and become a means of overcoming differences, becoming a means for integration into German society. Mosse traces how Jewish artists, writers, and thinkers actively sought to participate in German culture and communicate these ideals through popular culture, scholarship, and political activity. From the historical biographies, novels, and short stories of Stefan Zweig and Emil Ludwig; to the psychoanalysis of Freud, which sought to subject irrationality to reason; to the revolutionary thought of Walter Benjamin-Jews sought to influence a mass political culture that was fast drifting into irrationality. As individualism was subsumed into nationalism, and eventually the German political right's racist version of nationalism, German-Jewish dialogue became more difficult. Jews remained idealistic as German society became less rational, their ideas corresponded less and less to the realities of German life, and they drifted out of the mainstream into an intellectual isolation. Yet out of this German-Jewish dialogue, what had once been part of German culture became a central Jewish heritage. The ideal of cultivating a personal identity beyond religion and nationality, the liberal outlook on society and politics, and the desire to transcend history by stressing what united rather than divided individuals and nations infiltrated Jewish life became an inspiration for many men and women searching to humanize their society and their own lives. Mosse's lectures trace the emergence of a form of Jewishness which resisted cultural ghettoization in favor of the pursuit of that which is universally human.

For twenty years now, Frederick Busch has been a relentless chronicler of the human heart. Except for an occasional foray abroad, he has tended to set his fiction in a physical territory--the Northeast, upstate New York especially--which he has given literary shape. With the capaciousness of a Dickens and the control of a Hemingway, Busch's novels have come in steady counterpoint, raising and answering by turns insistent questions that worry even the plainest of domestic lives. In this his fifth book of stories, the Absent Friends of the title are the lost characters the author has so compassionately detailed, who long to recover their absent selves. But they are also, as Richard Bausch comments in The Philadelphia Inquirer, "friends we have failed, or who have failed us; it is the emotional cost of that estrangement that interests Frederick Busch."

1929. Werfel, Czech-born poet, playwright, and novelist, whose central themes were religious faith, heroism, and human brotherhood. Class Reunion begins: The examining magistrate, Dr. Ernst Sebastian, extinguished his half-smoked cigar. It was his custom not to smoke during office hours, and there was still one case to be heard. It was nearly six o'clock and the sun's rays struck more and more obliquely across the examination-chair, which hulked in front of his writing-table like a stricken man. Sebastian was anxious to hasten matters. See other titles by this author available from Kessinger Publishing.

Fannie Hurst (1889-1968) was an American novelist. She was born in Hamilton, Ohio, the only surviving child of a well-to-do Jewish family. She spent the first twenty years of her life in St. Louis, Missouri, where she attended Washington University in St. Louis and graduated in 1909. In 1921, she was among the first to join the Lucy Stone League, an organization that fought for women to preserve their maiden names. She was active in the Urban League, and was appointed to the National Advisory Committee to the Works Progress Administration in 1940. She was also a delegate to the World Health Organization in 1952. Hurst is now best known for the screen adaptations of her works, such as the 1934 film Imitation of Life. Although her books are not well remembered today, during her lifetime some of her more famous novels were Star-Dust (1919), Lummox (1923), A President is Born (1927), Back Street (1931) and Imitation of Life (1933).

1929. American author, Hurst is noted for her sympathetic, sentimental novels. The book begins: In the long reaches of what had become chronic insomnia John G. Rarick found himself mentally mouthing to himself phrases such as this: I am a rich man. I am a very rich man. Me, John G., rich! It was his way of striving to grind into his overtaxed realizations the fact that, as he lay there, wheels of industry, turning by now of their own momentum, were pouring more and more gold into Rarick coffers. See other titles by this author available from Kessinger Publishing.