Presents an unfinished Boas manuscript and selected publications in which the renowned anthropologist records his observations of such aspects of Kwakiutl culture as social and economic organization, religion, and art. Franz Boas, a German-born American anthropologist, became the most influential anthropologist of his time. He left Germany because of its antiliberal and anti-Semitic climate. As a Columbia University professor for 37 years (1899-1936), he created both the field of anthropology and the modern concept of culture. Boas played a key role in organizing the American Anthropological Association (AAA) as an umbrella organization for the emerging field. At both Columbia and the AAA, Boas encouraged the "four field" concept of anthropology; he personally contributed to physical anthropology, linguistics, archaeology, as well as cultural anthropology. His work in these fields was pioneering. Both directly and through the influence of such students as Ruth Benedict, Melville J. Herskovits, Alfred L. Kroeber, and Margaret Mead, he set the agenda for all subsequent American cultural anthropology. In His lifetime Boas had many leadership roles Assistant curator at the American Museum of Natural History; editor of The Journal of American Folklore; president of the New York Academy of Sciences, and founder of the International Journal of American Linguistics. Boas is the author of hundreds of scientific monographs and articles. He died in 1942.

"In Walking in Berlin, originally published in Germany in 1929, [Hessel] captures the rhythm of Weimar-era Berlin, recording evidence of the seismic shifts shaking German culture at the time. Nearly all of the pieces take the form of a walk or outing, focusing either on a theme or part of the city, and many end at a theatre, cinema, or club. Hessel effortlessly weaves historical information into his observations, displaying his extensive knowledge of the city. Today, many years after the Nazi era and the postwar reconstruction that followed, the areas he visited are all still prominent and interesting. From the Alexanderplatz to Kreuzberg, his record of them has become priceless"--Back cover

By turns sexy, comic and horrifying, this new stage version of The Castle tells the story of a man who decides to fight a monstrous bureaucracy rather than give in to it, attempting and failing to gain entrance to a castle where he has been summoned to work. In its surreal depiction of an all-powerful organization (which some, including Thomas Mann, have called a metaphor for God), The Castle is a black comedy for our times.

This series reprints the best of the titles in Islamic Studies that were published by Brill before 1970. Titltes that have been out of print for a long time, but are still important for libraries and scholars will become easily available to a wider audience. The best of two centuries of scholarship, newly typeset and with new introductions by some of the foremost scholars in Islamic Studies make the Brill Classics in Islam an indispensable part of any islamic studies collection. In Knowledge Triumphant, Franz Rosenthal observes that the Islamic civilization is one that is essentially characterized by knowledge ('ilm), for "ilm is one of those concepts that have dominated Islam and given Muslim civilization its distinctive shape and complexion." With an introduction by Dimitri Gutas. FRANZ ROSENTHAL (1914-2003) was Sterling Professor of Arabicand Semitic Studies at Yale University until his retirement in 1985.

"Franz Rosenzweig (1886-1929) is one of the most significant German Jewish philosophers of the twentieth century. Published in German in 1920 and now finally available in English for the first time, Hegel and the State is a major contribution to the understanding of Hegel's political and social thought and a profound analysis of the intellectual currents that shaped the German state in the late nineteenth and early twentieth centuries. Through careful readings of Hegel's early handwritten manuscripts, Rosenzweig shows that Hegel was wrestling with the problem of how to reconcile the subjectivity and freedom of the individual within a community and ultimately the political state. According to Rosenzweig, the route out of this conundrum chosen by Hegel shaped his mature political philosophy, where he saw the relationship between the individual and the state as reciprocal. At a deeper level, the significance of Hegel and the State lies in the way that Rosenzweig explains the failure of Hegel's quasi-communitarian view of the state to emerge, due to the authoritarian direction of the newly-unified German state under Bismarck. Anticipating the political and moral disaster that was to follow, Rosenzweig concludes by questioning the very viability of any theory of the state that relies on the pillars of bureaucratic militarism and a government-supported capitalist business culture. With the inclusion of a Foreword by Myriam Bienenstock and a substantial Afterword by Axel Honneth, Hegel and the State is a ground-breaking work of early twentieth-century philosophical and political thought. It is essential reading for students of Hegel, German Idealism, Jewish philosophy, and the origins of critical theory. It will also be of interest to those in related subjects such as the history of sociology, and German and intellectual history"--

Who could have guessed that the lowly fruit fly might hold the key for decoding heredity? Or that the mouse might one day disclose astonishing evolutionary secrets? In a book infused with wisdom, wonder, and a healthy dose of wry skepticism, Nobel Prize-winning geneticist François Jacob walks us through the surprising ways of science, particularly the science of biology, in this century. Of Flies, Mice, and Men is at once a work of history, a social study of the role of scientists in the modern world, and a cautionary tale of the bumbling and brilliance, imagination and luck, that attend scientific discovery. A book about molecules, reproduction, and evolutionary tinkering, it is also about the way biologists work, and how they contemplate beauty and truth, good and evil. Animated with anecdotes from Greek mythology, literature, episodes from the history of science, and personal experience, Of Flies, Mice, and Men tells the story of how the marvelous discoveries of molecular and developmental biology are transforming our understanding of who we are and where we came from. In particular, Jacob scrutinizes the place of the scientist in society. Alternately cast as the soothsayer Tiresias, the conscienceless inventor Daedalus, or Prometheus, conveyer of dangerous knowledge, the scientist in our day must instead adopt the role of truthteller, Jacob suggests. And the crucial truth that molecular biology teaches is the one he elaborates with great clarity and grace in this book: that all animals are made of the same building blocks, by a combinatorial system that always rearranges the same elements according to new forms.

309p hardback with dustjacket, a nice and neat copy, well preserved, no name and no underlining, very well preserved

Fifty-eight games, profoundly annotated, reveal how Nimzovich applied his own revolutionary principles.

To become more then an average chess player a person must master the art of the end-game. This tactical necessity is explained here in step by step sections to slowly expand your game and teaches you to spot favourable endings and how to defend and turn possible defeat to a hard won victory. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

To find more information on Rowman & Littlefield titles, please visit us at www.rowmanlittlefield.com.

Fred Zinnemann (1907-1997) was one of Hollywood's most honored directors. In a career that spanned fifty years, he won four Academy Awards and directed such classic movies as From Here to Eternity, A Man for All Seasons, The Day of the Jackal, and High Noon. Covering thirty-three years of conversations (1964-1997), Fred Zinnemann: Interviews provides a revealing glimpse into the director's vision as he discusses in his cultivated, elegant voice his varied experiences as a filmmaker. He defends himself against charges that his films are too objective or unemotional. He reminisces about his experiences with independent director Robert Flaherty and his early years in the American studios and recounts his disappointment and frustration over his abortive attempt to film Man's Fate. Filled with intelligent commentary and recollections about all of his important work, the interviews disclose an artist committed to his craft, his vision, and the human enterprise. Despite the range of genres in which he worked-the western, the musical, film noir, and the ""social problem"" film-Zinnemann was aesthetically committed to social realism. Due in part to his training under Flaherty and his upbringing in Austria, where he witnessed firsthand the rise of fascism, Zinnemann was always drawn to stories that highlighted the testing of conscience in people caught up in a historical moment. World War II provided the backdrop to much of his work. As he put it, ""I have always been concerned with the problem of the individual who struggles to preserve personal integrity and self-respect."" Gabriel Miller is a professor of English at Rutgers University, Newark, and has written several other books on film and theater.

THE WAY TO BETTER CHESS! Why You Lose at Chess is vintage Reinfeld. He pulls no punches, showing the reader why he or she loses chess games. This is quite a remarkable feat when you think about it, because he never saw any of the games the vast majority of his readers played. But Fred knew the thinking that lurks behind poor chess decisions, and he let us all know what is wrong or irrelevant or misguided about the types of moves he witnessed far too often. Beginning with a chapter on self-appraisal, he links a lack of understanding of your own personality with erroneous choices of moves and plans in a chess game. He goes on to delve into playing blindly (with no idea what you are actually doing) or by rote (memorization vs. understanding). A couple of technical mistakes he points out include a lack of understanding of the tremendous importance controlling the center makes as well as knowing what features in a position should be present in order for an attack to be likely to work. Among other observations, he gets on amateur players for being easily bored, impatient, lazy, and stubborn. And all of this comes with lucid examples from master play that back up his contentions. All in all, this is an outstanding treatment of a subject players generally do not pay enough attention to. It has the potential to open anyone's eyes to what playing strong chess can be like. Let Fred Reinfeld show you the way to better chess...

Choice Outstanding Academic Title for 2008 A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class. The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list. This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.

"The Pagan revival is modern man's salute to gods, myths and rituals that have been eclipsed for centuries by science, education and official state religions." "As a lifelong practitioner of Wicca - largest of the Pagan faiths - the author presents a convincing view of the gods as independent energies whose moods can heal or destroy on a gigantic scale. This book is also his personal record of a successful quest for religious integrity and truth." --Book Jacket.

Life might have been very different for Gideon. Failed academic turned literary odd-jobber, Gideon Shand is bedevilled by his youth. Through his own fault, the chance of a brilliant Cambridge career has been missed. Nor is all well with his seemingly happy marriage: his wife should have married someone else... When Gideon s alter ego, Stephen Heilman, helps the Shands move to his own neighbourhood from the troublesome city of Chaworth, the past finally catches up with them, forcing Gideon to face the truth. This stylish novel of sexual deceit, ambition- and failure - has all the mordant wit and stinging social comment that mark Raphael as one of our most dazzling novelists. Raphael is spot on in his observation. One of our most competent and consistently entertaining chroniclers - Guardian By far and away the best thing he has ever done. The book is written with great aplomb... and the dialogue is exceptional -Financial Times Cover illustration by Gary Keane

Frederick Busch's 18th work of fiction, Girls , is a novel whose roots lie buried in an earlier short story. In "Ralph the Duck," Busch introduced Jack and Franny, a young couple trying to recover from the recent death of their baby daughter. In Girls Busch expands Jack and Franny's lives beyond this single personal tragedy to encompass a greater the disappearance of a 14-year-old girl, daughter of the town minister and his dying wife, from the community. Propelled by his own loss, Jack, a security guard at a local college, begins investigating the disappearance, and thus Busch's novel becomes a literary detective story. In the course of solving the mystery, Jack must grapple with his attraction to a professor at the college, the disintegration of his marriage, and the impossibility of outrunning the past.