This is a book about Jesus of Nazareth. It is not a book about "story," nor about "narrative theology." Hans Frei was not a theologian of story or of narrative in any general way, and this book is neither about the narrative quality of our existence and the gospel's relation to that quality, nor about the narrative shape of the Scriptures as a whole and the call on us to place ourselves within that narrative. Rather, this is a book about the way in which Jesus of Nazareth's identity is rendered by the Gospels--largely the Synoptic Gospels, particularly the Gospel of Luke, and especially in the passion and resurrection sequences--by means of a certain kind of narrative. --from the Foreword by Mike Higton

(Music Sales America). Learn how to play guitar from one of the most respected performers and teachers in the field! Books 1, 2, 3 and 4 are brought together in this complete Omnibus Edition of the fast, easy course by Happy Traum. It starts at the beginning, then takes you into jazz, folk, classical, and popular styles. You'll play well-known songs from the very first lesson! Includes an instructional CD.

This follow-up to Ellison's 1989 Stoker Award-winning book of film (and by extension, cultural) criticism picks up precisely where its predecessor left off: with the 35th installment-dated July 1989-of his column in THE MAGAZINE OF FANTASY & SCIENCE FICTION, and continues through his 50th entry, written for this volume in September 2014. But wait, there's more: buy now, and at no extra cost, you'll get three pieces of twenty-first century film criticism bringing the collection bang -up-to-date, as well as a long-lost assessment of PSYCHO that predates even the 1965 entries in HARLAN ELLISON'S WATCHING; if that's not value for money, we don't know what is. Did I mention the stunning Overton Loyd cover? The Harlan Ellison's Watching columns included are: From 1989: Installment 35: In Which the Phantasmagorical Pales Before the Joys of the Mimetic Installment 36: In Which, Darkly and Deliciously, We Travel From Metropolis to Metropolis, Two Different Cities, Both Ominous Installment 37: In Which Not Only is No Answer Given, But No One Seems to Know the Question to Ask Installment 38: In Which, Though Manipulated, We Acknowledge That Which All Men Seek From 1990: Installment 39: In Which We Hum a Merry Tune While Waiting for New Horrors, New Horrors Installment 40: In Which We Scrutinize the Sedulousness to Their Hippocratic Oath of Troglodytic, Blue, Alien Proctologists Installment 41: In Which an Extremely Nervous Fool with His Credentials Taped to His Forehead Tacks Trepidatiously Between Scylla and Charybdis Knowing that Angels and Wise Men Would Fear Even to Dog-Paddle This Route Installment 42: In Which It Waddles Like a Duck, Sheds Water Like a Duck, and Goes Steady With Ducks, But Turns Out to be a Tortoise Installment 43: In Which We Lament, "There Goes the Neighborhood " Installment 44: In Which the Good Ship Coat-Tail-Ride Sinks, Abandoning Hundreds in Treacherous Waters From 1991: Installment 45: In Which Tempus Fidgets, Fugits, and Inevitably Omnia Revelats Installment 46: In Which We Bend So Far Over Backwards To Be Unbiased That You Can See The Nose Hairs Quiver With Righteousness Installment 47: In Which Artful Vamping Saves the Publisher $94.98 From 1994: Installment 48: In Which the Wee Child's Icons are Demeaned From 1995: Installment 49: In Which the Old Man of the Sea Bites the Head off Yet Another Chicken From 2014: Installment 50: In Which the Playroom of the Prodigal Gives One Last Gasp Pre-dating Ellison's column in The Magazine of Fantasy and Science Fiction, ENDLESSLY WATCHING collects a review of PSYCHO from a 1960 fanzine, 1974's "Total Impact: THE TERMINAL MAN," and Ellison's 1966 treatise on terror: "3 Faces of Fear," making its debut in a non-fiction Ellison collection. Bridging the nearly two decades between Watching columns are: 2007's "I Saw GHOST RIDER Today at the Galleria," and 2013's review of 12 YEARS A SLAVE and "Death to All Hollywood Award Shows " As an added bonus, we've exhumed two unpublished reviews...or, rather, one unpublished review of BRAM STOKER'S DRACULA and an unpublished refusal to review HONEY, I BLEW UP THE BABY.

Harlan Ellison's never-before-published 238-page, unproduced screenplay adaptation of Norman Spinrad's Hugo Award-nominated novel BUG JACK BARRON that was to have been directed by Costa-Gavras (Z) for Universal Pictures in the early 1980s. Respected film critic and historian LEONARD MALTIN has written an insightful introduction with input from Ellison on why-after nearly 30 years-the film has still never been made. This paperback book includes Ellison's original casting suggestions from 1983 so you can "see the movie in your mind" with the faces Ellison imagined for each role. This screenplay was reproduced from Harlan Ellison's file copy. The pages originated on a manual typewriter, hence the idiosyncrasies that set them apart from the sanitized, word-processed pages of today.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

Bridging the gap in American sociology, this title relays Garfinkel's attempt to merge conceptual and positivist approaches to social research, demonstrating his early struggle with empiricism that formed the source of his later turn to ethnomethodology.

This is Laski's most important book after A Grammar of Politics . It discusses, on a grand scale, every aspect of American public life. Laski surveys American traditions and the American spirit, political institutions, the entire educational, religious, economic and social scene, America as a world power, and Americanism as a principle of civilisation. Laski's unsurpassed knowledge of American constitutional, social and cultural history is set in the perspective of his deep study of comparative constitutional history and political theory. He was one of very few people to see U.S. politics from the inside, as a result of his friendships with Roosevelt, Brandeis and Oliver Wendell Holmes.

Book by Laski, Harold Joseph

The growth in recent years of Soviet political involvement and military presence in the Mediterranean/Middle East region poses a serious challenge to the security of NATO's southern flank. Among other aims, the Soviets hope to reduce Western, especially American, influence in the area; counter and/or neutralize the U.S. strategic posture; and bring to fruition the historic Russian drive for open access through the Turkish Straits. General Gurkan argues that Moscow's strategy is to shift pressure from the relatively stable central region of NATO to the flanks in a multiple pronged southern thrust.

This timeless classic by Harold J. Laski explains the nature of the modern state by examining its characteristics, as revealed by its history. The State in Theory and Practice is a work that grows in significance, rather than dwindles over time. This is because, as Sidney A. Pearson, Jr. points out, Laski helped develop and expound the foundational arguments of the political left.After the collapse of the Soviet Union, even on the hard left, few people thought of Marxism, at least in its classical formulation by Laski in the 1930s, as a political alternative. Much of the interest in Laski seeks to separate the early Laski of pluralist parliamentary arguments from the later Laski of Marxism. Laski's appeal rests on subtle aspects of his science of politics that require a detailed examination before their full significance can be understood. The state is a work that operates at several layers of assumptions and implications.The significance of Laski starts with the observation that among many intellectuals on the left, the political critique of liberal democracy remains as influential after the collapse of the Soviet Union as it was when Laski wrote. The leftist critique of classical liberalism is one of the touchstones of modern political thought and Laski remains part of that tradition. Laski is one of the links between what might be called the "old left" of the pre-World War II era and the "new left" of the 1960's and later.

In a fashionable restaurant two gangsterish brothers formerly from the East End but now 'strategy consultants who enforce the peace' are celebrating a wedding anniversary with their wives who are sisters. At the next table a banker is dining with his wife formerly his secretary. Violent wildly funny this play displays a vivid zest for life. Diners and the staff at an elegant restaurant treat audiences to some unusually entertaining fare in this recent London hit by one of the major voices of modern theatre.

Published to coincide with its world premiere at the Almeida Theatre in London, this play explores relationships within the family, and our own particular and individual understanding of such communal history.

Albert finds himself dominated by his mother. At an office party he is mercilessly teased by his colleagues and arrives home, his temper rising. When his mother nags he attacks and leaves her, gets picked up by a girl and is able to reduce her to humble servility. Yet, when he arrives home his mother is there fully recovered and ready to reassert her dominance.

Source: Purchase, Mar. 30, 1992 (DLC #95125).

This is a television adaptation of Elizabeth Bowen's novel and is set in London during the Second World War. It is a story of love and espionage. Harold Pinter's most recent play is "Mountain Language".

The dispatcher has a great job lined up and the only mini-cab available is 274. Problem is, 274, who says he has fallen in love with the passenger who is asleep (or is she dead?) on his back seat, doesn't seem to know his own location, much less that of Victoria Station.