1928. American author, Hurst is noted for her sympathetic, sentimental novels. The book begins: Twenty-two sat down to dinner on a Thanksgiving afternoon at four, 1903, in the House on Sycamore Street. It might have been the house in Downing Street so far as its centrifugal significance was ground into the consciousness of the men, women and children gathered about its board. See other titles by this author available from Kessinger Publishing.

The interaction of Jew and Greek in antiquity intrigues the imagination. Both civilizations boasted great traditions, their roots stretching back to legendary ancestors and divine sanction. In the wake of Alexander the Great's triumphant successes, Greeks and Macedonians came as conquerors and settled as ruling classes in the lands of the eastern Mediterranean. Hellenic culture, the culture of the ascendant classes in many of the cities of the Near East, held widespread attraction and appeal. Jews were certainly not immune. In this thoroughly researched, lucidly written work, Erich Gruen draws on a wide variety of literary and historical texts of the period to explore a central question: How did the Jews accommodate themselves to the larger cultural world of the Mediterranean while at the same time reasserting the character of their own heritage within it? Erich Gruen's work highlights Jewish creativity, ingenuity, and inventiveness, as the Jews engaged actively with the traditions of Hellas, adapting genres and transforming legends to articulate their own legacy in modes congenial to a Hellenistic setting. Drawing on a diverse array of texts composed in Greek by Jews over a broad period of time, Gruen explores works by Jewish historians, epic poets, tragic dramatists, writers of romance and novels, exegetes, philosophers, apocalyptic visionaries, and composers of fanciful fables—not to mention pseudonymous forgers and fabricators. In these works, Jewish writers reinvented their own past, offering us the best insights into Jewish self-perception in that era.

High King Agamemnon faces the most crushing dilemma of his life. Kill his beloved eldest daughter? Or forfeit victory in the Trojan War? A father’s secret plot clashes with a girl’s romantic dreams in this chilling classic play from Ancient Greece. The most powerful dramatic script by EURIPIDES springs to life anew in a fresh adaptation by writer EDWARD EINHORN (Paradox in Oz, Fractions in Disguise, The Marriage of Alice B. Toklas by Gertrude Stein) with AGE OF BRONZE art by Eisner Award-winning ERIC SHANOWER (AGE OF BRONZE, Oz Graphic Novels, Little Nemo: Return to Slumberland).

Over the years, one of America's most acclaimed novelists has quietly produced some of the best essays in the land. In these 16 reflections upon American texts, Doctorow shows us the hidden connections between our poets and our presidents, our classic literary works and the lyrics of popular songs, the ways of 19th-century New York and the way we live now. Each one carries with it the remarkable talents of the novelist and suggests that the proper practice of letters knows no bounds. This selection of essays is preeminently concerned with the character of America -- who we are and why we are this way.

Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese "Poppy" Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: "not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure." Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph , and Senior Editor of National Review . Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War , with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones's numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.

TABLE OF CONTENTS: Who was Sappho? How gay was the Renaissance? When were the first sodomy laws passed in America? Were there any gay heroes in the American Revolution? Were "passing" women lesbians? Who was Walt Whitman? Who was Karl Heinrich Ulrichs? How did San Francisco become so gay? Was Susan B. Anthony a lesbian? Who were the "berdaches"? Who was Katharine Lee Bates? What was the Scientific-Humanitarian Committee? What were Oscar Wilde's trials about? What is the history of gay bathhouses? When did American gays, lesbians, and others first start calling themselves "queer"? Who was E.M. Forster? Who were Havelock Ellis and Edith Lees Ellis? How gay was the Harlem Renaissance? Who were Gertrude Stein and Alice B. Toklas? Who was Willa Cather? What was the Leopold and Loeb case? Who was Natalie Barney? What was the first gay rights organization in America? Who was Janet Flanner? What was the "Padlock" Bill? What was The Well of Loneliness? Who was Babe Didrikson Zaharias? Was Eleanor Roosevelt a lesbian? What was The Children's Hour? What happened to gays and lesbians during the Holocaust? Who were some of the lesbians in Hollywood's golden age? What is the origin of the phrase "a friend of Dorothy's"? Who were Ruth Benedict and Margaret Mead? What were the army drag shows during World War II? What were "blue discharges"? When did the American gay and lesbian press begin? How gay were Tennessee Williams's plays? What was the Kinsey Report? What were the lesbian pulp novels of the 1950s? What were physique magazines? Who was Christine Jorgensen? What was the Mattachine Society? How did McCarthyism affect gays and lesbians? Who were the Daughters of Bilitis? Who was Rudi Gernreich? Who was James Baldwin? What was the Boise Sex Scandal? What was Evelyn Hooker's research about? What was the Wolfenden Report? Who was Lorraine Hansberry? What was the Supreme Court's first pro-gay ruling? What have gays and lesbians experienced in revolutionary Cuba? Who was Bayard Rustin? What was NACHO? What is the origin of the annual gay and les

These are the tales of Eternal Voyager. Tales from a distant future in which all life is virtual. Everyone in the Metaverse takes for granted the ability to teleport; to change shape; to create entire planets for their playgrounds and to make backup copies of themselves, so they cannot permanently die. And what do these people who live beyond the conventional universe do with their powers? Mostly they play RPGs. ***** "I loved Conor Kostick's Epic and these six short novels (more like long, self-contained chapters) are sort of related. They are set in a universe (called the Metaverse) where virtual characters have come alive and have fun and adventures." Reader Review ***** "From a plague of vampyrism to silver orb aliens, to talking to dragons and battling orcs, Eternal Voyager [party animal] tackles them all with sharp humour and several quick avatar changes. Have you ever solved your own murder? Join a romp through metaversal adventures which just about cover every possible realm and involves a broad spectrum of characters. Parallels between the avatar world and our own are unmistakable - sometimes amusing, sometime deadly serious. Highly recommended." Reader Review

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

Imagine that you are a shy, quiet college student. Just an average guy trying to get through each day as best he can. Then your government contacts you. They want you to be part of an experiment in the art of human covert operations. Instead of creating an agent from someone within their own ranks, they want to create an agent from nobody, from scratch, from you! Loosely based on events in the American intelligence community during the Reagan administration, Fire tells the unique and powerful story of a young man's journey through the complex world of international intelligence. Fire was Bendis' first major work and helped him attract and develop a new audience for crime graphic novels that he would further challenge in later works such as Jinx, Goldfish, Torso, and Powers.

Benjamin Disraeli was a British politician who twice served as the Prime Minister and also became the Earl of Beaconsfield. Disraeli is noted for being influential as a politician and as a novelist.

MUTINY IN SPACE began as a novella entitled "Valentine's Planet," which appeared in the August 1964 issue of Worlds of Tomorrow. "To space opera of the time, the character of the captain was as important as that of the king was to Shakespeare. He (the captain was always a "he," even when the author was female) was the model and exemplar for society, the man with the right stuff, he who made the tough decisions and enforced discipline?

Brings together the best work from across the spectrum of Jewish interest, including articles, essays, short stories, poems, polemics, personal memoir, sections of novels, and other writings on a broad variety of topics.

"Poems of elegy in the aftermath of a great love from the internationally best-selling, award-winning novelist (Fugitive Pieces, The Winter Vault) and poet. In All We Saw, Anne Michaels returns with strikingly original poems to explore one of her essential concerns: "what love makes us capable of, and incapable of." Here are the ways in which passion must accept, must insist, that "death. give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive"--

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Though best known for his editing and posthumous publication of his friend Franz Kafka's writing, Max Brod was a major novelist in his own right. Tycho Brahe's Path to God , widely considered his finest work and viewed by many as a small masterpiece, concerns the relationship between the great Danish astronomer and the younger, intellectually superior Johannes Kepler. Brod's representation of this complicated relation grew out of his acquaintance with the young Albert Einstein, reproduces his struggles with the Expressionist poet Franz Werfel, and strangely anticipates the most famous act Brod would ever perform: publishing Kafka's writings without his permission. As Brahe attempts to create a diplomatic compromise between the old Ptolemaic system of planetary motion and its modern, Copernican revision, Kepler discards the principle of compromise root and branch. Their conflict thus becomes an emblem of the struggle between a weakened tradition and a self-conscious modernity. The novel manages to convey the intimate, emotional reality of a seventeenth-century political conflict as well as the psychological, political, and artistic turmoil of Brod's own time. This revival of the richly allusive and deeply resonant Tycho Brahe's Path to God is a true literary event.

This unfinished work was unearthed among his papers by City College professor Murphy, along with Trilling's own preface and commentary on the work as it stands: 24 short chapters. The novel is based on the late-life of poet Walter Savage Landor (1775-1864), who got into some unpleasant business surrounding his Bath landlady and her 16-year-old ward. Trilling details the true-life incident in his preface, then moves his own story to 1930s New England.

In this newly discovered "third" of a book by one of the most influential literary critics of the postwar period, an elderly poet and novelist turned distinguished mathematical physicist embroils himself in a principled but somewhat absurd conflict, complicating the lives of his admirers. These memorable characters include a beautiful short-story writer; the director of a private foundation and a compromised man of letters; the headmaster of a private school; a wealthy, progressive couple; an au pair from the foundation director's household; and an untried literary man from the Midwest, drawn from Lionel Trilling's own life experiences. The Journey Abandoned was supposed to be a novel about the anomalies of heroic action in a conformist age. Instead, it presents an extremely personal portrait of the life of letters in America.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskaia-the Jewish Enlightenment-did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets . The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism-a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could. Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.