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Philosophy of love: a partial summing-up

Singer, Irving
In 1984, Irving Singer published the first volume of what would become a classic and much acclaimed trilogy on love. Trained as an analytical philosopher, Singer first approached his subject with the tools of current philosophical methodology. Dissatisfied by the initial results (finding the chapters he had written "just dreary and unproductive of anything"), he turned to the history of ideas in philosophy and the arts for inspiration. He discovered an immensity of speculation and artistic practice that reached wholly beyond the parameters he had been trained to consider truly philosophical. In his three-volume work The Nature of Love , Singer tried to make sense of this historical progression within a framework that reflected his precise distinction-making and analytical background. In this new book, he maps the trajectory of his thinking on love. It is a "partial" summing-up of a lifework: partial because it expresses the author's still unfolding views, because it is a recapitulation of many published pages, because love -- like any subject of that magnitude -- resists a neatly comprehensive, all-inclusive formulation. Adopting an informal, even conversational, tone, Singer discusses, among other topics, the history of romantic love, the Platonic ideal, courtly and nineteenth-century Romantic love; the nature of passion; the concept of merging (and his critique of it); ideas about love in Freud, Schopenhauer, Nietzsche, Dewey, Santayana, Sartre, and other writers; and love in relation to democracy, existentialism, creativity, and the possible future of scientific investigation. Singer's writing on love embodies what he has learned as a contemporary philosopher, studying other authors in the field and "trying to get a little further." This book continues his trailblazing explorations.
MIT Press 2009-01-30 125 pages

Three philosophical filmmakers: Hitchcock, Welles, Renoir

Singer, Irving
Although Alfred Hitchcock, Orson Welles, and Jean Renoir do not pontificate about "eternal verities or analytical niceties," as Irving Singer remarks in Three Philosophical Filmmakers, each expresses, through his work, his particular vision of reality. In this study of these great directors, Singer examines the ways in which meaning and technique interact within their different visions. Singer's account reveals Hitchcock, Welles, and Renoir to be not only consummate artists and inspired craftsmen but also sophisticated theorists of film and its place in human experience. They left behind numerous essays, articles, and interviews in which they discuss the nature of their own work as well as more extensive issues. Singer draws on their writings, as well as their movies, to show the pervasive importance of what they did as dedicated filmmakers. Hitchcock used his mastery of contrived devices not as mere formalism divorced from content, Singer notes, but in order to evoke emotional responses that are meaningful in themselves and that matter greatly to millions of people. Singer's discussion of Hitchcock's work analyzes, among other things, his ideas about suspense, romance, and the comic. Singer also makes a detailed comparison of the original Psycho with Gus Van Sant's recent remake. Considering the work of Welles, Singer shows how and why the theme of vanished origins—"the myth of the past"—recurs in many of his films, starting with the Rosebud motif in Citizen Kane and continuing much later in his little-known masterpiece The Immortal Story . Expanding upon Renoir's comment that his own films were "always the same film," Singer studies his entire work as a coherent though evolving search for contact and "conversation" with the audience. While recognizing the primacy of technique, Renoir used cinematic artifice in the service of that humanistic aspiration.
MIT Press 2004 279 pages

The Iraq War and its consequences: thoughts of Nobel Peace laureates and eminent scholars

Irwin Abrams,Gungwu Wang
An extraordinary collection of essays by Nobel Peace laureates and leading scholars on the concluded Iraq War, The Iraq War and its Consequences is the First and Only book that brings together more than 30 Nobel Peace laureates and eminent scholars to offer opinions, analyses and insights on the war that has drawn both widespread opposition and strong support.In this intellectually captivating book, Professor Irwin Abrams, considered the leading authority world-wide on the history of the Nobel Peace Prize and Distinguished University Professor Emeritus at Antioch University, and Professor Wang Gungwu, renowned historian and Director of the East Asian Institute at the National University of Singapore, have collected works of notable laureates and scholars from diverse backgrounds. The Nobel Peace laureates and eminent scholars, together, expound on the consequences and impacts of the Iraq War ? an effort that has not been made before. In conclusion, there are two sermons by Gunnar St†lsett, Bishop of Oslo.The Prominent Contributors are: Nobel Peace LaureatesTenzin Gyatso (The Fourteenth Dalai Lama of Tibet, 1989)David Trimble (MP, Leader of the Ulster Unionist Party, UK, 1998)Jody Williams (International Ambassador of International Campaign to Ban Landmines, USA, 1997)Sir Joseph Rotblat (Pugwash Conferences on Science and World Affairs, UK, 1995)Jose Ramos-Horta (Foreign Minister of East Timor, 1996)Frederik Willem de Klerk (Former President of South Africa, 1993)Mairead Corrigan Maguire (Co-founder, Community of Peace People, Northern Ireland, UK, 1976)Bernard Lown (Co-founder, International Physicians for the Prevention of Nuclear War, 1985)Peter Hansen (Commissioner-General, United Nations Relief and Works Agency, UN, 1945)Irene Khan (Sec-General, Amnesty International, 1977)Mary Ellen McNish (Executive Secretary, American Friends Service Committee, USA, 1947)Brian Philips of Oxford Brookes University (Quaker Peace and Social Witness, UK, 1947)Cora Weiss, President (Permanent International Peace Bureau, 1910)Christian Dominice (Sec-General, Institute of International Law, 1904)Eminent ScholarsNoam Chomsky (Prominent Political Critic, Professor of Linguistics, MIT)Joseph Stiglitz (Nobel laureate in Economics 2001, Columbia University)Richard A Falk (Albert G Milbank Professor of International Law and Practice, Emeritus, Princeton University)Sir John Daniel (UNESCO Assistant Director-General for Education)John W Dower (Pulitzer Prize winner & Elting E. Morison Professor of History, MIT)Eric Stover (Director of Human Rights Center, UC Berkeley)Frank N von Hippel (Professor of Public and International Affairs, Princeton University)Lord Colin Renfrew of Kaimsthorn (Director of McDonald Institute for Archaeological Research, Cambridge University)William Hartung (Director of Institute's Arms Trade Resource Center, World Policy Institute)Benjamin R Foster (Professor of Assyriology and Curator of the Yale Babylonian Collection, Yale University)Svetlana Broz (Sarajevo Cardiologist, Author and Lecturer)Faleh A Jabar (Iraq specialist and Research Fellow, Birkbeck College, London University)Lisa Martin (Professor of Government, Harvard University)Helena Cobban (Middle-East Specialist and Columnist for Christian Science Monitor)Mahmood Mamdani (Director of Institute of African Studies, Columbia University)Rosemary Foot (Professor of International Relations, Modern History, Oxford University)Robin Lakoff (Professor of Linguistics, UC Berkeley)Roland Paris (Political Science and International Affairs, University of Colorado at Boulder
World Scientific 2003 443 pages

Godless Citizens in a Godly Republic Atheists in American Public Life

Isaac Kramnick,R. Laurence Moore
“Illuminating.” —Phil Zuckerman, author of Living the Secular Life If the First Amendment protects the separation of church and state, why have atheists had to fight for their rights? In this valuable work, R. Laurence Moore and Isaac Kramnick reveal the fascinating history of atheism in America and the legal challenges to federal and state laws that made atheists second-class citizens.
National Geographic Books 2019-08-20 256 pages

My first 79 years

Stern, Isaac
For sixty-four years, Isaac Stern has been a great--and greatly loved--performing artist, famous for his profound music-making, his gusto for life, his passionate dedication to sharing his knowledge and wisdom with younger musicians, and his determination in a good cause (Stern is, after all, The Man Who Saved Carnegie Hall). Indeed, there is no more revered musician in the world than Isaac Stern, revered not only as a great violinist but as a warm and generous personality and as a crucial figure and spokesperson in the world of the arts. Brought to America from Russia when he was ten months old, Stern grew up in San Francisco and was quickly recognized as an extraordinary talent. He began performing publicly while still very young, and was soon touring across the country and around the world. His fame escalated when he led the fight to save Carnegie Hall, and again when he was the subject of the Academy Award-winning documentary film From Mao to Mozart. In this book he shares with us both his personal and his artistic experiences: the story of his rise to eminence; his feelings about music and the violin; his rich emotional life; his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals; his background as an ardent supporter of Israel; his ideas and beliefs about art, life, love, and the world we live in. At seventy-nine, Stern's mind, his wit, and his spirit are as strong as ever, and they are conveyed to us in the most sympathetic and articulate way by Chaim Potok. The two men spent a year talking and sharing their perceptions, and the result is a book in which Stern's voice comes through with complete conviction and persuasiveness. The man on the page is the musician and humanitarian we have loved and admired for so long. Here is the most readable and revealing musical autobiography of the decade.
Alfred A. Knopf 1999-10-05 317 pages

Enlightening: letters, 1946-1960

Berlin, Isaiah
First volume of letters inaugurates a keenly awaited edition of Berlin's letters. Berlin's life was enormously worth living, both for himself and for us; and fortunately he said a great deal to his friends on paper as well as in person. When this volume opens Berlin is eighteen, a pupil at St Paul's School in London. He becomes an undergraduate at Oxford, then a Fellow at All Souls, where he writes his famous biography of Karl Marx. When that is complete he moves to New College to teach philosophy, and after the outbreak of the Second World War sails to America in somewhat mysterious circumstances with Guy Burgess. He stays in the USA, working for the British Government (apart from visits home and his famous trip to the Soviet Union in 1945-6) until July 1946, when he returns to Oxford, and the volume closes. The second volume of his letters, published to coincide with the 100th anniversary of his birth. Touches on the creation of Israel, the Cold War, McCarthyism and Greta Garbo
Chatto & Windus 2009 844 pages

Flourishing: letters 1928-1946

Berlin, Isaiah
'Life is not worth living unless one can be indiscreet to intimate friends,' wrote Isaiah Berlin to a correspondent. Flourishing inaugurates a keenly awaited edition of Berlin's letters that might well adopt this remark as an epigraph. Berlin's life was enormously worth living, both for himself and for us; and fortunately he said a great deal to his friends on paper as well as in person. The indiscretions - only part of the story, of course - are not those of Everyman. Berlin is one of the towering intellectual figures of the twentieth century, the most famous English thinker of the post-war era, and the focus of growing interest and discussion. Above all, he is one of the best modern exponents of the disappearing art of letter-writing. When this volume opens Berlin is eighteen, a pupil at St Paul's School, London. He becomes an undergraduate at Oxford, then a Fellow of All Souls, where he writes his famous biography of Karl Marx. He then moves to New College to teach philosophy, and after the outbreak of the World War 2 sails to America in somewhat mysterious circumstances with Guy Burgess. He stays in the USA, working for the British Government, until July 1946, when he returns to Oxford. Berlin's letters are marvellously accessible, and as entertaining as a novel. During the two decades covered here we see his personality and career growing and blooming. In America he writes a regular telegram to his anxious parents, often saying just 'Flourishing'; the word is entirely apt, not only for his wartime experience, but for the whole of his early life, vividly displayed in this book in all its multi-faceted delightfulness.
Chatto & Windus 2004-01 755 pages