Includes the author's Maclean's columns which provoked lawsuits from the Canadian Islamic Congress, as well as other essays in response to the legal action.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Chagall's celebrated stained-glass windows symbolizing the twelve tribes of ancient Israel are reproduced and presented together with notes on their historical meanings and artistic creation and significance

Lisa Fittko's Escape through the Pyrenees (Northwestern, 1991) told the extraordinary true tale of her life as an "enemy alien" in France before and after the Nazi invasion of 1940, when she and her husband smuggled small groups of refugees to safety along a tortuous route through the mountains. Solidarity and Treason: Resistance and Exile, 1933-1940 is Fittko's equally gripping memoir of the preceding years in the underground and exile. The volume opens with Hitler's.

Writer Garment uses his "contextual knowledge" of key Nixon insiders to arrive at the only likely candidate for the cigarette-smoking, Scotch-sipping informant. He also provides a fascinating look at the power dynamics within the Nixon administration and Washington. His search for Deep Throat's identity takes readers into the enigma of Richard Nixon, a leader whose tragic end still fascinates.

Emphasizes the radical difference between how Jews and Christians perceived themselves and each other in medieval Europe, focusing on the Franco-German region. The Jews considered themselves the true heirs to God's promises to Abraham. Christians insisted that because Jews had rejected the Messiah, God had rejected them, and therefore they were eternally damned. Jews were acceptable only if they were economically useful to the powerful, and as exemplars of what it meant to be not-Christian. That role, in good times and bad, shaped the Jewish experience and molded the Jewish consciousness. Inter alia, quotes Christian documents to indicate a prevalence of antisemitic Christian myths, stereotypes, and fantasies about Jews. The inequality of Christian-Jewish relations is described in terms of dependence, exploitation, terror, forced conversions, massacres, expulsions, etc., along with blood libels and Host desecration accusations, among others. Popes, lower clergymen, emperors, kings, nobles, and the lower classes were all involved, at different times and places, in persecuting Jews. Ashkenazi culture is shown as having developed in reaction to (and sometimes influenced by) Christian culture.

Jill and Leon Uris came to Ireland looking for answers. Why was Ireland bled by one internal war after another? How can one country contain such greatness and grief? What they discovered was more than the Ireland of peat fires and pubs, of fabled Irish wit and the haunts of the banshees. What they found was a people--trapped in mutual mistrust, but with a courage and kindness that brought them through centuries of bitter occupation and civil dissension, in a land as complexly beautiful as the people themselves. This then is the Urises' "love song" to the Irish and to Ireland.

A picture universally recognized, endlessly scrutinized and described, incessantly copied, adapted, lampooned: does Leonardo's near-ruined Last Supper still offer anything new to be seen or to be said? This book is a resounding Yes to both questions. With direct perception -- -and with attention paid to the work of earlier scholars and to the criticism embodied in the production of copyists over the past five hundred years -- Leo Steinberg demonstrates that Leonardo's mural has been consistently oversimplified. This most thought-out picture in Western art, painted in the 1490s on the north wall of the refectory of Santa Maria delle Grazie, Milan, is a marvel of compressed meanings. Its subject is not one arrested moment, but successiveness and duration. It is not only Christ's announcement of the forthcoming betrayal, but in equal measure the institution of the Eucharist. More than the spur of the moment animates the disciples, and more than perspective determines their housing. Though Leonardo's geometry obeys all rules, it responds as well to Christ's action at center, as if in emanation from the prime mover. The picture is simultaneously narrative and sacramental. As its protagonist is two-natured, as the twofold event of this night is both human submission and divine dispensation -- -so the entire picture is shown to have been conceived in duplexity: a sublime pun.Meanwhile, the unending disagreement as to what exactly is represented, what the depicted actions express, how and where this assembly is seated -- -all these still-raging disputes are traced to a single mistaken assumption: that Leonardo intended throughout to be unambiguous and clear, and that any one meaning necessarily rules out every other.As Steinberg reveals an abundance of significant interrelations previously overlooked, Leonardo's masterpiece regains the freshness of its initial conception and the power to fascinate.

An immensely valuable ocntribution. As the last generation of witnesses to the Holocaust testify to its horrors, tehy must also testify to its heroes - those who risked all to safe lives. These movingly told stories restore our faith in the human spirit. --William Shirer The mystery of the rescue phenomenon will probably always elude us. As the rescuers' narratives in this remarkable volume show, the acts of saving Jews seemed spontaneous and natural, and thus the mystery of the rescue act begins to unravel radiantly. The insights which this interdisciplinary collection of essays subtly pieces together s how in unique fashion the preconditions, or the possibilities, of individual and collective courage. --Dennis B. Klein, author of Jewish Origins of the Psychoanalytic Movement A distinguished group of internationally known individuals, Jews and non-Jews, rescuers and rescued, offer their enriching first-person accounts and reflections that explore the question: Why did the Danes risk their lives to rescue the Jewish population?

Twenty years of research by the author have made this a most comprehensive work on the Holocaust detailing many aspects of the tragedy often overlooked in other sources. events related to the period in even the most remote parts...

Laszlo Moholy-Nagy's 60 Fotos published in 1930 as the first book in the planned Fototek series on 'New Photography', 60 Fotos is a complex and multi-layered dialogue using some of Moholy-Nagy's finest examples of 'straight' photographs, negative prints, photograms, and photomontage. Books on Books #12 reproduces every page spread from this classic treatise on photography along with a contemporary essay from the noted photo-historian David Evans.

The Boy Who Lost His Birthday is the uplifting story of one man's journey from boyhood in rural Hungary to triumph over oppression during the Holocaust and finally to a role as a spiritual leader in America. Rabbi Laszlo Berkowits' compelling memoir recounts his happy childhood memories in Derecske, Hungary where he was a member of a thriving Jewish community and aspired to become a cantor. Stricken with wartime poverty, Berkowits and his father left their home and family behind to seek work in Budapest. It was there that they were rounded up with other Budapest Jews and shipped by sealed train to Auschwitz in the summer of 1944. Berkowits vividly narrates his treacherous experience as a sixteen year-old boy surviving in the notorious Nazi concentration camp until its liberation by American troops. After recovery in Sweden, Berkowits immigrated to America were he completed his education, joined the United States Army, and became a chaplain's assistant. After leaving the Army, he undertook graduate study at Hebrew Union College, married, and became the founding rabbi of the largest Jewish congregation in Virginia, Temple Rodef Shalom. Berkowits' story shows that he emerged victorious over deprivation, cruelty, and tragedy to become an exemplar of American success.