The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

A captivating novel about aging fathers and their grown daughters, childhood scars, and rewriting the script with a little help from Shakespeare, from the acclaimed author of My October . On the brink of forty, Bea Rose has lost her lover, her business, and her bearings. When the opportunity arises to work on a summer production of King Lear to be staged in various parks around Montreal, she takes it, despite her utter lack of theatre experience. Things get off to a rocky start when Bea meets the artistic director, Artie White, a childhood friend whose presence stirs up painful memories. Then, inadvertently attracting the attentions of the play's aging star, she learns that she must tread carefully among the egos and relationships of the company. At the same time, Bea's father begins behaving erratically, and her younger sister Cara discovers cracks in the foundation of an apparently perfect life. The sisters do their best to care for their beloved, demanding father, but his deteriorating condition is more than they can handle. Meanwhile, the star of Lear is also faltering amidst the confusions of age, illness, and regret. When a raucous party whirls out of control, the various forces in Bea's life collide, culminating in a violent act that could destroy more than one life. But that act also reveals how lives might be united in new ways. Tender, vivid, and powerful, Lear's Shadow is a richly satisfying meditation on love's power to bind and to liberate. It's a lyrical reminder that even in the face of grief, life's joy can be embraced.

Bruce Jay Friedman is the reigning don of the ironic comic novel, a man of whom The New York Times has written, "His writing is so funny -- and deceptively effortless -- critics often liken it to a stand-up comedy routine." Now he triumphantly returns to the form with Violencia!, a crackling satire of show-business pomposity, flimflam, and dreck in the spirit of Mel Brooks's The Producers. Paul Gurney is a struggling civilian clerk working the desk at a major New York homicide precinct who runs a department newsletter, The Homicider, that covers the goings-on at the precinct, dispenses advice, and disseminates interoffice gossip. But Gurney is newly divorced and dissatisfied, and abruptly decides to retire from the force, not knowing exactly what he'll do next. When he meets a shady Broadway impresario who wants to create a stage musical from his newsletter, he soon finds himself plunging headlong into the world of actors, agents, singers, songwriters, hacks, hams, and con artists. As the show Violencia! moves from rounds of financing from suspect sources to questionable casting calls to a disastrous out-of-town opening (at each stage getting progressively -- and hilariously -- worse and worse), Gurney enjoys the high living, romantic flings, and glamour of the entertainment industry. But he also comes to realize that show people aren't that different from other people he already knows: the thugs, lowlifes, and cutthroats he's encountered during his career on the homicide squad. Packed with unforgettably reprehensible characters, unimaginably turgid lyrics, and unimpeachably funny dialogue, Bruce Jay Friedman's Violencia! is a sidesplitting farce about the dark underbelly of the Great White Way.

Grove Press continues the reissue of Bruce Jay Friedman's critically acclaimed fiction with The Current Climate by the comedic genius whose work Nelson Algren hailed as "more interesting than most of Malamud, Roth, and Bellow ...[and] more important." The Current Climate continues the hilarious misadventures of the screenwriter from Friedman's novel About Harry Towns. Harry is now twenty years older and living in New York, a frustrated playwright struggling to sell a TV series to make some quick cash-and paralyzed by the decision of whether or not he should get tickets to see Cats.

Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” ( The Washington Post ) “Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”— The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem. The queen’s spymasters—hardened veterans of a long war on terror and religious extremism—fear that James is not what he appears. He has every reason to claim to be a Protestant, but if he secretly shares his family’s Catholicism, then forty years of religious war will have been for nothing, and a bloodbath will ensue. With time running out, London confronts a seemingly impossible question: What does James truly believe? It falls to Geoffrey Belloc, a secret warrior from the hottest days of England’s religious battles, to devise a test to discover the true nature of King James’s soul. Belloc enlists Mahmoud Ezzedine, a Muslim physician left behind by the last diplomatic visit from the Ottoman Empire, as his undercover agent. The perfect man for the job, Ezzedine is the ultimate outsider, stranded on this cold, wet, and primitive island. He will do almost anything to return home to his wife and son. Arthur Phillips returns with a unique and thrilling novel that will leave readers questioning the nature of truth at every turn.

Hailed by Publishers Weekly as "an A-1 satire on urban living," William Herrick's Bradovich is now available as a New Directions paperbook. Stephen Bradovich--sculptor, widower, former pro ball player, sometime brawler. Why would this complexly human, anarchist protagonist receive a visit from two impassive, square-shouldered operatives with the alarmling news: "You are under surveillance pending review, that's the message The Authority sends you"? Praised for the compassion, humanism, and "truth-seeking" of his earlier novels, Herrick in Bradovich steps beyond the "lean and muscular prose" of his terrorist trilogy (Shadows & Wolves, Love & Terror, Kill Memory) and beyond the working-class realism that won The Present Tense/Joel H. Cavior Award for That's Life (in 1985) to a surreal--if still recognizable--New York where suddenly not only the improbable but the impossible can happen.

Marblehead is a huge work, encompassing all of 1927, a year in which H.P. Lovecraft, researching a book he'd been hired to write for the Nazis, travels the East Coast in the company of Charles Sylvester Viereck. It was written in the 70s but, except for a bowdlerized version published by Arkham House, was essentially lost until the early 21st century. This edition contains every word of the original 165,000 word opus.

Told across five decades, in the voices of all four main characters, this paints on canvases large and small, from the struggle against apartheid to the secrets and brutalities that tear apart a family. Equal parts geopolitical thriller and one man's search for truth, it explores the damage inflicted by history, and the havoc wrought by lies.

On a Barcelona-bound train forced to pick up soldiers during the Spanish Civil War, Helen becomes acquainted with an antifascist German athlete who arouses her consciousness and inspires her need for a life of political action

Watching her Russian immigrant mother, Irina, struggle to put food on the table, Nina, a beautiful and restless teenager, vows her life will be different. When a strapping older man in a fancy car appears at school one day offering her luxuries her single mother cannot afford, Nina believes he's her ticket out of her dumpy little town. Ignoring the danger signs and her mother's constant pleas, which end in exhausting screaming matches, she packs a suitcase and leaves home after one last fight. Ten days later, a terrified Nina, her dress torn, is hiding in the stairwell of a Tel Aviv apartment after witnessing a murder she cannot talk about. She is discovered by one of the building's tenants, a confused, lonely old widow who mistakes her for the granddaughter she hasn't seen for a long while, not since her son moved his family to America. "You've come back to me, Dana'le." Instead of correcting the mistake, the desperate Nina jumps at the chance for a place to hide. Hiding from her mother and the dangerous man who are both frantically searching for her, Nina settles into the old woman's apartment. But how long can Nina possibly hide out until the poor woman realizes she's not who she says she is, or before someone else, her homesick son in America who keeps calling, or the lovely local neighbors who drop by with groceries, catches on?

When Anna and Sadie discover the diaries of their mother, Rebecca, in the days following her death, they learn that her life was far more complex than either of them knew: a garment worker in early-1900s New York; the reluctant wife in an arranged marriage to an ailing and abusive husband; the improbable friend of a pregnant prostitute.But the diaries reveal more than just surprising details about Rebecca's life: they also point to a family secret - and questions about Sadie's true parentage.The Featherbed is a gripping family saga that moves between the tenements of New York's Lower East Side and the stately homes of Toronto's Annex. Strong in plot, character, setting, and style, it is a fully-realised debut from an assured writer.

Near Fine Hardcover New York: Random House, 1970. Book. Near Fine. Cloth. Signed by Author(s). First Edition. 8vo - over 7¾" - 9¾" tall. Brown and tan cloth, lettered in blind on front cover and in gold foil on spine panel. Text block edges slghtly toned by age, front cover a bit warped and thus mildly lifting toward fore-edge. 241 pp. Illus. dust jacket lightly rubbed at corners and spine extremities, spine panel slightly toned by age, now in archival mylar. Signed by author (no inscription) on front flyleaf. First editoin, as per Random House designation at the time (explicit statement, "2" in number line). This is a signed copy of the trade edition, not the signed/limited edition..

"Ellinor, a jaded PR consultant, is landed with an unusual brief when a colleague commits suicide. She finds herself working with the Norwegian Post and Communications Union, focused on a strange, inspiring story of one undelivered letter. What follows is a story of mundane lives raised to the pitch of heroism"--

Peter Santore, the narrator, is an American lawyer in his mid-thirties come to England to track down a certain Hilary Pennels, the daughter of a Korean War hero who died in a POW camp, the same camp in which Peter's own father turned traitor and whose informing became, perhaps, the cause of Hilary's father's death. Only Hilary's guardian, Fox himself a survivor of the camp can explain, if he will, the troubling past that haunts the now fully grown "war babies." As Frederick Busch's relentless narrative bears down upon this complexity of betrayals, the lines between exploiter and exploited become eerily blurred.

"Such audacity she has, Soraya, a woman who dares to break free of the diamond-studded leash of her culture. A woman who refuses to accept the devastating betrayal her husband has perpetrated. A woman who refuses to forgive her best friend. Soraya turns her back on Iran, fleeing to America to plot her intricate revenge. The Shah has fallen, her country is in turmoil, her marriage has crumbled, and she is unraveling. The cruel and intimate blow her husband has dealt her awakens an obsessive streak that explodes in the heated world of Los Angeles. Yet the secret Soraya discovers proves far more devastating than anything she had imagined, unleashing a whirlwind of unexpected events that will leave the reader breathless"--from publisher's web site.