Some empires endure for thousands of years, while others flash and fail quickly. This thoughtful study compares the American Empire to those of the past, finding that much can be learned from the fates of the British, Roman, Chinese, Incan, and Aztec empires. Deeply researched and full of historical insights, The Perils of Empire sounds a warning about the challenges facing the American Empire and its repercussions around the globe.

"From the Nuremberg Trials to contemporary human rights, Jews have long played prominent roles in the making of international law. But the actual ties between Jewish heritage and legal thought remain a subject of mystery and conjecture even among specialists. This volume of biographical studies takes a unique interdisciplinary approach, pairing historians and legal scholars to explore how their Jewish identities and experiences shaped their legal thought and activism. Using newly-discovered sources and sophisticated interpretative methods, this book offers an alternative history of twentieth-century international legal profession - and a new model to the emerging field of international legal biography"--

“[A] well–edited collection . . . More than friends and less than lovers, Salter and Phelps were literary soul mates.” — Publishers Weekly It was James Salter’s third novel, A Sport and a Pastime —together with his film Three and a script he had written for Downhill Racer —that in 1969 prompted Robert Phelps to write a letter of admiration. Though the two writers didn’t know each other, their correspondence went on to span decades. The letters themselves are exceptionally alive, uninhibited, gossipy, touching, and brilliant. The successes of Salter and the struggles of Phelps are fully explored by the writers themselves in the kind of honest exchange only letters can divulge. With an insightful foreword by Michael Dirda, this book gives voice to a nearly forgotten figure and his friendship with a man he admired.

James Thomas Flexner has been a professional writer for most of his adult life. After several years spent at the City desk at the New York Herald Tribune after graduating from Harvard University, Flexner went on to become one of America's foremost historians. He has written with great distinction in a unique style accessible to and enjoyed by the scholar and general reader, twenty-six books in the fields of American history and art. Although he is principally known for his kistorical books, notably his four-volume biography of George Washington, Flexner has written in many forms and for many outlets. He has written for print and television; he has been a lecturer, columnist, reviewer, andeven a fiction writer. Collected here are samplings of Flexner's literary accomplishments throughout his long career (spanning over 60 years). In Random Harvest you will find pieces that appeared in Esquire Magaine, Time, The New York Times, Travel and Leisure, and even TV Guide. Included is an essay on George Washington and Watergate, on the art of biography, and many more. For the fan of Flexner, American history, and the art of a writer, in Random Harvest there is something to be enjoyed for everyone.

James Traub takes the reader on an almost unbelievable adventure--from the South Bronx to the White House to Wall Street--in an untidy morality play about politics and finance in America in the 1980's.

Includes an appendix listing body doubles for modest celebrities, a chart showing how nude scenes can advance a plot, and a wish list of celebrities who should and should not undress.

Interlude is the seventh studio album by Jamie Cullum which sees him return to his jazz roots in a collection of standards, rearranged by Cullum with the help of producer Ben Lamdin.

Theater critics and scholars around the world have long admired Jan Kott as, in Michael Holquist's words, "in the fullest sense of the term a man of the theater." In the quarter century since his landmark Shakespeare Our Contemporary (1964) appeared in English, Kott has continued to challenge cenceptions of the theater, frequently using Shakespeare's plays as reference points in his broad critical studies. Sparkling with the wit and verbal agility that characterize his writing, Kott's newest volume brings together three of his most important recent essays, each of them grounded in a particular Shakespeare play.

The Crawley sisters of Downton Abbey? The Bennet sisters of Pride & Prejudice? The daughters born to Zelophehad? Why mention any of these women in the same breath as the beloved characters in the Broadway musical Fiddler on the Roof? Conventional wisdom has it that Fiddler on the Roof is about Tevye, a beleaguered patriarch persecuted by his neighbors and "desperately clinging to Tradition." But in this surprising eBook, Jan Lisa Huttner turns the reader's focus away from Tevye and onto his daughters. What is tradition? Who makes the matches? Should people who want to marry each other be allowed to make that choice? These questions are just as important now as they were fifty years ago-in 1964-when Fiddler on the Roof made its original debut on the Broadway stage. Other recent books have discussed the stories of Sholem Aleichem and the canvases of Marc Chagall, the two undisputed sources of Fiddler on the Roof. But for Huttner, the creators of Fiddler on the Roof were also participants in a Great Conversation about women's rights conducted over a span of two thousand years from the original compilation of the Hebrew Bible right up to the present day. Huttner examines the "synergies" that made Fiddler on the Roof such a phenomenal-and unexpected-success back in 1964. These synergies not only help account for Fiddler on the Roof's extraordinary longevity, but also explain why stage performances of Fiddler on the Roof continue to be so resonant today. Huttner writes in a lively style but her intent is deeply serious. When we skip over, trivialize, or otherwise ignore the female characters in Fiddler on the Roof, we not only denigrate half of the world's population, we also fail to appreciate the full power of a great work of art.

Que l'on aime ou pas le travail de Saudek, il est certain que toute personne ayant vu l'une de ses photographies s'en souvient, tant son style est particulier.¦¦Peintre-photographe, Saudek peut-être qualifié d'artiste expressionniste ou baroque.¦¦Ses photos sont le plus souvent des portraits, ou plutôt des mises en scène de personnages. Sa prédilection va aux corps de femmes, qu'il choisit volontiers généreux, ou aux adolescents.¦¦Romantisme et érotisme sont souvent mêlés, avec un brin de provocation dans l'évocation d'un imaginaire pervers.¦¦Ce qui distingue techniquement Saudek est sa pratique du coloriage de ses photos.¦¦Jouant sur les contrastes, il fait, par exemple, ressortir un objet d'une photo noir et blanc grâce à la couleur. Il accentue aussi de cette façon des traits grimaçants ou des courbes érotiques.¦¦Bien avant les Photoshop et autres outils infographiques (il a aujourd'hui 66 ans), l'artiste prospecte le maquillage photographique et les tons saturés qui confèrent à ses images un rendu très contemporain.¦¦C'est naturellement qu'on retrouve ses travaux sur affiches, posters ou fonds d'écran d'ordinateur. Dans un style très personnel, Saudek fait le pont entre l'expressionnisme de la première moitié du XX° siècle et l'infographie de notre époque.¦¦

The twenty-eight essays in this Handbook, all by leading experts in the field, provide the most extensive treatment of various epistemological problems, supplemented by a historical account of this field. The entries are self-contained and substantial contributions to topics such as the sources of knowledge and belief, knowledge acquisition, and truth and justification. There are extensive essays on knowledge in specific fields: the sciences, mathematics, the humanities and the social sciences, religion, and language. Special attention is paid to current discussions on evolutionary epistemology, relativism, the relation between epistemology and cognitive science, sociology of knowledge, epistemic logic, knowledge and art, and feminist epistemology.

Explains how to avoid being a victim at home, at school, on dates, etc., gives advice on how to cope with sexual harrassment, threatening situations, bullying, obscene phone calls, etc. Suggested level: secondary.

As winter's chill spreads, different animals settle into their cozy homes for a long sleep.

The clubhouse of the Inway Investigators is purchased by someone whose activities appear subversive considering the mysterious sounds emitting from the building and the formidable wall erected around it.

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.

One of the more troubling aspects of the ferment in macroeconomics that followed the demise of the Keynesian dominance in the late 1960s has been the inability of many of the new ideas to account for unemployment remains unexplained because equilibrium in most economic models occurs with supply equal to demand: if this equality holds in the labor market, there is no involuntary unemployment. Efficiency Wage Models of the Labor Market explores the reasons why there are labor market equilibria with employers preferring to pay wages in excess of the market-clearing wage and thereby explains involuntary unemployment. This volume brings together a number of the important articles on efficiency wage theory. The collection is preceded by a strong, integrative introduction, written by the editors, in which the hypothesis is set out and the variations, as described in subsequent chapters, are discussed.